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WINNER OF THE 2015 PULITZER PRIZE FOR FICTIONNATIONAL BOOK AWARD FINALISTNEW YORK TIMES BESTSELLERWINNER OF THE CARNEGIE MEDAL FOR FICTIONA beautiful, stunningly ambitious novel about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II
SHORTLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION. A woman arrives in Athens in the height of summer to teach a writing course. Once there, she becomes the audience to a chain of narratives as the people she meets tell her one after another the stories of their lives. Beginning with the neighbouring passenger on the flight out and his tales of fast boats and failed marriages, the storytellers talk of their loves and ambitions and pains, their anxieties, their perceptions and daily lives. In the stifling heat and noise of the city the sequence of voices begins to weave a complex human tapestry: the experience of loss, the nature of family life, the difficulty of intimacy and the mystery of creativity itself. SHORTLISTED FOR THE FOLIO PRIZE, THE GOLDSMITHS PRIZE AND LONGLISTED FOR THE IMPAC PRIZE.
THE NUMBER ONE BESTSELLER SHORTLISTED FOR THE MAN BOOKER PRIZE 2015 SHORTLISTED FOR THE BAILEYS WOMEN'S FICTION PRIZE A RICHARD AND JUDY BOOK CLUB PICK `It was a beautiful, breezy, yellow-and-green afternoon...' This is the way Abby Whitshank always begins the story of how she and Red fell in love that summer's day in 1959. The whole family on the porch, half-listening as their mother tells the same tale they have heard so many times before. From that porch we spool back through the generations, witnessing the events, secrets and unguarded moments that have come to define the family. From Red's father and mother, newly arrived in Baltimore in the 1920s, to Abby and Red's grandchildren carrying the family legacy boisterously into the twenty-first century - four generations of Whitshanks, their lives unfolding in and around the sprawling, lovingly worn Baltimore house that has always been their home... 'One of my favourite authors' Liane Moriarty 'She spins gold' Elizabeth Buchan 'Anne Tyler has no peer' Anita Shreve 'Anne Tyler is one of my favourite writers and this is a delicious book' Rachel Joyce
Sunday Times Top Five Bestseller Elizabeth is Missing is the stunning, smash-hit debut novel from new author Emma HealeyWinner of the Costa First Novel Award 2014Shortlisted for National Book Awards Popular Fiction Book 2014Shortlisted for National Book Awards New Writer of the Year 2014Longlisted for the Dylan Thomas Prize 2014Longlisted for the Baileys Prize for Women's Fiction 2015'A thrillingly assured, haunting and unsettling novel, I read it at a gulp' Deborah Moggach, author of The Best Exotic Marigold Hotel'Elizabeth Is Missing will stir and shake you: the most likeably unreliable of narrators, real mystery at its compassionate core...' Emma Donoghue, author of Room 'Resembling a version of Memento written by Alan Bennett' Daily Telegraph'One of those mythical beasts, the book you cannot put down' Jonathan Coe, author of The Rotters Club'Every bit as compelling as the frenzied hype suggests. Gripping, haunting' Observer'If you're after a read you can't put down, then look no further' New!Meet Maud.Maud is forgetful. She makes a cup of tea and doesn't remember to drink it. She goes to the shops and forgets why she went. Sometimes her home is unrecognizable - or her daughter Helen seems a total stranger.But there's one thing Maud is sure of: her friend Elizabeth is missing. The note in her pocket tells her so. And no matter who tells her to stop going on about it, to leave it alone, to shut up, Maud will get to the bottom of it.Because somewhere in Maud's damaged mind lies the answer to an unsolved seventy-year-old mystery. One everyone has forgotten about. Everyone, except Maud . . .
Shortlisted for the Baileys Women's Prize for Fiction 2015Longlisted for the Desmond Elliott Prize for New Fiction 2015Enter a whole new world, in this thrilling debut novel set entirely within a beehive.Born into the lowest class of her society, Flora 717 is a sanitation bee, only fit to clean her orchard hive. Living to accept, obey and serve, she is prepared to sacrifice everything for her beloved holy mother, the Queen.But Flora is not like other bees. Despite her ugliness she has talents that are not typical of her kin. While mutant bees are usually instantly destroyed, Flora is removed from sanitation duty and is allowed to feed the newborns, before becoming a forager, collecting pollen on the wing. She also finds her way into the Queen's inner sanctum, where she discovers secrets both sublime and ominous.But enemies are everywhere, from the fearsome fertility police to the high priestesses who jealously guard the Hive Mind. And when Flora breaks the most sacred law of all her instinct to serve is overshadowed by an even deeper desire, a fierce love that will lead to the unthinkable . . .Laline Paull's chilling yet ultimately triumphant novel creates a luminous world both alien and uncannily familiar. Thrilling and imaginative, `The Bees' is the story of a heroine who, in the face of an increasingly desperate struggle for survival, changes her destiny and her world.
Here is the dazzling saga of two women, the brilliant, bookish Elena and the fiery uncontainable Lila. In this book, both are adults; life s great discoveries have been made, its vagaries and losses have been suffered. Through it all, the women s friendship, examined in its every detail over the course of four books, remains the gravitational center of their lives. Both women once fought to escape the neighborhood in which they grew up a prison of conformity, violence, and inviolable taboos. Elena married, moved to Florence, started a family, and published several well-received books. But now, she has returned to Naples to be with the man she has always loved. Lila, on the other hand, never succeeded in freeing herself from Naples. She has become a successful entrepreneur, but her success draws her into closer proximity with the nepotism, chauvinism, and criminal violence that infect her neighborhood. Yet somehow this proximity to a world she has always rejected only brings her role as unacknowledged leader of that world into relief. For Lila is unstoppable, unmanageable, unforgettable Against the backdrop of a Naples that is as seductive as it is perilous and a world undergoing epochal change, this story of a lifelong friendship is told with unmatched honesty. Lila and Elena clash, drift apart, reconcile, and clash again, in the process revealing new facets of their friendship. The four volumes in this series constitute a long remarkable story that readers will return to again and again, and, like Elena and Lila themselves, every return will bring with it new discoveries.
'Heart-rending and heart-warming . . . for all its gentleness, a very powerful novel' Jim Crace Andreas lives his whole life in the Austrian Alps, where he arrives as a young boy taken in by a farming family. He is a man of very few words and so, when he falls in love with Marie, he doesn't ask for her hand in marriage, but instead has some of his friends light her name at dusk across the mountain. When Marie dies in an avalanche, pregnant with their first child, Andreas' heart is broken. He leaves his valley just once more, to fight in WWII - where he is taken prisoner in the Caucasus - and returns to find that modernity has reached his remote haven . . . Like John Williams' Stoner or Denis Johnson's Train Dreams, A Whole Life by Robert Seethaler is a tender book about finding dignity and beauty in solitude. An exquisite novel about a simple life, it has already demonstrated its power to move thousands of readers with a message of solace and truth. It looks at the moments, big and small, that make us what we are.
Yeong-hye and her husband are ordinary people. He is an office worker with moderate ambitions and mild manners; she is an uninspired but dutiful wife. The acceptable flatline of their marriage is interrupted when Yeong-hye, seeking a more 'plant-like' existence, decides to become a vegetarian, prompted by grotesque recurring nightmares. In South Korea, where vegetarianism is almost unheard-of and societal mores are strictly obeyed, Yeong-hye's decision is a shocking act of subversion. Her passive rebellion manifests in ever more bizarre and frightening forms, leading her bland husband to self-justified acts of sexual sadism. His cruelties drive her towards attempted suicide and hospitalisation. She unknowingly captivates her sister's husband, a video artist. She becomes the focus of his increasingly erotic and unhinged artworks, while spiralling further and further into her fantasies of abandoning her fleshly prison and becoming - impossibly, ecstatically - a tree. Fraught, disturbing and beautiful, The Vegetarian is a novel about modern day South Korea, but also a novel about shame, desire and our faltering attempts to understand others, from one imprisoned body to another.
Richard Ford returns with four deftly linked Christmas stories narrated by the iconic Frank Bascombe. Now sixty-eight, Frank resides again in the New Jersey suburb of Haddam, and has thrived - seemingly but not utterly - amidst the devastations of Hurricane Sandy. The desolations of Sandy, which left countless lives unmoored, are the perfect backdrop for Ford - and Bascombe. With a flawless comedic sensibility and unblinking intelligence, these stories range over the full complement of universal subjects: ageing, race, loss, faith, marriage, the real estate debacle - the tumult of the world we live in.
Longlisted for the Bailey's Prize 2015 The New York Times Bestseller 2014 National Book Awards Finalist 2015 PEN/Faulkner Award Finalist What was lost in the collapse: almost everything, almost everyone, but there is still such beauty. One snowy night in Toronto famous actor Arthur Leander dies on stage whilst performing the role of a lifetime. That same evening a deadly virus touches down in North America. The world will never be the same again. Twenty years later Kirsten, an actress in the Travelling Symphony, performs Shakespeare in the settlements that have grown up since the collapse. But then her newly hopeful world is threatened. If civilization was lost, what would you preserve? And how far would you go to protect it? 'BEST NOVEL. The big one . . . One of the 2014 books that I did read stands above all the others:Station Eleven, by Emily St. John Mandel . . . beautifully written, and wonderfully elegiac, a book that I will long remember, and return to.' George R.R. Martin, author of Game of Thrones 'Emily St. John Mandel's Station Eleven is that rare find that feels familiar and extraordinary at the same time. This is truly something special' Erin Morgenstern, author of The Night Circus
SHORTLISTED FOR THE MAN BOOKER INTERNATIONAL PRIZE 2016. "One of China's greatest living authors and fiercest satirists". (Guardian). In the ninety-ninth district of a sprawling labour camp, the Author, Musician, Scholar, Theologian and Technician - and hundreds just like them - are undergoing Re-education, to restore their revolutionary zeal and credentials. In charge of this process is the Child, who delights in draconian rules, monitoring behaviour and confiscating treasured books. But when bad weather arrives, followed by the 'three bitter years', the intellectuals are abandoned by the regime and left on their own to survive. Divided into four narratives, The Four Books tells the story of the Great Famine, one of China's most devastating and controversial periods. WINNER OF THE FRANZ KAFKA PRIZE 2014. NOMINATED FOR CZECH AWARD MAGNESIA LITERA 2014. HUA ZHONG WORLD CHINESE LITERATURE PRIZE 2013. FINALIST FOR THE MAN BOOKER INTERNATIONAL PRIZE 2013. WINNER OF THE HUA ZHONG WORLD CHINESE LITERATURE PRIZE 2013. SHORTLISTED FOR THE INDEPENDENT FOREIGN FICTION PRIZE 2012. SHORTLISTED FOR THE PRIX FEMINA ETRANGER 2012. SHORTLISTED FOR THE MAN ASIAN LITERARY PRIZE 2011. WINNER OF THE LAO SHE LITERATURE AWARD 2004. WINNER OF THE LU XUN AWARD 1997.
WINNER OF THE BAILEYS WOMEN'S PRIZE FOR FICTION 2015WINNER OF THE GOLDSMITHS PRIZE 2014SHORTLISTED FOR THE MAN BOOKER PRIZE 2014WINNER OF THE 2014 COSTA NOVEL AWARDWINNER OF THE SALTIRE SOCIETY LITERARY BOOK OF THE YEAR AWARD 2014NOMINATED FOR THE FOLIO PRIZE 2015How to be both is the dazzling, award-winning novel by Ali SmithPassionate, compassionate, vitally inventive and scrupulously playful, Ali Smith's novels are like nothing else. How to be both is a novel all about art's versatility. Borrowing from painting's fresco technique to make an original literary double-take, it's a fast-moving genre-bending conversation between forms, times, truths and fictions. There's a renaissance artist of the 1460s. There's the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real - and all life's givens get given a second chance. 'Brims with palpable joy' Daily Telegraph'She's a genius, genuinely modern in the heroic, glorious sense' Alain de Botton'I take my hat off to Ali Smith. Her writing lifts the soul' Evening Standard
'There came the splash of water and the rub of heels as Mrs Barber stepped into the tub. After that there was a silence, broken only by the occasional echoey plink of drips from the tap...'Frances had been picturing her lodgers in purely mercenary terms - as something like two great waddling shillings. But this, she thought, was what it really meant to have paying guests: this odd, unintimate proximity, this rather peeled-back moment, where the only thing between herself and a naked Mrs Barber was a few feet of kitchen and a thin scullery door. An image sprang into her head: that round flesh, crimsoning in the heat.' It is 1922, and London is tense. Ex-servicemen are disillusioned, the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa, a large silent house now bereft of brothers, husband and even servants, life is about to be transformed, as impoverished widow Mrs Wray and her spinster daughter, Frances, are obliged to take in lodgers. For with the arrival of Lilian and Leonard Barber, a modern young couple of the 'clerk class', the routines of the house will be shaken up in unexpected ways. And as passions mount and frustration gathers, no one can foresee just how far-reaching, and how devastating, the disturbances will be. This is vintage Sarah Waters: beautifully described with excruciating tension, real tenderness, believable characters, and surprises. It is above all a wonderful, compelling story.
This book is longlisted for the 2015 Baileys Women's Prize for Fiction. Sir Humphrey du Val of the Table of Less Valued Knights - Camelot's least prestigious table, with one leg shorter than the others so that it has to be propped up with a folded napkin - doesn't do quests...until he meets Elaine, a damsel in distress with a secret to hide. Meanwhile, Queen Martha of Puddock is on the run from an arranged marriage to the odious Prince Edwin of Tuft. But an encounter with the Locum of the Lake (standing in for the full-time Lady) leaves her with a quest of her own: to find her missing brother, long believed dead. The two quests collide, introducing a host of Arthurian misfits, including a freakishly short giant, a twelve-year-old crone, an amorous unicorn, and a magic sword with a mind of her own. With Gods Behaving Badly Marie Phillips showed that she has a rare gift for comedy, giving the Greek Gods an ingenious contemporary twist. In The Table of Less Valued Knights it's Camelot's turn, and you'll never see a knight in shining armour in the same way again.
THE NEW YORK TIMES BESTSELLER NOW A MAJOR TV SERIES starring Pierce Brosnan and co-written by Philipp Meyer The critically acclaimed, New York Times-bestselling epic, a saga of land, blood and power, follows the rise of one unforgettable Texas family from the Comanche raids of the 1800s to the oil booms of the 20th century. Eli McCullough is just twelve years old when a marauding band of Comanche storm his Texas homestead, brutally murder his mother and sister and take him captive. Despite their torture and cruelty, Eli - against all odds - adapts to life with the Comanche, learning their ways and language, taking on a new name, finding a place as the adopted son of the band's chief and fighting their wars against not only other Indians but white men too, which complicates his sense of loyalty, his promised vengeance and his very understanding of self. But when disease, starvation and westward expansion finally decimate the Comanche, Eli is left alone in a world in which he belongs nowhere, neither white nor Indian, civilized nor fully wild. Deftly interweaving Eli's story with those of his son Peter and his great-granddaughter JA, The Son maps the legacy of Eli's ruthlessness, his drive to power and his lifelong status as an outsider, even as the McCullough family rises to become one of the richest in Texas, a ranching and oil dynasty that is as resilient and dangerous as the land they claim. Yet, like all empires, the McCulloughs must eventually face the consequences of their choices. Panoramic, deeply evocative and utterly transporting, The Son is a masterpiece American novel - part epic of Texas, part classic coming-of-age story - that combines the narrative prowess of Larry McMurtry with the knife-edge sharpness of Cormac McCarthy. 'Stunning ...a book that for once really does deserve to be called a masterpiece' Kate Atkinson 'Magnificent ...McCarthy's Border Trilogy is a point of reference, as is There Will Be Blood, but it is not fanciful to be reminded of certain passages from Moby-Dick - it's that good'The Times 'Brilliant ...a wonderful novel' Lionel Shriver
In 1527 the Spanish conquistador Panfilo de Narvaez arrived on the coast of modern-day Florida with hundreds of settlers, and claimed the region for Spain. Almost immediately, the expedition was decimated by a combination of navigational errors, disease, starvation and fierce resistance from indigenous tribes. Within a year, only four survivors remained: three noblemen and a Moroccan slave called "Estebanico". The official record, set down after a reunion with Spanish forces in 1536, contains only the three freemen's accounts. The fourth, to which the title of Laila Lalami's masterful novel alludes, is Estebanico's own. Lalami gives us Estebanico as history never did: as Mustafa, the vibrant merchant from Azemmur forced into slavery and a new name, and reborn as the first black explorer of the Americas, discovering and being discovered by various tribes both hostile and compassionate. In Estebanico's telling, the survivors' journey across great swathes of the New World transforms would-be conquerors into humble servants and fearful outcasts into faith healers. He remains ever-observant, resourceful and hopeful that he might one day find his way back to his family, even as he experiences an unexpected (if ambiguous) camaraderie with his masters. The Moor's Account illuminates the ways in which stories can transmigrate into history, and how storytelling can offer a chance for redemption, reinvention and survival.
Shortlisted for the 2015 James Tait Black Memorial Prize Longlisted for the 2015 Baileys Women's Prize for Fiction Longlisted for the 2015 Jerwood Prize In the middle of a winter's night, a woman wraps herself in a blanket, picks up a pen and starts writing to an estranged friend. In answer to a question you asked a long time ago, she writes, and so begins a letter that calls up a shared past both women have preferred to forget. Without knowing if her friend, Butterfly, is even alive or dead, she writes night after night - a letter of friendship that turns into something more revealing and recriminating. By turns a belated outlet of rage, an act of self-defence, and an offering of forgiveness, the letter revisits a betrayal that happened a decade and a half before, and dissects what is left of a friendship caught between the forces of hatred and love.
Summer, 1914. Young Englishwoman Vivian Rose Spencer is in an ancient land, about to discover the Temple of Zeus, the call of adventure, and love. Thousands of miles away a twenty-year-old Pathan, Qayyum Gul, is learning about brotherhood and loyalty in the British Indian army. Summer, 1915. Viv has been separated from the man she loves; Qayyum has lost an eye at Ypres. They meet on a train to Peshawar, unaware that a connection is about to be forged between their lives - one that will reveal itself fifteen years later when anti-colonial resistance, an ancient artefact and a mysterious woman will bring them together again.
Stevie comes from a long line of people who have cut and run. Just like he has.Stevie's been to London, taught himself to get by, and now he's working as a labourer not so far from his childhood home in Glasgow. But he's not told his family - what's left of them - that he's back. Not yet.He's also not far from his Uncle Eric's house: another one who left - for love this time. Stevie's toughened himself up against that emotion. And as for his own mother, Lindsey ... well, she ran her whole life. From her father and Ireland, from her husband, and eventually from Stevie too.This is a powerful novel about the risk of love, and the madness and betrayals that can split a family. If you cut your ties, will you cut yourself adrift?Rachel Seiffert is an extraordinarily deft and humane writer who tells us the truth about love and about hope.
It was the year when Madeline's family moved to an island her father believed God had guided him to.It was a place where she revelled in the natural beauty of their surroundings. It was a time of euphoria, but also of successive disasters. It was the night Madeline turned fourteen, when she did something she thought would save her beloved mother. Something so traumatic that she cannot now recall it, but her suave new psychiatrist thinks he knows how to unlock her memory. He is treading on very dangerous ground.
***LONGLISTED FOR THE BAILEYS WOMEN'S FICTION PRIZE 2015***At birth, Nouschka forms a bond with her twin that can never be broken.At six, she's the child star daughter of Quebec's most famous musician.At sixteen, she's a high-school dropout kicking up with her beloved brother.At nineteen, she's the Beauty Queen of Boulevard Saint-Laurent.At twenty, she's back in night school. And falling for an ex-convict. And it's all being filmed by a documentary crew.
A Strangeness In My Mind is a novel Orhan Pamuk has worked on for six years. It is the story of boza seller Mevlut, the woman to whom he wrote three years' worth of love letters, and their life in Istanbul. In the four decades between 1969 and 2012, Mevlut works a number of different jobs on the streets of Istanbul, from selling yoghurt and cooked rice, to guarding a car park. He observes many different kinds of people thronging the streets, he watches most of the city get demolished and re-built, and he sees migrants from Anatolia making a fortune; at the same time, he witnesses all of the transformative moments, political clashes, and military coups that shape the country. He always wonders what it is that separates him from everyone else - the source of that strangeness in his mind. But he never stops selling boza during winter evenings and trying to understand who his beloved really is. What matters more in love: what we wish for, or what our fate has in store? Do our choices dictate whether we will be happy or not, or are these things determined by forces beyond our control? A Strangeness In My Mind tries to answer these questions while portraying the tensions between urban life and family life, and the fury and helplessness of women inside their homes.
Longlisted for the Baileys Women's Fiction Prize In a flat above a noisy north London market, translator Iona Kirkpatrick starts work on a Chinese letter. Two lovers, Mu and Jian, have been driven apart by forces beyond their control. As Iona unravels the story of the lovers, Jian and Mu seem to be travelling further and further away from each other. Iona, intoxicated by their romance, sets out to bring them back together, but time is running out. Xiaolu Guo was named as one of Granta's Best of Young British Novelists
"That was the day that Mama made the rules: If they come, run. Be quiet and run. But not together. Never together. If one is found, at least the other survives...." During a cold, British winter, three women reach crisis point. Emily, an immigrant survivor of the Rwandan genocide is existing but not living. Vera, a newly Christian Londoner is striving to live a moral life, her happiness constantly undermined by secrets from her past. Lynn, battling with an untimely disease, is consumed by bitterness and resentment of what she hasn't achieved and what has been snatched from her. Each suffering their own demons, their lives have been torn open by betrayal: by other people, by themselves, by life itself. But as their paths interweave, they begin to unravel their beleaguered pasts, and inadvertently change each other's futures.
My name be Ice Cream Fifteen Star and this be the tale of how I bring the cure to all the Nighted States, save every poory children, short for life. Is how a city die for selfish love, and rise from this same smallness. Be how the new America begin, in wars against all hope - a country with no power in a world that hate its life. So been the faith I sworn, and it ain't evils in no world nor cruelties in no red hell can change the vally heart of Ice Cream Star. In the ruins of a future America, fifteen-year-old Ice Cream Star and her people survive by scavenging in the detritus of an abandoned civilization. Theirs is a world of children - by the time they reach twenty, each of them will die from a disease they call posies. When her brother sickens, Ice Cream sets out on the trail of a cure, led by a stranger whose intentions remain unclear. It's a quest that will lead her to love and heartbreak, to captivity and to a nation's throne, and ultimately into a war that threatens to doom everyone she loves.
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