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Well-known television anchor and media personality Ruda Landman talks to a wide variety of South Africans about their life choices and how change has affected them.
A colourful mosaic of diverse experiences emerges as people share life stories and lessons. The book includes insights by the likes of John Kani, Ferial Haffajee, Pieter-Dirk Uys, Katlego Maboe, Gugu Zulu, Zapiro, ProVerb, Arno Carstens, Mam' Khanyi (who takes in street children and orphans), Nick Binnedell and Marc Lottering.
Revealing, sad, funny and filled with hope as well-known and ordinary people equally show how each one of us always has options and can make a difference by how we respond to what we encounter.
Few people have courted as much controversy or evoked such strong and divergent emotions as Winnie Madikizela-Mandela. Adored by some, abhorred by others, she bears a name famous throughout the world, yet not many people know the woman behind the headlines, myths and controversies, or the details of the fascinating story that is her life. This biography reveals the enigma that is Winnie Mandela, by exploring both her personal and political life.
The reader is given a rare glimpse into Winnie's strict yet happy rural upbringing, where the foundations were laid for her faith, compassion and indomitable resolve. As a young social worker in 1950s Johannesburg, her beauty, style and character captivated the political activist and Tembu prince, Nelson Mandela. Together, they personified the rising aspirations and political awakening of their people, and, in so doing, inspired a nation. Through her fierce determination and dauntless courage, she survived her husband's imprisonment, continuous harassment by the security police, banishment to a small Free State town, betrayal by friends and allies, and more than a year in solitary confinement – all the while keeping the struggle flame alight and the name of Nelson Mandela alive.
A sensitive and balanced portrayal, the title nevertheless thoroughly investigates and honestly examines the controversies that have dogged Winnie Mandela in recent years - the allegations of kidnapping and murder, her divorce from Mandela, and the current charges of fraud.
In Sorry, Not Sorry, Haji Mohamed Dawjee explores the often maddening experience of moving through postapartheid South Africa as a woman of colour.
In characteristically candid style, Dawjee pulls no punches when examining the social landscape: from arguing why she’d rather deal with an open racist than some liberal white people, to drawing on her own experience to convince readers that joining a cult is never a good idea. In the provocative voice that has made Dawjee one of our country’s most talked-about columnists, she offers observations laced throughout with an acerbic wit.
Sorry, Not Sorry will make readers laugh, wince, nod, introspect and argue.
Jonathan Kaplan, celebrated international rugby referee and former world record-holder for most Test caps, had his fair share of challenging moments on the field. He was known for his commitment to fair play, ability to defuse tense situations, and courage in making difficult, and sometimes controversial, decisions. All this would stand JK in good stead and come back into play when, at the age of 47, he made two life-changing decisions. The first was to blow his whistle for the last time and end his career as a professional rugby ref. The second was to become a parent – and a solo parent at that.
This is the story of JK’s decision to have a baby by surrogate, the two-year fertility process that followed, and the subsequent birth of his son Kaleb. Winging It draws on the insights of key role-players in JK’s journey, including the extraordinary experience of the surrogate mother herself.
Exchanging rucks for reflux, mauls for milk bottles, scrums for storks (and other stories about Kaleb’s conception), this account of how JK navigates the choppy waters of parenthood is disarmingly frank and scrupulously honest. At times poignant and tender, and at others downright funny, this is a thoroughly contemporary take on what constitutes a family and how we dare to build one.
'I was made in Coffee Bay. Right there on the beach, in the sand.'
From the opening lines, we are drawn in and engrossed by this startling memoir of a singular childhood. Suzan is adopted as a newborn in the late 1960s into a seemingly loving and welcoming family living in Pietermaritzburg. But Suzan is set on a collision course with, most particularly, her adoptive mother, and society, from her very beginning. Suzan's relationship with her mother is fraught with drama, which veers over into a level of emotional abuse and needless cruelty that is shocking.
At the age of thirteen, Suzan is sent to a place of safety as a ward of the state, effectively 'orphaning' her. From there, she spirals out of control – fighting to survive in a world of other neglected, abandoned and abused children. She becomes a 'runner', escaping at every opportunity from her various places of confinement, grabbing her schooling in snatches, living on the edges of a drug and prostitution underworld, finding love wherever she can.
Suzan’s young life was the stuff of movies, but it is her writing, in a voice that is unforgettable and true, that transforms her memories into something magical rarely matched in South African literature. A new classic.
An inspiring story of one man’s rise from poverty and oppression to success and fame in the international world of opera...
It is a difficult undertaking for any human to escape the cycle of poverty, but to do so from one of the world’s most complex political systems, with a brutal history of segregation and deprivation, is nothing short of a miracle. Yet Musa Ngqungwana’s story doesn’t end there. Not only did he manage to extricate himself from his impoverished past, but he found his way to the great opera houses of the world, attaining immense success in an affluent art form that bears no resemblance to his upbringing or culture. Musa’s life and career are proof that any human can overcome the devastating effects of discrimination and poverty.
Odyssey Of An African Opera Singer chronicles Musa’s journey from the townships of South Africa to the world stage. It is a story of hope, showing how humans, no matter their situation, have the opportunity to claim their gifts, develop them and use them to help others in need. A captivating story that will inspire anyone who has ever had a dream...
When South Africa’s golden girl of broadcasting, Tracy Going’s battered face was splashed across the media back in the late 1990s, the nation was shocked. South Africans had become accustomed to seeing Going, glamorous and groomed on television or hearing her resonant voice on Radio Metro and Kaya FM. Sensational headlines of a whirlwind love relationship turned horrendously violent threw the “perfect” life of the household star into disarray.
What had started off as a fairy-tale romance with a man who appeared to be everything that Going was looking for – charming, handsome and successful – had quickly descended into a violent, abusive relationship.
“As I stood before him all I could see were the lies, the disappearing for days without warning, the screaming, the threats, the terror, the hostage-holding, the keeping me up all night, the dragging me through the house by my hair, the choking, the doors locked around me, the phones disconnected, the isolation, the fear and the uncertainty.”
The rosy love cloud burst just five months after meeting her “Prince Charming” when she staggered into the local police station, bruised and battered. A short relationship became a two-and-a-half-year legal ordeal played out in the public eye. In mesmerising detail, Going takes us through the harrowing court process – a system seeped in injustice – her decline into depression, the immediate collapse of her career due to the highly public nature of her assault and the decades-long journey to undo the psychological damages in the search for safety and the reclaiming of self. The roots of violence form the backdrop of the book, tracing Going’s childhood on a plot in Brits, laced with the unpredictable violence of an alcoholic father who regularly terrorised the family with his fists of rage.
“I was ashamed of my father, the drunk. If he wasn’t throwing back the liquid in the lounge then he’d be finding comfort and consort in his cans at the golf club. With that came the uncertainty as I lay in my bed and waited for him to return. I would lie there holding my curtain tight in my small hand. I would pull the fabric down, almost straight, forming a strained sliver and I would peer into the blackness, unblinking. It seemed I was always watching and waiting. Sometimes I searched for satellites between the twinkles of light, but mostly the fear in my tummy distracted me.”
Brilliantly penned, this highly skilled debut memoir, is ultimately uplifting in the realisation that healing is a lengthy and often arduous process and that self-forgiveness and acceptance is essential in order to fully embrace life.
In this new biography of Chris Barnard we not only learn about the life of South Africa’s most famous surgeon, from his Beaufort West childhood through his studies locally and abroad to his prominent marriages – and divorces – but James Styan also examines the impact of the historic heart transplant on Barnard’s personal life and South African society at large, where apartheid legislation often made the difficulties of medicine even more convoluted.
The role of black medical staff like Hamilton Naki is explored, as is the intense rivalry that arose between other famous heart surgeons and Barnard. How did Barnard manage to beat them all in this race of life and death? How much did his famous charisma have to do with it all? And in the light of his later years, his subsequent successes and considerable failures, what is Barnard’s legacy today?
Styan covers it all in this fascinating new account of a real heartbreaker that coincides with the 50th anniversary of the first heart transplant.
Could drugs, jealousy and money have driven a normal 20-year-old to wipe out nearly his whole family with an axe?
The Van Bredas from Stellenbosch were seemingly the perfect family. Wealthy, successful and popular. They led a dream life at the luxury De Zalze golf estate.
And then, in a flash, everything changed. The country was stunned by the news of the gruesome killings of Martin, his wife Teresa, and their 22-year-old son Rudi. The blonde teenage daughter Marli miraculously survived, but was unable to remember the events of that fatal night due to a brain injury.
Eventually the other son, Henri, who escaped the bloodbath unscathed and knew what had really happened, was charged with the three murders.
One by one, relatives and friends started talking. They painted a picture of parents who had been at their wits' end with their difficult ‘loner’ child. Henri's drug addiction had reportedly caused ‘great discord’ in the household, and he was said to have been ‘pissed off’ with his parents for supposedly favouring his brother Rudi.
Could it be that the Van Bredas' own child had been the one who wielded the axe?
Global business icon Richard Branson has written many books, but none have been more popular than his first memoir, 1998’s Losing My Virginity. Now he’s finally publishing his second volume of memoirs, covering all of his fascinating ups and downs of the past two decades.
In the two decades since Richard Branson wrote Losing My Virginity, his life and company have changed significantly. Now he brings his life story up to date, including all the successes and failures. He also shares his personal, intimate thoughts on five decades as the world’s ultimate entrepreneur, and his shift to focusing more and more on public service. See how Branson created hundreds of different companies, going from a houseboat to his own private island. Join him as he juggles working life with raising his children, sustaining his marriage, and creating a unique company culture. Discover how he created a new life on Necker Island, while continuing to grow the Virgin brand into all corners of the world. Get the real story behind his encounters with everyone from Bill Gates and Rupert Murdoch to Nelson Mandela and Beyoncé.
Go behind the scenes as Sir Richard Branson creates the world’s first commercial spaceline, Virgin Galactic, and handles the biggest crisis he has ever faced. Get under the skin of world record attempts on land, sea and air, and see how the original business hippy adapted to becoming a doting ‘grand-dude’ to his three grandchildren, Eva-Deia, Etta and Artie. This is the true account of how the Virgin Founder reinvented himself and his brand for the 21st C entury, while continuing to push boundaries, break rules and reach for the stars in more ways than one. This is the story of the man behind the beard, the business, the bravado and the brand. Find out how the ultimate entrepreneur did it for the first time - all over again.
Kan dwelms, jaloesie en geld ’n normale 20-jarige daartoe dryf om byna sy hele gesin met ’n byl uit te wis?
Die Van Breda’s van Stellenbosch was skynbaar die perfekte gesin. Skatryk, suksesvol en gewild. In die luukse De Zalze-landgoed het hulle ’n droomlewe gelei.
En toe verander alles in ’n oogwink. Die land is tot stilstand geruk deur die nuus van Martin en sy vrou, Teresa, en hul 22-jarige seun Rudi se grumoorde. Die blondekop tiener, Marli, het net-net oorleef, maar kan weens ’n breinbesering niks van dié noodlottige nag onthou nie.
Mettertyd word die ander seun, Henri, wat ongeskonde is en weet wat werklik gebeur het, aangekla van die driedubbele moord.
Dan begin familie en vriende een-vir-een praat. Hulle skets ’n prentjie van ouers wat raadop was met hul moeilike “eenkantkind”. Henri se dwelmverslawing het blykbaar tot “groot onmin” in die huis gelei en hy was glo “die moer in” vir sy ouers omdat sy broer, Rudi, voorgetrek is.
Kan dit wees dat die Van Breda’s se eie kind die byl gelig het?
On 2 February 1959, a musical about the life and times of heavyweight boxing star Ezekiel Dhlamini (known as 'King Kong') opened in Johannesburg to a packed audience that included Nelson Mandela. King Kong was not just South Africa's first ever musical, but one that grew out of a collaboration between black people and white, and showcased an all-black cast.
It was an instant hit, bursting through the barriers of apartheid and eventually playing to 200,000 South Africans of every colour before transferring to London's West End. Pat Williams, the show's lyricist, was at the time an apolitical young woman trying to free herself from the controls and prejudices of the genteel white society in which she lived. Here she recounts her experience of growing up in a divided South Africa, her involvement in the musical, and its lasting impact both on herself and on the show's cast, many of whom went on to find international fame, like South African jazz legends Miriam Makeba and Hugh Masekela. Her memoir takes the story up to the present day.
It is both a vivid evocation of a troubled time and place as well as a celebration of a joyous production, in which a group of young people came together in South Africa's dark times - to create a show which still lives on today.
Like many other African countries, South Africa has performed well in women’s representation in parliament and government, but this has not necessarily translated to other sectors. What are the obstacles to women’s advancement, and what needs to be done about it?
Equal But Different is based on life story interviews from fourteen women from diverse backgrounds, all of whom have risen to top leadership positions. These include Phuti Mahanyele (exec chairman Sigma Capital), Coco Cachalia (CEO Grounded Media), Cora Fernandez (Head of Sanlam Investment Management), and Siza Mzimela (first black woman to lead a commercial airline company). It does an excellent job of illuminating the similarities as well as the differences in the women’s experiences in their struggle to the top.
While this book is mainly aimed at women, it also calls upon men to play an active role in encouraging aspiring female leaders.
“It is my strong belief that people are born equal but different. It is a belief that equity across gender, race, social class and sexual orientation will be attained in my lifetime.” - Dr. Judy Dlamini
In her much anticipated memoir, Sisonke Msimang writes about her exile childhood in Zambia and Kenya, young adulthood and college years in North America, and returning to South Africa in the euphoric 1990s. She reflects candidly on her discontent and disappointment with present-day South Africa but also on her experiences of family, romance, and motherhood, with the novelist’s talent for character and pathos.
Militant young comrades dance off the pages of the 1970s Lusaka she invokes, and the heady and naive days of just-democratic South Africa in the 1990s are as vividly painted. Her memoir is at heart a chronicle of a coming-of-age, and while well-known South African political figures appear in these pages, it is an intimate story, a testament to family bonds and sisterhood.
Sisonke Msimang is one of the most assured and celebrated voices commenting on the South African present – often humorously; sometimes deeply movingly – and this book launches her to an even broader audience.
For the first time, Hillary Clinton reveals what she was thinking during one of the most controversial and unpredictable United States of America presidential elections in history.
In an intimate voice now free from the constraints of politics, Hillary tells the story of what it was like to be the first woman nominated for president in an election marked by rage, sexism, exhilarating highs and infuriating lows, kooky theatrics, Russian interference, a maddening inattention to serious issues, deplorable (yes, deplorable) bigotry, and an opponent who broke all the rules. In these pages, Hillary describes what it was like to run against Donald Trump, the mistakes she made, how she has coped with a shocking and devastating loss, and what the experience has taught her about life. With humour and candour, she tells readers what it took to get back on her feet—the rituals, the relationships, and occasional yelling at the television.
She also addresses the challenges of being a strong woman in public life, the criticism over her voice, age, and body, and how all women in politics confront a double standard whenever they express anger or ambition. Drawing upon the inspirational quotations she has collected for decades, she shows us how she became strong in the first place, how to find your core truths, and how to keep going in the face of adversity. In that sense, her book is a guide not just for how to persist in politics but also how to win in the real contest of life.
Hillary Clinton lost an election but she remains unbroken and undefeated. This memoir is for the millions of people around the world who want to understand what really happened in 2016, how to make sense of it, and how we all can keep going.
Vir die vroue wat hy met sy rolprentsterglimlag betower het, was Chris Barnard ’n hartebreker. Vir sy pasiënte ’n harteheler.
Dié nuwe biografie oor Suid-Afrika se beroemdste hartsjirurg vertel nie net van Barnard se kinderjare in Beaufort-Wes, sy prominente huwelike (en egskeidings) en flambojante lewe nie. James Styan ondersoek ook die impak van die historiese eerste hartoorplanting op Barnard se persoonlik lewe en op die Suid-Afrikaanse gemeenskap in die algemeen, waar apartheidswetgewing dikwels die probleme van geneeskunde nog ingewikkelder gemaak het. Die rol van swart mediese personeel soos Hamilton Naki word bespreek, sowel as die intense wedywering wat tussen ander beroemde hartsjirurge en Barnard ontstaan het.
Hoe het Barnard dit reggekry om hulle almal in dié resies om lewe en dood te wen? Hoeveel het sy welbekende sjarme daarmee te doen gehad? En wat is Barnard se nalatenskap vandag, in die lig van sy latere suksesse en aansienlike mislukkings? Styan dek dit alles in dié fassinerende nuwe blik op Chris Barnard wat uitgegee is om saam te val met die 50ste herdenking van die eerste hartoorplanting.
The Detainees’ Parents Support Committee (DPSC) was started in 1981 in Johannesburg, South Africa. It was set up by the parents, spouses and families of activists who were detained and had no recourse to legal intervention. Many in this movement had not been politically involved.
Members of the DPSC stood on street corners with placards calling for the release of their children. They organised food, clothing and legal representation for detainees across the country, and they supported the detainees’ families. DPSC activists marched, petitioned, argued, wrote and protested for the release of all detainees. They made public the brutal operations of the security establishment.
The DPSC helped to draw international attention to the atrocities being perpetuated against children – some as young as nine – by the apartheid state. And the evidence amassed by the DPSC helped to lay some of the groundwork for South Africa’s Truth and Reconciliation Commission (TRC).
The Knock On The Door tells the story of the DPSC and of how the anti-detention movement became part of the mass uprising that brought down apartheid. It is an inspiring account of ordinary people coming together to stand up against racism and the abuse of power.
200 women from a variety of backgrounds are asked the same five questions. Their answers are inspiring human stories of success and courage, love and pain, redemption and generosity. From well-known activists, artists, and innovators to everyday women whose lives are no less exceptional for that, each woman shares her unique replies to questions like “What really matters to you?” and “What would you change in the world if you could?” Interviewees include US Supreme Court Justice Ruth Bader Ginsburg, actor and human rights activist Alfre Woodard, and Nobel laureate Jodi Williams, along with those who are making a difference behind the scenes around the world, such as Marion Wright Edelman, head of the Children’s Defense Fund.
Each interview is accompanied by a photographic portrait, resulting in a volume that is compelling in word and image — and global in its scope and resonance. This landmark book is published to coincide with an immersive travelling exhibition and an interactive website, building on this remarkable, ever-evolving project. With responses ranging from uplifting to heartbreaking, these women offer gifts of empowerment and strength inviting us to bring positive change at a time when so many are fighting for basic freedom and equality.
Local interviewees include Graça Machel, Caster Semenya, Zelda la Grange, Mpho Tutu van Furth, Hlubi Mboya, Sahm Venter, Joanne Fedler, Ingrid le Roux, Gillian Slovo and Zoleka Mandela, among others.
A minimum of 10% of the project’s revenue will be distributed to organisations devoted to protecting and advancing the rights of women. Each interviewee can nominate an organisation (or themselves if they are in financial need) to receive their portion of the charitable pool or they can select the principal charitable partner, the Graça Machel Trust.
“Dad thinks lots of things are right-wing. He even thinks He-Man is right-wing. I ask Dad who we are and he says left-wing. Left is opposite to right. If right is bad, then we’re the opposite of that, which means we’re good.”
It’s post-independence Zimbabwe and an atmosphere of nostalgia hangs over much of Harare’s remaining white community. Hayden Eastwood grows up in a family that sets itself apart, distinguishing themselves from Rhodie-Rhodies through their politics: left is good; right is bad.
Within the family’s free and easy approach to life, Hayden and his younger brother, Dan, make a pact to never grow up, to play hide and seek and build forts forever, and to never, ever be interested in girls. But as Hayden and Dan develop as teenagers, and the chemicals of adolescence begin to stir, their childhood pact starts to unravel. And with the arrival of Sarah into their lives, the two brothers find themselves embroiled in an unspoken love triangle. While Sarah and Hayden spend increasing amounts of time together, Dan is left to deal with feelings of rejection and the burden of hidden passion alone, and the demise of a silly promise brings with it a wave of destruction.
Laced with humour, anger and sadness, Like Sodium in Water is an account of a family in crisis and an exploration of how we only abandon the lies we tell ourselves when we have no other option.
65 Years Of Friendship tells the heartrending story of a remarkable friendship between two remarkable men: world-renowned human-rights lawyer George Bizos, and Nelson Mandela.
George and Madiba met as students at the University of the Witwatersrand in 1948. They would later become legal colleagues, and Mandela would become George Bizos’ most famous client soon after, for it was Bizos who formed part of his legal defence during the famous Treason Trial, and again during the Rivonia Trial, when Mandela and others faced the death penalty for plotting to overthrow the state. After seeing his friend sentenced to life imprisonment instead, Bizos became Mandela’s lifeline, navigating the complicated network of the Struggle.
Working tirelessly, be it by secretly meeting Oliver Tambo in exile or arguing for the abolishment of the death penalty in the Constitutional Court years later, Bizos offered his unwavering support to Mandela on his long walk towards a democratic South Africa. In this touching homage to their friendship, George Bizos tells a fascinating tale of two men whose work affected the lives of all South Africans.
Drawing on Nelson Mandela's own unfinished memoir, Dare Not Linger is the remarkable story of his presidency told in his own words and those of distinguished South African writer Mandla Langa.
In 1994, Nelson Mandela became the first president of democratic South Africa. Five years later, he stood down. In that time, he and his government wrought the most extraordinary transformation, turning a nation riven by centuries of colonialism and apartheid into a fully functioning democracy in which all South Africa's citizens, black and white, were equal before the law.
Dare Not Linger is the story of Mandela's presidential years, drawing heavily on the memoir he began to write as he prepared to finish his term of office, but was unable to finish. Now, the acclaimed South African writer, Mandla Langa, has completed the task using Mandela's unfinished draft, detailed notes that Mandela made as events were unfolding and a wealth of previously unseen archival material. With a prologue by Mandela's widow, Graça Machel, the result is a vivid and inspirational account of Mandela's presidency, a country in flux and the creation of a new democracy. It tells the extraordinary story of the transition from decades of apartheid rule and the challenges Mandela overcome to make a reality of his cherished vision for a liberated South Africa.
Enemy Of The People is the first definitive account of Zuma’s catastrophic misrule, offering eyewitness descriptions and cogent analysis of how South Africa was brought to its knees – and how a nation fought back.
When Jacob Zuma took over the leadership of the ANC one muggy Polokwane evening in December 2007, he inherited a country where GDP was growing by more than 6% per annum, a party enjoying the support of two-thirds of the electorate, and a unified tripartite alliance. Today, South Africa is caught in the grip of a patronage network, the economy is floundering and the ANC is staring down the barrel of a defeat at the 2019 general elections. How did we get here?
Zuma first brought to heel his party, Africa’s oldest and most revered liberation movement, subduing and isolating dissidents associated with his predecessor Thabo Mbeki. Then saw the emergence of the tenderpreneur and those attempting to capture the state, as well as a network of family, friends and business associates that has become so deeply embedded that it has, in effect, replaced many parts of government. Zuma opened up the state to industrial-scale levels of corruption, causing irreparable damage to state enterprises, institutions of democracy, and the ANC itself.
But it hasn’t all gone Zuma’s way. Former allies have peeled away. A new era of activism has arisen and outspoken civil servants have stepped forward to join a cross-section of civil society and a robust media. As a divided ANC square off for the elective conference in December, where there is everything to gain or to lose, award-winning journalists Adriaan Basson and Pieter du Toit offer a brilliant and up-to-date account of the Zuma era.
A riveting, action-filled account that sheds light on the realities of working in a war-torn country, this is the first book on the war in Iraq by a South African.
Johan Raath and a security team were escorting American engineers to a power plant south of Baghdad when they were ambushed. He had first arrived in Iraq only two weeks before. This was a small taste of what was to come over the next 13 years while he worked there as a private military contractor (PMC). His mission? Not to wage war but to protect lives. Raath acted as a bodyguard for VIPs and, more often, engineers who were involved in construction projects to rebuild the country after the 2003 war. His physical and mental endurance was tested to the limit in his efforts to safeguard construction sites that were regularly subjected to mortar and suicide attacks. Key to his survival was his training as a Special Forces operator, or Recce.
Working in places called the Triangle of Death and driving on the ‘Hell Run’, Raath had numerous hair-raising experiences. As a trained combat medic he also helped to save people’s lives after two suicide bomb attacks on sites he then worked at.
Joey Evans has always loved bikes, from his first second-hand Raleigh Strika at the age of six to the powerful off-road machines that became his passion later on in his life. His dream was one day to ride the most gruelling off-road race in the world, the 9000km Dakar Rally. In 2007 his dream was shattered when he broke his back in a racing accident. His spinal cord was crushed, leaving him paralysed from just below his chest. Doctors gave him a 10 per cent chance of ever walking again. Many would have given up and become resigned to life in a wheelchair, but not Joey Evans.
Not only would he get back on his feet and walk, but he would also keep his Dakar dream alive. It was a long and painful road to recovery, involving years of intensive rehabilitation and training, but he had the love and support of both family and friends and an incredible amount of determination. Joey shares the many challenges he and his family faced, relating the setbacks, as well as successes, along the way to the Dakar start line. But the start line was only the first goal – his sights were set on reaching the finish line, which he did in 2017 – the only South African to do so.
From Para To Dakar is so much more than the story of one man reaching the Dakar finish line. It is a story of friendship and respect, compassion and kindness. It is about defying the odds to reach a dream, it is about grit, endurance and raw courage, and it is inspiring in its true heroism.
Die eiesoortige vriendskap tussen Winston Churchill en Jan Smuts is ’n studie in kontraste. In hul jeug het hulle uiteenlopende wêrelde bewoon: Churchill was die weerbarstige en energieke jong aristokraat; Smuts die asketiese, filosofiese Kaapse plaasseun, wat later aan Cambridge sou gaan studeer. Daar sou hy die eerste student word wat albei dele van die finale regskursus in dieselfde jaar neem en al twee met onderskeiding slaag.
Nadat hulle in die Anglo-Boereoorlog eers as vyande, en later in die Eerste Wêreldoorlog as bondgenote byeengebring is, het die mans ’n vriendskap gesmee wat oor die eerste helfte van die twintigste eeu gestrek het en tot Smuts se dood in 1950 voortgeduur het. Richard Steyn, die skrywer van Jan Smuts: Afrikaner sonder grense, bestudeer dié hegte vriendskap deur twee wêreldoorloë aan die hand van ’n magdom argiefstukke, briewe, telegramme en die omvangryke boeke wat oor albei mans geskryf is.
Dit is ’n fassinerende verhaal oor twee besonderse individue in oorlog en vrede – die een die leier van ’n groot ryk, die ander die leier van ’n klein, weerspannige lid van daardie ryk.
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