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Murder is on the menu.
Detective Storm van der Merwe and Andreas Moerdyk are back in this brand-new thriller by Irna van Zyl, author of Dead in the Water.
Storm now works in Hermanus and during a lunch with her friend at Zebardines, a much-hated food blogger keels over and dies. It turns out that there were deadly mushrooms, death cups, in her food.
Finding out who killed the blogger is Storm’s first priority, but not the only matter requiring her attention: her old colleague, Andreas Moerdyk, quit his job unexpectedly and expects Storm to put him up while he makes a new start in Hermanus.
Amid frantic preparations for Fooddotcom’s prize-giving ceremony that will honour the country’s best chefs, the murderer strikes again, and again.
Storm’s time is running out.
“Nyakale. This has always been my name. It lost vowels and consonants and got rearranged into “Kay” by my Grade Three teacher. “Easier to pronounce,” she said.
Aunty Mercy’s response was to accept. “After all, muwala wange, we are in this country, and ours is not to stand out but to survive.”
“Survive” sounds lifeless, inanimate, not like the survive of Aunty Mercy’s stories of growing up in Uganda. There, survival was active, done daily. In South Africa, the word had taken on a new meaning. No longer doing, but hiding to make existence easier. Gradually becoming chameleons. I learnt to lurk in the shadows. Drawing just enough attention, not too much. No sudden movements, everything calculated and measured.”
Upon giving birth to twin girls in rural Uganda, Nyakale’s mother decides to send one away to her sister in South Africa for a shot at a better life.
In the heart of this beautifully woven coming of age story, is the story of twins growing up in two different worlds one in rural Uganda and the other in South Africa. The novel follows theirs lives and journeys of navigating the politics of their respective worlds.
Nyakale and Achen grew up despising each other for what they imagine the other to have because of their mother’s drastic decision. When they finally meet , how mirrored will they feel by the other?
“This apricot tree has multiple souls that fill me with wonder every morning and enchant me by afternoon. This tree has bitter-sweet memories, just like the fruit it bears.”
If the apricot trees of Soweto could talk, what stories would they tell? This short story collection provides an imaginative answer. Imbued with a vivid sense of place, it captures the vibrancy of the township and surrounds. Told with satirical flair, life and death are intertwined in these tales where funerals and the ancestors feature strongly; where cemeteries are places to show off your new car and catch up on the latest gossip.
Populating these stories is a politician mesmerised by his mistress’s manicure, zama-zamas running businesses underground, a sangoma with a remedy for theft, soccer fans ready to mete out a bloody justice, a private dancer in love and many other intriguing characters.
Take your seat under the apricot tree and be enthralled by tales that are both entertaining and thought-provoking.
Horn is the fast-paced story of the rhino poaching scourge in Kruger National Park.
Vietnam syndicates are enticing the impoverished African locals to risk their lives for a few dollars, while they make millions. The South African government appoints Eduardo Ruiz to head the Kruger anti-poaching unit. The rhino holds a powerful lure for the anti-poaching patrol, a London journalist, a Hong Kong society lady, a syndicate boss, and an Interpol agent who are all chasing the horn; on the living beast or as a powdered placebo.
(R50 from every book sold will be donated to the Kruger National Park anti-poaching unit)
Single mom Delilah’s life goes up in smoke when her Grade 6 daughter – star pupil Daisy – isn’t made Head Girl. The honour goes to Rosie Roberts, Daisy’s nemesis. But when Rosie is pushed off the second-storey balcony at school, accusing glances are cast at Daisy…
Did she push Rosie, and to what lengths will Delilah go to clear her darling daughter’s name?
This laugh-a-minute book features a delicious PI named Jonty, a closeted ex-husband married to a LBW (“Little Blonde Wife”), and a dashing widower who presides over Daisy’s disciplinary hearing – all the reasons why Delilah will be trending
In the irreverent tradition of her best-selling Death by Carbs, Paige Nick rounds up a fresh herd of sacred cows in another hilarious local satire. But this time it’s Number One who gets the treatment.
When ex-president J Muza is released from prison on medical parole for an ingrown toenail, his expectations of a triumphant return to power and admiration are cruelly dashed. His once lavish Homestead is a rotting shell, his remaining wives have ganged up on him, the Guptas have blocked his number, and not even Robert Mugabe will take his calls any more. And he just can’t seem to get his plans for world domination off the ground. Muza is banking on his memoirs full of fake news to pep up his profile, but his ghostwriter, a disgraced journalist, has problems and a tight deadline of his own. What Muza’s not banking on is a fat bill for outstanding rates on The Homestead, and a 30-day deadline to pay back the money, before the bailiffs arrive to evict him.
Is Muza a mastermind, or simply a puppet who fell into the wrong hands? Who is really playing who? What are his remaining wives up to, and will they stay or will they go? And how will he ever pay back the money? Can the ghostwriter make his deadline before he winds up dead? Or are both men destined to be homeless and loathed forever?
ďHillbrow, 1967. The New York of Africa. Someone wrote that the place would soon have more people per square kilometre than Tokyo. Everyone quoted that article to everyone. Some even cut it out and kept it folded in their wallets.Ē
While other boys daydream about racing cars and football, eleven-year-old stutterer Phen sits reading to his father. In number four Duchess Court, Phenís dad looks like a Spitfire pilot behind his oxygen mask. But real life is different from the daring adventures in the books Phen reads and he is forced to grow up faster than other boys his age. This is until Heb Thirteen Two shows up: in his pinstriped suit pants and tie-dyed psychedelic top, the stranger could be any old bum, or a boyís special angel come to live among men.
Poignant, witty and wise, John Hunt's "The Boy Who Could Keep a Swan in His Head" is a meditation on being alive and shows us the power of books when we need them the most.
Son is a stunning achievement in post-apartheid writing. The debut novel by South African writer, Neil Sonnekus, Son brims with brio, verve and swagger. Though laugh-out-loud funny at times, it is also achingly poignant and deeply moving.
Sonnekus brilliantly captures the so-called Noughties with his tragi-comic creation Len Bezuidenhout, a recent divorcee whose quest for sex is as funny as his attempts to tease a hungover narrative from his father, a puritanical old curmudgeon. The two couldn’t be more different – or similar. They are both storytellers, but when the tale Len starts extracting from his old man is slowly revealed, it is everything but funny. Through scalding humour, caustic wit and brutally frank interrogation into the country’s ‘post Rainbow Nation’ pathology, this stylistically imposing work is one of hilarity, bitter warmth and eventual grace.
Son is at times uproarious and unremittingly frank as it exposes politics as a tragic farce. It is both self-deprecating and sensual as it traverses the dark arts of sexual conquest and desire while it simultaneously unearths brutal anxieties around crime, alienation and aging. Central to Son is the brutal mirror of what it means to be a white man in South Africa, confronting a rapid loss of power while struggling to come to terms with stark socio-political change and the possibilities of living an unfulfilled and alienated life.
While it hums and whirs with sound, movement and humour, Son seamlessly takes the reader on a profound journey of compassion and self-understanding. In a dark and disturbing turn, it argues that the dominant colour of the rainbow has become not white nor black, but red. Blood red.
Een stad. Vyf mense. Wraak se bloedspoor.
DIE SLAGOFFER EN SY SUSTER
Hoekom is Ben dood? Wie het hom vermoor? En wat is vergelding se prys? Wrok breek die misdaadroman se reŽls en werp lig op die morsige gevolge van verdriet, woede en wraak.
One city. Five people. A bloody trail of revenge.
THE VICTIM AND HIS SISTER
THE DRUG DEALER
Why did Ben die? Who killed him? And what is the price of justice? Defying the conventions of the crime novel, Talion captures the dark and brutal consequences of grief, anger and revenge.
From the moment 26-year-old Tristan Hansen steps out of the shower and onto the roof garden of his Maboneng loft, Toyboy pulsates with eroticism. The air is hot and humid, and there’s a Joburg thunderstorm brewing on the horizon. The first flashes of lightning illuminates Tristan’s spectacular flat and the riches it contains: gifts of thanks from his many clients, tokens of their appreciation. Because Tristan is an angel of pleasure, an exclusive escort to Johannesburg’s rich and powerful women. And he is one of a kind.
At how the enigmatic Tristan were trained in the art of lovemaking his clients can only guess. He seldom speaks of those who helped him shake off the strictures of his conservative mother who had to raise him on her own when his father committed suicide. Christina, his first love, and their story set far off in a small Italian village, he also keeps to himself.
But how did Tristan end up here? Who were those women who taught him all he knows? And who is the mystery caller who keeps on phoning and whose calls are filled with menacing silence?
Twenty years ago, Leon van Nierop published his Afrikaans bestseller Plesierengel. Toyboy, published in Afrikaans and English, is its prequel.
An evocative and finely detailed novel of ordinary life under apartheid that follows the lives of a family, particularly the women of various generations, who are named Dikeledi, who together form the backbone of the story.
Dikeledi captures, carefully and movingly, the essence of the turbulent days in which it is set. The focus on family drama within an incredibly difficult social situation, the small daily struggles rather than the huge challenges that conventionally make for ‘good’ archival footage, are what sets the novel apart from other literature that deals with the period.
There’s something different about Kate’s four-year-old son. He wasn’t created the old fashioned way. Now a violent cult wants him dead and Kate will do anything to protect him – until they take her daughter.
In tomorrow’s world, Kate is haunted by a brutal past. Struggling to navigate a life that seems like an experiment in virtual reality, her paranoia threatens to consume her. But when someone tries to kidnap Mally, she realises she was absolutely right to be afraid.
With only hours to go before the cult's prophecy is to be fulfilled, Kate and Seth face more danger than they’ve ever imagined, desperate to keep him safe. However, the charismatic leader of the cult has other ideas, which puts Kate in an impossible position. Who will she choose to live, and who will she have to sacrifice?
No one appreciates the irony of her situation more than Raven Kane: she’s a burnt-out witch. Raven is a hip, hexing-and-texting sorceress – or at least, she used to be. Now her ancient timber house is falling down around her, and the bank wants to repossess it. Nothing would make her cantankerous neighbour happier than seeing Raven and her messy menagerie out on the street.
To add to her stress, the reckless Wicked Witches are causing mischief and it’s her job to reign them in. Worst of all is that her magic seems to be fading. Just as everything seems to be too much to handle, there’s a knock on the (splintering) door. A not-unattractive man appears in her life: not to save her, as a fairytale would have you believe, but to arrest her for the murder of one of her clients.
It wouldn’t be that bad for Raven, except that she knows she's guilty.
Een familie, deels van Britse en deels van Boere-afkoms, ontdek dat hul lewens onlosmaaklik verstrengel raak deur die onverbiddelike gang van die geskiedenis.
Die Transvaalse politiek en die Britte se arrogante imperialisme sleur hulle mee in die Anglo-Boereoorlog van 1899-1902. Liefdes- en vriendskapsbande wat in die Trandvaalse bosveld en die sitkamers van Victoriaanse Engeland gesmee is, word op die slagvelde van Suid-Afrika getoets. Wanneer die formele fase van die oorlog oorgaan in die gruwelike beleid van die verskroeide aarde en ’n guerrillastryd, moet die familielede riskante keuses maak. Wintersrust is ’n bruisende verhaal vol hartstog en avontuur oor die individu se worsteling met magte buite sy beheer.
Sommige, wat deur wanhoop oorweldig word, oorleef nie. Ander moet ten slotte by ’n plek van vrede en vergiffenis uitkom.
(Hierdie is die Afrikaanse vertaling van The Runaway Horses)
In tomorrow's world prowls a creative -- and ruthlessly efficient -- assassin who won't stop until Kirsten is dead.
A troubled woman approaches Kirsten with a warning and a key and is later found dead. Was the woman just another victim of the Suicide Contagion or is there something more sinister at play? The key leads Kirsten to the Doomsday Vault and a hit list of seven people - and her barcode is on it.
Edgy and original, Why You Were Taken is a dark cinematic thriller that will keep you guessing till the last page.
The Blessed Girl follows the seductive and ever-bubbly Bontle Tau’s escapades through life. She’s a woman who uses her knowledge of ‘mencology’ to get what she wants, when she wants. She is always seen wearing the latest fashion and sporting the newest car on the market. Her life seems to move at a pace many can barely keep up with.
The story looks at the dynamics of her relationships within the modern day phenomenon of blessers from the vantage point of the blessee herself.
As all that glitters is not always gold, Bontle’s journey for love and acceptance sees some very hard lessons being learnt. In a world where status is seen to be most important, it is easy to forget that the inner-self is just as, if not more important. Filled with exquisite scandal and laughter, The Blessed Girl is Angela Makholwa’s fourth novel.
Leon van Nierop se blitsverkoper Plesierengel verskyn twintig jaar gelede en dit is in hierdie boek waar duisende lesers vir Tristan Hansen ontmoet, ’n engel van plesier, ’n manlike prostituut waarvoor Johannesburg se rykste vroue duisende rande betaal.
Dit is egter nie die volle verhaal nie: hoe het die enigmatiese Tristan tot hier gekom? In Katelknaap kry die leser ’n blik op die vroue wat hom gevorm het en van genot geleer het. Veral saam met een vrou, ver weg in Positano, ’n dorpie in ItaliŽ, kon hy hom loswikkel van die beklemming van sy konserwatiewe ma wat hom nŠ sy pa se selfmoord alleen grootmaak.
Maar dit was ook nie die laaste beklemming nie. Op die vooraand van Tristan se 27ste verjaardag vind ons hom in sy luukse dakwoonstel in Maboneng, onrustig nŠ ’n vreemde foonoproep vol dreigende stilte. Terwyl hy kan voel hoe hy deur ’n verkyker dopgehou word en dat die afloerder met iets anders as begeerte na hom kyk, reik sy herinneringe terug na gelukkiger dae in Positano, en na sy opleiding in die kuns van liefdemaak.
In die paar dae voor Kersfees neem Hendrik en Amalia se lewe ín onverwagse wending, iets waarvoor hulle nooit voorsiening gemaak het nie. Maar wat vir hulle ín nuwe era in hulle verhouding sou kon wees, word verdonker deur ín verskriklike voorval waarvoor Hendrik in hegtenis geneem word. Nog Amalia, ín staatsaanklaer op Witteberg, nog Hendrik se knap prokureur kan verhoed dat hy opgesluit word Ė deels vir sy eie veiligheid, deels omdat ín lafhartige speurder sy mag misbruik. Wat voorbereiding vir ín heugelike gebeurtenis en Kersfees moes word, word dae waarin Hendrik intiem met die binnekant van ín sel en die se bewoners kennis maak. Daar word van moord gepraat op die taxibaas se seun wat deur ín dwaalkoeel getref word en dis die taxibaas se woord teen Hendrik sín. Boonop leef die grensoorlog steeds in Hendrik se gedagtes; die nagmerrie toe hy ín makker wat deur die Kubane gevange geneem is, gaan red het. Dekades later buk ín Kubaanse dokter oor hom in ín hospitaal. En as Hendrik gemeen het dat Amalia veilig is, het hy ín fout gemaak Ö
Twenty-two-year-old Etienne is studying film in London, having fled conscription in his native South Africa. It is 1986, the time of Thatcher, anti-apartheid campaigns and Aids, but also of postmodern art, post-punk rock, and Royal Vauxhall Tavern. Adrift in a city cast in shadow, he falls in love with a German artist while living in derelict artistsí communes. When Etienne finds the first of three reels of a German film from the 1930s, he begins searching for the missing reels, a project that turns into an obsession when his lover disappears in Berlin. It is while navigating this city divided by the Wall that Etienne gradually pieces together the history of a small group of Jewish film makers in Nazi Germany. It is a desperate quest amid complications that pull him back to the present and to South Africa. However, his search for the missing film continues. Ambitious and cosmopolitan, the material of SJ Naudeís The Third Reel is as disparate as the cities in which the book is set. Architecture, cinematography, sex, music, illness, loss and love all collide in this exquisitely wrought, deeply affecting novel.
From the acclaimed and award-winning author of What Will People Say?, Rehana Rossouw takes us into a world seemingly filled with promise yet bedevilled by shadows from the past. In this astonishing tour de force Rossouw illuminates the tensions inherent in these new times.
Ali Adams is a political reporter in Parliament. As Nelson Mandela begins his second year as president, she discovers that his party is veering off the path to freedom and drafting a new economic policy that makes no provision for the poor. She follows the scent of corruption wafting into the new democracy’s politics and uncovers a major scandal. She compiles stories that should be heard when the Truth Commission gets underway, reliving the recent brutal past. Her friend Lizo works in the Presidency, controls access to Madiba’s ear. Another friend, Munier, is beating at the gates of Parliament, demanding attention for the plague stalking the land.
Aaliyah Adams lives with her devout Muslim family in Bo-Kaap. Her mother is buried in religion after losing her husband. Her best friend is getting married, piling up the pressure to get settled and pregnant. There is little tolerance for alternative lifestyles in the close-knit community. The Rugby World Cup starts and tourists pour up the slopes above the city, discovering a hidden gem their dollars can afford.
Ali/Aaliya is trapped with her family and friends in a tangle of razor-wire politics and culture, can she break free?
Told with Rehana’s trademark verve and exquisite attention to language you will weep with Aaliya, triumph with Ali, and fall in love with the assemblage that makes up this ravishing new novel.
‘Those in the know claim Michael K disembarked from a diesel-smoke-spewing truck one overcast morning, looked around, and without missing a beat, chose a spot where he set down a small bucket (red, burnt and disfigured) that contained an assortment of seedlings, some fisherman’s twine and a rudimentary gardening tool – probably self-made.’
How is it that a character from literary fiction can so alter the landscapes he touches, even as he – in his self-imposed isolation – seeks to avoid them? How is it that Michael K, bewildered and bewildering, can remain so fragile yet so present, so imposing without attempting to be so? In this response to JM Coetzee’s classic masterpiece, Life & Times of Michael K, Nthikeng Mohlele dabbles in the artistic and speculative in a unique attempt to unpack the dazed and disconnected world of the title character, his solitary ways, his inventiveness, but also to show how astutely Michael K holds up a mirror to those whose paths he inadvertently crosses. Michael K explores the weight of history and of conscience, thus wrestling the character from the confines of literary creation to the frontiers of artistic timelessness.
How should you write and present a business proposal? What is the best way to take minutes? When should a work email be formal and when chatty?
Communicating in a clear, concise manner with colleagues and clients is a key aspect of professionalism and good business practice. Yet many South African companies do not train their staff to do this, leading to confusion and lost hours - and it affects how people view your ability to do your job.
Now, help is at hand with plain-language experts Bittie Viljoen-Smook, Johan Geldenhuys and Wena Coetzee in this user-friendly guide to all aspects of written English in the workplace. Your journey to presenting yourself in an excellent, effective way starts here.
Willem Prins bewandel die strate van Parys. Eens was hy op koers om ’n gerekende skrywer in Suid-Afrika te word, maar na jare se probeer wink die koue water van die Seine – miskien sal sy verdrinking sy boekverkope bietjie opstoot, dink ’n swartgallige Willem.
Tot sy skaamte is dit die erotika wat hy onder ’n skuilnaam skryf wat hom na Frankryk gebring het. Terug na die stad waar een van sy drie eksvroue saam met sy oudste seun woon, ’n jong man wat sy pa skaars ken.
Vir Willem is Parys nie juis die stad van liefde nie, maar dit is hier waar hy vir Jackie ontmoet, ’n jong Suid-Afrikaner wat as au pair werk. Dit is ook sy wat saam met hom is diť Vrydagaand die dertiende toe terreur in Parys losbars.
Misverstand is die dertiende roman van een van Suid-Afrika se gewildste skrywers. ’n Roman oor die ontnugtering van die middeljare, die lewe se onweerswolke wat dikwels dreig, en oor bande tussen mense wat beskut.
Jong Joe en Anna (albei 13) raak hartstogtelik verlief op mekaar. Maar dan tree die lewe tussenbeide en word hulle teen hul sin van mekaar geskei. Amper tien jaar later loop hulle mekaar weer onverwags raak, maar hul sterk band vanuit hul kinderdae is verlore. Sal hulle die lewe se baie hindernisse kan oorkom, en sal hulle ooit weer saam kan wees?
Dit is ’n storie oor lewe, grootword, regte en verkeerde keuses maak, vashou aan dit waarin jy glo, ouerskap en hantering van die dood. Wat egter die sterkste uitstaan, is die liefde.
Hierdie storie verken die moeilikhede wat tieners en studente daagliks in die gesig staar en leer ook jonk en oud om in liefde te glo ten spyte van hartseer.
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