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Single mom Delilah’s life goes up in smoke when her Grade 6 daughter – star pupil Daisy – isn’t made Head Girl. The honour goes to Rosie Roberts, Daisy’s nemesis. But when Rosie is pushed off the second-storey balcony at school, accusing glances are cast at Daisy…
Did she push Rosie, and to what lengths will Delilah go to clear her darling daughter’s name?
This laugh-a-minute book features a delicious PI named Jonty, a closeted ex-husband married to a LBW (“Little Blonde Wife”), and a dashing widower who presides over Daisy’s disciplinary hearing – all the reasons why Delilah will be trending
In the irreverent tradition of her best-selling Death by Carbs, Paige Nick rounds up a fresh herd of sacred cows in another hilarious local satire. But this time it’s Number One who gets the treatment.
When ex-president J Muza is released from prison on medical parole for an ingrown toenail, his expectations of a triumphant return to power and admiration are cruelly dashed. His once lavish Homestead is a rotting shell, his remaining wives have ganged up on him, the Guptas have blocked his number, and not even Robert Mugabe will take his calls any more. And he just can’t seem to get his plans for world domination off the ground. Muza is banking on his memoirs full of fake news to pep up his profile, but his ghostwriter, a disgraced journalist, has problems and a tight deadline of his own. What Muza’s not banking on is a fat bill for outstanding rates on The Homestead, and a 30-day deadline to pay back the money, before the bailiffs arrive to evict him.
Is Muza a mastermind, or simply a puppet who fell into the wrong hands? Who is really playing who? What are his remaining wives up to, and will they stay or will they go? And how will he ever pay back the money? Can the ghostwriter make his deadline before he winds up dead? Or are both men destined to be homeless and loathed forever?
Son is a stunning achievement in post-apartheid writing. The debut novel by South African writer, Neil Sonnekus, Son brims with brio, verve and swagger. Though laugh-out-loud funny at times, it is also achingly poignant and deeply moving.
Sonnekus brilliantly captures the so-called Noughties with his tragi-comic creation Len Bezuidenhout, a recent divorcee whose quest for sex is as funny as his attempts to tease a hungover narrative from his father, a puritanical old curmudgeon. The two couldn’t be more different – or similar. They are both storytellers, but when the tale Len starts extracting from his old man is slowly revealed, it is everything but funny. Through scalding humour, caustic wit and brutally frank interrogation into the country’s ‘post Rainbow Nation’ pathology, this stylistically imposing work is one of hilarity, bitter warmth and eventual grace.
Son is at times uproarious and unremittingly frank as it exposes politics as a tragic farce. It is both self-deprecating and sensual as it traverses the dark arts of sexual conquest and desire while it simultaneously unearths brutal anxieties around crime, alienation and aging. Central to Son is the brutal mirror of what it means to be a white man in South Africa, confronting a rapid loss of power while struggling to come to terms with stark socio-political change and the possibilities of living an unfulfilled and alienated life.
While it hums and whirs with sound, movement and humour, Son seamlessly takes the reader on a profound journey of compassion and self-understanding. In a dark and disturbing turn, it argues that the dominant colour of the rainbow has become not white nor black, but red. Blood red.
An evocative and finely detailed novel of ordinary life under apartheid that follows the lives of a family, particularly the women of various generations, who are named Dikeledi, who together form the backbone of the story.
Dikeledi captures, carefully and movingly, the essence of the turbulent days in which it is set. The focus on family drama within an incredibly difficult social situation, the small daily struggles rather than the huge challenges that conventionally make for ‘good’ archival footage, are what sets the novel apart from other literature that deals with the period.
Een familie, deels van Britse en deels van Boere-afkoms, ontdek dat hul lewens onlosmaaklik verstrengel raak deur die onverbiddelike gang van die geskiedenis.
Die Transvaalse politiek en die Britte se arrogante imperialisme sleur hulle mee in die Anglo-Boereoorlog van 1899-1902. Liefdes- en vriendskapsbande wat in die Trandvaalse bosveld en die sitkamers van Victoriaanse Engeland gesmee is, word op die slagvelde van Suid-Afrika getoets. Wanneer die formele fase van die oorlog oorgaan in die gruwelike beleid van die verskroeide aarde en ’n guerrillastryd, moet die familielede riskante keuses maak. Wintersrust is ’n bruisende verhaal vol hartstog en avontuur oor die individu se worsteling met magte buite sy beheer.
Sommige, wat deur wanhoop oorweldig word, oorleef nie. Ander moet ten slotte by ’n plek van vrede en vergiffenis uitkom.
(Hierdie is die Afrikaanse vertaling van The Runaway Horses)
No one appreciates the irony of her situation more than Raven Kane: she’s a burnt-out witch. Raven is a hip, hexing-and-texting sorceress – or at least, she used to be. Now her ancient timber house is falling down around her, and the bank wants to repossess it. Nothing would make her cantankerous neighbour happier than seeing Raven and her messy menagerie out on the street.
To add to her stress, the reckless Wicked Witches are causing mischief and it’s her job to reign them in. Worst of all is that her magic seems to be fading. Just as everything seems to be too much to handle, there’s a knock on the (splintering) door. A not-unattractive man appears in her life: not to save her, as a fairytale would have you believe, but to arrest her for the murder of one of her clients.
It wouldn’t be that bad for Raven, except that she knows she's guilty.
As the legacy of El Nino scorches Cape Town, threatening it with drought, fire and civil disorder, the city is gripped by two horrific crimes: an explosion in the tourist centre, and the gruesome murder of a seemingly random victim.
In his investigation, Colonel Vaughn De Vries of the Special Crimes Unit discovers a frightening back story and developing pattern of criminality, and comes to believe that there is more than one killer on the loose, each with a connection to a man who, as a child, drowned his sister and destroyed his family. Newly promoted investigator Lieutenant Mike Solarin, working with De Vries, discovers a trail to the perpetrators of the bomb in the city but, when he is recalled and the incident branded the work of extremists, he pursues an alternative route, calling into question the role of the political elite, the media, and the police themselves.
Now sharing the single belief that there must be justice at any cost as they struggle to represent victims of so many atrocities, De Vries and Solarin fight - against gathering forces - to save their city and their country.
There’s something different about Kate’s four-year-old son. He wasn’t created the old fashioned way. Now a violent cult wants him dead and Kate will do anything to protect him – until they take her daughter.
In tomorrow’s world, Kate is haunted by a brutal past. Struggling to navigate a life that seems like an experiment in virtual reality, her paranoia threatens to consume her. But when someone tries to kidnap Mally, she realises she was absolutely right to be afraid.
With only hours to go before the cult's prophecy is to be fulfilled, Kate and Seth face more danger than they’ve ever imagined, desperate to keep him safe. However, the charismatic leader of the cult has other ideas, which puts Kate in an impossible position. Who will she choose to live, and who will she have to sacrifice?
In tomorrow's world prowls a creative -- and ruthlessly efficient -- assassin who won't stop until Kirsten is dead.
A troubled woman approaches Kirsten with a warning and a key and is later found dead. Was the woman just another victim of the Suicide Contagion or is there something more sinister at play? The key leads Kirsten to the Doomsday Vault and a hit list of seven people - and her barcode is on it.
Edgy and original, Why You Were Taken is a dark cinematic thriller that will keep you guessing till the last page.
The Blessed Girl follows the seductive and ever-bubbly Bontle Tau’s escapades through life. She’s a woman who uses her knowledge of ‘mencology’ to get what she wants, when she wants. She is always seen wearing the latest fashion and sporting the newest car on the market. Her life seems to move at a pace many can barely keep up with.
The story looks at the dynamics of her relationships within the modern day phenomenon of blessers from the vantage point of the blessee herself.
As all that glitters is not always gold, Bontle’s journey for love and acceptance sees some very hard lessons being learnt. In a world where status is seen to be most important, it is easy to forget that the inner-self is just as, if not more important. Filled with exquisite scandal and laughter, The Blessed Girl is Angela Makholwa’s fourth novel.
In die paar dae voor Kersfees neem Hendrik en Amalia se lewe ín onverwagse wending, iets waarvoor hulle nooit voorsiening gemaak het nie. Maar wat vir hulle ín nuwe era in hulle verhouding sou kon wees, word verdonker deur ín verskriklike voorval waarvoor Hendrik in hegtenis geneem word. Nog Amalia, ín staatsaanklaer op Witteberg, nog Hendrik se knap prokureur kan verhoed dat hy opgesluit word Ė deels vir sy eie veiligheid, deels omdat ín lafhartige speurder sy mag misbruik. Wat voorbereiding vir ín heugelike gebeurtenis en Kersfees moes word, word dae waarin Hendrik intiem met die binnekant van ín sel en die se bewoners kennis maak. Daar word van moord gepraat op die taxibaas se seun wat deur ín dwaalkoeel getref word en dis die taxibaas se woord teen Hendrik sín. Boonop leef die grensoorlog steeds in Hendrik se gedagtes; die nagmerrie toe hy ín makker wat deur die Kubane gevange geneem is, gaan red het. Dekades later buk ín Kubaanse dokter oor hom in ín hospitaal. En as Hendrik gemeen het dat Amalia veilig is, het hy ín fout gemaak Ö
A seashell and a sealed letter form a tenuous connection to a forbidden wartime romance...
1937. Simon's Town is a vibrant and diverse community in a picturesque part of the Union of South Africa. At the heart of the town is the Royal Navy port, and Louise Ahrendts, daughter of a shipbuilder, nurtures the idea that through hard work she could step beyond a destiny of domestic service. She dreams of becoming a nurse and she has the tenacity to make this dream a reality. When the Second World War breaks out and the port becomes a hub of activity, Louise's path crosses with that of Lieutenant David Horrocks. Despite the gulf in their backgrounds and the expectations facing them from family on both sides, Louise and David are determined to be together.
But as the end of the war approaches and a new troubled moment of history dawns, will they find their way back to each other?
Twenty-two-year-old Etienne is studying film in London, having fled conscription in his native South Africa. It is 1986, the time of Thatcher, anti-apartheid campaigns and Aids, but also of postmodern art, post-punk rock, and Royal Vauxhall Tavern. Adrift in a city cast in shadow, he falls in love with a German artist while living in derelict artistsí communes. When Etienne finds the first of three reels of a German film from the 1930s, he begins searching for the missing reels, a project that turns into an obsession when his lover disappears in Berlin. It is while navigating this city divided by the Wall that Etienne gradually pieces together the history of a small group of Jewish film makers in Nazi Germany. It is a desperate quest amid complications that pull him back to the present and to South Africa. However, his search for the missing film continues. Ambitious and cosmopolitan, the material of SJ Naudeís The Third Reel is as disparate as the cities in which the book is set. Architecture, cinematography, sex, music, illness, loss and love all collide in this exquisitely wrought, deeply affecting novel.
How should you write and present a business proposal? What is the best way to take minutes? When should a work email be formal and when chatty?
Communicating in a clear, concise manner with colleagues and clients is a key aspect of professionalism and good business practice. Yet many South African companies do not train their staff to do this, leading to confusion and lost hours - and it affects how people view your ability to do your job.
Now, help is at hand with plain-language experts Bittie Viljoen-Smook, Johan Geldenhuys and Wena Coetzee in this user-friendly guide to all aspects of written English in the workplace. Your journey to presenting yourself in an excellent, effective way starts here.
Willem Prins bewandel die strate van Parys. Eens was hy op koers om ’n gerekende skrywer in Suid-Afrika te word, maar na jare se probeer wink die koue water van die Seine – miskien sal sy verdrinking sy boekverkope bietjie opstoot, dink ’n swartgallige Willem.
Tot sy skaamte is dit die erotika wat hy onder ’n skuilnaam skryf wat hom na Frankryk gebring het. Terug na die stad waar een van sy drie eksvroue saam met sy oudste seun woon, ’n jong man wat sy pa skaars ken.
Vir Willem is Parys nie juis die stad van liefde nie, maar dit is hier waar hy vir Jackie ontmoet, ’n jong Suid-Afrikaner wat as au pair werk. Dit is ook sy wat saam met hom is diť Vrydagaand die dertiende toe terreur in Parys losbars.
Misverstand is die dertiende roman van een van Suid-Afrika se gewildste skrywers. ’n Roman oor die ontnugtering van die middeljare, die lewe se onweerswolke wat dikwels dreig, en oor bande tussen mense wat beskut.
Wie is Aengel Rousseau? En wie was die voormoeder by wie Aengel dagboeke, 'n skulp, ín seewatersteen en ín verbod om haar hare te sny, geerf het? Dis die vrae wat Aengel Kierangbaai toe lok. Want dis waar Angelique díAvignon amper twee eeue gelede haar spore gelaat het en legendes van die visvrou ruig loop. Geleidelik maak Aengel sin van die legendes oor Annie en die vloek wat sy oor die Niemands uitgespreek het. Die vier moorde wat op Kierangbaai gepleeg word, kan Aengel egter nie kleinkry nie. Ook nie haar gevoelens vir Roark of hoekom iemand dink sy kan Annie se vloek ophef nie. Gys en Fortuintjie moet weer hul speurvernuf inspan en dit ry Gys se poging om vir oulaas Gertjie se hart te wen, sleg in die wiele. Dryfhout is die vyfde spanningsroman wat in die Niemandsdorp-omgewing afspeel, en sluit die Gys Niemand-reeks af. Gys Niemand en Faantjie Fortuin doen weer die speurwerk, alhoewel daar heelwat komplikasies is. Die ander titels in die reeks is Springgety, Fortuin, Boheem en Meetsnoer.
Paola Dante is a driven project manager employed by a large multinational information technology corporation who reads war strategy books for relaxation. In general she prefers computers to people with their random uncontrolled emotions. Long ago she made a decision that matters of the heart were inherently messy and should be kept at armís distance. But her husband had surprised her; she had no resistance against Daniel. Now she sees herself as a survivor who has successfully moved on from the traumatic events and terrible truth surrounding her husbandís sudden disappearance years before. But the truth is that ever since the night he walked out on their marriage back to his old ways sheís found it hard to get on with normal life.
An unlikely and ill-equipped mother, she stands alone between their adopted daughter Simone and the criminal kingpin who wants the teenage girl for his own ends and has set the savage wolves on her.
To save her daughter - and herself - once and for all, Paola will face her every fear, her every mistake, and the past she thought sheíd finally processed and left behind.
Barry James is detained in a quarantine facility in the blistering heat of the Great Karoo. Here he exists in two worlds: the discordant and unforgiving reality of his incarceration and the lyrical, snowy landscapes of his dreams.
He has cut all ties with his previous life, his health is failing, and he has given up all hope. All he has to cling to are the meanderings of his restless mind, the daily round of pills and the journals he reluctantly keeps as testimony to a life once lived. And then thereís an opportunity to escape.
But to escape what? And where to? Can there be a life to go back to? Is there still a world out there in the barren wasteland beyond the fence?
Max Lurie’s navel-gazing podcast about his life has become an unexpected success. But its embellishments and inventions are starting to leak into his everyday life.
As Max tries to navigate the grey areas between fact and fiction, things begin to spin out of control. He juggles real and imagined girlfriends, an illegally procured firearm, an unpredictable friendship with a homeless schizophrenic, his acerbic immigrant producer, his dying father, his famous childhood sweetheart, an unlikely romantic entanglement and his critical and growing audience. Can he keep all of these balls in the air and finally bring them safely to rest?
This story takes a deep and satiric dive into the worlds we imagine for ourselves and the lives we actually live, particularly in a time when our real and digital personas intersect and merge in chaotic ways. Free Association casts a steely and comic eye on the great and small concerns of being human: the chances we take and miss, the pain of not fitting in, the fragility of the psyche, the unpredictability of love, the dull certainty of death, the importance of listening to others and the careening craziness of it all.
The lives of South Africans have always been interwoven in complex ways. There is a long history of division; but also of profound (and often surprising) instances of mutual recognition. Recognition is an exciting anthology of short stories in which twenty-two South African writers render these intricate connections.
The writers whose stories have been selected use the transformative power of the imagination and the unique appeal of the short story to illuminate aspects of our past and present. Cumulatively their stories tell of a history tainted by misrecognition but not, finally, bound by it. Amongst the twenty-two contributors are some of our best-known short story writers: Pauline Smith, Herman Charles Bosman, H.I. E. Dhlomo, Can Themba, Nadine Gordimer, Alex La Guma, Dan Jacobson, Miriam Tlali, Ahmed Essop, Njabulo Ndebele, Mandla Langa, Chris van Wyk, Damon Galgut, Achmat Dangor and Zoe Wicomb. And there is also a selection of vibrant newer voices: Makhosazana Xaba, Nadia Davids, Mary Watson, Lindiwe Nkutha, Wamuwi Mbao and Kobus Moolman.
Chronologically the collection ranges from the 1920s to the twenty first century. It builds on its predecessor, Encounters, but devotes significant attention to the transitional and post-apartheid years: almost half the stories were published after 1994. The anthology includes a generous and detailed introduction, written by David Medalie. It traces the motif of recognition, discusses the general characteristics of short stories and the narrative devices used by writers, and includes a brief analysis of each short story.
Recognition will appeal to teachers and students of literature. It will be enjoyed by all those who love short stories and appreciate the craftsmanship involved in telling a memorable tale.
Op ín winterdag in 1945 ontferm ín kinderlose wit egpaar, Sara en Erik de Graaff, hulle oor ín driejarige halwe weeskind Ė Mina Afrika. Hulle wil haar graag ín kans in die lewe gee. Terwyl Mina nog vol ambisie haar toekoms beplan dryf die verraderlike daad van ín ryk jong wit man haar weg uit die Vallei, laat haar beland in ín eindelose spiraal van bedrog. ín Lewe van vernedering in Groenpunt en tussen die bendes van Distrik Ses.
Willem Prins wanders the streets of Paris, disillusioned and glum. Once, he showed great promise as a South African writer of distinction, but years of disappointment have left their mark. Drowning himself in the Seine may well be the only option left to drive up his book sales. His reason for being in Paris - the French translation of an erotic novel he wrote under a pseudonym - is not exactly something to be proud of. He is no stranger to Paris. An ex-wife of his (one of three) lives in the city with his eldest son, a young man who barely knows his father. Willem finds an unlikely companion in Jackie, a young South African working as an au pair in the city, a woman old enough to be his daughter. Together, the two of them will face the chaos of the terror attacks on Friday the thirteenth in Paris. You Lost Me is bestselling author Marita van der Vyver's thirteenth novel, a story about life's thunder clouds and the bonds between us that offer shelter. It is a tale of disillusionment and loss, told with warmth and wicked humour.
Twenty-two years after the birth of the so-called Rainbow Nation in 1994, many South Africans - Afrikaners in particular - find themselves disillusioned and sceptical. Time To Trek is a guide to move from being "gatvol" to embracing a new style of leadership that will not only draw Afrikaners out of a laager mentality, but will ensure a welcoming future for their children.
The call to the next Great Trek is a call into the real South Africa: a trek out of mental comfort zones into solidarity with the "other". The focus is on Afrikaners sweeping in front of their own door, not finding fault with the government or other cultures.
Written by an Afrikaner for Afrikaners, Time To Trek calls for honest introspection whereby a new generation of ordinary Afrikaners can learn to fill the leadership vacuum and be the Mandelas for the other side.
A stunning standalone thriller from the leading crime writer in South Africa, Fever is the English version of Koors which was released in August 2016.
Nico Storm and his father Willem drive a truck filled with essential supplies through a desolate land. They are among the few in South Africa - and the world, as far as they know - to have survived a devastating virus which has swept through the country. Their world turned upside down, Nico realises that his superb marksmanship and cool head mean he is destined to be his father's protector, even though he is still only a boy. But Willem Storm, though not a fighter, is both a thinker and a leader, a wise and compassionate man with a vision for a new community that survivors will rebuild from the ruins. And so Amanzi is founded, drawing Storm's 'homeless and tempest-tost' - starting with Melinda Swanevelder, who they rescued from brutal thugs, Hennie Flaai, with his vital Cessna plane, Beryl Fortuin with her ragtag group of orphans and Domingo, the man with the tattooed hand. And then there is Sofia Bergman, the most beautiful girl that Nico has ever seen, who changes everything.
So the community grows - and with each step forward, as resources increase, so do the challenges they must face - not just from the attacks of biker brigands, but also from within... Nico will find experience hardship and heartbreak and have his loyalty tested to its limits as he undergoes an extraordinary rite of passage in this new world. Looking back as he writes in memoirs later in life, he recounts the events that led to the greatest rupture of all - the murder of his father.
Internationally bestselling crime writer Deon Meyer has delivered a gripping epic like nothing else he has written before, yet still with that consummate skill to make you care about his characters, and to keep the pages turning, breathless with anticipation - and surprise at its twists.
Rebecca doesn’t expect to make new friends at this stage of her life. But when she becomes mother to little Amy, she finds herself spending her afternoons in the park. There she meets other mothers: first flamboyant, fun Rose, and then single-mom Lilith, whose inner strength is tangible, and whose eyes never leave her toddler.
Very soon the women have formed a trio – the type of friends who feel at home in each other’s kitchens – and their daughters begin to behave like sisters. But Rebecca is about to learn that friendship is not always what it seems, and that sometimes you trust the wrong people. At exactly the moment when she needs to lean on them, one of her new friends harbours a shocking secret, and the other will turn on her in a way she could never have anticipated.
Her two park friends will change Rebecca’s life – and her family – forever.
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