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When the Cradock Four's Fort Calata was murdered by agents of the apartheid state in 1985, his son Lukhanyo was only three years old. Thirty-one years later Lukhanyo, now a journalist, becomes one of the SABC Eight when he defies Hlaudi Motsoeneng's reign of censorship at the public broadcaster by writing an open letter that declares: "my father didn't die for this".
Now, with his wife Abigail, Lukhanyo brings to life the father he never knew and investigates the mystery that surrounds his death despite two high-profile inquests.
Join them in a poignant and inspiring journey into the history of a remarkable family that traces the struggle against apartheid beginning with Fort's grandfather, Rivonia trialist and ANC Secretary-General Rev James Calata.
Iman Rappetti is an award-winning journalist who has been involved in print, radio and television. She worked as a young journalist in South Africa and then abandoned it (along with all her worldly possessions) when she became Muslim. She lived in the Islamic Republic of Iran for two years, where she also worked on a current affairs TV show for the state broadcaster before returning to South Africa and resuming her life here.
She describes herself as `the youngest of five children. One Rasatafarian brother (passed away), one ex-con brother (who can dance the pants off any woman and has a wicked sense of humour), another brother who's a big shot in the marine engineering industry (he makes a mean curry), and a sister who has the thankless task of staying at home and raising the rugrats (she has a way with words, and also makes a kick-ass briyani)'.
In this moving and entertaining memoir, Iman shares stories and what she has learned from her colourful journey through life.
Connect: Writing For Online Audiences is a timeous guide for South Africans working in the digital space. It encapsulates the current digital landscape in South Africa, with its constraints and opportunities for reaching audiences via social media platforms, websites, blogs, apps and email. And it is designed to help students as well as industry decision-makers connect with audiences, whether as social media managers, search engine writers, digital analysts, copywriters, content marketing strategists or digital public relations executives.
Primarily, these are all online storytellers and this book aims to assist them in achieving their goals.
The book draws on reputable brands for best-practice examples. It uses South African examples of online campaigns alongside international names to provide a relevant yet globally situated experience for the South African reader. The contributing authors are all well-respected experts in their fields who share their invaluable experience in this book. Connect: Writing for Online Audiences is a must-have on the bookshelf (digital or physical) of every individual reaching out to an online readership.
When South Africa’s golden girl of broadcasting, Tracy Going’s battered face was splashed across the media back in the late 1990s, the nation was shocked. South Africans had become accustomed to seeing Going, glamorous and groomed on television or hearing her resonant voice on Radio Metro and Kaya FM. Sensational headlines of a whirlwind love relationship turned horrendously violent threw the “perfect” life of the household star into disarray.
What had started off as a fairy-tale romance with a man who appeared to be everything that Going was looking for – charming, handsome and successful – had quickly descended into a violent, abusive relationship.
“As I stood before him all I could see were the lies, the disappearing for days without warning, the screaming, the threats, the terror, the hostage-holding, the keeping me up all night, the dragging me through the house by my hair, the choking, the doors locked around me, the phones disconnected, the isolation, the fear and the uncertainty.”
The rosy love cloud burst just five months after meeting her “Prince Charming” when she staggered into the local police station, bruised and battered. A short relationship became a two-and-a-half-year legal ordeal played out in the public eye. In mesmerising detail, Going takes us through the harrowing court process – a system seeped in injustice – her decline into depression, the immediate collapse of her career due to the highly public nature of her assault and the decades-long journey to undo the psychological damages in the search for safety and the reclaiming of self. The roots of violence form the backdrop of the book, tracing Going’s childhood on a plot in Brits, laced with the unpredictable violence of an alcoholic father who regularly terrorised the family with his fists of rage.
“I was ashamed of my father, the drunk. If he wasn’t throwing back the liquid in the lounge then he’d be finding comfort and consort in his cans at the golf club. With that came the uncertainty as I lay in my bed and waited for him to return. I would lie there holding my curtain tight in my small hand. I would pull the fabric down, almost straight, forming a strained sliver and I would peer into the blackness, unblinking. It seemed I was always watching and waiting. Sometimes I searched for satellites between the twinkles of light, but mostly the fear in my tummy distracted me.”
Brilliantly penned, this highly skilled debut memoir, is ultimately uplifting in the realisation that healing is a lengthy and often arduous process and that self-forgiveness and acceptance is essential in order to fully embrace life.
Bonang Matheba has built up her brand, making her face the most recognisable one in South Africa.
Is this a self-help book? Not quite. This is the story of how a girl from Mafikeng in the North West found her face next to that of Halle Berry’s in a worldwide Revlon campaign. The most important lesson from the book, as the subtitle suggests, will be that no one is born made – we all have to work very hard. Much like Bonang did.
While she has given some access into her life through media interviews, Bonang is yet to detail the journey that saw her become a successful, multi-talented businesswoman and TV and radio personality. This book will be a look into Bonang’s life that she has never made public.
In the third volume of this series, Media Studies, the emphasis is on media content and media audiences. Media content and media audiences (or users) are covered from methodological and theoretical perspectives.
For the revised reprint of this volume, a new introduction has been included to highlight the relevance of the current content and to contextualise within it the content of Volume 4 Social (New) Media and Mediated Communication Today (2017).
Part 1 of the book deals with: quantitative content analysis; communication and media semiotics; media, language and discourse; media and visual literacy; visual text analysis; textual analysis: narrative and argument; narrative analysis; film theory and criticism Part 2 deals with: media audience theory (dealing with the uses and gratification theory, reception theory and ethnography); questionnaire surveys in media research; field research in media studies; measuring media audiences; psychoanalysis and television as an illustration of an applied theoretical approach in media audience research.
When he was just twenty-three years old, Evan Spiegel, the brash CEO of the social network Snapchat, stunned the world when he and his co-founders walked away from a three-billion-dollar offer from Facebook: how could an app teenagers use to text dirty photos dream of a higher valuation? Was this hubris, or genius?
In How To Turn Down A Billion Dollars, Billy Gallagher takes us inside the rise of one of Silicon Valley’s hottest start-ups. Snapchat began as a late-night dorm room revelation before Spiegel went on to make a name for himself as a visionary C EO worth billions, linked to celebrities like Taylor Swift and his fiancťe, Miranda Kerr.
A fellow Stanford undergrad and fraternity brother of the company’s founding trio, Billy Gallagher has covered Snapchat from the start. His inside account offers an entertaining trip through the excess and drama of the hazy early days with a professional insight into the challenges Snapchat faces as it transitions from a playful app to one of the tech industry’s preeminent public companies. In the tradition of great business narratives, How To Turn Down A Billion Dollars offers the definitive account of a company whose goal is no less than to remake the future of entertainment.
This informal history of the Cape Times, the oldest daily newspaper in South Africa and a much-loved Cape Town institution, is the story of a vigorous tradition of independent journalism.
Until his retirement at the end of 2016, Jeremy Thompson was one of the longest-serving journalists and news anchors in the UK. During a forty-year career in television news, Thompson gained a reputation as the consummate broadcaster, latterly as the anchor of Sky News' early evening programme, though as frequently broadcasting on location from the heart of the story.
Thompson worked for all the major news broadcasters in the UK: the BBC, ITV and finally Sky, where he started as a foreign correspondent in 1993. He covered many of the most important news events of our time and reported from all over the world, picking up countless awards for his work. The first TV journalist to broadcast live as British peacekeeping forces arrived in Kosovo, he also covered the first Gulf War and, in 2003, anchored Sky News' coverage of the second Gulf War from Iraq. There he presented every night for a month on the front line and was the first anchor to present from inside Baghdad.
He was also in South Africa to cover the death of Nelson Mandela and the murder trial of Oscar Pistorius.
This extraordinary book tells the life story of one of Britain's most popular broadcasters.
In the second volume of the four-part textbook series on Media Studies the emphasis is again on the relationship between media and society. While further exploring media as an institution, this volume also introduces the topics of media regulation and content.
Volume 2 is guided in part by the question: How do we control and manage the media? Communications policy is explained, with overviews of how the Southern African media is externally and internally regulated to ensure a well-organised and disciplined modern media system. Strategic ways of managing the media are discussed. The book deals with the concept of media representation: How does the media reflect and represent reality or its aspects? Is the news that is presented an accurate portrayal of reality? How does the media deal with identity, race, gender, sexual orientation, the environment, AIDS, violence and terrorism?
This section thus critically analyses questions about how the media depicts people, topics, organisations and issues.
When Bridget Hilton-Barber got on a train to Grahamstown in 1982 to study journalism at Rhodes University, she had no idea of the brutal drama that would unfold.
A rebellious young woman, she became politically involved in anti-apartheid organisations and was caught up in the massive resistance and repression sweeping the Eastern Cape at the time. She ended up spending three months in detention without trial, and after her release discovered she had been betrayed by one of her best friends, Olivia Forsyth, who was a spy for the South African security police.
Thirty years later, a horrific flashback triggers Bridget’s journey back to the Eastern Cape to see if she can forgive her betrayer and finally let go of the extraordinary violence she encountered in the final days of apartheid. This is her powerful story.
PASA's Guide to Publishing 2016 provides the latest overview of all sectors of the South African publishing industry. This, together with a comprehensive list of training providers and industry-related bodies, including government department contacts, and a list of book fairs and festivals will enable publishing staff to make informed decisions about publishing, marketing and training. Academics and authors will find the sections on intellectual property and copyright and 'how to get published' particularly useful. The comprehensive PASA membership directory and index of publishers, their imprints and agencies will be invaluable to booksellers, librarians and academics.
Whether it’s asking tough questions during a presidential debate or pressing for answers to today’s most important issues, Megyn Kelly has demonstrated the intelligence, strength, common sense, and courage that have made her one of today’s best-known journalists, respected by women and men, young and old, Republicans and Democrats.
In Settle For More, the anchor of The Kelly File on Fox News reflects on the enduring values and experiences that have shaped her—from growing up in a family that rejected the "trophies for everyone" mentality, to her father’s sudden, tragic death while she was in high school. She goes behind-the-scenes of her career, sharing the stories and struggles that landed her in the anchor chair of cable’s #1 news show. Speaking candidly about her decision to "settle for more"—a motto she credits as having dramatically transformed her life at home and at work—Megyn discusses how she abandoned a thriving legal career to follow her journalism dreams.
Admired for her hard work, humor, and authenticity, Megyn sheds light on the news business, her time at Fox News, the challenges of being a professional woman and working mother, and her most talked about television moments. She also speaks openly about Donald Trump’s feud with her, revealing never-before-heard details about the first Republican debate, its difficult aftermath, and how she persevered through it all.
Deeply personal and surprising, Settle For More offers unparalleled insight into this charismatic and intriguing journalist, and inspires us all to embrace the principles—determination, honesty, and fortitude in the face of fear—that have won her fans across the political divide.
There are a lot of good things about getting older. When youíre young you want everyone to like you and to make an impression. When youíre old you donít give a damn.' Kate Turkington is fearless and fun, even now in her 80s. From the war-worn East End of London to raising a young family in a remote part of eastern Nigeria and building a career as one of SA's most loved broadcasters, Kate's story is remarkable and revealing. You'll laugh. You'll cry. You will cheer. You may well be shocked.
There is a complex interaction between public relations and journalism, and students of these subjects need to know about both. Dynamics of public relations and journalism fourth edition unravels and explores these two worlds to enhance the journalistic skills of public relations students, at the same time providing students of media studies with invaluable insights into the complex, multidisciplinary field of public relations. This book highlights the interdependency of the two professions and explains - clearly, simply and succinctly - the need for their smooth synergy. In this fourth edition, chapters have been updated to help readers stay abreast of current trends in public relations and journalism. The advent of social media and its growing role in these areas has been one of the most significant changes since the publication of the previous edition of this book. Here, the authors discuss the influences, roles, functions and appropriate application of social media. In addition, a new chapter on corporate social media introduces social media as a public relations function, describing the attributes of social media engagement and the popular social networks that may be used in the corporate arena. The authors draw on their considerable academic and practical experience to give clear, concise guidelines for enhancing media relations through effective public relations practice.
Allister Sparks joined his first newspaper at age 17 and was pitched headlong into the vortex of South Africa’s stormy politics. The Sword And The Pen is the story of how as a journalist he observed, chronicled and participated in his country’s unfolding drama for more than 66 years, covering events from the premiership of DF Malan to the presidency of Jacob Zuma, witnessing at close range the rise and fall of apartheid and the rise and crisis of the new South Africa.
In trenchant prose, Sparks has written a remarkable account of both a life lived to its full as well as the surrounding narrative of South Africa from the birth of apartheid, the rise of political opposition, the dawn of democracy, right through to the crisis we are experiencing today.
Why do most people know what an Ewok is, even if they haven't seen Return of the Jedi? How have Star Wars action figures come to outnumber human beings? How did 'Jedi' become an officially recognised religion? When did the films' merchandising revenue manage to rival the GDP of a small country?
Tracing the birth, death and rebirth of the epic universe built by George Lucas and hundreds of writers, artists, producers, and marketers, Chris Taylor jousts with modern-day Jedi, tinkers with droid builders, and gets inside Boba Fett's helmet, all to find out how Star Wars has attracted and inspired so many fans for so long.
This up-to-date, comprehensive, user-friendly and accessible series has been written by key thinkers in Media Studies locally and from abroad.
Media Studies encompasses the systematic, critical and analytical study of the media, in all its forms, and sees the media as one of the most important generators and disseminators of meaning in contemporary society. Media Studies investigates who owns the media, who produces the media, media content and the users of the media. It investigates the power relationships between the media and politics, culture, economy, society, and above all, the relationship between the media and democracy.
Media Studies Volume 4, developed by its expert authors will deal with media theory and research in the context of how social (new) media and the convergence and digitisation of the media have changed and affected mediated communication today. Practical examples, case studies, applications, learning outcomes and exercises will be part of the book. This is the final volume in the Juta Media Studies series. Recommended for: Senior undergraduate and postgraduate students in media studies, journalism, social media, strategic communication, knowledge management.
Media and Society explores the relationship between the media, their institutions and the world we live in, examining how they are connected and how society and the media affect each other.
The book analyses representations of the world found in films, television, advertisements, news and online to understand the impact of the media in the contemporary world. The sixth edition explores several themes throughout the text, including the contradictory nature of the media and the psychological concerns of the media, to provide clear explanations of complex theories and ideas.
"My name is Samantha and Iím an alcoholic. At the time of writing, Iíve been sober for 13 years, 11 months and 16 days. And yes I still count. I promised I would never speak about it publicly until my children understood what that meant, that mommy was an alcoholic. I think they may have understood long before I did."
From Whiskey To Water is the no-holds-barred memoir by one of South Africaís most loved radio talk show hosts, Sam Cowen. Having kept her alcohol addiction well away from the public eye for over 14 years, in this tell-all tale, Sam finds the courage to talk about her struggle with her addiction to whiskey, food and finally to a passion that saved her life Ė marathon swimming. Told in her characteristically hilarious dead-pan style, this is one of the bravest books youíll read this year.
"So this is a book on how I stopped drinking? No, itís not. Itís how I stopped drinking, started eating, became clinically severely obese, stopped eating (everything that wasnít nailed down) and swam my way to freedom. No, itís not. Itís actually about addiction and learning and sadness and anxiety and love and drive. Itís about channelling the unchangeable into the miraculous. Itís about dragons and learning how to put them to sleep when you canít slay them. Itís about being my own Daenarys."
The second edition of Media ethics in the South African context explores the dynamic and potentially explosive field of media ethics from a South African perspective. Grounded in ethical theory, the public philosophies of communication and media performance norms, this text provides guidelines for the individual's ethical decision making; for both media practitioners and media groups. Cutting edge analysis of the South African normative context under the previous and present political dispensations makes this book essential reading for media policy formulators and students alike. Changes in the normative context are presenting the South African news media in particular, with new challenges.
The end of apartheid brought South Africa into the global media environment. Outside companies invested in the nation's newspapers while South African conglomerates pursued lucrative tech ventures and communication markets around the world. Many observers viewed the rapid development of South African media as a roadmap from authoritarianism to global modernity.
Herman Wasserman analyses the debates surrounding South Africa's new media presence against the backdrop of rapidly changing geopolitics. His exploration reveals how South African disputes regarding access to, and representation in, the media reflect the domination and inequality in the global communication sphere. Optimists see post-apartheid media as providing a vital space that encourages exchanges of opinion in a young democracy. Critics argue that the public sphere mirrors South Africa's past divisions and privileges the viewpoints of the elite.
Wasserman delves into the ways these simplistic narratives obscure the country's internal tensions, conflicts and paradoxes even as he charts the diverse nature of South African entry into the global arena.
Met sy heel eerste verskyning op televisie as hoŽrskool-laaitie het Rian van Heerden reeds die volk die josie ingemaak. Sedertdien het hy dikwels koerantvoorblaaie gehaal - en is telkens afgedank! - vir sy omstrede uitlatings. In diť boek skryf hy onbeskaamd oor al die goed wat mense meen hy eerder niť moes gesÍ het nie. Hy maak vir die eerste keer sy hart oop oor sy persoonlike lewe, sy worsteling met gaywees en sy eerste liefdesverhouding. Blatant eerlik, skreeusnaaks, aangrypend.
From campus radio to host of South Africa’s biggest youth breakfast show to pioneering his own online hub, Gareth Cliff has always claimed the headlines with his brand of strong opinion and whiplash wit. He has been suspended from the airwaves or crucified by his critics more times than he can remember – whether for interviewing himself as Jesus or comparing Shaka Zulu to Cecil John Rhodes.
Most recently, Cliff was fired by M-Net as one of the Idols judges after facing accusations of racism over the Penny Sparrow incident. He fought back, employing the services of the EFF’s Dali Mpofu, and was reinstated.
In Cliffhanger, South Africa’s controversial shock jock goes behind the scenes to give you a first-hand account of the highs and lows of the past two decades.
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