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Bonang Matheba has built up her brand, making her face the most recognisable one in South Africa.
Is this a self-help book? Not quite. This is the story of how a girl from Mafikeng in the North West found her face next to that of Halle Berry’s in a worldwide Revlon campaign. The most important lesson from the book, as the subtitle suggests, will be that no one is born made – we all have to work very hard. Much like Bonang did.
While she has given some access into her life through media interviews, Bonang is yet to detail the journey that saw her become a successful, multi-talented businesswoman and TV and radio personality. This book will be a look into Bonang’s life that she has never made public.
There are a lot of good things about getting older. When youíre young you want everyone to like you and to make an impression. When youíre old you donít give a damn.' Kate Turkington is fearless and fun, even now in her 80s. From the war-worn East End of London to raising a young family in a remote part of eastern Nigeria and building a career as one of SA's most loved broadcasters, Kate's story is remarkable and revealing. You'll laugh. You'll cry. You will cheer. You may well be shocked.
"My name is Samantha and Iím an alcoholic. At the time of writing, Iíve been sober for 13 years, 11 months and 16 days. And yes I still count. I promised I would never speak about it publicly until my children understood what that meant, that mommy was an alcoholic. I think they may have understood long before I did."
From Whiskey To Water is the no-holds-barred memoir by one of South Africaís most loved radio talk show hosts, Sam Cowen. Having kept her alcohol addiction well away from the public eye for over 14 years, in this tell-all tale, Sam finds the courage to talk about her struggle with her addiction to whiskey, food and finally to a passion that saved her life Ė marathon swimming. Told in her characteristically hilarious dead-pan style, this is one of the bravest books youíll read this year.
"So this is a book on how I stopped drinking? No, itís not. Itís how I stopped drinking, started eating, became clinically severely obese, stopped eating (everything that wasnít nailed down) and swam my way to freedom. No, itís not. Itís actually about addiction and learning and sadness and anxiety and love and drive. Itís about channelling the unchangeable into the miraculous. Itís about dragons and learning how to put them to sleep when you canít slay them. Itís about being my own Daenarys."
Met sy heel eerste verskyning op televisie as hoŽrskool-laaitie het Rian van Heerden reeds die volk die josie ingemaak. Sedertdien het hy dikwels koerantvoorblaaie gehaal - en is telkens afgedank! - vir sy omstrede uitlatings. In diť boek skryf hy onbeskaamd oor al die goed wat mense meen hy eerder niť moes gesÍ het nie. Hy maak vir die eerste keer sy hart oop oor sy persoonlike lewe, sy worsteling met gaywees en sy eerste liefdesverhouding. Blatant eerlik, skreeusnaaks, aangrypend.
From campus radio to host of South Africa’s biggest youth breakfast show to pioneering his own online hub, Gareth Cliff has always claimed the headlines with his brand of strong opinion and whiplash wit. He has been suspended from the airwaves or crucified by his critics more times than he can remember – whether for interviewing himself as Jesus or comparing Shaka Zulu to Cecil John Rhodes.
Most recently, Cliff was fired by M-Net as one of the Idols judges after facing accusations of racism over the Penny Sparrow incident. He fought back, employing the services of the EFF’s Dali Mpofu, and was reinstated.
In Cliffhanger, South Africa’s controversial shock jock goes behind the scenes to give you a first-hand account of the highs and lows of the past two decades.
Daar doer in die fliek sluit aan by die televisiereeks met dieselfde naam wat op kykNet uitgesaai is. Die omvangryke boek gee 'n oorsig oor die ontwikkeling van Afrikaanse rolprente vanaf die heel vroegste stilprente tot en met die heel nuutste rolprente van ons tyd. Die geskiedenis begin met die dokumentere films wat tydens die Anglo-Boereoorlog gemaak is en die epiese De Voortrekkers uit die tyd van die stilprente. Daarna word gedetailleerde aandag aan elke dekade van die 20ste eeu gegee met belangrike figure soos Pierre de Wet, Jamie Uys, Emil Nofal Jans Rautenbach, Katinka Heyns, Leon Schuster en Dirk de Villiers. Die titel is ontleen aan Jamie Uys se baanbreker-rolprent van 1951, Daar doer in die bosveld, wat die begin was van Uys se hoogs suksesvolle loopbaan met rolprente soos Lord oom Piet en die internasionale treffer The gods must be crazy. Van Nierop kon gebruik maak van skaars rolprente in KykNet se videoteek en in die Nasionale filmargief. Talle onderhoude met akteurs, regisseurs en vervaardigers gee eerstehandse inligting oor die vervaardiging van bekende en suksesvolle rolprente. Alhoewel die klem op Afrikaanse rolprente val, word ook na baanbreker-rolprente in Engels en die inheemse tale verwys. Ten slotte word besondere aandag gegee aan die opbloei van die Afrikaanse rolprente in die eerste twee dekades van die 21ste eeu, waardeur talentvolle mense die geleentheid kry om aan hul drome uiting te gee. Die boek is Leon van Nierop se huldeblyk aan een van die oudste rolprentindustriee in die wereld. Die ontwikkeling van die Suid-Afrikaanse rolprentkuns word met 'n groot aantal fotoís geillustreer.
How Women Are Revolutionising Television. In recent years, the television landscape has seen the glorious rise of women to key positions of power within the industry, from writers to producers to directors. Starting with Roseanne Barr and Diane English with their now iconic shows, Roseanne and Murphy Brown respectively, Press shows us how strategic advocating for women in writers' rooms, in producing discussions, and behind the camera as directors led to an inspiring new era for television drama.
Ever since John Logie Baird first publicly demonstrated this now all-pervasive medium in his small Soho laboratory, the history of television has been littered with remarkable but true tales of the unexpected. Ranging from bizarre stories of actors' shenanigans to strange but true executive and marketing decisions, and covering over one hundred shows, series and episodes from both behind and in front of the camera in British and American television studios, 'Television's Strangest Moments' is the ultimate tome of TV trivia. Why did the quintessential English sleuth The Saint drive a Swedish car? What happened when Michael Aspel met Nora Batty on the set of the 1960s drama-documentary 'The War Game'? Why is the Halloween chiller 'Ghostwatch' still unofficially banned by the BBC? From live TV suicide to Ricky Martin's disastrous candid camera-style episode involving a young female fan and several cans of dog food, 'Television's Strangest Moments' will keep you hooked when there's nothing worth watching on the box.
A guide to the nature, purpose, and place of public service television within a multi-platform, multichannel ecology. Television is on the verge of both decline and rebirth. Vast technological change has brought about financial uncertainty as well as new creative possibilities for producers, distributors, and viewers. This volume from Goldsmiths Press examines not only the unexpected resilience of TV as cultural pastime and aesthetic practice but also the prospects for public service television in a digital, multichannel ecology. The proliferation of platforms from Amazon and Netflix to YouTube and the vlogosphere means intense competition for audiences traditionally dominated by legacy broadcasters. Public service broadcasters-whether the BBC, the German ARD, or the Canadian Broadcasting Corporation-are particularly vulnerable to this volatility. Born in the more stable political and cultural conditions of the twentieth century, they face a range of pressures on their revenue, their remits, and indeed their very futures. This book reflects on the issues raised in Lord Puttnam's 2016 Public Service TV Inquiry Report, with contributions from leading broadcasters, academics, and regulators. With resonance for students, professionals, and consumers with a stake in British media, it serves both as historical record and as a look at the future of television in an on-demand age. Contributors include Tess Alps, Patrick Barwise, James Bennett, Georgie Born, Natasha Cox, Gunn Enli, Des Freedman, Vana Goblot, David Hendy, Jennifer Holt, Amanda D. Lotz, Sarita Malik, Matthew Powers, Lord Puttnam, Trine Syvertsen, Jon Thoday, Mark Thompson
A poignant and very personal childhood memoir of growing up in Cumbria during the Second World War and into the 1950s, from columnist Hunter Davies Despite the struggle to make ends meet during the tough years of warfare in the 1940s and rationing persisting until the early 1950s, life could still be sweet. Especially if you were a young boy, playing football with your pals, saving up to go to the movies at the weekend, and being captivated by the latest escapade of Dick Barton on the radio. Chocolate might be scarce, and bananas would be a pipe dream, but you could still have fun. In an excellent social memoir from one of the UK's premier columnists over the past five decades, Hunter Davies captures this period beautifully. His memoir of growing up in post-war North of England from 1945 onwards, amid the immense damage wrought by the Second World War, and the dreariness of life on rationing, very little luxuries and an archaic educational system, should be one that will resonate with thousands of readers across Britain. In the same vein as Robert Douglas's Night Song of the Last Tramand Alan Johnson's This Boy, Hunter's memories of a hard life laced with glorious moments of colour and emotion will certainly strike a vein with his generation.
Vassos Alexander shares his insight from interviews with legends of the sport and his own gruelling but rewarding experiences of extraordinary endurance racing - including the legendary 152-mile Spartathlon, widely regarded as the world's most relentless race. Vassos dissects and explores the tenacity that propels many to keep on running and running and running...
BBC RADIO 4 'BOOK OF THE WEEK' The British Broadcasting Corporation is a British institution unlike any other, and its story during the Second World War is also our story. This was Britain's first total war, engaging the whole nation, and the wireless played a crucial role in it. For the first time, news of the conflict reached every living room - sometimes almost as it happened; and at key moments - Chamberlain's announcement of war, the Blitz, the D-Day landings - the BBC was there, defining how these events would pass into our collective memory. Auntie's War is a love letter to radio. While these were the years when 'Auntie' - the BBC's enduring nickname - earnt her reputation for bossiness, they were also a period of truly remarkable voices: Churchill's fighting speeches, de Gaulle's broadcasts from exile, J. B. Priestley, Ed Murrow, George Orwell, Richard Dimbleby and Vera Lynn. Radio offered an incomparable tool for propaganda; it was how coded messages, both political and personal, were sent across Europe, and it was a means of sending less than truthful information to the enemy. At the same time, eyewitness testimonies gave a voice to everyone, securing the BBC's reputation as reliable purveyor of the truth. Edward Stourton is a sharp-eyed, wry and affectionate companion on the BBC's wartime journey, investigating archives, diaries, letters and memoirs to examine what the BBC was and what it stood for. Full of astonishing, little-known incidents, battles with Whitehall warriors and Churchill himself, and with a cast of brilliant characters, Auntie's War is much more than a portrait of a beloved institution at a critical time. It is also a unique portrayal of the British in wartime and an incomparable insight into why we have the broadcast culture we do today.
Tom Mangold is known to millions as the face of BBC TV's flagship current affairs programme Panorama and as its longest-serving reporter. Splashed! is the 'antidote to the conventional journalist's autobiography' - a compelling, hilarious and raucous revelation of the events that marked an extraordinary life in journalism.Mangold describes his National Service in Germany, where he worked part-time as a smuggler, through his years in the 1950s on Fleet Street's most ruthless newspapers, a time when chequebook journalism ruled and shamelessness was a major skill. Recruited by the BBC, he spent forty years as a broadcaster, developing a reputation for war reporting and major investigations.From world exclusives with fallen women in the red-top days to chaotic interviews with Presidents, Splashed! offers a rare glimpse of the personal triumphs and disasters of a life in reporting, together with fascinating revelations about the stories that made the headlines on Mangold's remarkable journey from print to Panorama.
Jeremy Vine is one of the most successful broadcasters of recent years and in 2012 clocks up a quarter of a century at the BBC. In It's All News to Me, he takes a look back over his career from the very first day when he arrived at broadcasting house, (by coincidence an inauspicious news day - the fateful Black Monday of 1987.) Jeremy explains his big break as a Today programme reporter when he was fired at by a sniper during the early days of the war in Bosnia; he walks us through the corridors of Westminster in the 1990s when he was a political correspondent, trying to deal with the likes of Alastair Campbell and Peter Mandelson; he reflects on the steep learning curve that was his posting as African correspondent at the turn of the millennium; and his return to the UK where he was dubbed Paxman's "mini-me" on Newsnight. He also explains what it's like presenting Radio 2's lunchtime show and talking to 6 million listeners - people who, as he puts it "have better stories than we do." Written in Jeremy's unmistakably lively and self-deprecating voice, It's All News to Mepaints a vivid picture of what it's like to be trapped inside the BBC - arguably the most interesting organisation in the country - for 25 years. It's also about our obsession with news - just exactly how and why it happens - and the power of real life stories versus the media's desire to shape them.
Despite the struggle to make ends meet during the tough years of warfare in the 1940s and rationing persisting until the early 1950s, life could still be sweet. Especially if you were a young boy, playing football with your pals, saving up to go to the movies at the weekend, and being captivated by the latest escapade of Dick Barton on the radio. Chocolate might be scarce, and bananas would be a pipe dream, but you could still have fun. In an excellent social memoir from one of the UK's premier columnists over the past five decades, Hunter Davies captures this period beautifully. His memoir of growing up in post-war North of England from 1945 onwards, amid the immense damage wrought by the Second World War, and the dreariness of life on rationing, very little luxuries and an archaic educational system, should be one that will resonate with thousands of readers across Britain. In the same vein as Robert Douglas's Night Song of the Last Tram - A Glasgow Childhood and Alan Johnson's This Boy, Hunter's memories of a hard life laced with glorious moments of colour and emotion will certainly strike a vein with his generation.
Delinquent presenters, controversial executive pay-offs, the Jimmy Savile scandal...The BBC is one of the most successful broadcasters in the world, but its programme triumphs are often accompanied by management crises and high-profile resignations.One of the most respected figures in the broadcasting industry, Roger Mosey has taken senior roles at the BBC for more than twenty years, including as editor of Radio 4's Today programme, head of television news and director of the London 2012 Olympic coverage.Now, in Getting Out Alive, Mosey reveals the hidden underbelly of the BBC, lifting the lid on the angry tirades from politicians and spin doctors, the swirling accusations of bias from left and right alike, and the perils of provoking Margaret Thatcher.Along the way, this remarkable memoir charts the pleasures and pitfalls of life at the top of an organisation that is variously held up as a treasured British institution and cast down as a lumbering, out-of-control behemoth.Engaging, candid and very funny, Getting Out Alive is a true insider account of how the BBC works, why it succeeds and where it falls down.
It's now ninety years since the BBC made its first broadcast and the British love affair with radio began. This book is a journey through that fascinating history and a celebration of the many wonderful voices that were part of it: Marion Cran, who pioneered the first gardening programme in the 1920s; The Goons and Kenneth Horne, comedy greats of the 1950s; John Peel, Alan Freeman, Kenny Everett and other heroes of the pirate stations; all the way up to Eddie Mair, Fi Glover and Danny Baker, the much-loved voices of today. A delightful blend of insight, history and nostalgia, Hello Again will appeal to any radio aficionado.
From the former chief economist of the FCC, a remarkable history of the U.S. government's regulation of the airwaves Popular legend has it that before the Federal Radio Commission was established in 1927, the radio spectrum was in chaos, with broadcasting stations blasting powerful signals to drown out rivals. In this fascinating and entertaining history, Thomas Winslow Hazlett, a distinguished scholar in law and economics, debunks the idea that the U.S. government stepped in to impose necessary order. Instead, regulators blocked competition at the behest of incumbent interests and, for nearly a century, have suppressed innovation while quashing out-of-the-mainstream viewpoints. Hazlett details how spectrum officials produced a "vast wasteland" that they publicly criticized but privately protected. The story twists and turns, as farsighted visionaries-and the march of science-rise to challenge the old regime. Over decades, reforms to liberate the radio spectrum have generated explosive progress, ushering in the "smartphone revolution," ubiquitous social media, and the amazing wireless world now emerging. Still, the author argues, the battle is not even half won.
A NEW YORK TIMES BESTSELLERWINNER of the GoodReads Choice Awards 2017 for HumourIn this collection of personal essays, the beloved star of Gilmore Girls and Parenthood reveals stories about life, love, and working as a woman in Hollywood-along with behind-the-scenes dispatches from the set of the new Gilmore Girls, where she plays the fast-talking Lorelai Gilmore once again.In Talking as Fast as I Can, Lauren Graham hits pause for a moment and looks back on her life, sharing laugh-out-loud stories about growing up, starting out as an actress, and, years later, sitting in her trailer on the Parenthood set and asking herself, "Did you, um, make it?" She opens up about the challenges of being single in Hollywood ("Strangers were worried about me; that's how long I was single!"), the time she was asked to audition her butt for a role, and her experience being a judge onProject Runway ("It's like I had a fashion-induced blackout").In "What It Was Like, Part One," Graham sits down for an epic Gilmore Girls marathon and reflects on being cast as the fast-talking Lorelai Gilmore. The essay "What It Was Like, Part Two" reveals how it felt to pick up the role again nine years later, and what doing so has meant to her.Some more things you will learn about Lauren: She once tried to go vegan just to bond with Ellen DeGeneres, she's aware that meeting guys at awards shows has its pitfalls ("If you're meeting someone for the first time after three hours of hair, makeup, and styling, you've already set the bar too high"), and she's a card-carrying REI shopper ("My bungee cords now earn points!").Including photos and excerpts from the diary Graham kept during the filming of the recent Gilmore Girls: A Year in the Life, this book is like a cozy night in, catching up with your best friend, laughing and swapping stories, and-of course-talking as fast as you can.
How big data is transforming the creative industries, and how those industries can use lessons from Netflix, Amazon, and Apple to fight back. "[The authors explain] gently yet firmly exactly how the internet threatens established ways and what can and cannot be done about it. Their book should be required for anyone who wishes to believe that nothing much has changed." -The Wall Street Journal "Packed with examples, from the nimble-footed who reacted quickly to adapt their businesses, to laggards who lost empires." -Financial Times Traditional network television programming has always followed the same script: executives approve a pilot, order a trial number of episodes, and broadcast them, expecting viewers to watch a given show on their television sets at the same time every week. But then came Netflix's House of Cards. Netflix gauged the show's potential from data it had gathered about subscribers' preferences, ordered two seasons without seeing a pilot, and uploaded the first thirteen episodes all at once for viewers to watch whenever they wanted on the devices of their choice. In this book, Michael Smith and Rahul Telang, experts on entertainment analytics, show how the success of House of Cards upended the film and TV industries-and how companies like Amazon and Apple are changing the rules in other entertainment industries, notably publishing and music. We're living through a period of unprecedented technological disruption in the entertainment industries. Just about everything is affected: pricing, production, distribution, piracy. Smith and Telang discuss niche products and the long tail, product differentiation, price discrimination, and incentives for users not to steal content. To survive and succeed, businesses have to adapt rapidly and creatively. Smith and Telang explain how. How can companies discover who their customers are, what they want, and how much they are willing to pay for it? Data. The entertainment industries, must learn to play a little "moneyball." The bottom line: follow the data.
A NEW YORK TIMES BESTSELLER: with a new bonus chapter
In this collection of personal essays, the beloved star of Gilmore Girls and Parenthood reveals stories about life, love, and working as a woman in Hollywood-along with behind-the-scenes dispatches from the set of the new Gilmore Girls, where she plays the fast-talking Lorelai Gilmore once again.
In Talking As Fast As I Can, Lauren Graham hits pause for a moment and looks back on her life, sharing laugh-out-loud stories about growing up, starting out as an actress, and, years later, sitting in her trailer on the Parenthood set and asking herself, "Did you, um, make it?" She opens up about the challenges of being single in Hollywood ("Strangers were worried about me; that's how long I was single!"), the time she was asked to audition her butt for a role, and her experience being a judge onProject Runway ("It's like I had a fashion-induced blackout").
In "What It Was Like, Part One," Graham sits down for an epic Gilmore Girls marathon and reflects on being cast as the fast-talking Lorelai Gilmore. The essay "What It Was Like, Part Two" reveals how it felt to pick up the role again nine years later, and what doing so has meant to her.
Some more things you will learn about Lauren: She once tried to go vegan just to bond with Ellen DeGeneres, she's aware that meeting guys at awards shows has its pitfalls ("If you're meeting someone for the first time after three hours of hair, makeup, and styling, you've already set the bar too high"), and she's a card-carrying REI shopper ("My bungee cords now earn points!").
Including photos and excerpts from the diary Graham kept during the filming of the recent Gilmore Girls: A Year in the Life, this book is like a cozy night in, catching up with your best friend, laughing and swapping stories, and-of course-talking as fast as you can.
In "Sports on Television," Dennis Deninger provides an all-encompassing view of the sports television industry. He progresses from the need for this book, to the history of the industry and discipline, to the pioneering events of sports broadcasting and sports television, to a nuts-and bolts, behind-the-scenes look at a sports television production. All the while, he examines the impact that sports and the mass media have had (and are continuing to have) on one another and on society.
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