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Modernism to the masses: Pioneering designs for affordable postwar homesThe Case Study House program (1945 1966) was a unique event in the history of American architecture. Sponsored by Arts & Architecture magazine, the program sought to respond to the postwar building boom with prototype modern homes that could be both easily replicated and readily affordable to the average American.Concentrated on the Los Angeles area, the Case Study Houses included 36 model homes commissioned from such major architects of the day as Richard Neutra, Raphael Soriano, Craig Ellwood, Charles and Ray Eames, Pierre Koenig, Eero Saarinen, A. Quincy Jones, and Ralph Rapson. Their criteria included using, as far as is practicable, many war-born techniques and materials best suited to the expression of man s life in the modern world. The results of the program would redefine the modern home and extend influence not only across the United States but around the world. This compact guide includes all of the Case Study Houses with over 150 photos and plans, as well as a map showing locations of all sites, including those that no longer exist.About the series: Each book in TASCHEN s Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts and plans)"
Loving the Alien Behind the scenes of Nic Roeg's 1976 sci-fi masterpiece starring David Bowie First advertised as a "mind-stretching experience," Nicolas Roeg's 1976 The Man Who Fell to Earth stunned the cinema world. A tour-de-force of science fiction as art form, the movie brought not only hallucinatory visuals and a haunting exploration of contemporary alienation, but also glam-rock legend David Bowie in his lead role debut as paranoid alien Newton. Based on Walter Tevis's 1963 sci-fi fable of the same title, The Man Who Fell to Earth follows alien Newton from his arrival on earth in search of water; his transition to wealthy entrepreneur, leveraging the advanced technologies of his native planet; his sexual awakening with the young Mary-Lou; and then the discovery of his alien identity, his imprisonment, abandonment, and descent into alcoholism. Throughout, Roeg coaxed a beguiling performance from his cast, presenting not only Bowie in ethereal space-traveler glory, but also pitch-perfect supporting performances from Candy Clark, Rip Torn, and Buck Henry. To celebrate the 40th anniversary of this cult movie, TASCHEN's The Man Who Fell to Earth presents a plenitude of stills and behind-the-scenes images by unit photographer David James, including numerous shots of Bowie at his playful and ambiguous best. A new introductory essay explores the shooting of the film and it's lasting impact, drawing upon an exclusive interview with David James, who brings firsthand insights into the making of this sci-fi masterwork.About the series: Bibliotheca Universalis-- Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.Bookworm's delight -- never bore, always excite!Text in English, French, and German
Behind Beatlemania Privileged access to the Fab Four In early 1964, photographer Harry Benson got a call from the photo editor of London's Daily Express who asked him to cover The Beatles' trip to Paris. It was the beginning of a career-defining relationship with the band which would both make Benson's name and produce some of the most intimate photographs ever taken of The Beatles. In Paris, Benson captured the now famed photograph of the Fab Four having a pillow fight at the George V Hotel, an image Benson himself has called the best shot of his career. Later that same year, he documented the group's debut US tour, including their appearance on The Ed Sullivan Show, their surprising encounter with Cassius Clay, and the hysteria of New York Beatlemania. Benson also covered George Harrison's honeymoon in Barbados. This book collects the best of Benson's luminous black and white Beatles portfolio, alongside quotes and newspaper clippings from the period, and Benson's own introduction, adding personal testimony to these era-defining images.Text in English, French and German.
The godfather of Italian design.
Italian architect and designer Gio Ponti (1891-1979) is difficult to pin down. With an extraordinarily prolific output and eclectic style, his oeuvre remains one of the most diverse and groundbreaking in design history. Trained initially in architecture, Ponti soon moved into industrial and interior design, experimenting with ceramics, silverware, and glass. Ponti's key works are spread throughout this extensive overview, including structures of all kinds, from small residential dwellings to high-rise buildings, schools, and office blocks.
The home was one of Ponti's recurring interests and central areas of innovation. His talent for total design--a careful consideration of both interior and exterior space--is charted in the glossy reproductions, floor plans, and drawings featured in this edition. Ponti's colorful, carefree, and elegant spaces blended an expressive neoclassicism with emerging modernist sensibility.
The founder and nearly lifelong editor of domus magazine never ceased to develop and reinvent his style. From the Denver Art Museum to his collection of churches, from bespoke homeware to the symbol of modern Milan, the Pirelli Tower, this monograph provides an introduction to Ponti's exuberant creativity and illustrious career.
Debuting in Milan, Fontana settled in Paris in the mid 1930s, where he joined the Abstraction-Creation group and created expressionist sculptures in ceramic and bronze. He later moved to Argentina, where he developed his highly influential Technical Manifesto of Spatialism, a modernist marvel, characteristic of post-war innovation and fuelled by a forward-looking synthesis of art, technology, and science. With Spatialism, the artist sought to project color and form into spaces, most famously in his minimally ripped, or slashed canvases, such as his extensive Spatial Concept Waiting series.This dependable artist introduction follows Fontana on his personal and artistic journey to explore the evolution of his pioneering ideas as well as their remarkable legacy on conceptual and performance art which flourished in his wake.
Building virtuoso: The exploration and iconoclasm of an Italian masterWhile some architects have a signature style, Renzo Piano seeks to apply coherent ideas to extraordinarily different projects. His buildings impress as much for their individual impact as for their diversity of scale, material, and form.Piano rose to international prominence with his codesign of the Pompidou Center in Paris, described by The New York Times as a building that turned the architecture world upside down. Since then, he has continued to craft many high-profile cultural spaces, including the Modern Wing of the Art Institute of Chicago; the Morgan Library Renovation and Expansion in New York; and, most recently, the Whitney Museum of American Art, an asymmetric nine-story structure in Manhattan s Meatpacking District with both indoor and outdoor galleries. In New York and London, the Renzo touch has also transformed the skyline with the towers of the New York Times Building and the Shard, the tallest building in the European Union.This essential introduction travels from Osaka, Japan, to Bern, Switzerland, and through many cities, structures, and islands in between, to explore the staggering scope of the Renzo Piano repertoire. From the inside-out Pompidou to the airy shells of the Tjibaou Cultural Center in Noumea, New Caledonia, this is a thrilling journey through the beauty of architecture, where, in Piano s own words, each time, it is like life starting all over again. About the series: Each book in TASCHEN s Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts and plans)"
Baroque and Roll Meet Sir Peter Paul Rubens, master painter and polymath There are over 1,000 catalogued works by Sir Peter Paul Rubens (1577-1640), the 16th-century flag bearer for Baroque drama, movement, and sensuality. This essential introduction takes in the most important works from this astonishingly prolific oeuvre to explore Rubens's influences and innovations, and his remarkable visual, and art historical, impact. The richly illustrated survey takes in Rubens's portraits, landscapes, historical paintings, as well as his famed and bountiful nudes. Along the way, we examine the artist's astonishing technique and his deft ability to depict narrative in a compelling and legible visual form, whether an erotic mythologial scene or a tender biblical story. This remarkable artistic bravura is placed in context both with Rubens's long art historical legacy through van Dyck, Velazquez, and beyond, and his other talents as a classical scholar, diplomat, and knight.
Pierre Koenig's modern materials
There are few images of 20th-century architecture more iconic than the nighttime view of Case Study House #22. At its eagle's nest promontory above Los Angeles, the building is a vision of streamlined glass and steel, its slick lines echoing the twinkling city boulevards below. With this and his other equally innovative build for the famous project of the Arts & Architecture magazine, American architect Pierre Koenig (1925-2004) became one of the leading figures of the Modern movement.
While still a student of architecture, Koenig designed and built his first exposed steel house in 1950, proving that the use of prefabricated materials could allow for spatial freedom in affordable houses. Throughout his career, he would champion socially responsible design, as well as buildings that responded deftly and directly to the Southern Californian climate. Through windows, water, terraces, skylights, and glazing, his buildings optimized the rapport between inside and outside, while aiming for a simplistic purity of appearance.
Through all of Koenig's major projects, including the Johnson House (1962) and Oberman House (1962), this book introduces an architect pioneering in method and material and iconic of his time, as fueled by experimentalism as the postwar optimism of the age.
Gustav Klimt's ornate art expresses the apocalyptic atmosphere of Vienna's upper middle-class society around the turn of the 20th century - a society devoted to the cultivation of aesthetic awareness and the cult of pleasure. The ecstatic joy which Klimt (1862-1918) and his contemporaries found - or hoped to find - in beauty was constantly overshadowed by death. And death therefore plays an important role in Klimt's art. Klimt's fame, however, rests on his reputation as one of the greatest erotic painters and graphic artists of his times. His drawings in particular, which have been widely admired for their artistic excellence, are dominated by the sensual portrayal of women.
Talk of the town
A landmark in urban mapping
More than four centuries on from its first publication, discover one of the jewels of urban cartography and civic studies. This quality reprint includes the most enchanting color plates from the Civitates orbis terrarum, a magnificent collection of town map engravings, produced between 1572 and 1617.
Featuring plans, bird's-eye views, and maps for all major cities in Europe, plus important urban centers in Asia, Africa, and Latin America, this masterwork in urban mapping gives us a comprehensive view of city life at the turn of the 17th century. It was edited and annotated by theologian and publisher Georg Braun and largely engraved by Franz Hogenberg, but also involved over a hundred different artists and cartographers who contributed not only town views, but additional elements, such as figures in local dress, courtroom scenes, and topographical details, to help convey the situation, commercial power, and political influence of each city.
TASCHEN's reprint contextualizes the plates with selected extracts from Braun's original texts on the history and significance of each urban center as well as detailed commentaries to place each city map in its cartographical and cultural context.
Delicious demons. Deciphering allegories in the complex, fantastical works of Hieronymous Bosch. In the midst of the realist-leaning artistic climate of the Late Gothic and Early Renaissance, Dutch painter Hieronymus Bosch (c. 1450-1516) was more than an anomaly. Bosch's paintings are populated with grotesque scenes of fantastical creatues succumbing to all manner of human desire, fantasy, and angst. One of his greatest inventions was to take the figural and scenic representations known as drolleries, which use the monstrous and the grotesque to illustrate sin and evil, and to transfer them from the marginalia of illuminated manuscripts into large-format panel paintings. Alongside traditional hybrids of man and beast, such as centaurs, and mythological creatures such as unicorns, devils, dragons, and griffins, we also encounter countless mixed creatures freely invented by the artist. Many subsidiary scenes illustrate proverbs and figures of speech in common use in Bosch's day. In his Temptation of St Anthony triptych, for example, the artist shows a messenger devil wearing ice skates, evoking the popular expression that the world was "skating on ice"-meaning it had gone astray. In his pictorial translation of proverbs, in particular, Bosch was very much an innovator. Bosch - whose real name was Jheronimus van Aken - was widely copied and imitated: the number of surviving works by Bosch's followers exceeds the master's own production by more than tenfold. Today only 20 paintings and eight drawings are confidently assigned to Bosch's oeuvre. He continues to be seen as a visionary, a portrayer of dreams and nightmares, and the painter par excellence of hell and its demons. In this exhaustive book, published in view of the upcoming 500th anniversary of Bosch's death and covering his complete works in huge, splendid reproductions with copious details, art historian and acknowledged Bosch expert Stefan Fischer examines just what it was about Bosch and his painting that proved so immensely influential.
Building the future now. This is the iconic work of a singular architect. Zaha Hadid is a wildly controversial architect whose work remained largely unbuilt for years, despite awards and critical acclaim. Yet in the past decade, Hadid has risen to fame and completed numerous structures like the Rosenthal Center for Contemporary Art in Cincinnati, the Glasgow Riverside Museum, and the Eli & Edythe Broad Art Museum in Michigan. With her audacious, futuristic designs, Hadid now ranks among the elite of world architecture. Born in Baghdad and educated in London, where her practice is based, Hadid has designed radical architecture for over 30 years. This massive TASCHEN monograph, now available in a specially updated and more accessible edition, covers her complete works to date. The New National Stadium of Japan-venue of the Tokyo 2020 Olympic Games, and the Serpentine Sackler Gallery in London are both published for the first time. This volume shows the evolution of Hadid's career - including buildings and furniture and interior designs - with in-depth texts, spectacular photos, and her own drawings.
Destination exoticPaul Gauguin's Pacific visions radiate with color and sunshine Paul Gauguin (1848-1903) was not cut out for finance. Nor did he last particularly long in the French Navy, or as a tarpaulin salesman in Copenhagen who did not speak Danish. He began painting in his spare time in 1873 and in 1876 took part in the Paris Salon. Three years later, he was exhibiting alongside Pissarro, Degas, and Monet. A querulous, hard-drinking individual, Gauguin often called himself a savage. His close but fraught friendship with the similarly temperamental Vincent van Gogh climaxed in a violent incident in 1888, when Van Gogh purportedly confronted Gauguin with a razor blade, and later cut off his own ear. Shortly afterwards, following the completion of a midcareer masterpiece Vision After the Sermon (1888), Gauguin took himself to Tahiti, with the intention of escaping "everything that is artificial and conventional..." On Tahiti, Gauguin's unfettered joy in the island's nature, native people, and figurative images leapt over a prolific output of paintings and prints. In works such as Woman with a Flower (Vahine no te Tiare, 1891) and Sacred Spring: Sweet Dreams (Nave Nave Moe, 1894), he developed a distinct, Primitivist style that positively oozed with sunshine and color. In the tradition of exotic sensuality, his thick, buttery lashings of paint lingered in particular over the curves of Tahitian women. Gauguin died alone, on Tahiti's neighboring Marquesas Islands, with many of his personal papers and belongings dispersed in a local auction. It was not until a smart art dealer began curating and showing Gauguin's work in Paris that the artist's profound influence began making itself felt, especially to the new breed of French avant-garde artists, such as Picasso and Matisse. This book offers the essential introduction the artist's truly colorful life, from the Impressionist salons of 1870s Paris to his final days in the Pacific, productive and passionate to the end.About the series: Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions
Fernando Botero's fulsome and frolicking forms
Fernando Botero is an artist with his own style. For more than six decades, the Colombian's "Boterismo" technique has captured collectors, institutions, and public spaces worldwide with a unique, fleshy, overblown approach to the human body. Through these corpulent creations, Botero has become one of the most recognized artists from Latin America, his artworks displayed in prominent places around the globe, including Park Avenue in New York City and the Champs-Elysees in Paris.
This TASCHEN Basic Art edition offers an essential introduction to this leading figure of figures in contemporary art. Tracing Botero's oeuvre from his earliest caricatures of animals through to recent large-scale bronze sculptures, the book examines the artist's diverse array of influences, from Paolo Uccello to Abstract Expressionism, and celebrates the wit, irony, insight, and critical acumen that round out his compositions, however absurd the proportions.
On the Verge of History An inside look into John F. Kennedy's 1960 campaign for America With his Hollywood good looks, boundless enthusiasm, and mesmeric media presence, John F. Kennedy was destined to capture the imaginations of the more than 70 million Americans who watched the nation's first televised presidential debate. Just days after beating out Richard Nixon by the narrowest margin in history, Kennedy himself said, "It was the TV more than anything else that turned the tide." But one man begged to differ: writer Norman Mailer, who bragged that his pro-Kennedy treatise, "Superman Comes to the Supermarket," had "won the election for Kennedy." The article, published in Esquire magazine just weeks before polls opened, redefined political reporting with Mailer's frank, first-person voice identifying Kennedy as the "existential hero" who could awaken the nation from its postwar slumber and conformist Eisenhower years. Both Kennedy and New Journalism had arrived. To commemorate the centennial of Kennedy's birth, TASCHEN presents this no-holds-barred portrait of Kennedy on his path to the White House alongside 300 photographs that bring the campaign and the candidate's family to life. With featured photojournalists including such illustrious talents as Cornell Capa, Henri Dauman, Jacques Lowe, Arnold Newman, Lawrence Schiller, Paul Schutzer, Stanley Tretick, Hank Walker, and Garry Winogrand, this is a fascinating visual and literary record of the man who would lead America into the 1960s.
Spices, spas, and crystal seas: The finest sanctuaries across AsiaAsia promises multisensory marvels. Whether it's a scorching hot curry, the vivid sounds of a local market, or an expert massage in a haven of feng-shui calm, the world's largest continent continent offers abundant opportunities to invigorate mind and body.From the futuristic urban metropolis to the pristine island shore, from your own piece of paradise in Bali to palatial splendor in India, this revised and updated TASCHEN collection gathers the finest Asian getaways. Each featured hotel is presented with interior and exterior photographs; pricing, service, and contact information; as well as an atmospheric reading recommendation.Text in English, French, and German
In the midst of the realist-leaning artistic climate of the Late Gothic and Early Renaissance, Netherlandish painter Hieronymus Bosch (c. 1450-1516) was more than an anomaly. Bosch's paintings are populated with grotesque scenes of fantastical creatures succumbing to all manner of human desire, fantasy, and angst. One of his greatest inventions was to take the figural and scenic representations known as drolleries, which use the monstrous and the grotesque to illustrate sin and evil, and to transfer them from the marginalia of illuminated manuscripts into large-format panel paintings. Alongside traditional hybrids of man and beast, such as centaurs, and mythological creatures such as unicorns, devils, dragons, and griffins, we also encounter countless mixed creatures freely invented by the artist. Many subsidiary scenes illustrate proverbs and figures of speech in common use in Bosch's day. In his Temptation of St Anthony triptych, for example, the artist shows a messenger devil wearing ice skates, evoking the popular expression that the world was "skating on ice"-meaning it had gone astray. In his pictorial translation of proverbs, in particular, Bosch was very much an innovator. Bosch-whose real name was Jheronimus van Aken-was widely copied and imitated: the number of surviving works by Bosch's followers exceeds the master's own production by more than tenfold. Today only 20 paintings and eight drawings are confidently assigned to Bosch's oeuvre. He continues to be seen as a visionary, a portrayer of dreams and nightmares, and the painter par excellence of hell and its demons.Featuring brand new photography of recently restored paintings, this book covers the artist's complete works. Discover Bosch's pictorial inventions in splendid reproductions with copious details. Art historian and acknowledged Bosch expert Stefan Fischer examines just what it was about Bosch and his painting that proved so immensely influential.
Master innovator: Challenging accepted notions of architectureFrom emergency relief shelters to a cardboard cathedral and exhibition spaces in shipping containers, Pritzker-prize winning architect Shigeru Ban has made his name with his restlessly inventive response to material and situation, as much as with his humanitarian work at the sites of natural and man-made disasters.In the spirit of a three-dimensional poetry, Ban uses materials as an incorporated part of his design, selected not for their cutting-edge credentials but rather for their expressive ability, their capacity to convey the building s overall concept. In particular, Ban has made regular use of paper tubing in projects as varied as the Japanese Pavilion at Expo 2000 and emergency shelters for Rwanda s Byumba Refugee Camp.This essential introduction, compiled with Ban s own collaboration, presents every one of his projects to date to survey the full reach and importance of, in the words of the Pritzker Prize jury, a committed teacher who is not only a role model for younger generation, but also an inspiration. About the series: Each book in TASCHEN s Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts and plans)"
"Architecture has to explain itself. It has got to be very clear, what you might call simple." Born in 1953, David Chipperfield worked for both Norman Foster and Richard Rogers before establishing a reputation for himself in Japan in the early 80s, and setting up David Chipperfield Architects in 1984. The practice, which now operates out of London, Berlin, Milan and Shanghai has gone on to win over 50 national and international competitions. Suspicious of "starchitecture". Chipperfield adheres instead to a meticulously crafted minimalism in which volumes and light come together in masterful harmony. Less concerned with an immediately recognizable, individual style, he rather aspires to an architecture founded on collaboration, ideas, and excellence. His buildings are intended as physically immediate spaces in which "a sort of ordinariness" becomes special, and the individual structure co-exists with broader concepts of city building. Chipperfleld's vision has driven major projects around the globe, from the Des Moines Public Library in Iowa, USA to the Hepworth Gallery in Wakefield, UK and the famed reconstruction of the Neues Museum in Berlin, Germany. Recent work includes the Museo Jumex in Mexico City and the expansion of the Saint Louis Art Museum, Saint Louis, USA. This monograph features twenty four of Chipperfield's most significant projects, with a thorough introduction, detailed descriptions, and an extensive interview covering his major influences, and guiding principles on structure, space, and urban experience.
Modern matters: A blow-by-blow account of groundbreaking modernismMost art historians agree that the modern art adventure first developed in the 1860s in Paris. A circle of painters, whom we now know as Impressionists, began painting pictures with rapid, loose brushwork. They turned to everyday street life for subjects, instead of overblown heroic scenes, and they escaped the power of the Salon by organizing their own independent exhibitions.After this first assault on the artistic establishment, there was no holding back. In a constant desire to challenge, innovate, and inspire, one modernist style supplanted the next: Symbolism, Expressionism, Futurism, Dada, Abstract Art, renewed Realism, Surrealism, Abstract Expressionism, Pop, Minimal and conceptual practice.This indispensable overview traces the restless energy of modern art with a year-by-year succession of the groundbreaking artworks that shook standards, and broke down barriers. Introductory essays outline the most significant and influential movements alongside explanatory texts for each major work and its artist.About the series: Bibliotheca Universalis Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.Bookworm s delight never bore, always excite!"
De Chirico's paintings during the teens in Paris, where he moved in 1911, caused such a stir that such important figures as Picasso and Paul Eluard immediately praised them. This phase of his work, which he later termed pittura metafisica (metaphysical painting) was marked by dramatic compositions involving sharp perspective, striking shadows, geometrical planes, voids of space, and a general feeling of anxiety and loneliness; the sense of absurdity evoked by the mannequin-like figures in almost nightmarish landscapes seemed to suggest a Freudian expression of the unconscious. After 1930, De Chirico turned to a more classical style of painting and continued in the same vein for the rest of his career; his later work was widely criticized, especially by the Surrealists who had so admired his early paintings.
Whether it's the flower-filled meadows of the Dolomites or a blanket of stars above Chile's Elqui Valley, set forth and share in the discoveries of Mountains, Deserts & Plains, a collection of 25 dream destinations in TASCHEN's Explorer series with The New York Times. Discover the deliciously intricate geology of China's Wulingyuan National Park with Simon Winchester, the otherworldly beauty of Namibia with Elinor Burkett, or the sunrise serenity of the Sawtooth Valley in Idaho. The Times writers are your guides, and the wealth of color photographs that accompany their writing capture the catch-your-breath awe of each spectacular location. The Explorer series takes travel beyond the obvious with adventures in exotic places and new perspectives in familiar ones, all based on the distinguished travel journalism in The New York Times. Each journey features a first-person narrative and postcard-perfect photography that capture the unique personality of the destination-as well as practical information to help get you on your way. Edited by Barbara Ireland, whose 36 Hours travel series has been a TASCHEN best seller, the Explorer series launches with Beaches, Islands & Coasts and Mountains, Deserts & Plains. Upcoming volumes include Urban Adventures and Road, Rail & Trail.
Anatomy of ideas The life's work of an infographics pioneer Fritz Kahn (1888-1968) was a German doctor, educator, popular science writer, and information graphics pioneer. Chased out of Germany by the Nazis, who banned and burned his books, Kahn emigrated to Palestine, then France, and finally the United States to continue his life's work. In this revised Bibliotheca Universalis edition, TASCHEN celebrates Kahn as a creative genius, particularly adept at the visualization of complex scientific ideas. In such works as Man as Industrial Palace, we see how Kahn deployed vivid visual metaphors to demystify science and how his concepts have influenced generations of scientific illustrators, visual communications specialists, and infographic artists through to today. The book features more than 350 illustrations with extensive captions, three original texts by Fritz Kahn himself, a foreword by Steven Heller, and an essay about Kahn's life and oeuvre.About the series: Bibliotheca Universalis-- Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.Bookworm's delight -- never bore, always excite!Text in English, French, and German
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