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Born Charles-Edouard Jeanneret, Le Corbusier (1887-1965) adopted his famous pseudonym after publishing his ideas in the review L'Esprit Nouveau in 1920. The few buildings he was able to design during the 1920s, when he also spent much of his time painting and writing, brought him to the forefront of modern architecture. But it was not until after World War II that his epoch-making buildings were constructed, such as the Unite d'Habitation apartment complex in Marseilles, and the chapel of Notre Dame du Haut in Ronchamp.
Delicious demons. Deciphering allegories in the complex, fantastical works of Hieronymous Bosch. In the midst of the realist-leaning artistic climate of the Late Gothic and Early Renaissance, Dutch painter Hieronymus Bosch (c. 1450-1516) was more than an anomaly. Bosch's paintings are populated with grotesque scenes of fantastical creatues succumbing to all manner of human desire, fantasy, and angst. One of his greatest inventions was to take the figural and scenic representations known as drolleries, which use the monstrous and the grotesque to illustrate sin and evil, and to transfer them from the marginalia of illuminated manuscripts into large-format panel paintings. Alongside traditional hybrids of man and beast, such as centaurs, and mythological creatures such as unicorns, devils, dragons, and griffins, we also encounter countless mixed creatures freely invented by the artist. Many subsidiary scenes illustrate proverbs and figures of speech in common use in Bosch's day. In his Temptation of St Anthony triptych, for example, the artist shows a messenger devil wearing ice skates, evoking the popular expression that the world was "skating on ice"-meaning it had gone astray. In his pictorial translation of proverbs, in particular, Bosch was very much an innovator. Bosch - whose real name was Jheronimus van Aken - was widely copied and imitated: the number of surviving works by Bosch's followers exceeds the master's own production by more than tenfold. Today only 20 paintings and eight drawings are confidently assigned to Bosch's oeuvre. He continues to be seen as a visionary, a portrayer of dreams and nightmares, and the painter par excellence of hell and its demons. In this exhaustive book, published in view of the upcoming 500th anniversary of Bosch's death and covering his complete works in huge, splendid reproductions with copious details, art historian and acknowledged Bosch expert Stefan Fischer examines just what it was about Bosch and his painting that proved so immensely influential.
This is a compendium of the Brothers Grimm's most beloved fairy tales, newly translated and accompanied by an array of vintage illustrations. This book brings together twenty-seven of the most beloved of the famous Grimms' fairy tales, including all the classics, such as "Cinderella", "Snow White", "Sleeping Beauty", and "Hansel and Gretel" in an all-new translation specially commissioned for this publication. Containing a painstakingly-researched selection of illustrations by some of the most famous illustrators from the 1820s to the 1950s-including golden age legend Kay Nielsen, bestselling author Gustaf Tenggren, British darlings Walter Crane and Arthur Rackham, and giants of nineteenth century German illustration Gustav Sus, Heinrich Leutemann, and Viktor Paul Mohn, as well as many new discoveries-this compilation also includes beautiful silhouettes culled from original publications from the 1870s and 1920s that run throughout the entire layout. Interlaced in the book are also dozens of entirely new silhouettes designed and created especially for this book. In addition to the tales, the book also includes an introduction to the Grimms' legacy, brief introductory texts for each tale, and extended artists' biographies in the appendix. For adults and children alike, this classic addition to any library brings to life the never-ending magic of the Grimms' fairy tales and their delightful illustrations. The following fairy tales are featured in the book: "The Frog Prince"; "The Wolf and the Seven Little Goats"; "Little Brother and Little Sister"; "Rapunzel"; "Hansel and Gretel"; "The Fisherman and His Wife"; "The Brave Little Tailor"; "Cinderella"; "Mother Holle"; "Little Red Riding Hood"; "The Bremen Town Musicians"; "The Devil with Three Golden Hairs"; "The Shoemaker and the Elves"; "Tom Thumb's Travels"; "Sleeping Beauty"; "Snow White"; "Rumpelstiltskin"; "The Three Feathers"; "The Golden Goose"; "Jorinde and Joringel"; "The Goose Girl"; "The Twelve Dancing Princesses"; "The Star Coins"; "Snow White and Red Nose"; "The Hare and the Hedgehog"; "Puss n' Boots"; and, "The Golden Key".
Master innovator: Challenging accepted notions of architectureFrom emergency relief shelters to a cardboard cathedral and exhibition spaces in shipping containers, Pritzker-prize winning architect Shigeru Ban has made his name with his restlessly inventive response to material and situation, as much as with his humanitarian work at the sites of natural and man-made disasters.In the spirit of a three-dimensional poetry, Ban uses materials as an incorporated part of his design, selected not for their cutting-edge credentials but rather for their expressive ability, their capacity to convey the building s overall concept. In particular, Ban has made regular use of paper tubing in projects as varied as the Japanese Pavilion at Expo 2000 and emergency shelters for Rwanda s Byumba Refugee Camp.This essential introduction, compiled with Ban s own collaboration, presents every one of his projects to date to survey the full reach and importance of, in the words of the Pritzker Prize jury, a committed teacher who is not only a role model for younger generation, but also an inspiration. About the series: Each book in TASCHEN s Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts and plans)"
Wine of plenty
Salvador Dali's epicurean guidebook
Hot on the heels (or lobster claws) of the best-selling Salvador Dali phenomenon, Les diners de Gala, TASCHEN presents the artist's equally surreal and sensual viticulture follow-up: The Wines of Gala. A Dalinian take on pleasures of the grape and a coveted collectible, the book sets out to organize wines "according to the sensations they create in our very depths." Through eclectic metrics like production method, weight, and color, the book presents wines of the world in such innovative, Daliesque groupings as "Wines of Frivolity," "Wines of the Impossible," and "Wines of Light."
Bursting with imagery, the book features more than 140 illustrations by Dali. Many of these are appropriated artworks, including various classical nudes, all of them reconstructed with suitably Surrealist, provocative touches, like Jean-Francois Millet's The Angelus, one of Dali's favorite points of reference over the decades. Dali also included what is now considered one of the greatest works from his late "Nuclear Mystic" phase, The Sacrament of the Last Supper (1955), which sets the iconic biblical scene in a translucent dodecahedron-shaped space before a Catalonian coastal landscape. Dali was by this stage a devout Catholic, simultaneously captivated by science, optical illusion, and the atomic age.
The first section is dedicated to "Ten Divine Dali Wines," an overview of 10 important wine-growing regions, while the second develops Dali's revolutionary ordering of wine by emotional experience, instead of by geography or variety. Rather than any prescriptive classification, it's a flamboyant, free-flowing manifesto in favor of taste and feeling, as much a multisensory treat as a full-bodied document of Dali's late-stage oeuvre, in which the artist both reflected on formative influences and refined his own cultural legacy.
Behind Beatlemania Privileged access to the Fab Four In early 1964, photographer Harry Benson got a call from the photo editor of London's Daily Express who asked him to cover The Beatles' trip to Paris. It was the beginning of a career-defining relationship with the band which would both make Benson's name and produce some of the most intimate photographs ever taken of The Beatles. In Paris, Benson captured the now famed photograph of the Fab Four having a pillow fight at the George V Hotel, an image Benson himself has called the best shot of his career. Later that same year, he documented the group's debut US tour, including their appearance on The Ed Sullivan Show, their surprising encounter with Cassius Clay, and the hysteria of New York Beatlemania. Benson also covered George Harrison's honeymoon in Barbados. This book collects the best of Benson's luminous black and white Beatles portfolio, alongside quotes and newspaper clippings from the period, and Benson's own introduction, adding personal testimony to these era-defining images.Text in English, French and German.
Gustav Klimt's ornate art expresses the apocalyptic atmosphere of Vienna's upper middle-class society around the turn of the 20th century - a society devoted to the cultivation of aesthetic awareness and the cult of pleasure. The ecstatic joy which Klimt (1862-1918) and his contemporaries found - or hoped to find - in beauty was constantly overshadowed by death. And death therefore plays an important role in Klimt's art. Klimt's fame, however, rests on his reputation as one of the greatest erotic painters and graphic artists of his times. His drawings in particular, which have been widely admired for their artistic excellence, are dominated by the sensual portrayal of women.
Loving the Alien
Behind the scenes of Nic Roeg’s 1976 sci-fi masterpiece starring David Bowie
First advertised as a “mind-stretching experience,” Nicolas Roeg’s 1976 The Man Who Fell to Earth stunned the cinema world. A tour-de-force of science fiction as art form, the movie brought not only hallucinatory visuals and a haunting exploration of contemporary alienation, but also glam-rock legend David Bowie in his lead role debut as paranoid alien Newton.
Based on Walter Tevis’s 1963 sci-fi fable of the same title, The Man Who Fell to Earth follows alien Newton from his arrival on earth in search of water; his transition to wealthy entrepreneur, leveraging the advanced technologies of his native planet; his sexual awakening with the young Mary-Lou; and then the discovery of his alien identity, his imprisonment, abandonment, and descent into alcoholism. Throughout, Roeg coaxed a beguiling performance from his cast, presenting not only Bowie in ethereal space-traveler glory, but also pitch-perfect supporting performances from Candy Clark, Rip Torn, and Buck Henry.
To celebrate the 40th anniversary of this cult movie, TASCHEN’s The Man Who Fell to Earth presents a plenitude of stills and behind-the-scenes images by unit photographer David James, including numerous shots of Bowie at his playful and ambiguous best. A new introductory essay explores the shooting of the film and it’s lasting impact, drawing upon an exclusive interview with David James, who brings firsthand insights into the making of this sci-fi masterwork.
Architectural remnants of the USSR
Elected the architectural book of the year by the International Artbook and Film Festival in Perpignan, France, Frederic Chaubin's Cosmic Communist Constructions Photographed explores 90 buildings in 14 former Soviet Republics. Each of these structures expresses what Chaubin considers the fourth age of Soviet architecture, an unknown burgeoning that took place from 1970 until 1990.
Contrary to the 1920s and 1950s, no "school" or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying system. Taking advantage of the collapsing monolithic structure, architects went far beyond modernism, going back to the roots or freely innovating. Some of the daring ones completed projects that the Constructivists would have dreamt of (Druzhba Sanatorium, Yalta), others expressed their imagination in an expressionist way (Palace of Weddings, Tbilisi). A summer camp, inspired by sketches of a prototype lunar base, lays claim to Suprematist influence (Prometheus youth camp, Bogatyr). Then comes the "speaking architecture" widespread in the last years of the USSR: a crematorium adorned with concrete flames (Crematorium, Kiev), a technological institute with a flying saucer crashed on the roof (Institute of Scientific Research, Kiev), a political center watching you like Big Brother (House of Soviets, Kaliningrad).
In their puzzle of styles, their outlandish strategies, these buildings are extraordinary remnants of a collapsing system.In their diversity and local exoticism, they testify both to the vast geography of the USSR and its encroaching end of the Soviet Union, the holes in a widening net. At the same time, they immortalize many of the ideological dreams of the country and its time, from an obsession with the cosmos to the rebirth of identity.
Text in English, French, and German
Debuting in Milan, Fontana settled in Paris in the mid 1930s, where he joined the Abstraction-Creation group and created expressionist sculptures in ceramic and bronze. He later moved to Argentina, where he developed his highly influential Technical Manifesto of Spatialism, a modernist marvel, characteristic of post-war innovation and fuelled by a forward-looking synthesis of art, technology, and science. With Spatialism, the artist sought to project color and form into spaces, most famously in his minimally ripped, or slashed canvases, such as his extensive Spatial Concept Waiting series.This dependable artist introduction follows Fontana on his personal and artistic journey to explore the evolution of his pioneering ideas as well as their remarkable legacy on conceptual and performance art which flourished in his wake.
An evocative new series from Mario Testino Mario Testino's Undressed removes various layers. Coinciding with an exhibition conceived exclusively for the Helmut Newton Foundation in Berlin, this intimate series explores the notion of undressing in photography as much as it lays Testino's archive bare, probing beyond the photographer's established public image to reveal a deeper understanding of his practice and oeuvre. The 50 featured photographs center on the naked body, alternately exploring and pushing the traditions and boundaries between sex, gender identity, and fashion. Honoring the influence of Helmut Newton, the images become abstracted body landscapes, the protagonists appearing as mere form, a torso, even a statue. A special highlight are previously unseen photographs shot in the Testino studio, in which an exuberant atmosphere intermingles with the implicit frisson of nudity and where playfully amorous dynamics never slip into the obscene or pornographic. Testino's lineup ranges from supermodel protagonists, such as Kate Moss and Amber Valletta, to anonymous, androgynous men; from individual portraits to group photos. We see many intimate moments, some caught candidly, some consciously orchestrated, such as a young man shaving a woman's upper pubic hair in a luxurious bathroom. Following in the tradition of SIR, many of the images may be seen to redefine masculine paradigms in the same way that Newton created his own brand of female beauty. As emotions, aesthetics, and bodies meet, Testino grants new insight into his world-famous work. The images are accompanied by an introduction from curator Matthias Harder, a candid conversation piece with Carine Roitfeld, as well as an essay from psychiatrist and psychologist Manfred Spitzer who offers a neuroscientific perspective on our visual perception of bodies and beauty.Text in English, French, and German
Saving space: Big ideas for small buildingsOver the years, talented architects have occasionally indulged themselves with the challenge of designing small but perfectly formed buildings. Today, with reduced budgets, many architects have turned in a more focused way to creating works that may be diminutive in their dimensions, but are definitely big when it comes to trendsetting ideas. Whether in Japanese cities, where large sites are hard to come by, or at the frontier between art and architecture, small buildings present many advantages, and push their designers to do more with less.A dollhouse for Calvin Klein in New York, a playhouse for children in Trondheim, pop-up stores for fashion stars, vacation cabins, and housing for victims of natural disasters are all part of the new rush to develop the great small architecture of the moment. The 2013 Pritzker Prize winner Toyo Ito is here, but so are emergent architects from Portugal, Chile, England, and New Zealand. Alvaro Siza and Kazuyo Sejima (SANAA) display their eye for tiny detail alongside artists Doug Aitken and Olafur Eliasson. From world-famous names to the freshest new talent, come discover architectural invention on a whole new, small scale.About the series: Bibliotheca Universalis-- Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.Bookworm's delight -- never bore, always excite!
Talk of the town
A landmark in urban mapping
More than four centuries on from its first publication, discover one of the jewels of urban cartography and civic studies. This quality reprint includes the most enchanting color plates from the Civitates orbis terrarum, a magnificent collection of town map engravings, produced between 1572 and 1617.
Featuring plans, bird's-eye views, and maps for all major cities in Europe, plus important urban centers in Asia, Africa, and Latin America, this masterwork in urban mapping gives us a comprehensive view of city life at the turn of the 17th century. It was edited and annotated by theologian and publisher Georg Braun and largely engraved by Franz Hogenberg, but also involved over a hundred different artists and cartographers who contributed not only town views, but additional elements, such as figures in local dress, courtroom scenes, and topographical details, to help convey the situation, commercial power, and political influence of each city.
TASCHEN's reprint contextualizes the plates with selected extracts from Braun's original texts on the history and significance of each urban center as well as detailed commentaries to place each city map in its cartographical and cultural context.
On the Verge of History An inside look into John F. Kennedy's 1960 campaign for America With his Hollywood good looks, boundless enthusiasm, and mesmeric media presence, John F. Kennedy was destined to capture the imaginations of the more than 70 million Americans who watched the nation's first televised presidential debate. Just days after beating out Richard Nixon by the narrowest margin in history, Kennedy himself said, "It was the TV more than anything else that turned the tide." But one man begged to differ: writer Norman Mailer, who bragged that his pro-Kennedy treatise, "Superman Comes to the Supermarket," had "won the election for Kennedy." The article, published in Esquire magazine just weeks before polls opened, redefined political reporting with Mailer's frank, first-person voice identifying Kennedy as the "existential hero" who could awaken the nation from its postwar slumber and conformist Eisenhower years. Both Kennedy and New Journalism had arrived. To commemorate the centennial of Kennedy's birth, TASCHEN presents this no-holds-barred portrait of Kennedy on his path to the White House alongside 300 photographs that bring the campaign and the candidate's family to life. With featured photojournalists including such illustrious talents as Cornell Capa, Henri Dauman, Jacques Lowe, Arnold Newman, Lawrence Schiller, Paul Schutzer, Stanley Tretick, Hank Walker, and Garry Winogrand, this is a fascinating visual and literary record of the man who would lead America into the 1960s.
Already an online phenomenon, East Meets West is the first volume in designer Yang Liu's successful infographic series. Conceived and designed with perceptive wit and her signature graphic simplicity, Yang Liu's pictograms convey the obvious and sometimes not so obvious discrepancies in life on opposite sides of the globe. Drawing on her own experiences of China and Europe, Yang Liu explores a rich range of differences between Eastern and Western experience, from sleeping patterns to the role of senior citizens, from leisure activities to attitudes towards beauty, property and public space. With their clarity, insight and fundamental fondness towards both cultures. Yang Liu's work has become not only a social media and magazine darling, but also a favorite with professional training programms around the world.
Story Time A beautifully illustrated compendium of Andersen's fairy tales As treasured today as they will undoubtedly be for generations to come, Hans Christian Andersen's fairy tales are cornerstones of our collective consciousness as much as of the Western literary canon. From The Ugly Duckling to The Little Mermaid and The Emperor's New Clothes, this beautifully-presented collection shares the eternal magic of these stories with a selection of 8 tales, each illustrated with sparkling vintage artwork from the 1840s to the 1980s. True to the international appeal of the stories, the featured artists hail from Scandinavia to Japan, and include such greats as Kay Nielsen, Josef Pale ek, Tom Seidmann-Freud (niece of Sigmund Freud), and the groundbreaking film animator Lotte Reiniger. The collection also features historic and contemporary silhouettes, a presentation of Andersen's immense legacy, brief historical introductions to each fairy tale, as well as a set of stickers of favorite motifs. A treasure for the whole family, this precious edition inspires and enchants as much as the mystical, magical worlds of Andersen's imagination.The following fairy tales are featured in the book: The Princess and the Pea, The Nightingale, The Little Mermaid, The Emperor's New Clothes, The Brave Tin Soldier, The Snow Queen, The Ugly Duckling, The Tinderbox.
The United States of America with National Geographic A grand tour of the USA through the magazine's rich archives Travel through time and across the country with this state-by-state tour of the United States over the past 100 years. Following on from the critically acclaimed National Geographic: Around the World in 125 Years, the volume brings together more than 700 captivating images from the magazine's illustrious archives to chart a century of change and growth from Alabama to Wyoming. State by state, these remarkable images bring a vivid account of a vast, evolving, and diverse North America, from breathtaking landscapes to advancing industry, evocative rural life to burgeoning towns and cities. We travel from the ski slopes of Colorado to the jazz bars of New Orleans, from the luxurious Hollywood hills to a barbershop in Kentucky, and from Manhattan's Chinatown to a river baptism in Mississippi. Along the way, the tour takes in the gamut of photographic evolution, shifting from early black-and-white and autochrome images of the 1920s and 1930s into midcentury Kodachrome, then the harder-edged reportage of the 1970s and 1980s, and finally the digital images of the 1990s through to the present. With an introductory essay by photography editor David Walker, as well as prefaces to each state section and fascinating storytelling captions, this book celebrates not only the world's greatest photography magazine but also the people, history, and beauty of the United States in all its kaleidoscopic glory.
An Era of the Invincible
The making of Marvel's household heroes
It was an age of mighty heroes, misunderstood monsters, and complex villains. With the publication, in November 1961, of Fantastic Four No. 1, comics giant Marvel inaugurated a transformative era in pop culture. Through the next two decades, the iconic Hulk, Spider-Man, Iron Man, and the X-Men leapt, darted, and towered through its pages. Captain America was resurrected from his 1940s deep-freeze and the Avengers became the World's Greatest Super Heroes. Daredevil, Dr. Strange, and dozens more were added to the pantheon, each with their own rogues' gallery of malevolent counterparts. More than 50 years later, these thrilling characters from the '60s and '70s are more popular than ever, fighting the good fight in comics, toy aisles, and blockbuster movies around the world.
The Marvel Age of Comics 1961-1978 takes you to the heart of this seminal segment in comic history--an age of triumphant character and narrative innovation that reinvented the super hero genre. With hundreds of images and insider insights, the book traces the birth of champions who were at once epic in their powers and adversaries and grounded in a world that readers recognized as close to their own; relatable heroes with the same problems, struggles, and shortcomings as everyone else. By the '70s, we see how the House of Ideas also elevated horror, sword and sorcery, and martial arts in its stable of titanic demigods, introducing iconic characters like Man-Thing, Conan, and Shang-Chi and proving that their brand of storytelling could succeed and flourish outside of the capes and tights.
Behind it all, we get to know the extraordinary Marvel architects whose names are almost as familiar as the mortals (and immortals!) they brought to life--Stan "The Man" Lee, Jack "King" Kirby, and Steve Ditko, along with a roster of greats like John Romita, John Buscema, Marie Severin, Jim Steranko, and countless others. The result is a behind-the-scenes treasure trove and a jewel for any comic fan's library, brimming with the innovation and energy of an invincible era for Marvel and its heroes alike.
Viennese vision: An enterprise for craft, design, and total works of art The Wiener Werkstatte ( Vienna Workshop ) bears many hallmarks of a modern creative movement. Founded in 1903 by Josef Hoffmann, Koloman Moser, and Fritz Waerndorfer, this progressive alliance of artists and designers was particularly interested inchallenging industrialised society with individual handcraftsmanship, and in bringing different facets of life into one unified, elegant artwork.The workshop began life in three small rooms, but soon expanded to fill a three storey building with special departments for metalwork, leatherwork, and woodwork, as well as a book binder and a paint shop. Artists experimented with various materials such as gold, precious stones, and papier mache and applied their simple, often geometric, designs across ceramics, textiles, typography, interior design, furniture, and fashion. In architectural commissions such as the Purkersdorf Sanatoriumand thePalais Stoclet in Brussels, the group was able to realize its ideal of the Gesamtkunstwerk( total artwork ), in which every detail of an environment was designed as an integral part of a coordinated whole.Though the workshop lasted only 30 years, it enjoyedmajor commercial success, with outlets in Karlsbad, Marienbad, Zurich, New York, and Berlin. It also garnered designs from many of the leading artists of the epoch, includingGustav Klimt, Oskar Kokoschka, andEgon Schiele. Today, the Vienna Workshop is recognized for its comprehensive approach to artistic practice and its stylistic influence onArt Deco and Bauhaus. "
Warhol's classic 1950s illustrated books for just $200 In 1950s New York, before he became one of the most famous names of the 20th century, Andy Warhol was a skilled and successful commercial artist. During this time, as part of his strategy to woo and cultivate clients and forge friendships, he created seven handmade promotional books for valued contacts, featuring his own unique drawings and quirky texts and revealing his fondness for-among other subjects-cats, food, myths, shoes, beautiful boys, and gorgeous girls. Decades later, with originals now changing hands for thousands of dollars at auction, TASCHEN presents an immaculate boxed series of these seven books, replicating Warhol's originals as closely as possible down to the format, dimensions, and paper stock. With titles such as Love Is A Pink Cake, 25 Cats Named Sam, and A la Recherche du Shoe Perdu, the series reveals the artist's quirky character as well as his accomplished draftsmanship, boundless creativity, and innuendo-laced humor. The books make delightful play with styles and genres as much as with design, materials, and formats. The lithograph portfolio, A Is for Alphabet, devotes a page to each letter of the alphabet, with illustrations complemented by stumbling three-line verses that tell of strange encounters between man and animal. is at once a Warhol twist on a children's book and a covert celebration of gay love. Wild Raspberries, meanwhile, is a spoof cookbook with a cornucopia of adventurous recipes on 19 portrait-format pages of instructions and illustrations. Little-known, much-coveted jewels in the Warhol crown, these hand-drawn delights are as appealing and original today as they were back in the halcyon days of the 1950s. With an introductory essay by Warhol scholar Nina Schleif as well as contemporary illustrations and photographs of Warhol, this meticulous reprint offers a unique glimpse at a budding genius on the cusp of global fame. Text in English, French, and German
Whether it's the flower-filled meadows of the Dolomites or a blanket of stars above Chile's Elqui Valley, set forth and share in the discoveries of Mountains, Deserts & Plains, a collection of 25 dream destinations in TASCHEN's Explorer series with The New York Times. Discover the deliciously intricate geology of China's Wulingyuan National Park with Simon Winchester, the otherworldly beauty of Namibia with Elinor Burkett, or the sunrise serenity of the Sawtooth Valley in Idaho. The Times writers are your guides, and the wealth of color photographs that accompany their writing capture the catch-your-breath awe of each spectacular location. The Explorer series takes travel beyond the obvious with adventures in exotic places and new perspectives in familiar ones, all based on the distinguished travel journalism in The New York Times. Each journey features a first-person narrative and postcard-perfect photography that capture the unique personality of the destination-as well as practical information to help get you on your way. Edited by Barbara Ireland, whose 36 Hours travel series has been a TASCHEN best seller, the Explorer series launches with Beaches, Islands & Coasts and Mountains, Deserts & Plains. Upcoming volumes include Urban Adventures and Road, Rail & Trail.
Stop, in the name of love!Tom s take on policemen and criminalsTom s taste for police officers and felons and for sexual tension between the two developed late in his career. I ve never been to prison, he told a class at the California Institute of the Arts in 1985, but I hear it s a closed world where there are different roles and people behave different from when they walk free. It fascinates me. It is another subject I come back to again and again. By which he meant fantasized about again and again, since only those subjects that aroused him sexually made it into his art.The uniforms of the California Highway Patrol motorcyclists were his favorite: tan and tight, with high boots and soft black leather gauntlet gloves. He created his own uniform variants as well, a cross between military and civilian police gear, and invented suitably butch criminals for his cops to apprehend, though once apprehended the power struggle could go either way. Tom was determined to show top and bottom as equally masculine roles, and his cops were as likely to end up happily speared by criminal cock as delivering corrective coitus. Though criticized by some for what appeared to be a glorification of power, Tom was always quick to remind that the world he created was a fantasy world, where anything was possible, and everything was consensual even in prison.The Little Book of Tom of Finland: Cops & Robbers explores Tom s fascination with criminal justice through a mixture of multi-panel comics and single-panel drawings and paintings, all in a compact and affordable 192 pages. Historic film stills and posters, personal photos of Tom, sketches, and Tom s own reference photos make this far more than another Tom s Comics re-tread.Text in English, French, and German"
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