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When South Africa’s golden girl of broadcasting, Tracy Going’s battered face was splashed across the media back in the late 1990s, the nation was shocked. South Africans had become accustomed to seeing Going, glamorous and groomed on television or hearing her resonant voice on Radio Metro and Kaya FM. Sensational headlines of a whirlwind love relationship turned horrendously violent threw the “perfect” life of the household star into disarray.
What had started off as a fairy-tale romance with a man who appeared to be everything that Going was looking for – charming, handsome and successful – had quickly descended into a violent, abusive relationship.
“As I stood before him all I could see were the lies, the disappearing for days without warning, the screaming, the threats, the terror, the hostage-holding, the keeping me up all night, the dragging me through the house by my hair, the choking, the doors locked around me, the phones disconnected, the isolation, the fear and the uncertainty.”
The rosy love cloud burst just five months after meeting her “Prince Charming” when she staggered into the local police station, bruised and battered. A short relationship became a two-and-a-half-year legal ordeal played out in the public eye. In mesmerising detail, Going takes us through the harrowing court process – a system seeped in injustice – her decline into depression, the immediate collapse of her career due to the highly public nature of her assault and the decades-long journey to undo the psychological damages in the search for safety and the reclaiming of self. The roots of violence form the backdrop of the book, tracing Going’s childhood on a plot in Brits, laced with the unpredictable violence of an alcoholic father who regularly terrorised the family with his fists of rage.
“I was ashamed of my father, the drunk. If he wasn’t throwing back the liquid in the lounge then he’d be finding comfort and consort in his cans at the golf club. With that came the uncertainty as I lay in my bed and waited for him to return. I would lie there holding my curtain tight in my small hand. I would pull the fabric down, almost straight, forming a strained sliver and I would peer into the blackness, unblinking. It seemed I was always watching and waiting. Sometimes I searched for satellites between the twinkles of light, but mostly the fear in my tummy distracted me.”
Brilliantly penned, this highly skilled debut memoir, is ultimately uplifting in the realisation that healing is a lengthy and often arduous process and that self-forgiveness and acceptance is essential in order to fully embrace life.
Vaya the film is based on the lives of four young men from the Homeless Writer’s Project: David Majoka, Anthony Mafela, Madoda Ntuli and Tshabalira Lebakeng, and rooted in their experiences of coming to Johannesburg. Vaya the book brings you the people and stories that inspired the award-winning film.
The book provides a rare lens into life on the margins of Johannesburg. The stories are intimate and hard hitting, funny and heartbreaking, full of courage and humanity in a world that is both capricious and unforgiving. Stories of living on the street, of finding family and friendship in unusual places, and coming to the city full of hope and promise only to be betrayed by the very people one trusts most.
Mark Lewis’s haunting photographs bring into sharp focus life in the underbelly of the city.
A deeply moving and powerful biography of Fezekile Kuzwayo – better known as Khwezi – the woman the ANC tried to forget.
In August 2016, following the announcement of the results of South Africa’s heated municipal election, four courageous young women interrupted Jacob Zuma’s victory address, bearing placards asking us to ‘Remember Khwezi’. Before being dragged away by security guards, their powerful message had hit home and the public was reminded of the tragic events of 2006, when Zuma was on trial for the rape of Fezekile Ntsukela Kuzwayo, better known as Khwezi. In the aftermath of the trial, which saw Zuma acquitted, Khwezi was vilified by his many supporters and forced to take refuge outside of South Africa.
Ten years later, just two months after this protest had put Khwezi’s struggle back into the minds and hearts of South Africans, Khwezi passed away … But not before she had slipped back into South Africa and started work with Redi Tlhabi on a book about her life. How as a young girl living in ANC camps in exile she was raped by the very men who were supposed to protect her; how as an adult she was driven once again into exile, suffering not only at the hands of Zuma’s devotees but under the harsh eye of the media.
In sensitive and considered prose, journalist Redi Tlhabi breathes life into a woman for so long forced to live in the shadows. In giving agency back to Khwezi, Tlhabi is able to focus a broader lens on the sexual abuse that abounded during the ‘struggle’ years, abuse which continues to plague women and children in South Africa today.
In 2016 South African film audiences were mesmerised by the film Noem My Skollie, which was written by - and based on the life of - John W. Fredericks. In this book Fredericks tells the full story on which the film was based.
Growing up in a dusty township on the Cape Flats, Fredericks formed a gang with his friends, and at the age of seventeen he was arrested for robbery and sentenced to two years in Pollsmoor prison. There the number gangs vied to initiate him into their ranks, but he resisted their advances, offering instead to help them push their time by telling stories. And so he became the prison ‘cinema’, drawing on his storytelling abilities and cementing his ambition to become a writer.
Life after prison became a nightmare when he was arrested for a murder he hadn’t committed, his childhood friends were sentenced to die on the gallows, and a gang boss tried to kill him. Slowly he turned his life around, getting a job and building a family, but society kept judging him as a gangster. Struggling to deal with his past, he turned to storytelling again, and painstakingly learnt the art of scriptwriting. The result was Noem My Skollie, which was watched by almost 90 000 people and won numerous awards.
Written in a powerful and authentic voice, Skollie is a gripping memoir of life on the Cape Flats, of prison and gangs, and of one man’s struggle to survive all this by telling stories.
Brutally dragged 780 metres beneath a taxi – a young woman’s inspiring story of survival, courage, and the will to live.
13 September 2011. The story would shock thousands and be remembered by many for years to come. It would be plastered all over the papers and continue to attract interest well after the shock factor of what happened had passed. Reports and articles would be written, and “facts”, as given to reporters by some of those involved and willing to be interviewed, would be recounted and repeated in all forms of public media over the months and even years that followed. And although these versions would generate widespread outrage, none was entirely accurate.
"The stories were about me. I was there. I am Kim McCusker - the girl who was dragged by a taxi. This, as I experienced it, is the true version of events."
Once an enemy of the apartheid police, Andrew Brown has worked as a police reservist for almost twenty years. In this book he takes the reader on patrol with him – into the ganglands of the Cape Flats, the townships of Masiphumelele and Nyanga, and the high-walled Southern Suburbs.
Good Cop, Bad Cop is a personal account of the perilous and often conflicting work of a SAPS officer. Brown describes being shot at, arresting suspects in a drug bust, chasing down leads in a homicide investigation and keeping the peace during the UCT student protests. Brown illustrates how difficult the job of the police is, and how easy it is to react with undue force. Yet he argues passionately that the role of the police is to be a service to communities and not a force to suppress social discontent.
Gripping and thought-provoking, this is a fascinating insight into the social fabric of current South Africa.
She was confident, beautiful and financially secure. When she arrived in London with her daughter the future looked bright and she was hoping for a lasting, mature relationship. But within days, things started to go wrong. Was he manipulating her? Maybe it was all in her head? She started a diary, evidence to reassure herself that she wasn’t going mad. This is the true story of a strong, independent woman's descent into abuse, and how she eventually escaped.
Belly Of Fire is a metaphor for the anxiety and fear that we hold within ourselves; the voices of those who are disempowered by racism, poverty, war and gendered abuse, voices that remain silenced, are housed as fire in our bellies.
Themes of abuse, xenophobia, female genital mutilation, reawakening, are unpacked here in a collection of seven reflective, compelling stories intertwined with no more than thirteen contemporary poems that bring out the essence of the themes developed in the narratives.
That morning, Michelle presented her Psychology honours thesis on men's perceptions of rape. She started her presentation like this, “A woman born in South Africa has a greater chance of being raped than learning how to read …” On that same evening, she goes to a party to celebrate attaining her degree. She and a friend go to the beach; the friend has something she wants to discuss. They are both robbed, assaulted and raped. Within minutes of getting help, Michelle realises she'll never be herself again. She's now "the girl who was raped." This book is Michelle's fight to be herself again. Of the taint she feels, despite the support and resources at her disposal as the loved child of a successful middle-class family. Of the fall-out to friendships, job, identity. It's Michelle's brave way of standing up for the women in South Africa who are raped every day.
The book which inspired Spotlight, 2016 winner of the Best Picture award at the Oscars!
This is the true story of how a small group of courageous journalists uncovered child abuse on a vast scale - and held the Catholic Church to account. Betrayal is the ground-breaking Pulitzer Prize-winning work of investigative journalism, now brought brilliantly to life on the screen.
On 31 January 2002, the Boston Globe published a report that sent shockwaves around the world. Their findings, based on a six-month campaign by the 'Spotlight' investigative team, showed that hundreds of children in Boston had been abused by Catholic priests, and that this horrific pattern of behaviour had been known - and ignored - by the Catholic Church. Instead of protecting the community it was meant to serve, the Church exploited its powerful influence to protect itself from scandal - and innocent children paid the price. This is the story from beginning to end: the predatory men who exploited the vulnerable, the cabal of senior Church officials who covered up their crimes, the 'hush money' used to buy the victims' silence, the survivors who found the strength to tell their story, and the Catholics across the world who were left shocked, angry, and betrayed. This is the story, too, of how they took power back, confronted their Church and called for sweeping change.
Updated for the release of the Oscar-winning film, this is a devastating and important exposure of the abuse of power at the highest levels in society.
Jenny-May Hudson grew up in Pretoria, South Africa, the third child of an Afrikaner father and a British mother. Her childhood was horribly marred by her domineering father, who beat her mother, showered blows and insults on his children, and micro-managed the household with weapons, mind-games, and violence. Ironically, his tactics would come back to haunt him. The years of pain would leave Jenny-May with grim memories. Yet through the power of Christ a transformation was in store.
Today Jenny-May is whole and happy. She and her husband Elmore, and their three children, have relocated to Perth, Australia. Jenny-May has developed a considerable speaking ministry, and her journey - from abuse to self-acceptance and joy - has become a source of inspiration to thousands.
This book demonstrates that nothing can hold you captive without your consent.
’n Omnibus met Dis ek, Anna en Die staat teen Anna Bruwer in om met die film gebaseer op die boeke saam te val. Die omnibus bevat albei boeke.
Sy het haarself Stom Anna genoem. Omdat sy aan niemand kon vertel van dit wat tussen haar en haar stiefpa plaasgevind het nie.
Hierdie is die verhaal oor hoe sy uiteindelik die stilte verbreek het en haar verhaal aan die wêreld en ook in die hof gaan vertel het. Dis ek, Anna is gebaseer op ’n ware verhaal.
Sixteen-year-old Engela flees to Bloemfontein because the leader of the Satanic Group 13 wishes to kill her. Her path crosses with Pieter, a friend of her brother’s, who turns her over to the owner of a brothel in return for money he owes him.
After a desperate and impoverished childhood Engela, as a rebellious teenager, becomes mixed up with Satanism, alcohol and drugs and is eventually kept as a sex slave. Her only wish is to escape, but how? Every night the club’s doors are shuttered. Her final shot at freedom is the young student Jacques who works in the club’s reception area. But then he also disappears from the scene following a mysterious accident in the Drakensberg . . .
In the second part of the book Elanie shares with the reader her awful experiences. She relates how she learned to cope with her feelings of despair, loneliness, pain and humiliation from a Christian perspective. She reaches out to other former victims of sex trafficking and encourages them to open their hearts in order to achieve emotional healing. She talks about the power of forgiveness and acceptance, and also offers essential practical advice for parents and their children.
These `interventions' are spurred by what in South Africa today is a buzz-phrase: social cohesion. The term, or concept, is bandied about with little reflection by leaders or spokespeople in politics, business, labour, education, sport, entertainment and the media. Yet, who would not wish to live in a socially cohesive society? How, then, do we apply the ideal in the daily round when diversity of language, religion, culture, race and the economy too often supersedes our commitment to a common citizenry? How do we live together rather than live apart? Such questions provoke the purpose of these interventions. The interventions - essays, which are short, incisive, at times provocative - tackle issues that are pertinent to both living together and living apart: equality/inequality, public pronouncement, xenophobia, safety, chieftaincy in modernity, gender-based abuse, healing, the law, education, identity, sport, new `national' projects, the role of the arts, South Africa in the world. In focusing on such issues, the essays point towards the making of a future, in which a critical citizenry is key to a healthy society. Contributors include leading academics and public figures in South Africa today: Christopher Ballantine, Ahmed Bawa, Michael Chapman, Jacob Dlamini, Jackie Dugard, Kira Erwin, Nicole Fritz, Michael Gardiner, Gerhard Mare, Monique Marks, Rajend Mesthrie, Bonita Meyersfeld, Leigh-Ann Naidoo, Njabulo S. Ndebele, Kathryn Pillay, Faye Reagon, Brenda Schmahmann, Himla Soodyall, David Spurrett and Thuto Thipe.
This acclaimed book by Steven Pinker argues that, contrary to popular belief, humankind has become progressively less violent over millenia and decades. Can violence really have declined?
The images of conflict we see daily on our screens from around the world suggest this is an almost obscene claim to be making. Extraordinarily, however, Steven Pinker shows violence within and between societies - both murder and warfare - really has declined from prehistory to today. We are much less likely to die at someone else's hands than ever before. Even the horrific carnage of the last century, when compared to the dangers of pre-state societies, is part of this trend.
Debunking both the idea of the 'noble savage' and an over-simplistic Hobbesian notion of a 'nasty, brutish and short' life, Steven Pinker argues that modernity and its cultural institutions are actually making us better people.
In 2003, Thabo Jijana's father was gunned down in a scrap between rival taxi associations who had been forced to operate from a single rank. A decade later, Thabo faces up to South Africa's most violent industry to try to figure out how and why his father was murdered.
In this searing first-person investigation, Thabo puts a face behind a recurrent tragedy that plagues South African working class communities. By speaking to the people who knew his father best he tries to fill in the blanks that are the years that have followed his father's death.
He begins by trying to reconstruct the night the murder took place, but what he uncovers about the ongoing strife that has plagued government's consistent attempts to formalise this multi-million rand industry comes with more baggage than he expected.
When Chris Hani, leader of the South African Communist Party and heir apparent to Nelson Mandela, was brutally slain in his driveway in April 1993, he left a shocked and grieving South Africa on the precipice of civil war. But to 12-year-old Lindiwe, it was the love of her life, her daddy, who had been shockingly ripped from her life. In this intimate and brutally honest memoir, 36-year-old Lindiwe remembers the years she shared with her loving father, and the toll that his untimely death took on the Hani family. She lays family skeletons bare and brings to the fore her own downward spiral into cocaine and alcohol addiction, a desperate attempt to avoid the pain of his brutal parting.
While the nation continued to revere and honour her father’s legacy, for Lindiwe, being Chris Hani’s daughter became an increasingly heavy burden to bear.
"For as long as I can remember, I’d grown up feeling that I was the daughter of Chris Hani and that I was useless. My father was such a huge figure, such an icon to so many people, it felt like I could never be anything close to what he achieved – so why even try? Of course my addiction to booze and cocaine just made me feel my worthlessness even more".
In a stunning turnaround, she faces her demons, not just those that haunted her through her addiction, but, with the courage that comes with sobriety, she comes face to face with her father’s two killers – Janus Walus, still incarcerated, and Clive Derby Lewis, released in 2015 on medical parole. In a breathtaking twist of humanity, while searching for the truth behind her father’s assassination, Lindiwe Hani ultimately makes peace with herself and honours her father’s gigantic spirit.
A COLLECTION OF ESSAYS FROM BESTSELLING AUTHOR AND FOUNDER OF THE EVERYDAY SEXISM PROJECT, LAURA BATES. 'Following [Everyday Sexism] will make most women feel oddly saner.' Caitlin Moran 'Piercingly astute.' Stylist Laura Bates, pioneering feminist, activist and bestselling author, has given voice to hundreds of thousands of women through her international Everyday Sexism Project. Drawing attention to both hidden and blatant sexist acts and attitudes, Laura has exposed the startling truth behind misogyny in our society: systemic, ingrained and ignored. From Weinstein to Westminster, a torrent of allegations of sexual harassment and assault have left us reeling. One hundred years since some women were first given the right to vote, we are still struggling to get to grips with the true extent of gender inequality that continues to flourish in our society. In this collection of essays, originally published in the Guardian, Laura Bates uncovers the sexism that exists in our relationships, our workplaces, our media, in our homes and on our streets, but which is also firmly rooted in our lifelong assumptions and in the actions and attitudes we explain away, defend and accept. Often dismissed as one-offs, veiled as 'banter' or described as 'isolated incidents', MISOGYNATION joins the dots to reveal the true scale of discrimination and prejudice women face. A bold, witty and incisive analysis of current events, MISOGYNATION makes a passionate argument for stepping back, opening our eyes and allowing ourselves to see the bigger picture. IN PRAISE OF LAURA BATES 'Funny and clever.' Telegraph 'Girl Up is an essential compendium of wit, wisdom, advice and straight-talk.' Sarah Knight 'We owe Bates a great debt of gratitude for her Everyday Sexism Project.' LA Times 'Laura was one of the first women to harness the power of social media to fight sexism and misogyny and give millions of young women a voice.' Grazia 'Bates takes a myth-busting approach to body image, food, sex and advertising and is particularly good at boiling down feminist language into a snappy, everyday vernacular' Metro 'For any woman who is sick of being told how to act, how to dress, or how to ward off unwanted advances, [Girl Up] is for you. Independent '[Girl Up is] another hard-hitting book which exposes the truth surrounding pressures on body image, false representations in the media, and lots of issues very relevant to girls today. Red
This book is designed to help survivors of child sexual abuse. It investigates all the effects of child sexual abuse, which often persist into adult life - guilt and shame, depression and anxiety, eating disorders, fear of relationships and sexual problems. It includes discussion of false memory syndrome and female abusers, and draws on accounts of survivors who want their voices to be heard, offering a positive and optimistic approach to help survivors break free from the past. Updates include: More inclusive language. Using the words "children and teenagers" or "children and young people" instead of just "child" or "children" so teenagers or older children who were sexually abused feel more included. Newer types of abuse and abusers eg street exploitation, celebrities, politicians, football coaches. More recent methods of grooming and accessing children e.g chat forums, dating apps and websites. Keeping safe. Encouraging the reader to learn ways of coping with their emotions whilst working through the book. Sign-posting resources - including the Breaking Free Workbook. New appendix with instructions on how to control anxiety and panic attacks. Clinical/content updates. Additional material on the effects of trauma eg PTSD, dissociation, hallucinations, flashbacks, triggers and treatment. Clinical updates on the effects of abuse, anxiety, buried feelings. Updates on child protection procedures and reporting abuse.
The follow-up to Pinker's groundbreaking The Better Angels Of Our Nature presents the big picture of human progress: people are living longer, healthier, freer, and happier lives, and while our problems are formidable, the solutions lie in the Enlightenment ideal of using reason and science.
Is the world really falling apart? Is the ideal of progress obsolete? In this elegant assessment of the human condition in the third millennium, cognitive scientist and public intellectual Steven Pinker urges us to step back from the gory headlines and prophecies of doom, which play to our psychological biases. Instead, follow the data: In seventy-five jaw-dropping graphs, Pinker shows that life, health, prosperity, safety, peace, knowledge, and happiness are on the rise, not just in the West, but worldwide. This progress is not the result of some cosmic force. It is a gift of the Enlightenment: the conviction that reason and science can enhance human flourishing.
Far from being a naïve hope, the Enlightenment, we now know, has worked. But more than ever, it needs a vigorous defense. The Enlightenment project swims against currents of human nature--tribalism, authoritarianism, demonization, magical thinking--which demagogues are all too willing to exploit. Many commentators, committed to political, religious, or romantic ideologies, fight a rearguard action against it. The result is a corrosive fatalism and a willingness to wreck the precious institutions of liberal democracy and global cooperation.
With intellectual depth and literary flair, Enlightenment Now makes the case for reason, science, and humanism: the ideals we need to confront our problems and continue our progress.
This is the story of the world’s biggest unprosecuted fraud. A fraud that in today’s terms amounts to R26 billion.
The cast is stellar: top financial institutions, leading bankers, a world where every other player is a lawyer, a world where Brett Kebble was king. This is a world of outright denial and selective amnesia, of complex financial transactions designed to confuse, obfuscate and hide the spoils. This is a world of dirty dealings across the upper strata of the socio-political system.
Barry Sergeant, hard-hitting, bestselling author of Brett Kebble: The Inside Story, now tackles the murky world of shady financial dealings, post the Kebble murder. A frightening world, where whistle-blowers have to watch their backs. A world where so many major players are involved to such an extent that none of them can afford the cost of the truth. This is a major work that relies on painstaking details and many years of preparation. It is ultimately about unravelling one of the world’s biggest cover-ups.
When Zoe was taken into care at the age of 13, she thought she was finally going to escape from the cruel abuse she had suffered throughout her childhood. Then social services placed her in a residential unit known to be 'a target for prostitution', and suddenly Zoe's life was worse than it had ever been before. Abused and ostracized by her mother, humiliated by her father's sexual innuendos, physically assaulted and bullied by her eldest brother, even as a young child Zoe thought she deserved the desperately unhappy life she was living. `I've sharpened a knife for you,' her mother told her the first time she noticed angry red wounds on her daughter's arms. And when Zoe didn't kill herself, her mother gave her whisky, which she drank in the hope that it would dull the miserable, aching loneliness of her life. One day at school Zoe showed her teacher the livid bruises that were the result of her mother's latest physical assault and within days she was taken into care. Zoe had been at Denver House for just three weeks when an older girl asked if she'd like to go to a party, then took her to a house where there were just three men. Zoe was a virgin until that night, when two of the men raped her. Having returned to the residential unit in the early hours of the morning, when she told a member of staff what had happened to her, her social worker made a joke about it, then took her to get the morning-after pill. For Zoe, the indifference of the staff at the residential unit seemed like further confirmation of what her mother had always told her - she was worthless. Before long, she realised that the only way to survive in the unit was to go to the `parties' the older girls were paid to take her to, drink the drinks, smoke the cannabis and try to blank out what was done to her when she was abused, controlled and trafficked around the country. No action was taken by the unit's staff or social workers when Zoe asked for their help, and without anyone to support or protect her, the horrific abuse continued for the next few years, even after she left the unit. But in her heart Zoe was always a fighter. This is the harrowing, yet uplifting story, of how she finally broke free of the abuse and neglect that destroyed her childhood and obtained justice for her years of suffering.
Until 1971, female victims of domestic violence were expected to 'kiss and make up' with their husbands, hide their black eyes and bruises, and bear the shame that somehow their partners' brutality was their fault. Chiswick Women's Aid was Europe's first ever refuge for what were then called 'battered women', and Jenny Smith was one of the first females who bravely made their way to this much-needed safe house. Desperate, and in fear for her life and the welfare of her two small children, Jenny had fled her dangerously schizophrenic partner, carrying only a few possessions. In the Chiswick shelter, founded by famous women's rights campaigner Erin Pizzey, Jenny found other women in the same position, all with harrowing, extraordinary stories to tell. Amenities were basic, but the respect, kindness and humanity of the community would help to give Jenny a new lease of life and strength. When the safe house came under threat of closure, she lobbied parliament and drove across Europe in a convoy of women in camper vans to raise awareness of their plight. Jenny's story is a slice of social history that begins in a Derbyshire mining village in the 1950s and takes the reader to inner city of Hackney in the 1960s, and Jenny's heart-breaking journey to the refuge. The house was the subject of a famous documentary, Scream Quietly or the Neighbours Will Hear, which, when first broadcast in 1974, sent shockwaves through the UK. Jenny was one of the first women to break a taboo by speaking publicly about domestic abuse. With the new start afforded her by the refuge, Jenny went on to find love, have another child and work as a foster carer.
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