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Interfaces Between the Oral and the Written / Interfaces entre l'ecrit et l'oral - Versions and Subversions in African Literatures 2 (English, French, Hardcover, 2nd Revised edition) Loot Price: R2,217
Discovery Miles 22 170
Interfaces Between the Oral and the Written / Interfaces entre l'ecrit et l'oral - Versions and Subversions in...
Interfaces Between the Oral and the Written / Interfaces entre l'ecrit et l'oral - Versions and Subversions in...

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Interfaces Between the Oral and the Written / Interfaces entre l'ecrit et l'oral - Versions and Subversions in African Literatures 2 (English, French, Hardcover, 2nd Revised edition)

Alain Ricard, Flora Veit-Wild

Series: Matatu, 31-32

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Loot Price R2,217 Discovery Miles 22 170 | Repayment Terms: R206 pm x 12*

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In the African context, there exists the `myth' that orality means tradition. Written and oral verbal art are often regarded as dichotomies, one excluding the other. While orature is confused with `tradition', literature is ascribed to modernity. Furthermore, local languages are ignored and literature is equated with writing in foreign languages. The contributions in this volume take issue with such preconceptions and explore the multiple ways in which literary and oral forms interrelate and subvert each other, giving birth to new forms of artistic expression. They emphasize the local agency of the African poet and writer, which resists the global commodification of literature through the international bestseller lists of the cultural industry. The first section traces the movement from oral to written texts, which in many cases coincides with a switch from African to European languages. But as the essays in the section on "New Literary Languages" make clear, in other cases a true philological work is accomplished in the African language to create a new written and literary medium. Through the mixing of languages in the cities, such as the Sheng spoken in Kenya or the bilinguality of a writer such as Cheik Aliou Ndao (Senegal), new idioms for literary expressions evolve. The use of new media, technology or music stimulate the emergence of new genres, such as Taarab in East Africa, radio poetry in Yoruba and Hausa, or Rap in the Senegal, as is shown in the section on "Forms of New Orality." It is a great achievement of this second volume of Versions and Subversions in African Literatures that it assembles contributions by scholars from the anglophone and the francophone world and that it covers literary production in a broad spectrum of languages: English, French, Hausa, Sheng, Sotho, Spanish, Swahili, Wolof and Yoruba. Some of the authors and cultural practitioners treated in detail are: Mobolaij Adenubi, Birago Diop, Boubacar Boris Diop, David Maillu, Thomas Mofolo, Cheik Aliou Ndao, Donato Ndongo-Bidyogo, Hubert Ogunde, Shaaban Robert, Wole Soyinka, Ibrahim YaroYahaya, and Senouvo Agbota Zinsou.

General

Imprint: Editions Rodopi B.V.
Country of origin: Netherlands
Series: Matatu, 31-32
Release date: 2005
First published: 2005
Volume editors: Alain Ricard • Flora Veit-Wild
Dimensions: 230 x 160mm (L x W)
Format: Hardcover - Laminated cover
Pages: 282
Edition: 2nd Revised edition
ISBN-13: 978-90-420-1937-9
Barcode: 9789042019379
Languages: English • French
Categories: Promotions
Books > Language & Literature > Literature: history & criticism > Literary studies
Books > Language & Literature > Literature: history & criticism > Literary studies > General
LSN: 90-420-1937-9

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