Covering every phase of a theatrical production, this fourth
edition of Sound and Music for the Theatre traces the process of
sound design from initial concept through implementation in actual
performances. The book discusses the early evolution of sound
design and how it supports the play, from researching sources for
music and effects, to negotiating a contract. It shows you how to
organize the construction of the sound design elements, how the
designer functions in a rehearsal, and how to set up and train an
operator to run sound equipment. This instructive information is
interspersed with `war stores' describing real-life problems with
solutions that you can apply in your own work, whether you're a
sound designer, composer, or sound operator.
|Country of origin:
• James Lebrecht
||Electronic book text
||4th Revised edition
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