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Eye of the Century - Film, Experience, Modernity (Paperback) Loot Price: R482
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You Save: R82 (15%)
Eye of the Century - Film, Experience, Modernity (Paperback): Francesco Casetti
Eye of the Century - Film, Experience, Modernity (Paperback): Francesco Casetti

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Eye of the Century - Film, Experience, Modernity (Paperback)

Francesco Casetti

Series: Film and Culture Series

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List price R564 Loot Price R482 Discovery Miles 4 820 You Save R82 (15%)

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Is it true that film in the twentieth century experimented with vision more than any other art form? And what visions did it privilege? In this brilliant book, acclaimed film scholar Francesco Casetti situates the cinematic experience within discourses of twentieth-century modernity. He suggests that film defined a unique gaze, not only because it recorded many of the century's most important events, but also because it determined the manner in which they were received.

Casetti begins by examining film's nature as a medium in an age obsessed with immediacy, nearness, and accessibility. He considers the myths and rituals cinema constructed on the screen and in the theater and how they provided new images and behaviors that responded to emerging concerns, ideas, and social orders. Film also succeeded in negotiating the different needs of modernity, comparing and uniting conflicting stimuli, providing answers in a world torn apart by conflict, and satisfying a desire for everydayness, as well as lightness, in people's lives. The ability to communicate, the power to inform, and the capacity to negotiate-these are the three factors that defined film's function and outlook and made the medium a relevant and vital art form of its time.

So what kind of gaze did film create? Film cultivated a personal gaze, intimately tied to the emergence of point of view, but also able to restore the immediacy of the real; a complex gaze, in which reality and imagination were combined; a piercing gaze, achieved by machine, and yet deeply anthropomorphic; an excited gaze, rich in perceptive stimuli, but also attentive to the spectator's orientation; and an immersive gaze, which gave the impression ofbeing inside the seen world while also maintaining a sense of distance. Each of these gazes combined two different qualities and balanced them. The result was an ever inventive synthesis that strived to bring about true compromises without ever sacrificing the complexity of contradiction. As Casetti demonstrates, film proposed a vision that, in making opposites permeable, modeled itself on an oxymoronic principle. In this sense, film is the key to reading and understanding the modern experience.

General

Imprint: Columbia University Press
Country of origin: United States
Series: Film and Culture Series
Release date: April 2008
First published: June 2008
Authors: Francesco Casetti
Dimensions: 229 x 152 x 15mm (L x W x T)
Format: Paperback - Trade
Pages: 288
ISBN-13: 978-0-231-13995-3
Barcode: 9780231139953
Categories: Books > Arts & Architecture > Performing arts > Films, cinema
Books > Arts & Architecture > Performing arts > Films, cinema > General
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LSN: 0-231-13995-0

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