The Poetical Works of Henry Wadsworth Longfellow (Volume 2); Evangeline, Song of Hiawatha, Courtship of Miles Standish (Paperback)


This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1886. Excerpt: ... after all, a substantial agreement between the poem and the documents. Mr. Longfellow gave to a Philadelphia journalist a reminiscence of his first notice of the material which was used in the conclusion of the poem. "I was passing down Spruce Street one day toward my hotel, after a walk, when my attention was attracted to a large building with beautiful trees about it, inside of a high enclosure.1 I walked along until I came to the great gate, and then stepped inside, and looked carefully over the place. The charming picture of lawn, flower-beds and shade which it presented made an impression which has never left me, and when I came to write Evangeline I placed the final scene, the meeting between Evangeline and Gabriel, and the death, at the poor-house, and the burial in an old Catholic grave-yard not far away, which I found by chance in another of my walks." It will have been noticed that Mr. Longfellow from the outset had no hesitation in the choice of a metre. He had before experimented in it in his translation of The Children of the Lord's Supper, and in his lines To the Driving Cloud. While engaged upon Evangeline he chanced upon a specimen in Blackwood of a hexameter translation of the Iliad, and expressed himself very emphatically on its fitness. "Took down Chapman's Homer" he writes later, "and read the second book. Rough enough; and though better than Pope, how inferior to the books in hexameter in Blackwood The English world is not yet awake to the beauty 1 The Pennsylvania Hospital. of that metre." After his poem was published, he wrote: "The public takes more kindly to hexameters than I could have imagined," and referring to a criticism on Evangeline by Mr. Felton, in which the metre was considered, he said: "I am more than ever glad that I...

R518

Or split into 4x interest-free payments of 25% on orders over R50
Learn more

Discovery Miles5180
Free Delivery
Delivery AdviceOut of stock

Toggle WishListAdd to wish list
Review this Item

Product Description

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1886. Excerpt: ... after all, a substantial agreement between the poem and the documents. Mr. Longfellow gave to a Philadelphia journalist a reminiscence of his first notice of the material which was used in the conclusion of the poem. "I was passing down Spruce Street one day toward my hotel, after a walk, when my attention was attracted to a large building with beautiful trees about it, inside of a high enclosure.1 I walked along until I came to the great gate, and then stepped inside, and looked carefully over the place. The charming picture of lawn, flower-beds and shade which it presented made an impression which has never left me, and when I came to write Evangeline I placed the final scene, the meeting between Evangeline and Gabriel, and the death, at the poor-house, and the burial in an old Catholic grave-yard not far away, which I found by chance in another of my walks." It will have been noticed that Mr. Longfellow from the outset had no hesitation in the choice of a metre. He had before experimented in it in his translation of The Children of the Lord's Supper, and in his lines To the Driving Cloud. While engaged upon Evangeline he chanced upon a specimen in Blackwood of a hexameter translation of the Iliad, and expressed himself very emphatically on its fitness. "Took down Chapman's Homer" he writes later, "and read the second book. Rough enough; and though better than Pope, how inferior to the books in hexameter in Blackwood The English world is not yet awake to the beauty 1 The Pennsylvania Hospital. of that metre." After his poem was published, he wrote: "The public takes more kindly to hexameters than I could have imagined," and referring to a criticism on Evangeline by Mr. Felton, in which the metre was considered, he said: "I am more than ever glad that I...

Customer Reviews

No reviews or ratings yet - be the first to create one!

Product Details

General

Imprint

General Books LLC

Country of origin

United States

Release date

February 2012

Availability

Supplier out of stock. If you add this item to your wish list we will let you know when it becomes available.

First published

February 2012

Authors

Dimensions

246 x 189 x 4mm (L x W x T)

Format

Paperback - Trade

Pages

76

ISBN-13

978-0-217-36443-0

Barcode

9780217364430

Categories

LSN

0-217-36443-8



Trending On Loot