Various aspects of each of these subjects are studied: the
construction of phrases, their connection, extension, overlapping;
the application of legato, staccato, and other types of
articulation. In this discussion the author draws upon contemporary
theoretical writings and methods, as well as upon his own extensive
experience as an editor of music. Part Two is devoted to specific
problems in the works of the three masters Bach, Mozart, and
Beethoven, and includes a chapter on the nineteenth century. The
Norton Library edition of Phrasing and Articulation includes a new
preface by Mr. Gerdine.
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