America for fifty years, they are still looked at as remote and mysterious and slightly
dangerous. Irving Warner has lived in both states, and his fiction reflects not only his
deep understanding of these places but also his sincere love and respect for them. In
these remarkable stories, Warner introduces his readers to these very different lands and
to the very unique people who live there. Warner's previous works have included, among
other works, In Memory of Hawks: Stories from Alaska about which Janet Ross of Library
Journal wrote, "If one were to combine the creative genes of Ernest Hemingway and John
Steinbeck, the result might just be Warner" and The War Journal of Lila Ann Smith
which reveals Warner's fascination not only with Alaska but also with the entire Pacific
Rim, in this case, the Aleutian Islands.
In the Alaska segment of these current stories, "The Lost River Trilogy," Warner focuses
on the cold and loneliness of remote Alaska villages, creating stories which all take place
around the Lost River road. He writes about the passions that isolation and weather can
bring out in human beings, passions which are powerful and sometimes fatal. The mythos
between life and afterlife is woven into each story. This elevates them to a larger individual
statement, but the three together becomes a forceful vision of that enigmatic zone
between life and death. In his "Hawaiian Island Trilogy," he looks at a different kind of
mythos the often ethereal dimension of time. In one unforgettable story, he tells about
Old Okata. He is a nine-decades-oldformer sugar plantation worker, a Japanese-Hawaiian
who seems to be losing his bearings along the time-line that has brought him into postplantation
Hawaii--, the world of the 21st century.
Reading these two trilogies and the mediating "bridge story" that connects them, one
discovers not only two of the least populated yet most visited regions of the United
States, but also how the people of these regions natives and tourists alike have learned
to adapt to their environments. More importantly, one learns something about oneself
because Warner writes of the human condition, of the deep connections we have for people
throughout our country, throughout our world.
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America for fifty years, they are still looked at as remote and mysterious and slightly
dangerous. Irving Warner has lived in both states, and his fiction reflects not only his
deep understanding of these places but also his sincere love and respect for them. In
these remarkable stories, Warner introduces his readers to these very different lands and
to the very unique people who live there. Warner's previous works have included, among
other works, In Memory of Hawks: Stories from Alaska about which Janet Ross of Library
Journal wrote, "If one were to combine the creative genes of Ernest Hemingway and John
Steinbeck, the result might just be Warner" and The War Journal of Lila Ann Smith
which reveals Warner's fascination not only with Alaska but also with the entire Pacific
Rim, in this case, the Aleutian Islands.
In the Alaska segment of these current stories, "The Lost River Trilogy," Warner focuses
on the cold and loneliness of remote Alaska villages, creating stories which all take place
around the Lost River road. He writes about the passions that isolation and weather can
bring out in human beings, passions which are powerful and sometimes fatal. The mythos
between life and afterlife is woven into each story. This elevates them to a larger individual
statement, but the three together becomes a forceful vision of that enigmatic zone
between life and death. In his "Hawaiian Island Trilogy," he looks at a different kind of
mythos the often ethereal dimension of time. In one unforgettable story, he tells about
Old Okata. He is a nine-decades-oldformer sugar plantation worker, a Japanese-Hawaiian
who seems to be losing his bearings along the time-line that has brought him into postplantation
Hawaii--, the world of the 21st century.
Reading these two trilogies and the mediating "bridge story" that connects them, one
discovers not only two of the least populated yet most visited regions of the United
States, but also how the people of these regions natives and tourists alike have learned
to adapt to their environments. More importantly, one learns something about oneself
because Warner writes of the human condition, of the deep connections we have for people
throughout our country, throughout our world.
Imprint | Pleasure Boat Studio |
Country of origin | United States |
Release date | April 2009 |
Availability | Supplier out of stock. If you add this item to your wish list we will let you know when it becomes available. |
First published | April 2009 |
Authors | Irving Warner |
Dimensions | 206 x 132 x 13mm (L x W x T) |
Format | Paperback - Trade |
Pages | 150 |
Edition | New |
ISBN-13 | 978-1-929355-51-8 |
Barcode | 9781929355518 |
Categories | |
LSN | 1-929355-51-3 |