On the Outside Looking Out - John Ashbery's Poetry (Hardcover, New)


In readings attuned to the textual, sexual and historical specificities of Ashbery's poetic project, from "Some Trees" through the vast summation of "Flow Chart", Shoptaw introduces readers to the poet's processes of production. The first reader with full access to Ashbery's manuscripts and source materials, he is able to reveal the poet at work. He shows us, for instance, how Ashbery built "Europe" and "The Skaters" upon children's books picked up at a Paris "quai" and how he drew on his own unpublished lyrics for the long dialogue "Fantasia on 'The Nut-Brown Maid'". Shoptaw argues that Ashbery's poems are less self-referential or non-representational than misrepresentative: fractious assemblies of odd details, cryptic substitutions, and artful and artless discourses. He traces Ashbery's misrepresentative poetics to diverse sources - Walt Whitman, Raymond Roussel, W.H. Auden, Gertrude Stein, Elizabeth Bishop, Jackson Pollock, and Elliot Carter, among others. Ashbery's poetry, as Shoptaw demonstrates, is inevitably "homotextual" while refraining from taking homosexuality as a topic. Ashbery disorients his poems with unexpected silences, lapses or wrong turns in arguments, mock confessions, and sudden abstractions. As this book reveals, Ashbery's misrepresentations yield a richer and stranger representation of ordinary experience. Ashbery takes his paradoxical stand on the outside looking out of an American culture and history we recognize as our own.

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Product Description

In readings attuned to the textual, sexual and historical specificities of Ashbery's poetic project, from "Some Trees" through the vast summation of "Flow Chart", Shoptaw introduces readers to the poet's processes of production. The first reader with full access to Ashbery's manuscripts and source materials, he is able to reveal the poet at work. He shows us, for instance, how Ashbery built "Europe" and "The Skaters" upon children's books picked up at a Paris "quai" and how he drew on his own unpublished lyrics for the long dialogue "Fantasia on 'The Nut-Brown Maid'". Shoptaw argues that Ashbery's poems are less self-referential or non-representational than misrepresentative: fractious assemblies of odd details, cryptic substitutions, and artful and artless discourses. He traces Ashbery's misrepresentative poetics to diverse sources - Walt Whitman, Raymond Roussel, W.H. Auden, Gertrude Stein, Elizabeth Bishop, Jackson Pollock, and Elliot Carter, among others. Ashbery's poetry, as Shoptaw demonstrates, is inevitably "homotextual" while refraining from taking homosexuality as a topic. Ashbery disorients his poems with unexpected silences, lapses or wrong turns in arguments, mock confessions, and sudden abstractions. As this book reveals, Ashbery's misrepresentations yield a richer and stranger representation of ordinary experience. Ashbery takes his paradoxical stand on the outside looking out of an American culture and history we recognize as our own.

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Product Details

General

Imprint

Harvard University Press

Country of origin

United States

Release date

February 1995

Availability

Supplier out of stock. If you add this item to your wish list we will let you know when it becomes available.

First published

1995

Authors

Dimensions

278 x 153 x 25mm (L x W x T)

Format

Hardcover

Pages

432

Edition

New

ISBN-13

978-0-674-63612-5

Barcode

9780674636125

Categories

LSN

0-674-63612-0



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