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South Africans have been poorly served by the economic choices their governments have made.
The consequences of these choices are everywhere to be seen but most importantly in unemployment and poverty. In this book Brian Kantor advances spirited economic arguments for freer markets and less government intervention and regulation of the South African economy; the book will add significantly to a layman’s understanding of how our economy works. It offers a succinct review of all the key drivers that determine a modern economy’s performance as well as the key institutions of a modern economy.
The book presents an insightful review of the challenges facing the South African economy and its policy makers.
Almost Human is the personal story of a charismatic and visionary palaeontologist, a rich and readable narrative about science, exploration, and what it means to be human.
In 2013, Wits University reasearch professor Lee Berger caught wind of a cache of bones in a hard-to-reach underground cave near Johannesburg. He put out a call around the world for collaborators – men and women small and adventurous enough to be able to squeeze through 8-inch tunnels to reach a sunless cave 40 feet underground. With this team of ‘underground astronauts’, Berger made the discovery of a lifetime: hundreds of prehistoric bones, including entire skeletons of at least 15 individuals, all perhaps two million years old. Their features combined those of known pre-hominids with those more human than anything ever before seen in prehistoric remains. Berger's team had discovered an all new species: Homo naledi.
The cave proved to be the richest pre-hominid site ever discovered, full of implications that challenge how we define ourselves as human. Did these ancestors of ours bury their dead? If so, they must have had an awareness of death, a level of self-knowledge: the very characteristic we used to define ourselves as human. Did an equally advanced species inhabit Earth with us, or before us?
Addressing these questions, Berger counters the arguments of those colleagues who have questioned his controversial interpretations and astounding finds.
Upon encountering Historian, Laurel Thatcher Ulrich’s quote “Well behaved women seldom make history” – Malebo knew that she was tired of everyone else but herself having a say on who and what she should be. Appropriating this quote, Malebo boldly renounces societal expectations placed on her as a Black woman and shares her journey towards misbehaviour. According to Malebo, it is a norm for a Black woman to live through a society that will prescribe what it means to be a well behaved woman. Acting like this prescribed woman equals good behaviour. But what happens when a black woman decides to live her own life and becomes her own form of who she wants to be? She is often seen as misbehaving.
Miss Behave challenges society’s deep-seated beliefs about what it means to be a well behaved woman. In this book, Malebo tracks her journey on a path towards achieving total autonomy and self-determinism. Miss Behave will challenge, rattle and occasionally cause you to reflect on your own life – asking yourself the question – are you truly living life the way you want to?
The SS Mendi is a wreck site off the Isle of Wight under the protection of Historic England. Nearly 650 men, mostly from the South African Native Labour Corps (SANLC), lost their lives in February 1917 following a collision in fog as they travelled to serve as labourers on the Western Front, in one of the largest single losses of life during the conflict.
The loss of the SS Mendi occupies a special place in South African military history. Prevented from being trained as fighting troops by their own government, the men of the SANLC hoped that their contribution to the war effort would lead to greater civil rights and economic opportunities in the new white-ruled nation of South Africa after the war. These hopes proved unfounded, and the SS Mendi became a focus of black resistance before and during the apartheid era in South Africa. One hundred years on, the wreck of the SS Mendi is a physical symbol of black South Africans’ long fight for social and political justice and equality and is one of a very select group of historic shipwrecks from which contemporary political and social meaning can be drawn, and whose loss has rippled forward in time to influence later events; a loss that is now an important part of the story of a new ‘rainbow nation’.
The wreck of the SS Mendi is now recognised as one of England’s most important First World War heritage assets and the wreck site is listed under the Protection of Military Remains Act. New archaeological investigation has provided real and direct information about the wreck for the first time.
The loss of the Mendi is used to highlight the story of the SANLC and other labour corps as well as the wider treatment of British imperial subjects in wartime.
The apartheid state was at war. It was a conflict intended to stifle demands for freedom, subjugate Southern Africa and benefit the grip on power by the ruling elite. It was a fight for survival, which was to intensify in the two decades before South Africa’s liberation in 1994. While internal resistance grew, the United Nations imposed mandatory sanctions prohibiting the sale of strategic goods such as arms and oil to South Africa. The regime was confronted with an existential threat – isolation. A covert network of over 50 countries, including big powers and sworn enemies, was constructed to counter sanctions to illegally supply guns to Pretoria. Under the cloak of secrecy, allies in corporations, banks, governments and intelligence agencies sprung into action.
Apartheid, Guns And Money: A Tale Of Profit is an exposť of this machinery created in defence of apartheid. They include heads of states, arms dealers, aristocrats, plutocrats, senators, bankers, spies, journalists and members of secret lobby groups. Moving in the shadows, these people were complicit in a crime against humanity. The motivation for some was ideological as part of the Cold War anti-communism crusade. Others felt kinship with the last white regime in Africa. The book also addresses questions of unsolved murders and domestic complicity by South African business with the apartheid state.
This deeply researched book lifts the lid on some of the darkest secrets of apartheid’s economic crimes never before fully investigated. The stories weave together material collected in over two dozen archives in eight countries over four years, providing readers with an insight into tens of thousands of pages of newly declassified documents. Interviews with businessmen, politicians, sanctions busters and freedom fighters provide eyewitness accounts of acts of complicity and contrition.
The book argues that networks of state capture have been with us for decades. These must be confronted to deal with the corrupt networks in our democratic political system. In forging the country’s future a new generation needs to grapple with the baffling silence of apartheid-era economic crime and ask difficult questions of those who benefitted from it. This book provides the evidence and the motivation to do so.
A stunning standalone thriller from the leading crime writer in South Africa, Fever is the English version of Koors which was released in August 2016.
Nico Storm and his father Willem drive a truck filled with essential supplies through a desolate land. They are among the few in South Africa - and the world, as far as they know - to have survived a devastating virus which has swept through the country. Their world turned upside down, Nico realises that his superb marksmanship and cool head mean he is destined to be his father's protector, even though he is still only a boy. But Willem Storm, though not a fighter, is both a thinker and a leader, a wise and compassionate man with a vision for a new community that survivors will rebuild from the ruins. And so Amanzi is founded, drawing Storm's 'homeless and tempest-tost' - starting with Melinda Swanevelder, who they rescued from brutal thugs, Hennie Flaai, with his vital Cessna plane, Beryl Fortuin with her ragtag group of orphans and Domingo, the man with the tattooed hand. And then there is Sofia Bergman, the most beautiful girl that Nico has ever seen, who changes everything.
So the community grows - and with each step forward, as resources increase, so do the challenges they must face - not just from the attacks of biker brigands, but also from within... Nico will find experience hardship and heartbreak and have his loyalty tested to its limits as he undergoes an extraordinary rite of passage in this new world. Looking back as he writes in memoirs later in life, he recounts the events that led to the greatest rupture of all - the murder of his father.
Internationally bestselling crime writer Deon Meyer has delivered a gripping epic like nothing else he has written before, yet still with that consummate skill to make you care about his characters, and to keep the pages turning, breathless with anticipation - and surprise at its twists.
The head of a business empire, Harry Oppenheimer played an influential role in twentieth century South Africa, a role that is celebrated by some and condemned by others.
This book investigates Oppenheimer’s political thinking, drawing from his speeches over the years. It looks at his views on liberalism, apartheid, socialism, sanctions, trade unions, education, geopolitics, the press and the legacy of Cecil John Rhodes.
Johanne 14 explores the secrets of simple, homecooked meals in South Africa’s townships.
Told through the eyes of award-winning food writer Hope Malau, the book features authentic, traditional dishes cooked with love, and acknowledges the ability of countless unsung kitchen heroes – the mothers, fathers, grandparents and siblings – to make culinary magic with often very little.
It is a vital glimpse into South African township life; moreover, it is a celebration of culture, resilience, human spirit, community and family – through the shared meal.
It probably took a fraction of a second from the knock - a single bang - to the opening of the door and the entry of an unexpected visitor into the room. They had just finished their lunch. The unannounced visitor ...simply pretended that everything was normal. There he stood - unfazed and somehow gigantic in his presence. The room had suddenly been invaded by a man who was to be a landmark in the lives of the trainees...
The book opens in China, 1962. Andrew Mlangeni is one of a small select group undergoing military training. The unannounced visitor is Mao Tse-Tung. While still at school, Andrew Mlangeni joined the Communist Party of South Africa and also the ANC Youth League. These were the organisations that shaped his values. Decades of resourceful activism were to lead to his arrest and life sentence in the Rivonia trial. Mlangeni's lifelong commitment to the struggle for liberation reverberates with other biographies of leading figures. His perspective comes from a somewhat ambiguous position in the hierarchy of liberation leaders. Mlangeni was selected as one of the first-ever six members who received military training in China before the formation of Umkhonto we Sizwe. He seems to have been chosen because he was a dedicated, intelligent and dependable operative, rather than a leader.
Even after his release after 25 years on Robben Island, Mlangeni was not given a senior position in the post-apartheid democratic government. 'I was always the backroom boy,' says Andrew Mlangeni about himself. This story of an ANC elder is a rigorously researched historical record overlaid with intensely personal reflections which intersect with the political narrative. Above all, it is one man's story, set in the maelstrom of the liberation struggle.
This biographical project has been developed for, and published in conjunction with, the June and Andrew Mlangeni Foundation.
Advocate Thuli Madonsela has achieved in her seven years as Public Protector what few accomplish in a lifetime; her legacy and contribution cannot be over-stated. In her final days in office she compiled the explosive State Capture report and, before that, the report on President Jacob Zuma’s Nkandla residence. Praised and vilified in equal measures, Madonsela has frequently found herself at centre stage in the increasingly fractious South African political scene.
No Longer Whispering To Power is about Thuli Madonsela’s tenure as Public Protector, during which the whisper grew into a cry. It is the story of the South African people’s attempt to hold power to account through the Office of the Public Protector. More significantly, this important book stands as a record of the crucial work Madonsela has done, always acting without fear or favour.
In the irreverent tradition of her best-selling Death by Carbs, Paige Nick rounds up a fresh herd of sacred cows in another hilarious local satire. But this time it’s Number One who gets the treatment.
When ex-president J Muza is released from prison on medical parole for an ingrown toenail, his expectations of a triumphant return to power and admiration are cruelly dashed. His once lavish Homestead is a rotting shell, his remaining wives have ganged up on him, the Guptas have blocked his number, and not even Robert Mugabe will take his calls any more. And he just can’t seem to get his plans for world domination off the ground. Muza is banking on his memoirs full of fake news to pep up his profile, but his ghostwriter, a disgraced journalist, has problems and a tight deadline of his own. What Muza’s not banking on is a fat bill for outstanding rates on The Homestead, and a 30-day deadline to pay back the money, before the bailiffs arrive to evict him.
Is Muza a mastermind, or simply a puppet who fell into the wrong hands? Who is really playing who? What are his remaining wives up to, and will they stay or will they go? And how will he ever pay back the money? Can the ghostwriter make his deadline before he winds up dead? Or are both men destined to be homeless and loathed forever?
This guidebook presents 75 day walks of 1km to 26km in South Africa's Maloti-Drakensberg Park, a UNESCO World Heritage Site.
Located in KwaZulu Natal and easily accessible from Johannesburg, Harrismith, Pietermaritzburg and Durban, the region boasts dramatic cliffs, gorges and waterfalls, abundant wildlife and 2,000 year old rock paintings.
The walks in this book can be undertaken at any time of year. The limitations imposed by adverse weather conditions can occur in any month. However, snow is most common in June and July and there are frequent and sometimes severe thunderstorms in summer. The key centres for the walks are the entrances to the individual areas of the Park and usually have nearby accommodation of all types. They include the Royal Natal National Park, Cathedral Peak, Monk's Cowl, Injisuthi, Giant's Castle, Highmoor, Kamberg, Lotheni, the Himeville and Underberg districts, plus Bushman's Nek.
What are the real roots of the student protests of 2015 and 2016? Is it actually about fees? Why did so many protests turn violent? Where is the government while the buildings burn, and do the students know how to end the protests?
Former Free State University Vice-Chancellor Jonathan Jansen delves into the unprecedented disruption of universities that caught South Africa by surprise. In frank interviews with eleven of the VCs most affected, he examines the forces at work, why the protests escalate into chaos, and what is driving – and exasperating – our youth.
This urgent and necessary book gives us an insider view of the crisis, tells us why the conflict will not go away and what it means for the future of our universities.
Son is a stunning achievement in post-apartheid writing. The debut novel by South African writer, Neil Sonnekus, Son brims with brio, verve and swagger. Though laugh-out-loud funny at times, it is also achingly poignant and deeply moving.
Sonnekus brilliantly captures the so-called Noughties with his tragi-comic creation Len Bezuidenhout, a recent divorcee whose quest for sex is as funny as his attempts to tease a hungover narrative from his father, a puritanical old curmudgeon. The two couldn’t be more different – or similar. They are both storytellers, but when the tale Len starts extracting from his old man is slowly revealed, it is everything but funny. Through scalding humour, caustic wit and brutally frank interrogation into the country’s ‘post Rainbow Nation’ pathology, this stylistically imposing work is one of hilarity, bitter warmth and eventual grace.
Son is at times uproarious and unremittingly frank as it exposes politics as a tragic farce. It is both self-deprecating and sensual as it traverses the dark arts of sexual conquest and desire while it simultaneously unearths brutal anxieties around crime, alienation and aging. Central to Son is the brutal mirror of what it means to be a white man in South Africa, confronting a rapid loss of power while struggling to come to terms with stark socio-political change and the possibilities of living an unfulfilled and alienated life.
While it hums and whirs with sound, movement and humour, Son seamlessly takes the reader on a profound journey of compassion and self-understanding. In a dark and disturbing turn, it argues that the dominant colour of the rainbow has become not white nor black, but red. Blood red.
Shadow Play is a powerful novel of subterfuge, betrayal, risk and deep bonds of friendship formed during a time of struggle and pain while a new nation, determined to rise, faces seemingly insurmountable obstacles.
When confronted with his call-up papers for the apartheid army, with his fellow student activists either scattered or in jail, Matthew chooses exile in Europe. In Amsterdam, he reconnects with his friend Oliver, who is studying music there. As he falls into a different rhythm of life, as contented as he is in a loving relationship and a job in a music store, the pull of his homeland never leaves him. When he receives an unexpected call from a former activist comrade, he makes a decision that will put at risk everything he has built in his new life. And when he meets Mandla for the first time, he knows there will be no going back.
For Matthew, the reality of living as a refugee and an immigrant in Europe begins to intrude and with it a new and sometimes disquieting understanding of protest politics and the liberal ideal. For Mandla, directions to a liberated country that were once clear to him and untainted by self-interest and the seduction of power, become blurred at times and increasingly uncomfortable. Both men have to search deep in their hearts when they are asked to make choices that challenge them morally, personally and politically.
(Author Gerald Kraak passed away in 2014. Kraak was in the process of writing Shadow Play when he died, leaving an unfinished draft in the care of his literary executor with the novel evenutally being completed by Alison Lowry).
Seun is ’n verbysterende prestasie in post-apartheid skryfkuns. Die debuutroman deur Suid-Afrikaanse skrywer Neil Sonnekus is tot oorlopens toe vol geesdrif, energie en bravado. Hoewel dit mens soms laat skater van die lag is dit ook pynlik aangrypend en ontsettend roerend.
In Seun lÍ Sonnekus die sogenaamde Noughties op skitterende wyse vas met sy tragikomiese karakter Len Bezuidenhout, ’n onlangs geskeide man wie se soektog na seks net so snaaks is soos sy pogings om ’n babelaasverhaal uit sy pa, ’n puriteinse ou suurknol, te ontwar. Pa en seun kon nie meer verskillend – of eenders – wees nie. Hulle is altwee storievertellers, maar wanneer die verhaal wat Len uit sy pa uittrek stadig maar seker onthul word is dit alles behalwe snaaks. Deur middel van skroeiende humor, vlymskerp sarkasme en ’n brutaal vrymoedige bevraagtekening van die land se “post- ReŽnboognasie”-patologie bring hierdie stilisties imponerende werk vrolikheid, bitter warmte en uiteindelik ook genade.
Seun is met tye lawaaierig en onverpoos eerlik soos dit die politiek as ’n tragiese klugspel ontmasker. Dit is beide selfveragtend en sensueel soos dit die donker kunste van seksuele verowering en begeerte deurkruis terwyl dit terselfdetyd wrede angste rondom misdaad, vervreemding en oudword opdiep.
Soos die skrywer besig is met ’n argeologiese opgrawing van trauma, word die nagevolge van die oorlog, manlikheid, geheue tussen die generasies en smart uitgepak. Seun is ’n onthutsende weerkaatsing van wat dit beteken om ’n wit man te wees in Suid-Afrika wat ’n skielike verlies van mag in die gesig staar en ook worstel met nougesette sosiopolitiese verandering en die vooruitsig van ’n onvervulde en vervreemde bestaan.
Terwyl dit gons en druis van klank, beweging en humor, neem Seun die leser soomloos op ’n diepsinnige reis na selfbegrip en deernis. In ’n donker en ontstellende wending voer dit aan dat die oorheersende kleur van die reŽnboog nie wit of swart geword het nie maar rooi. Bloedrooi.
Die enigste boek oor deeg wat jy ooit nodig sal kry.
Alle soorte deeg om terte of pasteie te maak word bespreek – broskors-, blaarkors, skilferkors, warmwaterkors-, fillo- en strudeldeeg, ook die gewilde Marokkaanse ouarkdeeg. Leer al die fyner kunsies van deeg: bestanddele, toerusting, basiese beginsels, asook die algemene foute wat by deeg kan voorkom en die oorsake word bespreek.
Word ’n bobaas bakker!
Shongololo is a greedy little worm who lives happily in his garden but refuses to share it with anyone. In fact, he is proud of the fact that he has no friends. Then one day, disaster strikes when a hungry eagle decides that Shongololo will make a juicy snack! After his nastiness, will the other garden creatures want to rescue Shongololo?
Young readers will be drawn into the drama of this tale of selfishness, kindness, and compassion, accompanied by imaginative and colourful illustrations.
Max Lurie’s navel-gazing podcast about his life has become an unexpected success. But its embellishments and inventions are starting to leak into his everyday life.
As Max tries to navigate the grey areas between fact and fiction, things begin to spin out of control. He juggles real and imagined girlfriends, an illegally procured firearm, an unpredictable friendship with a homeless schizophrenic, his acerbic immigrant producer, his dying father, his famous childhood sweetheart, an unlikely romantic entanglement and his critical and growing audience. Can he keep all of these balls in the air and finally bring them safely to rest?
This story takes a deep and satiric dive into the worlds we imagine for ourselves and the lives we actually live, particularly in a time when our real and digital personas intersect and merge in chaotic ways. Free Association casts a steely and comic eye on the great and small concerns of being human: the chances we take and miss, the pain of not fitting in, the fragility of the psyche, the unpredictability of love, the dull certainty of death, the importance of listening to others and the careening craziness of it all.
Jonathan Jansen is die voormalige Rektor van die Universiteit van die Vrystaat, met 'n formidabele reputasie vir transformasie en 'n diepgewortelde verbintenis tot versoening in gemeenskappe wat met die erfenis van apartheid saamleef. In hierdie boek, Jansen se persoonlikste en mees intieme boek tot op hede, daag Suid-Afrika se geliefde professor die stereotipes en stigma uit wat so maklik op Kaapse Vlakte-ma's van toepassing gemaak word as luidrugtig, wellustig en sonder tande – en bied hy diť deernisvolle verhaal aan as 'n lofsang vir ma's oral wat op moeilike plekke gesinne moet grootmaak en gemeenskappe moet bou.
As jong man het Jansen gewonder hoe ma's dit regkry om kinders onder moeilike omstandighede groot te maak – en toe besef die antwoord is reg voor hom in die vorm van Sarah Jansen, sy eie ma. Deur haar vroeŽ lewe in Montagu en die gevolge van apartheid se gedwonge verskuiwings na te speur, werp Jansen lig op hoe sterk vroue nie slegs daarin geslaag het om gesinne bymekaar te hou nie, maar hulle kinders ook met integriteit groot te maak.
Met sy kenmerkende fynsinnigheid, humor en eerlikheid, volg Jansen sy ma se lewensverhaal as 'n jong verpleegster en ma van vyf kinders, en wys hy hoe diť ma's hulle verlede verwerk het, hulle huise ingerig het, sin gemaak het van die politiek, die liefde bestuur en kernwaardes gekommunikeer het – hoe hulle hulle lewens gelei het. Om sy eie herinneringe te balanseer, het Jansen hom op sy suster, Naomi, beroep om haar eie insigte en herinneringe te deel, en daardeur spesiale waarde tot hierdie roerende memoir toe te voeg.
The objective of this Building Industry Bible is to provide a comprehensive construction costing and specification tool to anyone involved in the Building and Construction Industries. For 23 years now the Buildaid Building And Pricing Guide has played a vital role as a standalone solution by providing an A-Z guide to the construction process, its resources and their related costs.
The Buildaid Building & Pricing Guide appeals to the broadest market of any publication in this industry: It forms a powerful educational tool to all involved in the Building Industry and is a solid guide for property owners, developers and owner builders in decision making regarding new projects. It provides a solid insight to industry standards and specifications and new products to professional involved in construction.
Even to the higher end of the market, where it aids large construction companies in quantifying & specifying for small works which are an integral part to any large project.
Jonathan Jansen is the former Vice Chancellor of the University of the Free State, with a formidable reputation for transformation and for a deep commitment to reconciliation in communities living with the heritage of apartheid. In this, Jansen’s most personal and intimate book to date, South Africa’s beloved professor contemplates the stereotypes and stigma so readily applied to Cape Flats mothers as bawdy, lusty and gap-toothed – and offers this endearing antidote as a praise song to mothers everywhere who raise families and build communities in difficult places.
As a young man, Jansen questioned how mothers managed to raise children in trying circumstances – and then realised that the answer was right in front of him in the form of Sarah Jansen, his own mother. Tracing her early life in Montagu and the consequences of apartheid’s forced removals, Jansen unpacks how strong women managed to not only keep families together, but raise them with integrity.
With his trademark delicacy, humour and frankness, Jansen follows his mother’s life story as a young nurse and mother to five children, and shows how mothers dealt with their pasts, organised their homes, made sense of politics, managed affection, communicated core values – how they led their lives. As a balance to his own recollections, Jansen has called on his sister, Naomi, to offer her own insights and memories, adding special value to this touching personal memoir.
Een familie, deels van Britse en deels van Boere-afkoms, ontdek dat hul lewens onlosmaaklik verstrengel raak deur die onverbiddelike gang van die geskiedenis.
Die Transvaalse politiek en die Britte se arrogante imperialisme sleur hulle mee in die Anglo-Boereoorlog van 1899-1902. Liefdes- en vriendskapsbande wat in die Trandvaalse bosveld en die sitkamers van Victoriaanse Engeland gesmee is, word op die slagvelde van Suid-Afrika getoets. Wanneer die formele fase van die oorlog oorgaan in die gruwelike beleid van die verskroeide aarde en ’n guerrillastryd, moet die familielede riskante keuses maak. Wintersrust is ’n bruisende verhaal vol hartstog en avontuur oor die individu se worsteling met magte buite sy beheer.
Sommige, wat deur wanhoop oorweldig word, oorleef nie. Ander moet ten slotte by ’n plek van vrede en vergiffenis uitkom.
(Hierdie is die Afrikaanse vertaling van The Runaway Horses)
SongolŰlo is ’n gulsige wurmpie wat gelukkig is in sy tuin maar weier om dit met enigiemand te deel. Om die waarheid te sÍ, hy is trots daarop dat hy geen vriende het nie. Dan, op ’n rampspoedige dag, besluit...
With delicious and authentic recipes, this book will take you on an incredible food journey through the Latin American countries. The food has a complex layering of flavours and techniques that leaves one in a constant state of amazement. The recipes are adapted for use in South Africa, where certain ingredients are harder to find.
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