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Set in seventeenth-century New England in the aftermath of the Pequod War, Hope Leslie not only chronicles the role of women in building the republic but also refocuses the emergent national literature on the lives, domestic mores, and values of American women.
Philida is gebaseer op historiese werklikheid en sluit wat tema en tydperk betref aan by een van Brink se vroeër romans, Houd-den-bek. Philida was ’n slavin wat tussen 1820 en 1835 op die plaas Zandvliet in die Drakenstein-distrik gewoon het. (Die plaas wat vandag bekend is as Solms Delta). Sy het ’n paar kinders gehad by Frans, die seun van Cornelis Brink, die eienaar van die plaas. Maar toe besluit Cornelis dat Frans met die dogter van ’n ryk Kaapse familie moet trou en dat dit beter is om Philida en haar kinders te verkoop.
Die roman begin waar Philida by die drostdy op Stellenbosch ’n klag teen haar baas gaan lê, ongehoorde optrede vir ’n slawevrou, optrede wat haar duur te staan kom: Philida en haar kinders word in 1833 deur Brink op ’n slaweveiling op Worcester verkoop. Die Britse regering stel kort daarna die slawe vry, maar Philida is vir vier jaar by haar nuwe eienaar, Meester de la Bat, ingeboek.
Die swaarkry en vernedering van baie jare het Philida egter gebrei en op ’n dag eien sy vir haarself vryheid toe. Saam met die Moslem-slaaf, Labyn, trek sy deur die barre Karoo na die verre Gariep – “die grote Gariep: hy is die hele land en die hele wêreld …die rivier in onse binneste. My Gariep…” dink Philida. “Hier in sy nabyte is ons almal saam.”
Philida is ’n versetsroman – maar dit is ook ’n bevrydingsroman. Dit demonstreer wat vryheid beteken, en óók wat aan die kern van baasskap lê. En alhoewel daar onthutsende tonele is, is daar ook oomblikke van teerheid en humor. En boweal, die stem van ’n meesterverteller.
’n Interessante aspek van die roman is dat Brink gebruik maak van geskiedkundige feite wat een van sy voorsate insluit.
An early masterwork among American literary treatments of miscegenation, Chesnutt’s story is of two young African Americans who decide to pass for white in order to claim their share of the American dream.
A superb depiction of a utopian community that cannot survive the individual passions of its members. In language that is suggestive and often erotic, Nathaniel Hawthorne tells a tale of failed possibilities and multiple personal betrayals as he explores the contrasts between what his characters espouse and what they actually experience in an 'ideal' community. A theme of unrealized sexual possibilities serves as a counterpoint to the other failures at Blithedale: class and sex distinctions are not eradicated, and communal work on the farm proves personally unrewarding and economically disastrous. Based in part on Hawthorne's own experiences at Brook Farm, an experimental socialist community, The Blithedale Romance is especially timely in light of renewed interest in self-sufficient and other cooperative societies.
The appreciation of Zen philosophy and art has become universal, and Zen poetry, with its simple expression of direct, intuitive insight and sudden enlightenment, appeals to lovers of poetry, spirituality, and beauty everywhere. This collection of translations of the classical Zen poets of China, Japan and Korea includes the work of Zen practioners and monks as well as scholars, artists, travellers and recluses, and covers fifteen centuries of Oriental literature with poets ranging from Xie Lingyun (5th century) through Wang Wei and Hanshan (8th century) and Yang Wan-li (12th century) to Shinkei (15th) Basho (17th) and Ryokan (19th).
First published in 1873, The Gilded Age is both a biting satire and a revealing portrait of post-Civil War America-an age of corruption when crooked land speculators, ruthless bankers, and dishonest politicians voraciously took advantage of the nation's peacetime optimism. With his characteristic wit and perception, Mark Twain and his collaborator, Charles Dudley Warner, attack the greed, lust, and naivete of their own time in a work which endures as a valuable social document and one of America's most important satirical novels.
A companion volume to The Great Wall of China and Other Short Works, these translations bring together the small proportion of Kafka's works that he thought worthy of publication.
This volumes contains his most famous story, 'Metamorphosis'. Other works include 'Meditation', a collection of his earlier studies; 'The Judgement', written in a single night of frenzied creativity; and 'The Stoker', the first chapter of a novel set in America. There is also a fascinating occasional piece, 'The Aeroplanes at Brescia', Kafka's eye-witness account of an air display in 1909. Taken together, these stories reveal the breadth of Kafka's literary vision and the extraordinary imaginative depth of his thought.
In one volume, the two short-story collections that established Kate Chopin as one of America's best-loved realist writers.
Poets of all times, places and sensibilities have been moved to write about war. They have commemorated the Battles of Thermopylae, Agincourt and Shilph, and London in an air raid. They have announced the Charge of the Light Brigade; witnessed Break of Day in the Trenches; handed down through oral tradition, the Blackfoot Indian Song for a Fallen Warrior; sent a Newsreel from Vietnam. From Horace and Virgl to Steveie Smith, from the anonymous bards of ancient China to Adam Mickiewicz and Primo Levi, these poets have encompassed the entire spectrum of feeling - pride, compassion, courage anger fear excitement, anguish, even laughter. Here. in this anthology, are more than one hundred of their most memorable poems.
Unfinished at the time of Flaubert’s death in 1880, Bouvard and Pécuchet features two Chaplinesque figures in a farce that mocks bourgeois stupidity and the banality of intellectual life in France.
Alcott’s enchanting debut novel.
Written in 1849, when Louisa May Alcott was just seventeen years old, The Inheritance is the captivating tale of Edith Adelon, an impoverished Italian orphan who innocently wields the charms of virtue, beauty, and loyalty to win her true birthright. A long lost letter reveals her secret inheritance, nothing less than the English estate on which she is a paid companion. But Edith is loath to claim it – for more important to her by far are the respect and affection of her wealthy patrons, and the love of a newfound friend, the kind and noble Lord Percy.
Her first novel shows a young Alcott writing under the influence of the gothic romances and sentimental novels of her day. In their introduction, Professors Myerson and Shealy, who recovered Alcott’s unpublished manuscript, explore how her unconventional upbringing and early literary influences shaped The Inheritance, and consider it in the light of her mature style, particularly that of her classic, Little Women.
An indispensable and provocative compilation of witty essays
dealing with Biblical stories and their inconsistencies from
America's master satirist, Mark Twain.
The final novel in Cooper’s epic, The Prairie depicts Natty Bumppo at the end of his life, still displaying his indomitable strength and dignity.
Questing after Pancho Villa's revolutionary forces, Ambrose Bierce rode into Mexico in 1913 and was never seen again. He left behind him the Devil's Dictionary and a remarkable body of short fiction.
This new collection gathers some of Bierce's finest stories, including the celebrated Civil War fictions 'An Occurrence at Owl Creek Bridge' and 'Chickamauga', his macabre masterpieces, and his tales of supernatural horror.
Reminiscent of Poe, these stories are marked by a sardonic humour and a realistic study of tense emotional states.
For nineteen-year-old Edmond Dantes, life is sweet. Soon to be captain of his own sip, he is also about to be married to his true love, Mercedes. But suddenly everything turns sour. On the joyous day of his wedding he is arrested and--without a fair trial--condemned to solitary confinement in the miserable Chateau d'If! The charges? Faked! Edmond has been framed by a handful of powerful enemies. But why?
A historical adventure reminiscent of Sir Walter Scott’s Waverley romances, Cooper’s novel centers on Harvey Birch, a common man wrongly suspected of being a spy for the British.
Thomas Love Peacock is literature's perfect individualist. He has points in common with Aristophanes, Plato, Rabelais, Voltaire, and even Aldous Huxley, but resembles none of them; we can talk of the satirical novel of ideas, but his satire is too gay and good-natured, his novel too rambling, and his ideas too jovially destructive for the label to stick.A romantic in his youth and a friend of Shelley, he happily made hay of the romantic movement in Nightmare Abbey, clamping Coleridge, Byron, and Shelley himself in a kind of painless pillory. And in Crotchet Castle he did no less for the political economists, pitting his gifts of exaggeration and ridicule against scientific progress and the March of Mind. Yet the romantic in him never died: the long, witty and indecisive talk of his characters is set in wild, natural scenery which Peacock describes with true feeling.
These short fiction and prose pieces display the variety of Twain's imaginative invention, his diverse talents, and his extraordinary emotional range. Twain was a master of virtually every prose genre; in fables and stories, speeches and essays, he skilfully adapted, extended or satirized literary conventions, guided only by his unruly imagination. From the comic wit that sparkles in maxims from 'Pudd'nhead Wilson's Calendar,' to the parodic perfection of 'An Awful - Terrible Medieval Romance,' to the satirical delights of The Innocents Abroad and Roughing It; from the warm nostalgia of 'Early Days' to the bitter, brooding tone of 'The Man That Corrupted Hadleyburg' to the anti-imperial vehemence of 'To the Person Sitting in the Darkness' and the poignant grief expressed in 'Death of Jean', Twain emerges in this volume in many guises, all touched by genius.
This, the fourth of Cooper's celebrated Leatherstocking Tales, continues the adventures of Natty Bumppo, noble woodsman, champion of the Indians, and hero of the American frontier. In The Pathfinder Cooper undertook the hazardous experiment of resurrecting one of his most popular characters, for he had killed off Bumppo in his previous incarnation, the Trapper, in The Prairie (1827). But in 1839, at his English publisher's instigation, Cooper began work on a romance, setting the story of his hero's unsuccessful courtship on the mist-shrouded shores of Lake Ontario during the French and Indian Wars.
Henry James called The Blithedale Romance "the lightest, the brightest, the liveliest" of Nathaniel Hawthorne's novels."
New translation of Machado's famous novel is for the most part faithful and readable. However, work has occasional odd errors and omissions, and fails to give sufficient attention to Machado's rhythm and syntax. Given Rabassa's vast experience as a translator, it is hard not to suspect that carelessness and haste explain the mistakes and lapses. Also poorly edited and inadequately proofread"--Handbook of Latin American Studies, v. 58.
The first English-language edition of a major work by George Sand. Translated by the winner of the 1994 BOMC-PEN Translation Award. "A courageous work, nowadays unjustly neglected". -- Renee Winegarten "Sand develops her most advanced political, social and sexual views in this classic work". -- Feminist Bookstore News
A candid inquiry into the intertwining of religious and sexual fervor, and a telling portrait of the United States at the end of the nineteenth century, this novel foreshadows the rise of naturalism in American literature.
In the picaresque tradition of Baccaccio, Rabelais, Cervantes, and Laurence Sterne, Jacques the Fatalist is an 18th-century French novel relating the adventures of a servant and his master as they journey through France on horseback. Around the central thread of Jacques' humorous narration of his romantic affairs, the author of the Encyclopedia and Rameau's Nephew fashions a signal work of innovative fiction that slyly investigates philosophical and literary questions such as art, time, reality, freedom, and the definition of the novel itself.
What happens on this journey? Jacques tells his master his adventures; this story in turn is contantly interrupted by other stories or by Diderot, as narrator, who comes in to tease the reader about the future course of the novel. Diderot is eager to be agreeable, so long as the reader realized that the fabricator of a novel can as easily proceed in this way as in that. The book foreshadows a number of 19th and 20th century literary techniques, exchanging the rational and classical for shifting perspectives of time, personality, and viewpoint.
In J. Robert Loy's smooth and accurate translation (the first in English except for a privately printed one of 1798), the reader can now discover the originality of Diderot's witty masterpiece. It is a book that no one interested in the evolution of modern fiction, or the ideas of the Enlightenment, will want to miss.
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