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Books > Music > Western music, periods & styles > 20th century music

The King shall rejoice (Sheet music, Vocal score): Bob Chilcott The King shall rejoice (Sheet music, Vocal score)
Bob Chilcott
R91 Discovery Miles 910 Shipped within 7 - 12 working days

for SATB double choir and organ The King shall rejoice was commissioned by the Dean and Chapter of Westminster to mark the sixtieth anniversary of Her Majesty The Queen's coronation. Setting powerful and optimistic words from Psalm 21, Chilcott establishes a celebratory mood from the outset, with dancing 6/8 rhythms and jubilant, ringing chords. The voices soon divide into two choirs, creating a striking antiphonal effect, and the music moves through sections of slower, more sustained writing in 4/4. The second half of the work sets an adapted version of the psalm text, famously used by William Byrd-'O Lord, make thy servant Elizabeth our Queen rejoice in thy strength'-before coming to a buoyant and triumphant close with the final 'amen'.

This endris night (Staple bound, Vocal score): Malcolm Archer This endris night (Staple bound, Vocal score)
Malcolm Archer
R63 Discovery Miles 630 Shipped within 7 - 12 working days

for SATB and organ Archer's setting of this well-known Christmas text is lilting and buoyant, with a memorable melody and charming organ interludes. Suitable for liturgical or concert use, the carol features great textual variety, building to a rousing finish that is sure to fill audiences with Christmas cheer!

Coffee Time (Sheet music, Vocal score): Anton Leanderson-Andreas Coffee Time (Sheet music, Vocal score)
Anton Leanderson-Andreas
R73 Discovery Miles 730 Shipped within 7 - 12 working days

for SAATB unaccompanied A piece made famous by the award-winning a cappella group Vocado, Coffee Time is an upbeat dedication to the down time we all crave, for sharing thoughts, silence, and that aroma! Founded on classic a cappella style and sense of fun, the piece boasts an infectious melody and bossa nova rhythm, with sumptuous key changes, scat rhythms, and contrasting sections. The piece is perfect for vocal groups or small- to medium-size choirs, and has the makings of a great encore or competition piece.

The Rest is Noise - Listening to the Twentieth Century (Paperback): Alex Ross The Rest is Noise - Listening to the Twentieth Century (Paperback)
Alex Ross 1
R427 R314 Discovery Miles 3 140 Save R113 (26%) Shipped within 7 - 12 working days

Alex Ross's sweeping history of twentieth-century classical music, winner of the Guardian First Book Award, is a gripping account of a musical revolution. The landscape of twentieth-century classical music is a wild one: this was a period in which music fragmented into apparently divergent strands, each influenced by its own composers, performers and musical innovations. In this comprehensive tour, Alex Ross, music critic for the 'New Yorker', explores the people and places that shaped musical development: Adams to Zweig, Brahms to Bjoerk, pre-First World War Vienna to 'Nixon in China'. Above all, this unique portrait of an exceptional era weaves together art, politics and cultural history to show how twentieth-century classical music was both a symptom and a source of immense social change. This edition includes a definitive list of the greatest recordings of twentieth-century music.

The Lark Ascending (Sheet music, Vocal score): Ralph Vaughan Williams The Lark Ascending (Sheet music, Vocal score)
Ralph Vaughan Williams; Arranged by Paul Drayton
R118 Discovery Miles 1 180 Shipped within 7 - 12 working days

for violin and mixed choir This innovative and imaginative choral arrangement of The Lark Ascending has the original solo violin part accompanied by mixed choir. It sensitively sets George Meredith's poem (on which the original orchestration is based) and combines this with wordless vocal lines and vocal solos, preserving the texture and timeless effect of the original. Commissioned and premiered by the Swedish Chamber Choir, the work has also been recorded by the choir under the direction of Simon Phipps.

Ophelia, Caliban, and Miranda (Sheet music, Vocal score): Bob Chilcott Ophelia, Caliban, and Miranda (Sheet music, Vocal score)
Bob Chilcott
R212 Discovery Miles 2 120 Shipped within 7 - 12 working days

for SATB, piano, and optional saxophone, bass, and drum kit Ophelia, Caliban, and Miranda puts a jazzy twist on three Shakespearean characters. With newly written texts by Charles Bennett, each of the three movements focuses in on Ophelia from Hamlet and Caliban and Miranda from The Tempest. In the funky opener, 'River Bride', the upper voices take the part of Ophelia, while the tenors and basses play a lover figure. Caliban's song, 'Ariel taught me how to play', is a reflective ballad in which the slave tells Miranda, who has escaped his advances, about the spirit helper Ariel teaching him to play the saxophone. The final movement, 'All good things come to an end', is a sassy yet tender number, where Miranda bids farewell to her beloved husband Ferdinand, declaring: 'I've gone back to the island to remember who I am'. The piano part may be played as written or serve as a guide, and a part for saxophone, bass, and drum kit is available separately for jazz quartet accompaniment.

One Voice (Sheet music, Vocal score): John Rutter One Voice (Sheet music, Vocal score)
John Rutter
R75 Discovery Miles 750 Shipped within 7 - 12 working days
The White Field (Sheet music, Vocal score): Bob Chilcott The White Field (Sheet music, Vocal score)
Bob Chilcott
R86 Discovery Miles 860 Shipped within 7 - 12 working days

for SATB double choir, children's choir, and piano Setting a text by Charles Bennett, The White Field presents a dreamlike scene in which blackbirds plant songs in the cold earth and await the growth of their music. Chilcott's melodies echo through the voices, before a climactic tutti central section giving full voice to the idea of renewal and hope in the depth of winter. A wistful coda completes the reverie as the blackbirds settle to await the return of the sun. The piano part provides harmonic support and rhythmic energy to the voice parts with chordal and semiquaver figurations throughout the work. The White Field was commissioned by the Barbican Centre for London Symphony Chorus and BBC Symphony Chorus for Sound Unbound, November 2015.

Evocation of Wells Cathedral (Sheet music): David Bednall Evocation of Wells Cathedral (Sheet music)
David Bednall
R191 Discovery Miles 1 910 Shipped within 7 - 12 working days
Mahler - His Life, Work and World (Paperback, New edition): Kurt Blaukopf, Herta Blaukopf Mahler - His Life, Work and World (Paperback, New edition)
Kurt Blaukopf, Herta Blaukopf
R474 R365 Discovery Miles 3 650 Save R109 (23%) Shipped within 7 - 12 working days

Mahler was born in 1860 in an outpost of the Austro-Hungarian Empire and became one of the greatest conductors and composers of his time, acclaimed throughout Europe and America. This biography assembles a wealth of contemporary material from letters, diaries, concert programmes and reviews.

Build this house (Sheet music, SSA vocal score): Michael Berkeley Build this house (Sheet music, SSA vocal score)
Michael Berkeley
R73 Discovery Miles 730 Shipped within 7 - 12 working days
St Matthew Passion (Sheet music, Vocal score): Matthew Owens St Matthew Passion (Sheet music, Vocal score)
Matthew Owens
R91 Discovery Miles 910 Shipped within 7 - 12 working days

for soloists, SATB, and organ Written for the Choir of Wells Cathedral, of which Matthew Owens is Organist and Master of the Choristers, this setting of the St Matthew Passion is ideally suited to liturgical performance during Holy Week. The principal role of the Evangelist is taken by a baritone soloist, who narrates the story of Christ's trial and Crucifixion in unaccompanied chant. The other, smaller, solo roles of Judas (tenor), Pilate (tenor), Jesus (bass), and Pilate's wife (alto) continue in the same vein, with four-part choral interspersions from the crowds, soldiers, and priests providing a contrast in texture. The hymn 'When I survey the wondrous cross', set to the Rockingham hymn tune, appears twice throughout the work, and the congregation are encouraged to join in on both occasions. The simple organ part supports the voices for the hymn, and may also optionally double the choir during the narrative.

Ave gloriosa mater salvatoris (Sheet music, Vocal score): Gabriel Jackson Ave gloriosa mater salvatoris (Sheet music, Vocal score)
Gabriel Jackson
R103 Discovery Miles 1 030 Shipped within 7 - 12 working days

for SSAATTBB unaccompanied Ave gloriosa mater salvatoris is a challenging and yet delicate anthem, with subtle key-signature changes, vocal divisions in up to eight parts, and alternating homophonic and polyphonic passages. The text includes excerpts from the synonymous medieval hymn and Wordsworth's poem The Virgin, making the piece suitable for a variety of sacred celebrations and particularly those of the Blessed Virgin Mary.

Magna Carta Te Deum (Sheet music, Vocal score): Michael Berkeley Magna Carta Te Deum (Sheet music, Vocal score)
Michael Berkeley
R118 Discovery Miles 1 180 Shipped within 7 - 12 working days

for SATB and organ This setting of the Te Deum was written for the Choir of Lincoln Cathedral Choir to commemorate the 800th anniversary of the signing of Magna Carta. It opens with a dialogue between the organ and strident unison choral lines, before moving on to the Sanctus, with alternating tutti and solo passages. Powerful choral lines and jubilant organ flourishes marry perfectly with the well-known text to result in a truly laudatory work.

Fantasia on Sussex Folk Tunes (Sheet music, Viola and piano reduction (viola solo version)): Ralph Vaughan Williams Fantasia on Sussex Folk Tunes (Sheet music, Viola and piano reduction (viola solo version))
Ralph Vaughan Williams; Arranged by Martin Outram
R417 Discovery Miles 4 170 Shipped within 7 - 12 working days

This engaging work was composed in 1929 and premiered the following year by its dedicatee, the legendary Spanish cellist Pablo Casals. The five folk songs on which the work is founded are 'Salisbury Plain', 'The Long Whip', 'Low down in the broom', 'Bristol Town', and 'I've been to France'. This arrangement for solo viola and orchestra is compatible with the original orchestral accompaniment, materials for which are available on hire.

From the break of the day (Sheet music, Vocal score): Alan Bullard From the break of the day (Sheet music, Vocal score)
Alan Bullard
R75 Discovery Miles 750 Shipped within 7 - 12 working days

for SAT and piano or organ Originally published in the collection Alan Bullard Anthems, this optimistic setting of Jan Struther's famous text is perfectly suited to performance at a variety of occasions, including at weddings, funerals, and services throughout the year. Bullard's original melody is expressive and graceful, paying homage to the message of the words, and the supportive and melodious accompaniment may be performed on piano or organ.

Two String Quartets (Sheet music, Study score): William Walton Two String Quartets (Sheet music, Study score)
William Walton
R501 Discovery Miles 5 010 Shipped within 7 - 12 working days
Ophelia, Caliban, and Miranda (Sheet music, Saxophone, bass, and drum kit part): Bob Chilcott Ophelia, Caliban, and Miranda (Sheet music, Saxophone, bass, and drum kit part)
Bob Chilcott
R218 Discovery Miles 2 180 Shipped within 7 - 12 working days

for SATB, piano, and optional saxophone, bass, and drum kit Ophelia, Caliban, and Miranda puts a jazzy twist on three Shakespearean characters. With newly written texts by Charles Bennett, each of the three movements focuses in on Ophelia from Hamlet and Caliban and Miranda from The Tempest. In the funky opener, 'River Bride', the upper voices take the part of Ophelia, while the tenors and basses play a lover figure. Caliban's song, 'Ariel taught me how to play', is a reflective ballad in which the slave tells Miranda, who has escaped his advances, about the spirit helper Ariel teaching him to play the saxophone. The final movement, 'All good things come to an end', is a sassy yet tender number, where Miranda bids farewell to her beloved husband Ferdinand, declaring: 'I've gone back to the island to remember who I am'. The saxophone, bass, piano, and drum kit parts may be played as written or serve as a guide.

Five Elements - with western instruments (Sheet music, Score - sextet version with western instruments): Long ZHOU Five Elements - with western instruments (Sheet music, Score - sextet version with western instruments)
Long ZHOU
R808 Discovery Miles 8 080 Shipped within 7 - 12 working days

for flute, clarinet, percussion, piano, violin, and violoncello The concept of the Five Elements was a central aspect of traditional Chinese thought. Here each of the Five Elements is characterised in an individual movement. In the first movement metal is represented by metallic percussion, while in the second movement marimba and claves are used to portray wood. In the third movement a slower and expansive texture is employed to signify water, and rhythmic drumming is used to illustrate the heat of fire, the subject of movement four. A majestic yet peaceful final movement portrays Earth, where all the elements are transformed into a perfect balance.

Music to hear (Sheet music, Vocal score): Bob Chilcott Music to hear (Sheet music, Vocal score)
Bob Chilcott
R63 Discovery Miles 630 Shipped within 7 - 12 working days
Postures - Concerto for piano and orchestra (Sheet music, Study score): Long ZHOU Postures - Concerto for piano and orchestra (Sheet music, Study score)
Long ZHOU
R692 Discovery Miles 6 920 Shipped within 7 - 12 working days

for solo piano and full orchestra This work opens with a form of Shaman-dance from North-east China, during which the piano mimics some of the animal postures seen in the art of kung fu. Pianobells, the more lyrical and lightly orchestrated second movement, takes two contrasting bells (Mighty Bells and Frost Bells) as its narrative throughout. The third and final movement, which is intended to represent the Peking Opera Monkey's action, is a wild and intense finale with rapid rhythmic patterns from the percussion. This concerto is exciting, lively, and highlights the piano as a virtuoso percussion instrument.

Symphony No. 8 (Sheet music, Full score): Ralph Vaughan Williams Symphony No. 8 (Sheet music, Full score)
Ralph Vaughan Williams; Edited by David Lloyd Jones
R1,793 Discovery Miles 17 930 Shipped within 7 - 12 working days

Vaughan Williams wrote Symphony No. 8 between 1953 and 1955 while in his eighties. It is his shortest symphony and considered by many to be his least serious. Aside from a few sombre moments, the symphony is optimistic in mood and displays Vaughan Williams's love for exotic and colourful combinations of instruments with a percussion sections that, he said, employs "all the 'phones and 'spiels known to the composer". For this newly engraved edition, editor David Lloyd-Jones has consulted all extant sources and materials to create a score matching the composer's intentions. The full score is completed with Textual Notes and Preface, and accompanying orchestral parts are available on hire.

The Lark Ascending (Sheet music, Set of parts for string quartet arrangement): Ralph Vaughan Williams The Lark Ascending (Sheet music, Set of parts for string quartet arrangement)
Ralph Vaughan Williams; Arranged by Martin Gerigk
R638 Discovery Miles 6 380 Shipped within 7 - 12 working days

Vaughan Williams's famous romance for solo violin and orchestra is given new life in this beautiful arrangement. For the first time, violinists can perform the original solo line as part of a string quartet, while also joining the other players for the longer tutti sections. Perfect as a rehearsal tool in preparation a larger-scale orchestral concert, the arrangement is also ideal for performance in a chamber recital.

Lament for the holy city (Sheet music, Violin and piano): John Rutter Lament for the holy city (Sheet music, Violin and piano)
John Rutter
R151 Discovery Miles 1 510 Shipped within 7 - 12 working days

This hauntingly beautiful piece is extracted from Rutter's large-scale work Visions. The expressive solo line features long phrases, double stopping in thirds and sixths, and a quasi-improvised section, making it an ideal concert work for advanced violinists.

Advent Moon (Sheet music, Vocal score): Cecilia McDOWALL Advent Moon (Sheet music, Vocal score)
Cecilia McDOWALL
R73 Discovery Miles 730 Shipped within 7 - 12 working days

for SATB, organ, and optional handbells Through luminous choral harmonies, images of a winter night, and echoes of scripture, Advent Moon evokes deep human longing as well as the promise of the coming of light. The delicate organ accompaniment and optional handbells underscore both the haunting opening and the radiant conclusion of this piece.

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