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With 23 years of publishing this guide under their belts, South African Decor & Design 2020 are equally proud of all that has been and excited about all that is still to come. The Guide has grown progressively over the years with the recent launch of their new website, the establishment of their digital platforms, and the ever-popular blog ‘Marcia Loves It’ collectively facilitating positive change through innovation and creativity. Once again they have compiled a remarkable directory of over 3000 key industry players, home décor specialists, interior designers, architects and lifestyle brands.
The Guide continues to facilitate networks between industry players and provide inspiration and valuable information to all their readers. As well as offering the latest trend inspiration, newest product collections and optimal brands, they also strive to be at the forefront of international exhibitions, events and shows, while embracing the rise of the social and digital spheres.
The choice of cover this year was inspired by all that is good about living in South Africa. We so often forget about the beauty of the country and are so inundated daily by all the negatives that go with living here that they wanted to create a shout out for all the reasons why we do live here. Credit goes to photographer extraordinaire DOOK for creating that exact image to portray their theme.
COMPETITION: When buying this book, inside you'll find details on how to enter and stand the chance to win a furniture makeover worth R 50,000.00.
Johannesburg: Egoli to some, Jozi to others. Once a mining town, now the most important commercial city in Africa. It’s been home to renegades and rogues, colonialists and capitalists, the dispossessed and the newly enriched. Today it’s populated by those who call themselves Africans or Afrikaners, by blacks, whites and every shade inbetween, and by immigrants from all over.
There are suburbs where the daily rituals of Jewish culture rival New York’s; elsewhere, the tone is more Lagos than laid-back. Remnants of the colonial era stand alongside contemporary steel and glass. In a town that prides itself on the pursuit of fortune, it’s a challenge to preserve heritage, and it is against this background that Hidden Johannesburg offers a snapshot of 28 notable buildings. From the stately mansions of the Randlords to their downtown headquarters, the clubs where they socialised and the churches where they worshipped, the architecture of early Johannesburg lives on in sandstone, granite, marble and slate. But this is a city that constantly reinvents itself, and where the old is all-too-readily demolished to make way for the next ‘big thing’. Some buildings will survive, others will be consigned to memory.
Hidden Johannesburg reveals fragments of the history of this vibrant city but, perhaps, the book also tells us something about our future, for if we allow our heritage to be swept away in the name of progress, are we advancing at all?
An artist’s canvas reflects the face he chooses to show to the world, but the place in which that art is made is seldom revealed.
Paul Duncan was given unparalleled access into the homes and lives of fifteen of South Africa’s most revered artists. Over countless mugs of coffee or glasses of wine, he listened and observed as they spoke about their lives, loves and the way they make their art. South African Artists At Home takes the reader into some very private spaces, affording us a glimpse of what the artist goes home to at the end of the day.
For some, the work space and home space are irrevocably intertwined. For others, home is a sanctuary. Or perhaps it is the studio that is the sanctuary and home is where ‘real life’ happens.
Either way, if you have an interest in art, artists, and the often bizarre way that making art intersects with living life, you’ll find this book intriguing.
Now revised, this book takes a unique look ‘inside’ 29 of Cape Town’s most notable buildings. If you have ever wondered what lies behind an interesting facade, or wished you could peek behind a closed door, Hidden Cape Town is the book for you. The author and photographer have collaborated to reveal the artworks and architectural secrets that lie behind the doors of some wellknown, and lesser known, landmark buildings in and around the ‘Mother City’. These buildings are part of our collective heritage, reflecting the myriad cultural influences that have shaped our country. These ‘hidden’ interiors include the Sendinggestig Museum, South African National Library, City Hall, Palm Tree Mosque, Welgelegen, the Royal Observatory, Bertram House, the Greek Orthodox Cathedral of St George, Groote Schuur, the Old Synagogue and the officer’s mess of the Cape Town Rifles (‘The Dukes’).
An essential reference guide to one of New Orleans's most iconic Uptown neighborhoods, New Orleans Architecture: Volume IX documents the remarkable architectural history of the former city of Carrollton, once the seat of Jefferson Parish and now listed on the National Register of Historic Places. Following the format of previous volumes in the series, Robert J. Cangelosi Jr. divides the study into three sections. He begins in the early eighteenth century by chronicling the area's development as one of the many upriver communities just west of New Orleans. Its fields and plantations afforded early homesteaders tillable farmland and easy access to the Mississippi River. Later, during the War of 1812, American troops led by William Carroll encamped there, and the area was subsequently named for the general. In 1831, developers purchased the land, subdivided it, and began construction of a road and a canal linking the area to New Orleans. Local officials reorganized Carrollton in 1845 - by then a village of about 1,000 residents - as a town in Jefferson Parish, and in 1859 a charter officially incorporated it as a city. Just fifteen years later, the City of New Orleans annexed Carrollton - now replete with schools, public gardens, and brick-paved streets - as the Seventh Municipal District. The volume's second section consists of a ""Building Index,"" which gives the original owners, dates of construction, costs, designers, and builders for many of the structures erected in Carrollton since its founding. In the ""Selective Architectural Inventory,"" the book's final section, Cangelosi explores the history of nearly 420 historic homes and buildings in Carrollton, and shares thumbnail photographs, detailed sales records, and information on a variety of architectural styles. New Orleans Architecture: Volume IX serves as a valuable resource for the city's Historic District Landmark Commission and the State Historic Preservation Office, as well as home owners, real estate agents, guides, historians, and tourists.
The man who envisioned and realized such landmark buildings as the Salk Institute, the Kimbell Art Museum, and the National Assembly complex in Bangladesh, Louis Kahn was born in what is now Estonia, immigrated to America, and became one of the towering figures in his adopted country's built world. His works are unmistakable in their elegance, monolithic power, and architectural honesty.Written by Carter Wiseman, one of Kahn's most respected commentators, this book offers a succinct, accessible examination of the life and work of one of America's greatest architects. It traces the influence on Kahn's architecture of his immigrant origins, his upbringing in poverty, his education, and the impact of the Great Depression and the arrival of Modernism on his life and work. Finally, it provides insight into why, as the legacy of many of his contemporaries has receded in importance, Kahn's has remained so durably influential. Louis Kahn: A Life in Architecture provides the best concise introduction available to this singular life and achievement.
An architectural methodology based around Lean principles, this book challenges architects to examine how they practice by better understanding their goals and by viewing and producing their work differently. Lean Architecture: Excellence in Project Delivery is a lean implementation guide for design firm leadership, project managers, and architecture professionals. This guide to the building blocks of Lean for design firms outlines important metrics and time-tested implementation strategies for firms of all sizes, presents relatable examples highlighting successful Lean application and describes how to avoid common obstacles in introducing and integrating Lean practice across a design firm.
Jonathan Meades has an obsessive preoccupation with places. He has spent thirty years constructing sixty films, two novels and hundreds of pieces of journalism that explore an extraordinary range of them, from natural landscapes to man-made buildings and 'the gaps between them', drawing attention to what he calls 'the rich oddness of what we take for granted'. This book collects fifty-four pieces and six film scripts that dissolve the barriers between high and low culture, good and bad taste, deep seriousness and black comedy. Meades delivers what he calls 'heavy entertainment' - strong opinions backed up by an astonishing depth of knowledge. To read Meades on places, buildings, politics or cultural history is an exhilarating workout for the mind. He leaves you better informed, more alert, less gullible.
In the spring of 2004, David Lascelles invited a group of monks from Bhutan to build a stupa in the gardens of Harewood House in Yorkshire. It was a step into the unknown for the Bhutanese. They didn't speak any English, had never travelled outside their own culture, had never flown in an airplane or seen the ocean. Theirs was one kind of journey. But the project was also another kind of voyage for David: an attempt to reconcile a deep interest in Buddhism with the 250 years that his family has lived at Harewood, the country house and estate that he has loved, rejected, tried to make sense of and been haunted by all his life.
Rounds barns are architectural phenomena that have graced rural America for over a century. Today the few that survive stand as symbols of another generation's innovation and ingenuity. To understand the importance of these buildings is to begin to understand the story of farming in America. A Round Indiana: Round Barns in the Hoosier State, Second Edition documents the 265 round barns identified in the history of Indiana. This book contains more than 300 modern and historical photographs alongside nearly 40 line drawings and plans.Author and award-winning photographer John T. Hanou combed through often-forgotten documents to tell the fascinating story of the farmers, builders, and architects who championed the innovative construction techniques. This second edition of A Round Indiana provides updated information on an additional 39 round barns discovered in Indiana's history. Of the 265 total round barns found at one time on the plains of Indiana, only 72 remain standing. A Round Indiana is a tribute to the state's endangered buildings and a work to be treasured by those interested in the history of Indiana, architecture, and agriculture.
As Eudora Welty observed, "One place understood helps us know all places better". Nowhere is this more apropos than in her home state of Mississippi. Although accounts of its architecture have long conjured visions of white-columned antebellum mansions, its towns, buildings, and landscapes are ultimately far more complex, engaging, and challenging. This guidebook surveys a range of such locations, from Native American mounds and villages to plantation outbuildings that bear witness to the lives of enslaved African Americans, from twentieth-century enclaves built for sawmill workers and oil tycoons to neighborhoods that bolstered black Mississippians during segregation, and from the vernacular streetscapes of small towns to modern architecture in Greenville, Meridian, Jackson, and Biloxi. In the pages of this latest volume in the celebrated Buildings of the United States series, newly redesigned in a more user-friendly format, readers will come to know the history of close to 600 sites, illustrated by 250 photographs (most in full color) and 29 maps, including such wide-ranging places as Longwood and the Museum of African American History and Culture in Natchez, Vicksburg National Military Park, Winterville Mounds, the Delta Blues Museum in Clarksdale, the Neshoba County Jail and Courthouse, the University of Mississippi and William Faulkner's Rowan Oak in Oxford, and the homes of Medgar and Myrlie Evers and Eudora Welty in Jackson.
The scenic images that Louisiana brings to mind -- moss-draped cypress, lush marshlands, alligators gliding through bayous, herons coasting across an open sky -- all spring from one of the most diverse and productive ecosystems on the continent. This varied and inviting landscape gives rise to one of the state's many monikers, ""Sportsman's Paradise,"" which rings true whether you are boating on picturesque Lake Martin or bird-watching among the ancient live oaks of Lafitte Woods. From the precious maritime forests of Grand Isle to the steep contours of Tunica Hills, Louisiana's wild outdoors defines each region's sense of place and value. For nearly thirty years, The Nature Conservancy in Louisiana has served as a steward of these ecological riches, protecting and maintaining more than 285,000 acres of the state's land. Now, for the first time, readers can observe the vast array of flora and fauna found in these complex habitats in Louisiana Wild, with the awe-inspiring photography of C. C. Lockwood. After trekking and canoeing through more than sixty properties managed by The Nature Conservancy, Lockwood presents a vivid photo narrative that journeys from the little-known Copenhagen Hills, a prairie habitat with the largest variety of woody plants in Louisiana; to the swampland lake of Cypress Island, with its massive rookery of roseate spoonbills and great egrets; to over a dozen other sites that showcase Louisiana's distinct environs. With 220 color images, Louisiana Wild pays homage to the immeasurable impact of The Nature Conservancy's efforts and will delight anyone who calls Louisiana home.
The first biography of this important landscape architect, James Rose examines the work of one of the most radical figures in the history of mid-century modernist American landscape design. An artist who explored his profession with words and built works, Rose fearlessly critiqued the developing patterns of land use he witnessed during a period of rapid suburban development. The alternatives he offered in his designs for hundreds of gardens were based on innovative and iconoclastic environmental and philosophic principles, some of which have become mainstream today. A classmate of Garrett Eckbo and Dan Kiley at Harvard, Rose was expelled in 1937 for refusing to design landscapes in the Beaux-Arts method. In 1940, the year before he received his first commission, Rose also published the last of his influential articles for Architectural Record, a series of essays written with Eckbo and Kiley that would become a manifesto for developing a modernist landscape architecture. Over the next four decades, Rose articulated his philosophy in four major books. His writings foreshadowed many principles since embraced by the profession, including the concept of sustainability and the wisdom of accommodating growth and change. James Rose includes new scholarship on many important works, including the Dickenson Garden in Pasadena and the Averett House in Columbus, Georgia, as well as unpublished correspondence. Throughout his career Rose refined his conservation ethic, finding opportunities to create landscapes for contemplation, self-discovery, and pleasure. At a time when issues of economy and environmentalism are even more pressing, Rose's writings and projects are both relevant and revelatory.
Warren H. Manning's (1860-1938) national practice comprised more than sixteen hundred landscape design and planning projects throughout North America, from small home grounds to estates, cemeteries, college campuses, parks and park systems, and new industrial towns. Manning approached his design and planning projects from an environmental perspective, conceptualising projects as components of larger regional (in some cases, national) systems, a method that contrasted sharply with those of his stylistically oriented colleagues. In this regard, as in many others, Manning had been influenced by his years with the Olmsted rm, where the foundations of his resource-based approach to design were forged. Manning's overlay map methods, later adopted by the renowned landscape architect Ian McHarg, provided the basis for computer mapping software in widespread use today. One of the eleven founders of the American Society of Landscape Architects, Manning also ran one of the nation's largest offices, where he trained several influential designers, including Fletcher Steele, A. D. Taylor, Charles Gillette, and Dan Kiley. After Manning's death, his reputation slipped into obscurity. Contributors to the Warren H. Manning Research Project have worked more than a decade to assess current conditions of his built projects and to compile a richly illustrated compendium of site essays that illuminate the range, scope, and significance of Manning's notable career with specially commissioned photographs by Carol Betsch.
The question "Do black landscapes matter?" cuts deep to the core of American history. From the plantations of slavery to contemporary segregated cities, from freedman villages to northern migrations for freedom, the nation's landscape bears the detritus of diverse origins. Black landscapes matter because they tell the truth. In this vital new collection, acclaimed landscape designer and public artist Walter Hood assembles a group of notable landscape architecture and planning professionals and scholars to probe how race, memory, and meaning intersect in the American landscape.Essayists examine a variety of U.S. places - ranging from New Orleans and Charlotte to Milwaukee and DetroitaEURO"exposing racism endemic in the built environment and acknowledging the widespread erasure of black geographies and cultural landscapes. Through a combination of case studies, critiques, and calls to action, contributors reveal the deficient, normative portrayals of landscape that affect communities of color and question how public design and preservation efforts can support people in these places. In a culture where historical omissions and specious narratives routinely provoke disinvestment in minority communities, creative solutions by designers, planners, artists, and residents are necessary to activate them in novel ways. Black people have built and shaped the American landscape in ways that can never be fully known. Black Landscapes Matter is a timely and necessary reminder that without recognizing and reconciling these histories and spaces, America's past and future cannot be understood.
A key aspect of building information modeling (BIM) is that it is intended to be a collaborative tool for all practitioners. Ironically, there is a little to no collaboration among academics and professionals teaching and training those pursuing careers in BIM. This Guide to the Building Information Modeling Body of Knowledge: BIM BOK Guide is a BIM implementation guide that provides a systematic framework to address cutting edge BIM use cases and KSAs expected for students and professionals entering the BIM workforce. Curriculum and training program development can be organized based on the core BIM competencies detailed in the robust framework of the BIM BOK. Written by an author team of globally respected experts in the field, this BIM BOK Guide cultivates a global BIM culture by delivering a solid foundation and guidelines for starting or enhancing a BIM curriculum or training program, establishing comprehensive BIM metrics and KSAs, and offering strategies for standardizing emerging BIM jobs and benchmarking performance.
For more than thirty years, the architectural research department at Colonial Williamsburg has engaged in comprehensive study of early buildings, landscapes, and social history in the Chesapeake region. Its painstaking work has transformed our understanding of building practices in the colonial and early national periods and thereby greatly enriched the experience of visiting historic sites. In this beautifully illustrated volume, a team of historians, curators, and conservators draw on their far-reaching knowledge of historic structures in Virginia and Maryland to illuminate the formation, development, and spread of one of the hallmark building traditions in America architecture. The essays describe how building design, hardware, wall coverings, furniture, and even paint colors telegraphed social signals about the status of builders and owners and choreographed social interactions among everyone who lived or worked in gentry houses, modest farmsteads, and slave quarters. The analyses of materials, finishes, and carpentry work will fascinate old-house buffs, preservationists, and historians alike. The lavish color photography is a delight to behold, and the detailed catalogues of architectural elements provide a reliable guide to the form, style, and chronology of the region's distinctive historic architecture.
Teaches the principles behind the successful planning and creation of inspired built forms and urban places This book offers an integrated understanding of both the principles and the perception of the design of built environments and public spaces. It outlines the fundamental characteristics that are evident in the creation of built form and illustrates how they determine the experience of resultant places. It also consolidates the key criteria that need to be taken into consideration in the development of these areas. All of the above-mentioned aims to provide designers with a solid understanding of the implications of their decisions on perception and behavior during the creation of new spaces. Design and Order: Perceptual experience of built form - Principles in the Planning and Making of Place starts by examining the designing of natural environments and the affect that they have on humans. It teaches readers how people experience and are shaped by a space--via their eyes, brain, and overall perception. It then instructs on proper grammar of form and syntax so that designers can understand how to pursue design processes systematically. The book then takes readers through this process of designing, informing them on the principles of form, function, configuration, communication, organization, color and contrasts, building structures, good practice and more. Seeks to improve the methodological approach to the planning and design of buildings Broadly address all of the functions that impact the realization of new built and urban form Outlines the fundamental characteristics that are evident in the design of built forms and illustrates how these characteristics determine the experience of the resultant places Comprehensively covers the ideas, principles, and the perception of design Teaches designers to make informed decisions about applying or discarding principles when creating spaces. Design and Order is a unique book that will appeal to students and professionals in architecture, urban design and planning, as well as designers and developers.
An indispensable tool for the beginning stages of designing and planning a building project This new edition of a classic, bestselling text provides, in one concise volume, the essential information needed to form the framework for the more detailed design and development of any building project. Organized largely by building type, it covers planning criteria and considerations of function and siting--and with over 6200 diagrams, it provides a mass of data on spatial requirements. Most of the featured illustrations are dimensioned and each building type includes plans, sections, site layouts, and design details. The book also includes an extensive bibliography and detailed set of metric/imperial conversion tables. Architects' Data starts with the basics of designing for a new building project, before moving on to covering everything an architect needs to know. It also looks at the design styles and specifications for creating different types of structures, such as those made for residential, religious, cultural, sports, medical, and other types of occupation. Covers user requirements, planning criteria, basic dimensions, and considerations of function and siting Includes numerous examples and over 6200 illustrations and tables 5th English edition of the classic, international reference for architects Architects' Data is an excellent resource for architects, building surveyors, space planners, and design and build contractors everywhere.
One of the finest architectural photographers in America, Robert W. Tebbs produced the first photographic survey of Louisiana's plantations in 1926. From those images, now housed in the Louisiana State Museum, and not widely available until now, 119 plates showcasing fifty-two homes are featured here.
Richard Anthony Lewis explores Tebbs's life and career, situating his work along the line of plantation imagery from nineteenth-century woodcuts and paintings to later twentieth-century photographs by John Clarence Laughlin, among others. Providing the family lineage and construction history of each home, Lewis discusses photographic techniques Tebbs used in his alternating panoramic and detail views.
A precise documentarian, Tebbs also reveals a poetic sensibility in the plantation photos. His frequent emphasis on aspects of decay, neglect, incompleteness, and loss lends a wistful aura to many of the images -- an effect compounded by the fact that many of the homes no longer exist. This noticeable vacillation between objectivity and sentiment, Lewis shows, suggests unfamiliarity and even discomfort with the legacy of slavery.
Poised on the brink of social and political reforms, Louisiana in the mid-1920s had made significant strides away from the slave-based agricultural economy that the plantation house often symbolized. Tebbs's Louisiana plantation photographs capture a literal and cultural past, reflecting a burgeoning national awareness of historic preservation and presenting plantations to us anew.
Select plantations included: Ashland/Belle Helene, Avery Island, Belle Chasse, Belmont, Butler-Greenwood, L'Hermitage, Oak Alley, Parlange, Ren? Beauregard House, Rosedown, Seven Oaks, Shadows-on-the-Teche, The Shades, and Waverly.
Writing the City into Being is Bremner’s long-awaited collection of essays, spanning more than a decade of work on Johannesburg. It is both an unflinching analysis of the characteristics of an extraordinary city and a work of imagination – a bringing of the evasive city into being through writing. Johannesburg has become a touchstone in critical thinking on the development of the twenty-first-century city, attracting scholars from around the world who seek to understand how cities are changing in the face of urban migration in all its myriad forms and the inflow of foreign capital and interest. Bremner is at the forefront of this scholarship. Her intimate knowledge of the city makes this a deeply personal but authoritative collection of essays.
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