0
Your cart

Your cart is empty

Browse All Departments
Price
  • R50 - R100 (4)
  • R100 - R250 (29)
  • R250 - R500 (84)
  • R500+ (567)
  • -
Status
Format
Author / Contributor
Publisher

Books > Arts & Architecture > Music > Western music, periods & styles > Baroque music (c 1600 to c 1750)

The Cambridge History of Eighteenth-Century Music - The Cambridge History of Music (Hardcover): Simon P. Keefe The Cambridge History of Eighteenth-Century Music - The Cambridge History of Music (Hardcover)
Simon P. Keefe
R4,653 Discovery Miles 46 530 Ships in 12 - 17 working days

The eighteenth century arguably boasts a more remarkable group of significant musical figures, and a more engaging combination of genres, styles and aesthetic orientations, than any century before or since, yet huge swathes of its musical activity remain under-appreciated. The Cambridge History of Eighteenth-Century Music provides a comprehensive survey, examining little-known repertories, works and musical trends alongside more familiar ones. Rather than relying on temporal, periodic and composer-related phenomena to structure the volume, it is organised by genre; chapters are grouped according to the traditional distinctions of music for the church, music for the theatre and music for the concert room that conditioned so much thinking, activity and output in the eighteenth century. A valuable summation of current research in this area, the volume also encourages readers to think of eighteenth-century music less in terms of overtly teleological developments than of interacting and mutually stimulating musical cultures and practices.

Portrait of a Castrato - Politics, Patronage, and Music in the Life of Atto Melani (Hardcover, New): Roger Freitas Portrait of a Castrato - Politics, Patronage, and Music in the Life of Atto Melani (Hardcover, New)
Roger Freitas
R1,852 Discovery Miles 18 520 Ships in 12 - 17 working days

This book explores the fascinating life of the most documented musician of the seventeenth century. Born in 1626 into a bourgeois family in Pistoia, Italy, Atto Melani was castrated to preserve his singing voice and soon rose to both artistic and social prominence. His extant letters not only depict the musical activities of several European centers, they reveal the real-life context of music and the musician: how a singer related to patrons and colleagues, what he thought about his profession, and the role music played in his life. Whether Atto was singing, spying, having sex, composing, or even rejecting his art, his life illustrates how music-making was always also a negotiation for power. Providing a rare glimpse of the social and political contexts of seventeenth-century music, Roger Freitas sheds light on the mechanisms that generated meaning for music, clarifying what music at this time actually was.

Henry Purcell - The Origins and Development of His Musical Style (Book, Digitally Print): Martin Adams Henry Purcell - The Origins and Development of His Musical Style (Book, Digitally Print)
Martin Adams
R1,014 Discovery Miles 10 140 Ships in 12 - 17 working days

This is the first book thoroughly to explore the musical style of Henry Purcell. In this comprehensive study, Martin Adams identifies music by other composers, both within England and from abroad, which influenced Purcell's compositional decisions. Using a mix of broad stylistic observation and detailed analysis, Adams distinguishes between late seventeenth-century English style in general and Purcell's style in particular and chronicles the changes in the composer's approach to the main genres in which he worked, especially the newly emerging ode and English opera. As a result, Adams reveals that although Purcell went through a marked stylistic development, encompassing an unusually wide range of surface changes, special elements of his style remained constant. The book will be of interest to students and scholars of music and theatre history and of British cultural and social history.

The Viola da Gamba (Paperback): Bettina Hoffmann The Viola da Gamba (Paperback)
Bettina Hoffmann
R1,002 Discovery Miles 10 020 Ships in 10 - 20 working days

The viola da gamba was a central instrument in European music from the late 15th century well into the late 18th. In this comprehensive study, Bettina Hoffmann offers both an introduction to the instrument -- its construction, technique and history -- for the non-specialist, interweaving this information with a wealth of original archival scholarship that experts will relish. The book begins with a description of the instrument, and here Hoffmann grapples with the complexity of various names applied to this and related instruments. Following two chapters on the instrument's construction and ancestry, the core of the book is given to a historical and geographical survey of the instrument from its origins into the classical period. The book closes with a look at the revival of interest in the 19th and 20th centuries.

Henry Purcell and the London Stage (Book): C.A. Price Henry Purcell and the London Stage (Book)
C.A. Price
R1,013 Discovery Miles 10 130 Ships in 12 - 17 working days

This book was the first comprehensive survey of Purcell's dramatic music. It is concerned as much with the London theatre world - playhouses, poets, actors, singers, producers - as with the music itself. Purcell wrote music for more than fifty plays of various types, most of them produced at the Theatre Royal, Drury Lane, between 1690 and 1695. The songs, dialogues, choruses, act tunes and larger musical scenes are often active participants in the spoken drama, not simply grafted-on entertainments. The extraordinary semi-operas - Dioclesian, King Arthur, and The Fairy-Queen - are placed in the context of a theatre that thrived mainly on plays that, though less lavish, were no less musical. The traditional picture of a composer trapped within a degraded musical society, his natural predilection for opera ignored, is redrawn to show a consummate dramatist exploiting a remarkably musical theatre.

The Stuart Court Masque and Political Culture (Hardcover): Martin Butler The Stuart Court Masque and Political Culture (Hardcover)
Martin Butler
R2,410 Discovery Miles 24 100 Ships in 12 - 17 working days

Court masques were multi-media entertainments, with song, dance, theater, and changeable scenery, staged annually at the English court to celebrate the Stuart dynasty. They have typically been regarded as frivolous and expensive entertainments. This book dispels this notion, emphasizing instead that they were embedded in the politics of the moment, and spoke in complex ways to the different audiences who viewed them. Covering the whole period from Queen Anne s first masque at Winchester in 1603 to Salmacida Spolia in 1640, Butler looks in depth at the political functions of state festivity. The book contextualizes masque performances in intricate detail, and analyzes how they shaped, managed, and influenced the public face of the Stuart kingship. Butler presents the masques as a vehicle through which we can read the early Stuart court s political aspirations and the changing functions of royal culture in a period of often radical instability.

Aesthetics of Opera in the Ancien Regime - Cambridge Studies in Opera (Book): Downing A. Thomas Aesthetics of Opera in the Ancien Regime - Cambridge Studies in Opera (Book)
Downing A. Thomas
R991 Discovery Miles 9 910 Ships in 12 - 17 working days

This study recognizes the broad impact of opera in early-modern French culture. Downing A. Thomas considers the use of operatic spectacle and music by Louis XIV as a vehicle for absolutism; the resistance of music to the aesthetic and political agendas of the time; and the long-term development of opera in eighteenth-century humanist culture. He argues that French opera moved away from the politics of the absolute monarchy in which it originated to address Enlightenment concerns with sensibility and feeling. The book combines close readings of significant seventeenth-century and eighteenth-century operatic works, circumstantial writings and theoretical works on theatre and opera, together with a measure of reception history. Thomas examines key works by Lully, Rameau and Charpentier, among others, and extends his reach from the late seventeenth century to the end of the eighteenth.

Bach Studies (Paperback): Don O. Franklin Bach Studies (Paperback)
Don O. Franklin
R819 Discovery Miles 8 190 Ships in 12 - 17 working days

This volume of essays reflects the increasing breadth and scope of Bach research. The fifteen essays by American and European scholars address a wide range of topics and issues: Magnificat, Cantata, and Passion; Parody and Genre; The Well-Tempered Clavier; and Transmission and Reception. Many of the authors focus on works which due to the Bach chronology - can now be examined in a fresh light. Seen as a whole, the essays combine source - critical and analytic methods with historical and theological interpretation to consider problems of genesis and style, as well as questions of transmission and reception.

A Woman's Voice in Baroque Music: Mariane von Ziegler and J.S. Bach (Hardcover, New Ed): Mark A. Peters A Woman's Voice in Baroque Music: Mariane von Ziegler and J.S. Bach (Hardcover, New Ed)
Mark A. Peters
R3,189 Discovery Miles 31 890 Ships in 12 - 17 working days

At the end of his second year in Leipzig, J.S. Bach composed nine sacred cantatas to texts by Leipzig poet Mariane von Ziegler (1695-1760). Despite the fact that these cantatas are Bach's only compositions to texts by a female poet, the works have been largely ignored in the Bach literature. Ziegler was Germany's first female poet laureate, and the book highlights her significance in early eighteenth-century Germany and her commitment to advancing women's rights of self-expression. Peters enriches and enlivens the account with extracts from Ziegler's four published volumes of poetry and prose, and analyses her approach to cantata text composition by arguing that her distinctive conception of the cantata as a genre encouraged Bach's creative musical realizations. In considering Bach's settings of Ziegler's texts, Peters argues that Bach was here pursuing a number of compositional procedures not common in his other sacred cantatas, including experimentation with the order of movements within a cantata, with formal considerations in arias and recitatives, and with the use of instruments, as well as innovative approaches to Vox Christi texts and to texts dealing with speech and silence. A Woman's Voice in Baroque Music is the first book to deal in depth with issues of women in music in relation to Bach, and one of the few comprehensive studies of a specific repertory of Bach's sacred cantatas. It therefore provides a significant new perspective on both Ziegler as poet and cantata librettist and Bach as cantata composer.

Bach, Handel, Scarlatti 1685-1985 (Book): Peter Williams Bach, Handel, Scarlatti 1685-1985 (Book)
Peter Williams
R1,013 Discovery Miles 10 130 Ships in 12 - 17 working days

1985 celebrated the 300th anniversary of the births of Bach, Handel and Scarlatti. This volume covers all three composers and contains essays from an international team of scholars. Some essays make a contribution towards a better understanding of one or other composer, but at least half of them are concerned with ideas connecting two or even all three of them. The essays are concerned with many aspects of the music - technical, chronological, critical, speculative, theoretical and (importantly) practical - and the distinguished contributors have often endeavoured to ask questions rather than jump to conclusions. Every essay makes fresh points and can open up new avenues for players and (in the broadest sense) students, especially in the present climate of wishing to return to 'authentic conditions of performance'.

Lully and the Music of the French Baroque - Essays in Honor of James R. Anthony (Book): John Hajdu Heyer Lully and the Music of the French Baroque - Essays in Honor of James R. Anthony (Book)
John Hajdu Heyer
R894 Discovery Miles 8 940 Ships in 12 - 17 working days

This volume of essays on Jean-Baptiste Lully and his musical legacy honours the distinguished French baroque scholar James R. Anthony. Jean-Baptiste Lully, court composer to Louis XIV, served as the principal architect of what would become known as the French style of music in the baroque era. The style he created strongly influenced the great musical figures in England (Purcell and Handel) and Germany (Bach and Telemann), but Lully's music itself has received little attention. Recently, through the efforts of scholars and musicians concerned with the performance practices of Lully's time, Lully's own music has begun to come alive in performance and recording. These essays, all by important baroque specialists, cover significant aspects of Lully's life and works and the French tradition he influenced. They constitute the first post-war collection of studies centred on Lully and form a fitting tribute to Professor Anthony whose own French baroque music provided a stimulus for the work of an emerging generation of scholars.

Music in the British Provinces, 1690-1914 (Hardcover, New edition): Peter Holman Music in the British Provinces, 1690-1914 (Hardcover, New edition)
Peter Holman; Edited by Rachel Cowgill
R3,204 Discovery Miles 32 040 Ships in 12 - 17 working days

The period covered by this volume, roughly from Purcell to Elgar, has traditionally been seen as a dark age in British musical history. Much has been done recently to revise this view, though research still tends to focus on London as the commercial and cultural hub of the British Isles. It is becoming increasingly clear, however, that by the mid-eighteenth century musical activity outside London was highly distinctive in terms of its reach, the way it was organized, and its size, richness, and quality. There was an extraordinary amount of musical activity of all sorts, in provincial theatres and halls, in the amateur orchestras and choirs that developed in most towns of any size, in taverns, and convivial clubs, in parish churches and dissenting chapels, and, of course, in the home. This is the first book to concentrate specifically on musical life in the provinces, bringing together new archival research and offering a fresh perspective on British music of the period. The essays brought together here testify to the vital role played by music in provincial culture, not only in socializing and networking, but in regional economies and rivalries, demographics and class dynamics, religion and identity, education and recreation, and community and the formation of tradition. Most important, perhaps, as our focus shifts from London to the regions, new light is shed on neglected figures and forgotten repertoires, all of them worthy of reconsideration.

Baroque Piety: Religion, Society, and Music in Leipzig, 1650-1750 (Hardcover, New Ed): Tanya Kevorkian Baroque Piety: Religion, Society, and Music in Leipzig, 1650-1750 (Hardcover, New Ed)
Tanya Kevorkian
R3,183 Discovery Miles 31 830 Ships in 12 - 17 working days

Drawing upon a rich array of sources from archives in Leipzig, Dresden and Halle, Tanya Kevorkian illuminates culture in Leipzig before and during J.S. Bach's time in the city. Working with these sources, she has been able to reconstruct the contexts of Baroque and Pietist cultures at key periods in their development much more specifically than has been done previously. Kevorkian shows that high Baroque culture emerged through a combination of traditional frameworks and practices, and an infusion of change that set in after 1680. Among other forms of change, new secular arenas appeared, influencing church music and provoking reactions from Pietists, who developed alternative meeting, networking and liturgical styles. The book focuses on the everyday practices and active roles of audiences in public religious life. It examines music performance and reception from the perspectives of both 'ordinary' people and elites. Church services are studied in detail, providing a broad sense of how people behaved and listened to the music. Kevorkian also reconstructs the world of patronage and power of city councillors and clerics as they interacted with other Leipzig inhabitants, thereby illuminating the working environment of J.S. Bach, Telemann and other musicians. In addition, Kevorkian reconstructs the social history of Pietists in Leipzig from 1688 to the 1730s.

A Purcell Organ Album (Sheet music): Henry Purcell A Purcell Organ Album (Sheet music)
Henry Purcell; Arranged by Martin Setchell
R480 Discovery Miles 4 800 Ships in 12 - 17 working days

for organ
This is a marvellous collection of pieces by Henry Purcell newly arranged for the organ by concert organist Martin Setchell. Purcell's music works perfectly on the organ, and a number of his pieces have long been popular with players. This volume brings together all those must-have pieces - the trumpet tunes, rondeau from Abdelazer, and so on - and combines these with a wonderful selection of lesser-known pieces from across Purcell's work. There are sprightly curtain tunes and hornpipes from the stage pieces, lovely reflective songs and airs, and a wide range of dances and chaconnes. The result is a set of pieces with wide and varied church and concert use, perfectly accessible to intermediate players. Publication in 2009 coincides with the 350th anniversary of the composer's birth, and the volume makes a valuable addition to any organist's repertoire.

The Performance of Italian Basso Continuo - Style in Keyboard Accompaniment in the Seventeenth and Eighteenth Centuries... The Performance of Italian Basso Continuo - Style in Keyboard Accompaniment in the Seventeenth and Eighteenth Centuries (Hardcover, New Ed)
Giulia Nuti
R3,183 Discovery Miles 31 830 Ships in 12 - 17 working days

Basso continuo accompaniment calls upon a complex tapestry of harmonic, rhythmic, compositional, analytical and improvisational skills. The evolving knowledge that underpinned the performance of basso continuo was built up and transmitted from the late 1500s to the second half of the eighteenth century, when changes in instruments together with the assertion of control by composers over their works brought about its demise. By tracing the development of basso continuo over time and across the regions of Italy where differing practices emerged, Giulia Nuti accesses this body of musical usage. Sources include the music itself, introductions and specific instructions and requirements in song books and operas, contemporary accounts of performances and, in the later period of basso continuo, description and instruction offered in theoretical treatises. Changes in instruments and instrumental usage and the resulting sounds available to composers and performers are considered, as well as the altering relationship between the improvising continuo player and the composer. Extensive documentation from both manuscript and printed sources, some very rare and others better known, in the original language, followed by a precise English translation, is offered in support of the arguments. There are also many musical examples, transcribed and in facsimile. Giulia Nuti provides both a scholarly account of the history of basso continuo and a performance-driven interpretation of how this music might be played.

Kitty Clive, or The Fair Songster (Hardcover): Berta Joncus Kitty Clive, or The Fair Songster (Hardcover)
Berta Joncus
R1,383 Discovery Miles 13 830 Ships in 12 - 17 working days

Kitty Clive (1711-1785) was a top London stage star. Singing powered her ascent and, for twenty years, was foundational to her success as she came to dominate spoken as well as musical comedy. Her protean powers transfixed audiences, whether in low-style productions or in works by masters like Purcell, Shakespeare, and Dryden. Celebrities such as Handel and Henry Fielding wrote vehicles for her. Clive's career was unique. Despite a sometimes awkward biography - her father was a disgraced Irish Catholic; she defied managers; her marriage was almost certainly a social ruse and her 'husband' a homosexual - her musical voice helped her to become the champion of British song, of patriotism, and of propriety. Yet in the 1740s, critical opinion turned against Clive and the financial power she wielded. Salvaging her career with David Garrick's help, Clive gutted her legacy. She quit serious song and took to caricaturing herself on stage, winning back audiences by disparaging her earlier achievements. Altering works mid-performance, creating and re-shaping stage genres, and leveraging press coverage while seeming not to, she was above all a shrewd manager and a fascinating stage artist. Clive's career reveals to us gorgeous song otherwise lost and perspectives previously unknown. For music historians, musicologists, theatre scholars, and anyone curious about performance history and star production in eighteenth-century Britain, her story is not to be missed. BERTA JONCUS is Senior Lecturer in Music at Goldsmiths, University of London.

Music Education and Art of Performance - In the German Baroque (Book, Revised): John Butt Music Education and Art of Performance - In the German Baroque (Book, Revised)
John Butt
R1,118 Discovery Miles 11 180 Ships in 12 - 17 working days

In considering the role of practical music in education, this book attempts to define the art of performance in Germany during the Baroque period. The author examines the large number of surviving treatises and instruction manuals used in the Lutheran 'Latin' schools during the period 1530-1800 and builds up a picture of the function and status of music in both school and church. The understanding, gained through these educational texts, of music as a functional art - musica practica - in turn gives us insight into the thoughts of the contemporary performer and how he might have performed the sacred work of Praetorius, Schutz, Buxtehude or Bach. For all those interested in historical performance this book provides valuable information on the growing science of performance practice and the development of a conscious awareness of style and idiom in this period.

Bach Studies 2 (Book, New ed): Daniel R. Melamed Bach Studies 2 (Book, New ed)
Daniel R. Melamed
R879 Discovery Miles 8 790 Ships in 12 - 17 working days

This 1995 volume brings together essays on J. S. Bach and members of his family by a distinguished group of scholars. The essays address Bach's compositions, his knowledge of the musical past, his study of contemporaries, and the cultivation of his own music by later generations. The studies draw on source criticism, musical analysis, religious and social context, performance practice and reception history - a broad range of techniques and issues in Bach scholarship. The international contributors include both established scholars and newer voices in Bach studies. This volume will be indispensable for any future work on the Musical Offering, St Matthew Passion, Italian Concerto, on Bach's musical connections with his sons Carl Philipp Emanuel and Wilhelm Friedemann and on many other topics in Bach research.

Music in Spain During the Eighteenth Century (Book, New ed): Malcolm Boyd, Juan Jose Carreras Music in Spain During the Eighteenth Century (Book, New ed)
Malcolm Boyd, Juan Jose Carreras
R884 Discovery Miles 8 840 Ships in 12 - 17 working days

Traditional musicology has tended to see the Spanish eighteenth century as a period of decline, but this 1998 volume shows it to be rich in interest and achievement. Covering stage genres, orchestral and instrumental music and vocal music (both sacred and secular), it brings together the results of research on such topics as opera, musical instruments, the secular cantata and the villancico and challenges received ideas about how Italian and Austrian music of the period influenced (or was opposed by) Spanish composers and theorists. Two final chapters outline the presence of Spanish musical sources in the New World.

The Keyboard Music of J.S. Bach (Hardcover, 2nd New edition): David Schulenberg The Keyboard Music of J.S. Bach (Hardcover, 2nd New edition)
David Schulenberg
R3,085 Discovery Miles 30 850 Ships in 12 - 17 working days

The Keyboard Music of J.S. Bach provides an introduction to and comprehensive discussion of all the music for harpsichord and other stringed keyboard instruments by Johann Sebastian Bach (1685-1750). Often played today on the modern piano, these works are central not only to the Western concert repertory but to musical pedagogy and study throughout the world.
Intended as both a practical guide and an interpretive study, the book consists of three introductory chapters on general matters of historical context, style, and performance practice, followed by fifteen chapters on the individual works, treated in roughly chronological order. The works discussed include all of Bach's individual keyboard compositions as well as those comprising his famous collections, such as the Well-Tempered Clavier, the English and French Suites, and the Art of Fugue.

C.P.E. Bach Studies - Cambridge Composer Studies (Hardcover): Annette Richards C.P.E. Bach Studies - Cambridge Composer Studies (Hardcover)
Annette Richards
R1,950 Discovery Miles 19 500 Ships in 12 - 17 working days

C. P. E. Bach Studies collects together nine wide-ranging essays by leading scholars of eighteenth-century music. Offering fresh perspectives on one of the towering figures of the period, the authors explore Bach's music in its cultural contexts, and show in diverse and complementary ways the reciprocal relationship between Bach's work and contemporary literary, theological, and aesthetic debates. Topics include Bach's relation to theories of sensibility and the sublime; the free fantasy and concepts of self and being; and Bach's engagement with music history and the legacy of his predecessors. Wider questions of C. P. E. Bach reception also play an important part in the book, which explores not only the interpretation of Bach's music in his time, but also its reception over the two centuries since his death.

Bach and the Riddle of the Number Alphabet (Book, New ed): Ruth Tatlow Bach and the Riddle of the Number Alphabet (Book, New ed)
Ruth Tatlow
R875 Discovery Miles 8 750 Ships in 12 - 17 working days

In 1947 the theologian and musicologist Friedrich Smend published a study which claimed that J. S. Bach regularly employed the natural-order number alphabet (A=1 to Z=24) in his works. Smend provided historical evidence and music examples to support his theory which demonstrated that by this means Bach incorporated significant words into his music, and provided himself with a symbolic compositional scheme. Since then many people have taken up Smend's theory, interpreting numbers of bars and notes in Bach scores according to the natural-order alphabet. By presenting a thorough survey of different number alphabets and their uses in seventeenth- and eighteenth-century Germany, Dr Tatlow investigates the plausibility of Smend's claims. Her new evidence fundamentally challenges Smend's conclusions and the book sounds a note of caution to all who continue to use his number-alphabet theory. Dr Tatlow's painstaking research will fascinate all those with an interest in the music of J. S. Bach and German Baroque culture, and will be of particular importance for music historians and analysts.

The Stylus Phantasticus and Free Keyboard Music of the North German Baroque (Hardcover, New Ed): Paul Collins The Stylus Phantasticus and Free Keyboard Music of the North German Baroque (Hardcover, New Ed)
Paul Collins
R3,062 Discovery Miles 30 620 Ships in 12 - 17 working days

The concept of stylus phantasticus (or 'fantastic style') as it was expressed in free keyboard music of the north German Baroque forms the focus of this book. Exploring both the theoretical background to the style and its application by composers and performers, Paul Collins surveys the development of Athanasius Kircher's original concept and its influence on music theorists such as Brossard, Janovka, Mattheson, and Walther. Turning specifically to fantasist composers of keyboard works, the book examines the keyboard toccatas of Merulo, Fresobaldi, Rossi and Froberger and their influence on north German organists Tunder, Weckmann, Reincken, Buxtehude, Bruhns, Lubeck, Bohm, and Leyding. The free keyboard music of this distinguished group highlights the intriguing relationship at this time between composition and performance, the concept of fantasy, and the understanding of originality and individuality in seventeenth-century culture.

From Renaissance to Baroque - Change in Instruments and Instrumental Music in the Seventeenth Century (Hardcover, New Ed):... From Renaissance to Baroque - Change in Instruments and Instrumental Music in the Seventeenth Century (Hardcover, New Ed)
Jonathan Wainwright, Peter Holman
R2,956 Discovery Miles 29 560 Ships in 12 - 17 working days

Historians of instruments and instrumental music have long recognised that there was a period of profound change in the seventeenth century, when the consorts or families of instruments developed during the Renaissance were replaced by the new models of the Baroque period. Yet the process is still poorly understood, in part because each instrument has traditionally been considered in isolation, and changes in design have rarely been related to changes in the way instruments were used, or what they played. The essays in this book are by distinguished international authors that include specialists in particular instruments together with those interested in such topics as the early history of the orchestra, iconography, pitch and continuo practice. The book will appeal to instrument makers and academics who have an interest in achieving a better understanding of the process of change in the seventeenth century, but the book also raises questions that any historically aware performer ought to be asking about the performance of Baroque music. What sorts of instruments should be used? At what pitch? In which temperament? In what numbers and/or combinations? For this reason, the book will be invaluable to performers, academics, instrument makers and anyone interested in the fascinating period of change from the 'Renaissance' to the 'Baroque'.

Early Music History - Studies in Medieval and Early Modern Music (Hardcover, New): Iain Fenlon Early Music History - Studies in Medieval and Early Modern Music (Hardcover, New)
Iain Fenlon
R3,659 Discovery Miles 36 590 Ships in 12 - 17 working days

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume twenty-three include: Guillaume de Machaut and his canonry of Reims 1338-1377; 'Notes as a garland': the chronology and narrative of Byrd's Gradualia; Reading carnival: the creation of a Florentine carnival song; Schein's occasional music and the social order in 1620s Leipzig.

Free Delivery
Pinterest Twitter Facebook Google+
You may like...
Orpheus in the Academy - Monteverdi's…
Joel Schwindt Hardcover R3,071 Discovery Miles 30 710
Eternal Source of Light Divine
George Frideric Handel Sheet music R881 Discovery Miles 8 810
Making of Handel's Messiah, The
Andrew Gant Paperback R397 R343 Discovery Miles 3 430
Bach for Violin - 14 pieces arranged for…
Kathy Blackwell, David Blackwell Sheet music R393 Discovery Miles 3 930
Vivaldi - Voice of the Baroque
H.C.Robbins Landon Paperback R337 R290 Discovery Miles 2 900
Transcriptions for Piano…
Johann Sebastian Bach Sheet music R497 Discovery Miles 4 970
John Wallis: Writings on Music
Benjamin Wardhaugh Paperback R995 Discovery Miles 9 950
A Bach Book for Harriet Cohen…
Johann Sebastian Bach Sheet music R447 Discovery Miles 4 470
Baroque Recorder Anthology Vol. 4 - 23…
Peter Bowman, Gudrun Heyens Paperback R485 R415 Discovery Miles 4 150
Doctor Arne
Hubert Langley Book R559 Discovery Miles 5 590

 

Partners