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Books > Arts & Architecture > Music > Western music, periods & styles > Baroque music (c 1600 to c 1750)

Classical Form - A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven (Paperback, Revised):... Classical Form - A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven (Paperback, Revised)
William E. Caplin
R1,549 Discovery Miles 15 490 Ships in 7 - 11 working days

Classical Form introduces a new theory of form for the analysis of instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical, form individual ideas, phrases, and themes, to the large-scale organization of complete movements. Over 200 annotated musical examples from Haydn, Mozart and Beethoven, drawn from a range of instrumental genres, illustrate the theoretical principles presented in the book. For theorists and musicologists, this book is also useful for courses on form and analysis and on the history of musical style.

Memoirs of the Life of the Late George Frederic Handel, to Which is Added a Catalogue of His Works and Observations Upon Them... Memoirs of the Life of the Late George Frederic Handel, to Which is Added a Catalogue of His Works and Observations Upon Them (Paperback)
John Mainwaring
R330 Discovery Miles 3 300 Ships in 7 - 11 working days

Classic book originally published in 1760. After the memoirs there is a Catalogue of Works and Observations on the Works of George Frederic Handel.

Bach and the Dance of God (Paperback): Wilfrid Mellers Bach and the Dance of God (Paperback)
Wilfrid Mellers
R994 Discovery Miles 9 940 Ships in 7 - 11 working days

Wilfrid Mellers is a composer, musician and author. Honorary Fellow of Downing College, Cambridge. This is his classic book on Bach.

O Let Us Howle Some Heavy Note - Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage... O Let Us Howle Some Heavy Note - Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage (Hardcover)
Amanda Eubanks Winkler
R789 R730 Discovery Miles 7 300 Save R59 (7%) Ships in 7 - 11 working days

In the 17th century, harmonious sounds were thought to represent the well-ordered body of the obedient subject, and, by extension, the well-ordered state; conversely, discordant, unpleasant music represented both those who caused disorder (murderers, drunkards, witches, traitors) and those who suffered from bodily disorders (melancholics, madmen, and madwomen). While these theoretical correspondences seem straightforward, in theatrical practice the musical portrayals of disorderly characters were multivalent and often ambiguous.

O Let Us Howle Some Heavy Note focuses on the various ways that theatrical music represented disorderly subjects those who presented either a direct or metaphorical threat to the health of the English kingdom in 17th-century England. Using theater music to examine narratives of social history, Winkler demonstrates how music reinscribed and often resisted conservative, political, religious, gender, and social ideologies."

The Reception of Bach's Organ Works from Mendelssohn to Brahms (Hardcover): Russell Stinson The Reception of Bach's Organ Works from Mendelssohn to Brahms (Hardcover)
Russell Stinson
R1,772 Discovery Miles 17 720 Ships in 7 - 11 working days

In this penetrating study, Russell Stinson explores how four of the greatest composers of the nineteenth century-Felix Mendelssohn, Robert Schumann, Franz Liszt, and Johannes Brahms-responded to the model of Bach's organ music. The author shows that this quadrumvirate not only borrowed from Bach's organ works in creating their own masterpieces, whether for keyboard, voice, orchestra, or chamber ensemble, but that they also reacted significantly to the music as performers, editors, theorists, and teachers. Furthermore, the book reveals how these four titans influenced one another as "receptors" of this repertory and how their mutual acquaintances-especially Clara Schumann-contributed as well. As the first comprehensive discussion of this topic ever attempted, Stinson's book represents a major step forward in the literature on the so-called Bach revival. He considers biographical as well as musical evidence to arrive at a host of new and sometimes startling conclusions. Filled with fascinating anecdotes, the study also includes detailed observations on how these composers annotated their personal copies of Bach's organ works. Stinson's book is entirely up-to-date and offers much material previously unavailable in English. It is meticulously annotated and indexed, and it features numerous musical examples and facsimile plates as well as an exhaustive bibliography. Included in an appendix is Brahms's hitherto unpublished study score of the Fantasy in G Major, BWV 572. Engagingly written, this study should be read by anyone interested in the music of Bach or the music of the nineteenth century.

The String Quartets of Joseph Haydn (Hardcover, New): Floyd Grave, Margaret Grave The String Quartets of Joseph Haydn (Hardcover, New)
Floyd Grave, Margaret Grave
R3,191 Discovery Miles 31 910 Ships in 7 - 11 working days

A monumental accomplishment from the age of Enlightenment, the string quartets of Joseph Haydn hold a central place not only in the composer's oeuvre, but also in our modern conception of form, style, and expression in the instrumental music of his day. Here, renowned music historians Floyd and Margaret Grave present a fresh perspective on a comprehensive survey of the works. This thorough and unique analysis offers new insights into the creation of the quartets, the wealth of musical customs and conventions on which they draw, the scope of their innovations, and their significance as reflections of Haydn's artistic personality. Each set of quartets is characterized in terms of its particular mix of structural conventions and novelties, stylistic allusions, and its special points of connection with other opus groups in the series. Throughout the book, the authors draw attention to the boundless supply of compositional strategies by which Haydn appears to be continually rethinking, reevaluating, and refining the quartet's potentials. They also lucidly describe Haydn's famous penchant for wit, humor, and compositional artifice, illuminating the unexpected connections he draws between seemingly unrelated ideas, his irony, and his lightning bolts of surprise and thwarted expectation. Approaching the quartets from a variety of vantage points, the authors correct many prevailing assumptions about convention, innovation, and developing compositional technique in the music of Haydn and his contemporaries.
Going beyond traditional modes of study, The String Quartets of Joseph Haydn blends historical analysis and factual information with critical appraisal in a way that will engage all Haydnenthusiasts.

An Introduction to Bach Studies (Paperback, Revised): Daniel R. Melamed, Michael Marissen An Introduction to Bach Studies (Paperback, Revised)
Daniel R. Melamed, Michael Marissen
R842 Discovery Miles 8 420 Ships in 7 - 11 working days

An Introduction to Bach Studies is a comprehensive guide to the resources and materials of Bach scholarship, both for students beginning work in the enormous literature on J. S. Bach, and for the Bach specialist looking for a convenient and up-to-date survey of the field. Covering a broad range of both primary and secondary sources, well-known Bach scholars Daniel R. Melamed and Michael Marissen draw on their extensive research experience to describe the principal tools of Bach research and how to use them. With clear descriptions and explanations, the multiple bibliographies and tables help students and instructors quickly find the most appropriate sources on Bach's life, his repertory, approaches to his music, and many other topics. Additionally, this volume provides insights into potentially confusing sources and detailed information on the technical topics important to all Bach scholars.
Concise and comprehensive, this user-friendly guide brings together useful bibliographic resources in one place, and is an indispensable resource for all who conduct research on Bach.

Southern Baroque Art-painting-architecture and Music in Italy and Spain of the 17th and 18th Centuries (Paperback): Sacheverell... Southern Baroque Art-painting-architecture and Music in Italy and Spain of the 17th and 18th Centuries (Paperback)
Sacheverell Sitwell
R776 Discovery Miles 7 760 Ships in 7 - 11 working days

Originally published London, 1924. Contents Include: The Serenade at Caserta "Les Indes Galantes" The King and the Nightingale Biography etc. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Home Farm Books are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Handel as Orpheus - Voice and Desire in the Chamber Cantatas (Paperback, New Ed): Ellen T. Harris Handel as Orpheus - Voice and Desire in the Chamber Cantatas (Paperback, New Ed)
Ellen T. Harris
R780 Discovery Miles 7 800 Ships in 7 - 11 working days

Handel wrote over 100 cantatas, compositions for voice and instruments that describe the joy and pain of love. In "Handel as Orpheus," the first comprehensive study of the cantatas, Ellen Harris investigates their place in Handel's life as well as their extraordinary beauty.

The cantatas were written between 1706 and 1723--from the time Handel left his home in Germany, through the years he spent in Florence and Rome, and into the early part of his London career. In this period he lived as a guest in aristocratic homes, and composed these chamber works for his patrons and hosts, primarily for private entertainments. In both Italy and England his patrons moved in circles in which same-sex desire was commonplace--a fact that is not without significance, Harris reveals, for the cantatas exhibit a clear homosexual subtext.

Addressing questions about style and form, dating, the relation of music to text, rhythmic and tonal devices, and voicing, "Handel as Orpheus" is an invaluable resource for the study and enjoyment of the cantatas, which have too long been neglected. This innovative study brings greater understanding of Handel, especially his development as a composer, and new insight into the role of sexuality in artistic expression.

Francesca Caccini's Il primo libro delle musiche of 1618 - A Modern Critical Edition of the Secular Monodies (Paperback):... Francesca Caccini's Il primo libro delle musiche of 1618 - A Modern Critical Edition of the Secular Monodies (Paperback)
Francesca Caccini; Edited by Ronald James Alexander, Richard Savino
R535 R463 Discovery Miles 4 630 Save R72 (13%) Ships in 12 - 17 working days

Francesca Caccini (1587 ca.1640) was an accomplished composer, singer, and instrumentalist in the tradition of the Florentine Camerata. Her 1618 volume Il primo libro delle musiche was dedicated to her patron the Cardinal de Medici (1596 1666).

This modern critical edition presents 17 secular monodies for one and two voices with figured bass accompaniment from this landmark collection. The book includes text translations, biographical and stylistic essays, recommendations on performance practice, and other commentary."

J.S. Bach's Great Eighteen Organ Chorales (Paperback, New Ed): Russell Stinson J.S. Bach's Great Eighteen Organ Chorales (Paperback, New Ed)
Russell Stinson
R1,606 Discovery Miles 16 060 Ships in 7 - 11 working days

On the 250th anniversary of the composer's death, this volume offers an in-depth look at the "Great Eighteen" organ chorales, among the most celebrated works for organ, and a milestone in the history of the chorale. Addressed to organists, scholars, and general listeners alike, this lucid and engaging book examines the music from a wide spectrum of historical and analytical perspectives.

Stinson examines the models used by Bach in conceiving the original pieces, his subsequent compilation of these works into a collection, and his compositional process as preserved by the autograph manuscript. Himself an accomplished organist, Stinson also considers various issues of performance practice and concludes with a discussion of the music's reception--its dissemination in manuscript and printed form, its performance history, and its influence on later composers. Completely up-to-date and presenting a wealth of new material, much of it translated into English for the first time, this study will open up fresh perspectives on some of the composer's greatest creations.

Holy Concord within Sacred Walls - Nuns and Music in Siena, 1575-1700 (Hardcover): Colleen Reardon Holy Concord within Sacred Walls - Nuns and Music in Siena, 1575-1700 (Hardcover)
Colleen Reardon
R4,665 Discovery Miles 46 650 Ships in 7 - 11 working days

Holy Chord Within Sacred Walls examines musical culture both inside and outside seventeenth-century Sienese convents. In contrast to earlier studies of Italian convent music, this book draws upon archival sources to reconstruct an ecclesiastical culture that celebrated music internally and shared music freely with the community outside the convent walls. Colleen Reardon argues that cloistered women in Siena enjoyed a significant degree of freedom to engage in musical pursuits. The nuns produced a remarkable body of work including motets, lamentations, theatrical plays and even an opera. As a result, the convent became an important cultural centre in Siena that enjoyed the support and encouragement of its clergy and lay community.

Music at Oxford in the Eighteenth and Nineteenth Centuries (Hardcover): Susan Wollenberg Music at Oxford in the Eighteenth and Nineteenth Centuries (Hardcover)
Susan Wollenberg
R4,547 Discovery Miles 45 470 Ships in 7 - 11 working days

This survey distils a wide range of documentary and musical evidence relating to a particularly rich period in the city of Oxford's history. Aspects discussed include concert life, the choral tradition, the gradual establishment of an honours school of music, visiting musicians such as Handel and Haydn, Liszt and Joachim, and the role of figures such as William Crotch, Frederick Ouseley and Hubert Parry in raising the status of music and the musical profession.

Johann Sebastian Bach's St John Passion - Genesis, Transmission, and Meaning (Hardcover): Alfred Durr Johann Sebastian Bach's St John Passion - Genesis, Transmission, and Meaning (Hardcover)
Alfred Durr; Translated by Alfred Clayton
R4,082 Discovery Miles 40 820 Ships in 7 - 11 working days

This book (published in German by Bärenreiter in 1988 and now available in English translation for the first time) is a comprehensive guide to the genesis, transmission, structure, meaning, and performance considerations of Bach's St John Passion. One of Bach's most fascinating works, its text demonstrates a profound understanding of St John's Gospel. The musical design of the choruses with their numerous interrelationships is quite unique and demands some explanation. The fact that the Passion exists in four different versions leads Dürr to ask which changes were intentional and which were the result of practical constraints or of orders issued by church authorities.

Music Theory in Seventeenth-Century England (Hardcover): Rebecca Herissone Music Theory in Seventeenth-Century England (Hardcover)
Rebecca Herissone
R6,137 Discovery Miles 61 370 Ships in 7 - 11 working days

The fundamental changes that resulted in the development of the Baroque style around the turn of the seventeenth century also had a profound effect on music theory. Music Theory in Seventeenth-Century England explores these changes, concentrating specifically on English writings because of their emphasis on practical application and consequent ready rejection of the obsolete. This allows for a detailed and comprehensive commentary on how treatises reflect musical developments during the period.

The Monteverdi Vespers of 1610 - Music, Context, Performance (Hardcover): Jeffrey Kurtzman The Monteverdi Vespers of 1610 - Music, Context, Performance (Hardcover)
Jeffrey Kurtzman
R5,558 Discovery Miles 55 580 Ships in 7 - 11 working days

This is the only thoroughgoing study of the Monteverdi Vespers, vastly expanding on the author's 1978 set of essays on the subject, long since out of print. The volume studies the Vespers from the standpoint of its musical and liturgical origins and context, contains analytical essays on the music, and examines 17th-century performance practice as it pertains to the Vespers. Appendices include bibliographies and an analytical discography.

Bach: The Orgelbuchlein (Paperback): Russell Stinson Bach: The Orgelbuchlein (Paperback)
Russell Stinson
R700 Discovery Miles 7 000 Ships in 7 - 11 working days

This is the first book-length study of the Orgelbüchlein, the masterly collection of organ chorales by J. S. Bach. This 'Little Organ Book' is regarded by Bach scholars as one of the composer's most important achievements and by organ scholars as a milestone in the development of the chorale. Russell Stinson, himself an organist, examines the collection from a range of historical and analytical perspectives in a way that will resonate with not only organists and scholars but the average concert-goer or CD-buyer.

The Oratorio in Bologna 1650-1730 (Hardcover): Victor Crowther The Oratorio in Bologna 1650-1730 (Hardcover)
Victor Crowther
R3,465 Discovery Miles 34 650 Ships in 7 - 11 working days

In the seventeenth century Bologna developed a rich and diverse musical culture through the enterprise of musicians attached to the Basilica of S. Petronio and affiliated to the Accademia de'Filarmonici. Their achievements in the field of instrumental music (sonata, concerto) and festive church music (concerted mass) are well documented, but little of their output in the fields of oratorio, amounting to 300 performances in the period 1659-1730, has been subjected to critical scrutiny. This book relates the genesis and development of oratorio in Bologna to the city's religious, political, and cultural aspirations. The oratorio repertory is surveyed in three historical phases: under Cazzati (1657-74), Colonna (1675-95), and Perti (1696-1730), and eight oratorios by the city's leading composers are analysed in detail. A chronological list of performances is given in the Appendix.

Companion to Baroque Music (Paperback, New Ed): Julie Anne Sadie Companion to Baroque Music (Paperback, New Ed)
Julie Anne Sadie
R1,892 Discovery Miles 18 920 Ships in 7 - 11 working days

Baroque music, not long ago considered the province of the specialist, now occupies a central place in the interests of any music-lover. Not just Bach and Handel, but Vivaldi and Monteverdi, Couperin and Rameau, Purcell and Schutz are familiar and loved figures. There is place now for a survey that offers fresh perspectives on these men and the times in which they lived. That is what the Companion to Baroque Music is designed to offer, to all those who are attracted by the music of that crucial century and a half, 1600-1750, which we call 'the Baroque era'. Julie Anne Sadie, herself scholar, performer, and critic, brings to this survey two novel features. First, it is underpinned by a keen awareness of music as sound, intended to be played, heard, and relished by the listener-as witness the group of articles contributed by well-known specialists, such as Nigel Rogers and David Fuller, on the central issues of performance. Secondly it is concerned not only with what the music is like but why it is as it is: and the series of essays, again by specialists, such as Michael Talbot (on Italy) and Peter Holman (on England) which places each region's music in its social and cultural contexts helps to explain its character. The lexicographical part of the book, in which the life of every significant musician of the era is charted and his or her work outlined, is subdivided geographically so as to convey with particular sharpness the special character of music-making in each part of Europe-and a system of cross-references defines the ebb and flow of influences as composers travelled from city to city or court to court, disseminating their tastes, their styles, their ideas. A detailed chronology enables the reader to take in at a glance the sequence of musical events across the entire period. The Companion to Baroque Music, which contains a foreword by Christopher Hogwood, offers both reliable reference material and lively, enlightening reading to all those-amateur and professional, from the skilled practical musician to the person who has never played anything more demanding than a piece of stereo equipment-who love the music of the era that culminated in the great masterworks of Bach and Handel.

The Chromatic Fourth During Four Centuries of Music (Hardcover, New): Peter Williams The Chromatic Fourth During Four Centuries of Music (Hardcover, New)
Peter Williams
R4,743 Discovery Miles 47 430 Ships in 7 - 11 working days

Despite its rather forbidding name, the `Chromatic Fourth' is one of the most familiar short themes in virtually all western music over the four hundred years before the middle of our century. It is a sequence of six notes that can be heard in a huge variety of ways, most originally, effectively, and beautifully in the work of the greatest composers, from the madrigalists to Stravinsky, from Byrd to Bartok, with telling examples in the operas of Monteverdi, Mozart, and Wagner, or in the keyboard music of Bull, Bach, and Schubert. Although the existence of the chromatic fourth has long been recognized, and occasionally mentioned by music historians, this is the first thorough-going attempt to trace its likely origins and its evolution over four hundred years. With over 200 music examples, Peter Williams demonstrates the theme's wonderful variety, and shows that it was used by composers not only as a means of emotional expression, but also as a structural device.

An Introduction to Bach Studies (Hardcover, New): Daniel R. Melamed, Michael Marissen An Introduction to Bach Studies (Hardcover, New)
Daniel R. Melamed, Michael Marissen
R3,971 Discovery Miles 39 710 Ships in 7 - 11 working days

This annotated bibliography of J.S. Bach studies bring together in one place the most important and useful resources, describes the tools available for Bach research, and provides starting points for reading on many works and topics. Keeping the needs of the beginning Bach scholar firmly in mind, the authors provide concise explanations and summaries of important and potentially confusing topics in Bach research. Topics include bibliographic tools and sources; Bach's world; repertory and editions; vocal and instrumental music; performance; and approaches to Bach's music. The book concludes with detailed indexes of all topics, authors, and titles cited.

Dramma per Musica - Italian Opera Seria of the Eighteenth Century (Hardcover, New): Reinhard Strohm Dramma per Musica - Italian Opera Seria of the Eighteenth Century (Hardcover, New)
Reinhard Strohm
R1,580 Discovery Miles 15 800 Ships in 7 - 11 working days

Dramma per musica-the most usual term for Italian serious opera from the seventeenth to the early nineteenth century-was a modern, enlightened form of theater that presented a unified, artistically designed, dramatic enactment of human stories, expressed by the voice and underscored by the orchestra. This book by one of the world's most eminent musicologists illustrates the diversity of this baroque art form and explains how it has given us opera as we know it.

The Eighteenth-Century French Cantata (Hardcover, 2nd Revised edition): David Tunley The Eighteenth-Century French Cantata (Hardcover, 2nd Revised edition)
David Tunley
R3,910 Discovery Miles 39 100 Ships in 7 - 11 working days

The first edition of this book is the classic study of one of the most popular musical forms in early eighteenth-century France, not only because it documents and examines its considerable repertoire for the first time, but also because it places the genre in the wider context of both French and Italian baroque music styles. In uniting the two national styles the cantata was one of the major influences in transforming the seventeenth-century French classical tradition in music into a style that owed much to the Italian baroque, yet retained a distinctive gallic expression. As well as its musical interest, the French cantata provides an arresting example of the influence of society upon music, and the book commences with a chapter that views the emergence of the form in its social setting. Cantata texts enjoyed a vogue as poetry and this literary aspect is also dealt with in a separate chapter. This new edition incorporates research by the author and other scholars over the twenty years since the first edition, reflecting today's growing interest in French baroque music. It also features a new chapter dealing with the French cantata in performance.

Celestial Sirens - Nuns and Their Music in Early Modern Milan (Hardcover): Robert L. Kendrick Celestial Sirens - Nuns and Their Music in Early Modern Milan (Hardcover)
Robert L. Kendrick
R5,574 Discovery Miles 55 740 Ships in 7 - 11 working days

This study investigates an almost unknown musical culture: that of cloistered nuns in one of the major cities of early modern Europe. These women were the most famous musicians of Milan, and the music composed for them opens up a hitherto unstudied musical repertory, which allows insight into the symbolic world of the city. Even more importantly, the music actually composed by four such nuns, Claudia Scossa, Claudia Rusca, Chiara Margarita Cozzollani, and Rosa Giacinta Badalla - reveals the musical expression of women's devotional life. The two centuries' worth of battles over nuns' singing of polyphony, studies here for the first time on the basis of massive archival documentation, also suggest that the implementation of reform in the major centre of post-Tridentine Catholic renewal was far more varied; incomplete, subject to local political pressure and individual interpretation, and short-lived than any religious historian has ever suggested. Other factors that marked nuns' musical lives and creative output - liturgical traditions of the religious orders, the problems of performance practice attendant upon all-female singing ensembles - are here addressed for the first time in the musicological literature.

North German Church Music in the Age of Buxtehude (Hardcover, New): Geoffrey Webber North German Church Music in the Age of Buxtehude (Hardcover, New)
Geoffrey Webber
R3,589 Discovery Miles 35 890 Ships in 7 - 11 working days

This book surveys North German church music from the period of one of the most well-known of J.S. Bach's immediate German predecessors, Dietrich Buxtehude (c.1637-1707). Particular emphasis is placed on composers whose work has suffered unjust neglect, and on the influence of contemporary Italian church music. As well as providing a detailed study of the music itself, Geoffrey Webber also examines the religious and social background, and aspects of performance practice.

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