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Books > Arts & Architecture > Music > Western music, periods & styles > Baroque music (c 1600 to c 1750)

The Art of Partimento - History, Theory, and Practice (Hardcover): Giorgio Sanguinetti The Art of Partimento - History, Theory, and Practice (Hardcover)
Giorgio Sanguinetti
R1,555 Discovery Miles 15 550 Out of stock

At the height of the Enlightenment, four conservatories in Naples stood at the center of European composition. Maestros taught their students to compose with unprecedented swiftness and elegance using the partimento, an instructional tool derived from the basso continuo that encouraged improvisation as the path to musical fluency. Although the practice vanished in the early nineteenth century, its legacy lived on in the music of the next generation. In The Art of Partimento, performer and music-historian Giorgio Sanguinetti chronicles the history of this long-forgotten Neapolitan art. Sanguinetti has painstakingly reconstructed the oral tradition that accompanied these partimento manuscripts, now scattered throughout Europe. Beginning with the origins of the partimento in the circles of Corelli, Pasquini, and Alessandro Scarlatti in Rome and tracing it through the peak of the tradition in Naples, The Art of Partimento gives a glimpse into the daily life and work of an eighteenth century composer.
The Art of the Partimento is also a complete practical handbook to reviving the tradition today. Step by step, Sanguinetti guides the aspiring composer through elementary realization to more advanced exercises in diminution, imitation, and motivic coherence. Based on the teachings of the original masters, Sanguinetti challenges the reader to become a part of history, providing a variety of original partimenti in a range of genres, forms, styles, and difficulty levels along the way and allowing the student to learn the art of the partimento for themselves at their own pace.
As both history and practical guide, The Art of Partimento presents a new and innovative way of thinking about music theory. Sanguinetti's unique approach unites musicology and music theory with performance, which allows for a richer and deeper understanding than any one method alone, and offers students and scholars of composition and music theory the opportunity not only to understand the life of this fascinating tradition, but to participate in it as well.

Gesangsstile - Stimmtechniken - Stimmgesundheit (German, Paperback): Michael Fuchs Gesangsstile - Stimmtechniken - Stimmgesundheit (German, Paperback)
Michael Fuchs
R1,316 Discovery Miles 13 160 Out of stock
Memoirs of the Life and Writings of the Abate Metastasio: Volume 1 - In which are Incorporated, Translations of his Principal... Memoirs of the Life and Writings of the Abate Metastasio: Volume 1 - In which are Incorporated, Translations of his Principal Letters (Electronic book text)
Charles Burney, Pietro Metastasio
R1,504 R1,173 Discovery Miles 11 730 Save R331 (22%) Out of stock

This three-volume biography, first published in 1796, recounts the colourful life of the popular Italian poet and librettist Pietro Trapassi (1698-1782), better known by his pseudonym Metastasio. Charles Burney (1726-1814), a British composer and the author of a celebrated four-volume History of Music published between 1776 and 1789, interweaves his own accounts of the poet's life with Metastasio's original letters translated into English. Metastasio's posthumously published correspondence with his friends and patrons provides the essential thread to understanding his complex life and affairs. The son of a shopkeeper, Metastasio was adopted as a young boy by the director of the Arcadian Academy, Giovanni Vincenzo Gravina, who was charmed by the child's extraordinary talent for improvising poetry. Volume 1 covers Metastasio's life from his early childhood until 1751, including his musical debut in Rome after his tutor's death, and the beginning of his career in Vienna.

Salve Regina (Latin, Sheet music): Raymond Leppard Salve Regina (Latin, Sheet music)
Raymond Leppard; Domenico Scarlatti
R263 R220 Discovery Miles 2 200 Save R43 (16%) Out of stock

The Salve Regina, also known as the Hail Holy Queen, is a Marian hymn and one of four Marian antiphons sung at different seasons within the Christian liturgical calendar of the Roman Catholic Church. This beautiful setting for soprano and piano (originally strings) was written by Domenico Scarlatti towards the end of his life in the 18th century and is his only piece of church music known definitely to date from this period.

Monteverdi (Paperback, Revised edition): Denis Arnold Monteverdi (Paperback, Revised edition)
Denis Arnold; Revised by Tim Carter
R554 Discovery Miles 5 540 Out of stock

This highly-praised study of Monteverdi and his works combines clear social and historical perspectives with critical insight into his music. In relating Monteverdi to the musical activity of his time, Denis Arnold reveals a forward-looking genius whose music is now receiving long-overdue appreciation. The text and appendices of this edition were fully revised by Tim Carter, who added a new chapter taking account of recent scholarship.

The Organ Music of J. S. Bach (Hardcover, 2nd Revised edition): Peter Williams The Organ Music of J. S. Bach (Hardcover, 2nd Revised edition)
Peter Williams
R2,246 Discovery Miles 22 460 Out of stock

Taking account of Bach scholarship of the past twenty-five years, the first two volumes of Peter Williams's classic study of Bach's organ works are fully revised. This work is a piece-by-piece commentary on this ever-popular repertoire, demonstrating the music's unique qualities and how we might hear and play it today. The book follows the order of the Bach catalog (BWV): beginning with the sonatas, followed by the "free works" and the chorales, and ending with the doubtful works, including the "newly discovered chorales" of 1985.

Masterpieces 1700-1800 (Hardcover): Karen Michels Masterpieces 1700-1800 (Hardcover)
Karen Michels
R1,098 R1,016 Discovery Miles 10 160 Save R82 (7%) Out of stock

This title contains book & 4 CDs. The three centuries covered in this series offer a broad range of artists and their works. Sometimes it is hard to find access and to maintain an overview. The "Masterpieces Series" offers an ideal package, which gives the reader a compact, comprehensible, and entertaining overview of the painting and the music of each century. This brand new concept is unique: each book presents and comments on the most important paintings of the respective century in chronological order. The Music: The four CDs offer the most important musical works of the accordant eras. An extensive preface presents and explains each century and its characteristics and provides explanations of the specific connections between the history of music and painting.

Analytical Essays on Music by Women Composers: Concert Music, 1960-2000 (Paperback): Laurel Parsons, Brenda Ravenscroft Analytical Essays on Music by Women Composers: Concert Music, 1960-2000 (Paperback)
Laurel Parsons, Brenda Ravenscroft
R728 Discovery Miles 7 280 Out of stock

Over the past 30 years, musicologists have produced a remarkable new body of research literature focusing on the lives and careers of women composers in their socio-historical contexts. But detailed analysis and discussion of the works created by these composers are still extremely rare. This is particularly true in the domain of music theory, where scholarly work continues to focus almost exclusively on male composers. Moreover, while the number of performances, broadcasts, and recordings of music by women has unquestionably grown, these works remain significantly underrepresented in comparison to music by male composers. Addressing these deficits is not simply a matter of rectifying a scholarly gender imbalance: the lack of knowledge surrounding the music of female composers means that scholars, performers, and the general public remain unfamiliar with a large body of exciting repertoire. Analytical Essays on Music by Women Composers: Concert Music, 1960-2000 is the first to appear in a groundbreaking four-volume series devoted to compositions by women across Western art music history. Each chapter opens with a brief biographical sketch of the composer before presenting an in-depth critical-analytic exploration of a single representative composition, linking analytical observations with questions of meaning and sociohistorical context. Chapters are grouped thematically by analytical approach into three sections, each of which places the analytical methods used in the essays that follow into the context of late twentieth-century ideas and trends. Featuring rich analyses and critical discussions, many by leading music theorists in the field, this collection brings to the fore repertoire from a range of important composers, thereby enabling further exploration by scholars, teachers, performers, and listeners.

The Blackwell History of Music in Britain - The Sixteenth Century (Hardcover, Volume 2): Roger Bray The Blackwell History of Music in Britain - The Sixteenth Century (Hardcover, Volume 2)
Roger Bray
R4,389 Discovery Miles 43 890 Out of stock

The music of the sixteenth century has been "rediscovered" regularly since its composition. It was an especially fertile period for English music in particular, and to put the century in a historical and musicological perspective, this volume spans the era from 1485 to 1625, although in order to provide context and perspective the contributors range back to the middle of the fifteenth century and towards the end on the seventeenth.

The book opens with a history of music and musicians in Tudor England, covering composition and performance, as well as the changing functions of music over the period. Two chapters are dedicated to sacred and church music. They cover the last years of Pre-Reformation England (especially the music of Fayrfax, Ashwell, Taverner, and the organ music of Redford, Preston and Rhys), the composers who span the charge to Anglicanism (for example Sheppard and Tallis) and those (such as Tye, Byrd, Morley, Weelkes, Hooper and Gibbons) who helped lay the foundations for the rich heritage of Anglian church music that remains so vibrant a part of the church today. These chapters also consider the particular problems of those who continued to write Latin music after the Reformation (in particular Parsons, White and Byrd). The final three chapters of the book are devoted respectively to secular vocal music, to keyboard music, and to ensemble and lute music. These chapters include a detailed discusson of Tudor partsong, of the consort song, of English Madrigalists, the English Virginal School, the English lutenists and the rich variety of muic for ensemble. The book concludes with full bibliographies and with a comprehensive index.

Salve Regina (Sheet music, Vocal score): Diogo Dias Melgas Salve Regina (Sheet music, Vocal score)
Diogo Dias Melgas; Edited by Sally Dunkley
R88 Discovery Miles 880 Out of stock

for SATB unaccompanied This edition of the Salve Regina by Portuguese composer Diogo Dias Melgas (1638-1700) is the first published version of the work, which has previously only been available in a library edition. Suitable for liturgical or concert performance, this setting is in four equally active parts throughout, each of which takes the initial plainsong motif at the opening. The effectiveness of this moving work lies in the skilful manipulation of simple motivic material, through the use of devices such as parallel writing, sequences, repetition, suspensions, and hocket. The vocal score is presented alongside detailed performance and editorial notes, and an optional basso continuo part appears as an appendix. Salve Regina is featured on The Sixteen's CD 'A Golden Age of Portuguese Music', conducted by Harry Christophers (COR16020).

Memoirs of the Life and Writings of the Abate Metastasio: Volume 3 - In which are Incorporated, Translations of his Principal... Memoirs of the Life and Writings of the Abate Metastasio: Volume 3 - In which are Incorporated, Translations of his Principal Letters (Electronic book text)
Charles Burney, Pietro Metastasio
R1,504 R1,173 Discovery Miles 11 730 Save R331 (22%) Out of stock

This three-volume biography, first published in 1796, recounts the colourful life of the popular Italian poet and librettist Pietro Trapassi (1698-1782), better known by his pseudonym Metastasio. Charles Burney (1726-1814), a British composer and the author of a celebrated four-volume History of Music published between 1776 and 1789, interweaves his own accounts of the poet's life with Metastasio's original letters translated into English. Metastasio's posthumously published correspondence with his friends and patrons provides the essential thread to understanding his complex life and affairs. The son of a shopkeeper, Metastasio was adopted as a young boy by the director of the Arcadian Academy, Giovanni Vincenzo Gravina, who was charmed by the child's extraordinary talent for improvising poetry. Volume 3 covers Metastasio's life and correspondence from 1770 until his death. It includes notes on Metastasio's style as well as separate chronologies of his secular dramas and oratorios.

Con che soavita - Studies in Italian Opera, Song, and Dance, 1580-1740 (Hardcover): Iain Fenlon, Tim Carter Con che soavita - Studies in Italian Opera, Song, and Dance, 1580-1740 (Hardcover)
Iain Fenlon, Tim Carter
R1,663 Discovery Miles 16 630 Out of stock

Music in 17th and early 18th century Italy was wonderfully rich and varied: in theatrical and secular vocal chamber music alone, we saw the rise of the solo song and cantata, and the birth and growth of opera, all establishing important new structural and expressive paradigms. But this was also a complex time of uncertainty and change, as 'old' and 'new' interacted in subtle and often surprising ways. There is still much to document, explore and explain in terms of composers and repertories and their multi-layered contexts. This collection of essays by European, British and American musicologists seeks to consolidate the recent growth interest in seventeenth century studies. It includes discussions of leading composers (d'India, Monteverdi, Rovetta, Steffani, Albinoni, Vivaldi and Handel), repertories (chamber laments, staged balli and operatic mad-scenes), geographical issues (the arrival of Neapolitan opera in Venice), institutional contexts, and iconography. Inspiration for the book was drawn from the poineering research of Nigel Fortune, to whom the volume is dedicated on his 70th birthday.

The Letters of C. P. E. Bach (Hardcover): Carl Philipp Emanuel Bach The Letters of C. P. E. Bach (Hardcover)
Carl Philipp Emanuel Bach; Edited by Stephen L. Clark
R4,455 Discovery Miles 44 550 Out of stock

The Letters of C.P.E. Bach is a complete edition of the correspondence of the most famous of J.S. Bach's sons. Very few of these letters have appeared previously in English translation. They provide a fascinating picture of an eighteenth-century composer hard at work publishing his own music, debating aesthetic matters, and championing the music and teachings of his father. The readable translation, detailed index, extensive cross referencing, and glossary of names make this an accessible and useful volume.

Handel and the English Chapel Royal (Paperback): Donald Burrows Handel and the English Chapel Royal (Paperback)
Donald Burrows
R2,010 Discovery Miles 20 100 Out of stock

Handel's English church music spans the complete period of his active career in London: his first anthem and the Utrecht Te Deum were composed soon after his arrival in London, and his last works nearly 40 years later. The repertory, which includes the Coronation Anthem Zadok the Priest, forms one of the most impressive and engaging areas of Baroque church music. Most of it was stimulated by Handel's creative contact with the English Chapel Royal, a group of professional singers in a different tradition from the opera stars with whom he worked in the theatre.
Appearing in paperback for the first time, this first full-length study of Handel's English Church music traces the background to the diverse items in the repertory, which relates directly to Handel's constant but changing relationship with the Hanoverian British royal family, and was affected by political and dynastic events. It also examines the circumstances of Handel's performances, the building which (unlike his theatres) still survives in London today.

Colonial Counterpoint - Music in Early Modern Manila (Hardcover): D. R. M. Irving Colonial Counterpoint - Music in Early Modern Manila (Hardcover)
D. R. M. Irving
R856 Discovery Miles 8 560 Out of stock

In this groundbreaking study, D. R. M. Irving reconnects the Philippines to current musicological discourse on the early modern Hispanic world. For some two and a half centuries, the Philippine Islands were firmly interlinked to Latin America and Spain through transoceanic relationships of politics, religion, trade, and culture. The city of Manila, founded in 1571, represented a vital intercultural nexus and a significant conduit for the regional diffusion of Western music. Within its ethnically diverse society, imported and local musics played a crucial role in the establishment of ecclesiastical hierarchies in the Philippines and in propelling the work of Roman Catholic missionaries in neighboring territories. Manila's religious institutions resounded with sumptuous vocal and instrumental performances, while an annual calendar of festivities brought together many musical traditions of the indigenous and immigrant populations in complex forms of artistic interaction and opposition.
Multiple styles and genres coexisted according to strict regulations enforced by state and ecclesiastical authorities, and Irving uses the metaphors of European counterpoint and enharmony to critique musical practices within the colonial milieu. He argues that the introduction and institutionalization of counterpoint acted as a powerful agent of colonialism throughout the Philippine Archipelago, and that contrapuntal structures were reflected in the social and cultural reorganization of Filipino communities under Spanish rule. He also contends that the active appropriation of music and dance by the indigenous population constituted a significant contribution to the process of hispanization. Sustained "enharmonic engagement" between Filipinos and Spaniards led to the synthesis of hybrid, syncretic genres and the emergence of performance styles that could contest and subvert hegemony. Throwing new light on a virtually unknown area of music history, this book contributes to current understanding of the globalization of music, and repositions the Philippines at the frontiers of research into early modern intercultural exchange.

First Nights - Five Musical Premieres (Paperback, New ed): Thomas Forrest Kelly First Nights - Five Musical Premieres (Paperback, New ed)
Thomas Forrest Kelly
R636 Discovery Miles 6 360 Out of stock

This lively book takes us back to the first performances of five famous musical compositions: Monteverdi's Orfeo in 1607, Handel's Messiah in 1742, Beethoven's Ninth Symphony in 1824, Berlioz's Symphonie fantastique in 1830, and Stravinsky's Sacre du printemps in 1913. Thomas Forrest Kelly sets the scene for each of these premieres, describing the cities in which they took place, the concert halls, audiences, conductors, and musicians, the sound of the music when it was first performed (often with instruments now extinct), and the popular and critical responses. He explores how performance styles and conditions have changed over the centuries and what music can reveal about the societies that produce it. Kelly tells us, for example, that Handel recruited musicians he didn't know to perform Messiah in a newly built hall in Dublin; that Beethoven's Ninth Symphony was performed with a mixture of professional and amateur musicians after only three rehearsals; and that Berlioz was still buying strings for the violas and mutes for the violins on the day his symphony was first played. Kelly's narrative, which is enhanced by extracts from contemporary letters, press reports, account books, and other sources, as well as by a rich selection of illustrations, gives us a fresh appreciation of these five masterworks, encouraging us to sort out our own late twentieth-century expectations from what is inherent in the music.

The Langloz Manuscript - Fugal Improvisation through Figured Bass (Hardcover): William Renwick The Langloz Manuscript - Fugal Improvisation through Figured Bass (Hardcover)
William Renwick
R5,382 Discovery Miles 53 820 Out of stock

The ability to improvise a fugue is considered by many to be the summit of practical musicianship. Such skill, combining harmony, counterpoint, form, and style simultaneously, is best learned through the study of figured-bass fugue. The Langloz Manuscript, originating in the era of J.S. Bach, is the largest extant collection of figured-bass fugues. Published here for the first time, this edition of the manuscript includes detailed explanatory notes and illustrates how the art of extemporised fugue was developed in the eighteenth century.

Bach: The Mass in B Minor - The Great Catholic Mass (Paperback): George B. Stauffer Bach: The Mass in B Minor - The Great Catholic Mass (Paperback)
George B. Stauffer
R430 R344 Discovery Miles 3 440 Save R86 (20%) Out of stock

In this book George B. Stauffer explores the music and complex history of Bach's last and possibly greatest masterpiece. Stauffer examines the B-Minor Mass in greater detail than ever before, demonstrating for the first time Bach's reliance on contemporary models from the Dresden Mass repertory and his brilliantly innovative methods of unifying his immense composition. Musicians, music scholars, students, and music lovers will find in this engagingly written book a wealth of information about Bach's extraordinary choral work. Stauffer surveys the roots of the Mass Ordinary text and its treatment in settings known to Bach. He looks at the events that led to the writing of the B-Minor Mass and places the work within the context of the composer's late style. In three deeply informed chapters, Stauffer considers the individual sections of the Mass--the Kyrie and Gloria, the Credo, and the Sanctus and Agnus Dei. The book also traces the history of the work after Bach's death, addresses specific issues of performance practice, and investigates the qualities that give the B-Minor Mass its universal appeal.

The Three Violin Concerti (Sheet music): Johann Sebastian Bach The Three Violin Concerti (Sheet music)
Johann Sebastian Bach
R216 R187 Discovery Miles 1 870 Save R29 (13%) Out of stock

In one inexpensive volume, here are three of the most beloved works in the violin repertoire-the Concerto in A Minor, BWV 1041, the Concerto in E Major, BWV 1042, and the Concerto for Two Violins in D Minor, BWV 1043-reproduced from authoritative Bach-Gesellschaft edition.

The Guitar and Its Music - From the Renaissance to the Classical Era (Hardcover): James Tyler, Paul Sparks The Guitar and Its Music - From the Renaissance to the Classical Era (Hardcover)
James Tyler, Paul Sparks
R6,389 Discovery Miles 63 890 Out of stock

Following James Tyler's earlier introduction to the history, repertory, and playing techniques of the four- and five-course guitar (The Early Guitar, OUP 1980), which performers and scholars of Renaissance and Baroque guitar and lute music and classical guitarists found valuable and enlightening, this new book, written in collaboration with Paul Sparks and incorporating the latest ideas and research, is an authoritative guide to the history and repertory of the guitar from the Renaissance to the dawn of the Classical era.

English Opera in Late Eighteenth-century London - Stephen Storace at Drury Lane (Hardcover): Jane Girdham English Opera in Late Eighteenth-century London - Stephen Storace at Drury Lane (Hardcover)
Jane Girdham
R3,252 Discovery Miles 32 520 Out of stock

Stephen Storace (1762-96) was a prominent opera composer in London. His works exemplify the best in English opera, with music closely integrated with the drama, and including attractive tunes the audience could sing and play at home. Theatrical life and music publishing are both examined from the perspective of Storace's works.

The Magic Flute (Die ZauberfloeTe) - In Full Score (Sheet music): Wolfgang Amadeus Mozart The Magic Flute (Die ZauberfloeTe) - In Full Score (Sheet music)
Wolfgang Amadeus Mozart
R462 R406 Discovery Miles 4 060 Save R56 (12%) Out of stock

Mozart's moralistic allegory concerns the rescue of a good fairy's daughter from a wicked magician by a hero armed with a magic flute. This inexpensive, authoritative edition of the composer's last opera features all of the spoken dialogue and will be welcomed by all Mozarteans and opera enthusiasts. Translation of German frontmatter. Dramatis personae. List of Numbers.

Anthology of Baroque Music (Paperback): John Walter Hill Anthology of Baroque Music (Paperback)
John Walter Hill
R1,762 Discovery Miles 17 620 Out of stock

All of the scores are in new editions and English translations are provided for all foreign-language texts. The music provided in the Anthology and on the accompanying Web site ranges from lute, harpsichord, and organ music to concertos, cantatas, oratorios, and operas. List of available recordings of the works included in the Anthology of Baroque Music (contains links to MP3 audio files). List of available recordings of the works included in the Web Supplement (contains links to MP3 audio files). The Anthology can be packaged with Baroque Music at a discount. Contact your local Norton representative for more information.

Aural Images of  Lost Tradition (Hardcover): Robert Toft Aural Images of Lost Tradition (Hardcover)
Robert Toft
R1,398 Discovery Miles 13 980 Out of stock

The oral traditions surrounding the application of sharps and flats to 16th century vocal music are documented in relation to theoretical literature, vocal sources, and intabulations of vocal music. Special reference is made to the motets of Josquin Desprez, Clemens non Papa, and Alexander Agricola.

Crossing Confessional Boundaries - The Patronage of Italian Sacred Music in Seventeenth-Century Dresden (Hardcover): Mary... Crossing Confessional Boundaries - The Patronage of Italian Sacred Music in Seventeenth-Century Dresden (Hardcover)
Mary Frandsen
R1,960 Discovery Miles 19 600 Out of stock

Shortly after assuming the Saxon throne in 1656, Lutheran Elector Johann Georg II (r. 1656-80) replaced the elder Kapellmeister Heinrich Schutz with younger Italian Catholic composers. Seemingly overnight, sacred music in the most modern Italian style, first by Vincenzo Albrici (1631-90/96) and later by Giuseppe Peranda (ca. 1625-75) supplanted the more traditional Schutzian sacred concerto and Spruchmotette, effecting a change in musical and spiritual life both within the walls of the Dresden court and beyond.
Drawing on extensive research in primary source materials, Frandsen explores the elector's "Italianization" of the Hofkapelle with castrati and other Italian virtuosi, and examines the larger confessional conflict that gripped the city of Dresden and its implications for the Catholic-leaning elector's musical agenda. She then examines the Latin texts set by Albrici and Peranda, a body of works dominated by expressions of mystical devotion typical of the repertoire then heard in Italy. However, drawing upon recent studies of the phenomenon of "new piety" in seventeenth-century Lutheranism, Frandsen locates these texts squarely within the realm of contemporary Lutheran spirituality, and demonstrates their congruity with devotional materials used by Lutherans since the mid-sixteenth century. In her discussion of the sacred concertos of Albrici and Peranda, she takes the concept of musica pathetica as a point of departure, and also explores the formal and stylistic relationships between the Roman motet and the new sacred concerto in Dresden. Finally, with the help of liturgies recorded in court diaries, she reintegrates this music into its original performance environment, anddemonstrates how tightly the works of these Italians were woven into the Gospel-determined thematic fabric of the services celebrated during the church year.
A fascinating account of the uneasy alliance of two confessions at the prominent seventeenth-century court of Dresden, this book provides fresh insights into a neglected but influential repertoire. Frandsen's research will be of interest to scholars and students interested in Baroque music, the intellectual and cultural history of European courts, the history of liturgy and church history, and the Early Modern era in general.

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