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The Jacksons: Legacy is the first ever official book on the the Royal Family of Pop. This major volume reveals the untold, unseen and utterly unforgettable story behind the legend that is the Jacksons. Four specially commissioned chapters deftly weave together an unprecedented 12 days' worth of exclusive interviews with the brothers, recounted in their own words, with contributions from key players throughout their careers. The compelling tale unfolds from their childhood days living at 2300 Jackson Street in Gary, Indiana, through the years signed to Motown as the Jackson 5, their radical move to Epic as The Jacksons, the blossoming of their solo careers, the dizzying successes of the Victory tour, and right up to the present day. During unrivalled access to the family archives as well as the private collections of Jackie, Marlon and Tito Jackson, bespoke photography captures a multitude of never-before-seen images, rarities and personal possessions. The result is a mind-blowing collection of visual material: intensely personal family pictures; all-angle shots of the first guitars the boys ever held; top photographer Harrison Funk's exclusive coverage of their professional lives; photos of Michael Jackson on tour with his brothers during the release of Off The Wall (1979) and the 1982 phenomenon that was Thriller - the best-selling album of all time; editions of teen and black culture magazines featuring the family; and official merchandise, right down to Jacksons-branded breakfast cereal boxes with giveaway 7" records attached. Published to coincide with their 50th anniversary, The Jacksons: Legacy is the definitive behind-the-scenes chronicle of the Jacksons' lives and careers, celebrating 50 years of one of the greatest acts of all time.
In 1965, photographer Jerry Schatzberg, already well-established in the field due to his fashion and portrait photography for various publications, such as Vogue, Esquire and Life, listened to Bob Dylan for the first time. He had been hearing about the singer for close to three years; two friends were especially dogged and would ask him every time they spoke if he had heard the music yet. Finally, feeling obligated to them for their persistency, he listened and understood immediately why Dylan was inspiring such passionate excitement. Shortly thereafter, Schatzberg was photographing a job in his studio and had some fortuitous company. Famed music journalist Al Aronowitz and disc jockey Scott Ross were discussing Dylan and a recent performance they had seen of his. Half listening to their conversation, he volunteered that he'd like to photograph the singer if given the chance. Dylan's new wife (one of the friends mentioned above) called the following day and gave him an open invitation to the studio where he was currently recording 'Highway 61 Revisited'. Excited and curious, Schatzberg set off the very next day for the studio, exactly six days after the seminal Newport Folk Festival set where Dylan went electric and was collectively booed. Schatzberg received a warm welcome from the singer, who immediately sat him down to listen to what he had been recording that day. Dylan gave him free rein of the studio once he started shooting and the images that emerged from that day make obvious the comfortable and relaxed atmosphere that was already brewing between photographer and subject. Considering Dylan's almost-universal dislike of journalists (and by extension photographers), this was a completely unprecedented situation, one that Schatzberg took seriously. That almost-instant trust and rapport quickly grew into a friendship and they are part of the reason Schatzberg's sittings with Dylan work so successfully and are so important. Dylan is relaxed, he's funny, he takes the props that the photographer gives him and has fun with them - he's obviously not taking himself too seriously. Working and socialising together, Schatzberg would eventually do nine more photo shoots with Dylan from 1965-6, arguably the singer's most creative period, and capture the (now) Nobel laureate during one of the most pivotal moments in music history. Part of their uniqueness is their basic broad range of intimate and public locations: music and photography studios, live performances and street portraits. But more than that, each session (including the one for possibly his greatest album, 'Blonde on Blonde') says something different about Dylan, the man and the musician, and manages to perfectly capture the many facets of one of the most unique, complex and mysterious individuals of all time.
`Wiley is Wiley, and if you don't know me, you don't know much.' *Winner of the NME Best Music Book Award 2018* A TIMES BOOK OF THE YEAR A SUNDAY TIMES BOOK OF THE YEAR A TELEGRAPH BOOK OF THE YEAR 'The greatest UK MC of all time' Noisey Wiley. Godfather of grime. He's one of Britain's most innovative musicians - and the movement he started in east London in the early 2000s is taking over the world. This is his story. This is ESKIBOY. 'Perhaps the most influential musician working in Britain today' Guardian 'Wiley is the pioneering force of grime, the most revolutionary musical movement in Britain since punk' The Times 'A glimpse of the 21st-century rock'n'roll' Sunday Times
In a moment of increasing corporate control in the music industry, Jared A. Ball analyzes the colonization and control of popular music and posits the homemade hip-hop mixtape as an emancipatory tool for community resistance.
Evening Standard Book of the Year. Observer Book of the Year. Guardian Book of the Year. Sunday Times Book of the Year. Telegraph Book of the Year. New Statesman Book of the Year. Herald Book of the Year. Mojo Book of the Year. Brett Anderson came from a world impossibly distant from rock star success, and in Coal Black Mornings he traces the journey that took him from a childhood as 'a snotty, sniffy, slightly maudlin sort of boy raised on Salad Cream and milky tea and cheap meat' to becoming founder and lead singer of Suede. Anderson grew up in Hayward's Heath on the grubby fringes of the Home Counties. As a teenager he clashed with his eccentric taxi-driving father (who would parade around their council house dressed as Lawrence of Arabia, air-conducting his favourite composers) and adored his beautiful, artistic mother. He brilliantly evokes the seventies, the suffocating discomfort of a very English kind of poverty and the burning need for escape that it breeds. Anderson charts the shabby romance of creativity as he travelled the tube in search of inspiration, fuelled by Marmite and nicotine, and Suede's rise from rehearsals in bedrooms, squats and pubs. And he catalogues the intense relationships that make and break bands as well as the devastating loss of his mother. Coal Black Mornings is profoundly moving, funny and intense - a book which stands alongside the most emotionally truthful of personal stories.
THE NUMBER ONE SUNDAY TIMES BESTSELLER Shortlisted for the Specsavers National Book Awards 2018 'Unflinching, unputdownable' Guardian 'Witty, dark, devastating' Caitlin Moran 'An amazing read. Brutally honest' Matt Haig 'I love it' Jon Ronson ********************************************************** So, this is me. Lily Allen. I am a woman. I am a mother. I was a wife. I drink. I have taken drugs. I have loved and been let down. I am a success and a failure. I am a songwriter. I am a singer. I am all these things and more. When women share their stories, loudly and clearly and honestly, things begin to change - for the better. This is my story.
Sophisticated Giant presents the life and legacy of tenor saxophonist Dexter Gordon (1923-1990), one of the major innovators of modern jazz. In a context of biography, history, and memoir, Maxine Gordon has completed the book that her late husband began, weaving his "solo" turns with her voice and a chorus of voices from past and present. Reading like a jazz composition, the blend of research, anecdote, and a selection of Dexter's personal letters reflects his colorful life and legendary times. It is clear why the celebrated trumpet genius Dizzy Gillespie said to Dexter, "Man, you ought to leave your karma to science." Dexter Gordon the icon is the Dexter beloved and celebrated on albums, on film, and in jazz lore--even in a street named for him in Copenhagen. But this image of the cool jazzman fails to come to terms with the multidimensional man full of humor and wisdom, a figure who struggled to reconcile being both a creative outsider who broke the rules and a comforting insider who was a son, father, husband, and world citizen. This essential book is an attempt to fill in the gaps created by our misperceptions as well as the gaps left by Dexter himself.
In January 1969, before the world heard a note of their music, The MC5 was on the cover of Rolling Stone. The missing link between free jazz and punk rock, they were raw, primal, and unstoppable.
Led by legendary guitarist Wayne Kramer, The MC5 was a reflection of the times: exciting, sexy, violent, chaotic, and out of control, and all but assuring their time in the spotlight would be short-lived. Kramer wanted to redefine what a rock 'n' roll group was capable of achieving - and there was power in reaching for that - but it was also a recipe for disaster, both personally and professionally. The band recorded three major label albums: but by 1972, it was all over.
Kramer's story is a revolutionary one, but it is also the deeply personal struggle of an addict and an artist. From the glory days of Detroit to the junk-sick streets of the East Village - in and out of prison and on and off drugs - this is the classic journeyman narrative, but with a twist: Kramer is here to remind us that revolution is always an option.
For the past fifty years, Rolling Stone has been a leading voice in journalism, cultural criticism, and-above all-music. This landmark book documents the magazine's rise to prominence as the voice of rock and roll and a leading showcase for era-defining photography. From the 1960s to the present day, the book offers a decade-by-decade exploration of American music and history. Interviews with rock legends-Bob Dylan, Mick Jagger, Kurt Cobain, Bruce Springsteen, and more-appear alongside iconic photographs by Baron Wolman, Annie Leibovitz, Mark Seliger, and other leading image-makers. With feature articles, excerpts, and exposes by such quintessential writers as Hunter S. Thompson, Matt Taibbi, and David Harris, this book is an irresistible and essential keepsake of the magazine that has defined American music for generations of readers.
Previously published in hardback as Hey Jo, this is a moving and candid memoir from the woman who married the most controversial member of the Rolling Stones, and had the strength and courage to bounce back from heartbreak. When young model and mother Jo met rock star Ronnie Wood, she had no idea what her brief flirtation with this brilliant, charismatic musician would become. A raw and rollicking narrative from the eye of the storm, Jo's extraordinary story of life as a Rolling Stone girlfriend, then wife, mother and more, is a never-before-heard account of the heady hedonistic Ronnie Wood years - the drugs, the roadies, the tours, and the booze - and a celebration of her new-found happiness as an entrepreneur, fashion icon and beauty expert. Following the public breakdown of her marriage, Jo moved on with a dignity and lack of bitterness that won her fans across the country. Now a successful businesswoman, a passionate campaigner of pure, organic living, and a thriving name in fashion, Jo has learnt to embrace her new found vitality, and in doing so has become the heroine of everyone from 20-something fashionistas to Strictly Come Dancing devotees. This is Jo's journey, from the breathtaking highs of her and Ronnie's shared infatuation and love, to the devastating lows of his sudden disappearances, drug-induced mania and seizures, and how she learned to walk away without regret or bitterness, and forgive.
In "Hip Hop World, " Dalton Higgins comprehensively examines the hip hop scene as it exists throughout the world. The book reveals the form's musical inspirations from Trinidad, Puerto Rico, Cuba, Jamaica, African American sex satirists, comedians, civil rights-fuelled funk musicians, spoken word luminaries, and dub and Nuyorican poetry. Author Higgins examines hip hop's racial, multicultural, and multilingual listening audiences, the development of global rap slanguage and its influence on standard English lexicons, and hip hop herstory and cultural taboos around sexuality. He highlights the burgeoning Aboriginal hip hop scenes in Canada and Australia, and movements in colleges across North America and Europe that use hip hop lyrics and artistry to help engage students in learning. Critical of hip hopsters' use of language, the cult of bling, violence, and money, this book takes readers beyond a superficial look and delves into all the issues surrounding this form. Higgins taps into his own powers of pop culture prognostication to predict the future of the genre and the youth culture that spawned it, as this irresistible musical and cultural form spreads literally to the furthest reaches of humanity.
Here is the story of the boy from Brixton who became one of the most famous artists of the 20th century, returned to prominence in the 21st with music and visions informed by a sense of his own mortality and who through his life and work, changed lives and those of generations to come.
This book is pretty much our official story so far. It really does only seem like last week we played our first gig in at the Annandale hotel in Sydney. Since then we've been given the opportunity to turn into the people and musicians we wanted to be. The people who gave us the opportunity were the fans. So this book is like a thank you. We want everyone to know the story of how four western Sydney teenagers picked up their instruments and dreamt of being one of the biggest bands in the world. There's also some embarrassing photos of us dicking around and some facts that some of us didn't even know. So we hope you enjoy it! Love cal, luke, ash and mike x
The Beatles, the 1968 double LP more commonly known as the White Album, has always been viewed as an oddity in the group's oeuvre. Many have found it to be inconsistent, sprawling, and self-indulgent. The Beatles through a Glass Onion: Reconsidering the White Album is the first-ever scholarly volume to explore this seminal recording at length, bringing together contributions by some of the most eminent scholars of rock music writing today. It marks a reconsideration of this iconic but under-appreciated recording and reaffirms the White Album's significance in the Beatles' career and in rock history. This volume treats the White Album as a whole, with essays scrutinizing it from a wide range of perspectives. These essays place the album within the social and political context of a turbulent historical moment; locate it within the Beatles' lives and careers, taking into consideration the complex personal forces at play during the recording sessions; investigate the musical as well as pharmaceutical influences on the record; reveal how it reflects new developments in the Beatles' songwriting and arranging; revisit the question of its alleged disunity; and finally, track its legacy and the breadth of its influence on later rock, pop, and hip-hop artists. The Beatles through a Glass Onion features the scholarship of Adam Bradley, Vincent Benitez, Lori Burns, John Covach, Walter Everett, Michael Frontani, Steve Hamelman, Ian Inglis, John Kimsey, Mark Osteen, Russell Reising, Stephen Valdez, Anthony D. Villa, Kenneth Womack, and Alyssa Woods. John Covach's Afterword summarizes the White Album's lasting impact and value. As the first essay collection focusing on the White Album, The Beatles through a Glass Onion represents a landmark work of rock music scholarship. It will prove to be an essential and enduring contribution to the field.
Roger Steffens toured with Bob Marley for two weeks of his final tour of California in 1979 and the music icon was the first guest of Steffens' award-winning radio show. In So Much Things To Say, Steffens draws on a lifetime of scholarship to tell the story of Marley's childhood abandonment, his formative years in Trench Town, his seemingly meteoric rise to international fame and his tragic death at 36. Weaving together the voices of Rita Marley, Peter Tosh and Bunny Wailer-as well as band members, family and friends-Steffens reveals extraordinary new details, dispels myths and highlights the most dramatic elements of Marley's life; his psychic abilities and his overriding commitment to the peace and love message of Rastafari. This landmark work will reshape our understanding of this legendary performer.
No one explodes one of the longest-held misconceptions of music history better than Steve Lukather and his band Toto. The dominant pop-culture sound of the late-1970s and '80s was not in fact the smash and sneer of punk, but a slick, polished amalgam of rock and R&B that was first staked out on Boz Scaggs' Silk Degrees. That album was shaped in large part by the founding members of Toto, who were emerging as the most in-demand elite session muso-crew in LA, and further developed on the band's self-titled three-million-selling debut smash of 1978. A string of hits followed for the band going into the '80s and beyond. Running parallel to this, as stellar session players, Lukather and band-mates David Paich, Jeff Porcaro and Steve Porcaro were also the creative linchpins on some of the most successful, influential and enduring records of the era. In The Gospel According to Luke, Lukather tells the Toto story: how a group of high school friends formed the band in 1977 and went on to sell more than 40 million records worldwide. He also lifts the lid on what really went on behind the closed studio doors and shows the unique creative processes of some of the most legendary names in music: from Quincy Jones, Paul McCartney, Stevie Nicks and Elton John to Miles Davis, Joni Mitchell, Don Henley, Roger Waters and Aretha Franklin. And yet, Lukather's extraordinary tale encompasses the dark side of the American Dream. Engaging, incisive and often hilarious, The Gospel According to Luke is no ordinary rock memoir. It is the real thing . . .
The full story of Taylor Swift's stratospheric rise to fame; all any dedicated Swifty needs to know about the pop superstar who's taking over the world. A small-town girl with an incredible talent, and the strength to realise her dream, Taylor has grown into an award-winning, chart-topping artist and worldwide star, as well as a strong and stylish woman. But how did she get there? And what lies in store for her in the future? From childhood dreams of a musical future in Pennsylvania, to determined and budding teen musician with a trademark she's stayed faithful to ever since: honest lyrics about real-life events; her fight to be taken seriously in the music industry, through to the rewards of success and the intense pressure of expectation, Taylor Swift: The Whole Story is a full account of Taylor's incredible journey, with everything you need to know about America's Sweetheart. This compelling book is packed full of fascinating details revealing the true Taylor - what drives, motivates and moves her, how she overcame the challenges that loomed on the road to fame and looks at how authentic her wholesome image is, plus the truth about her relationships with Harry Styles, Jake Gyllenhaal and Conor Kennedy and who she's really talking about on her tracks. The full portrait of a girl who could so easily have faded into the background - but who blossomed in the spotlight into a grounded, graceful and inspiring young woman.
Winner of the NOBEL PRIZE in Literature 2016 For the first time, a comprehensive, definitive collection of lyrics of music legend and poet Bob Dylan. A major publishing event - a beautiful, comprehensive collection of the lyrics of Bob Dylan with artwork from thirty-three albums. As it was well put by Al Kooper (the man behind the organ on 'Like a Rolling Stone'), 'Bob is the equivalent of William Shakespeare. What Shakespeare did in his time, Bob does in his time.' Christopher Ricks, editor of T. S. Eliot, Samuel Beckett, Tennyson, and The Oxford Book of English Verse, has no argument with Mr. Kooper's assessment, and Dylan is attended to accordingly in this authoritative edition of his lyrics. In the words of Christopher Ricks: 'For fifty years, all the world has delighted in Bob Dylan's books of words and more than words: provocative, mysterious, touching, baffling, not-to-be-pinned-down, intriguing, and a reminder that genius is free to do as it chooses. And, again and again, these are not the words that he sings on the initially released albums.' This edition changes things, giving us the words from officially released studio and live recordings, as well as selected variant lyrics and revisions to these, recent revisions and retrospective ones; and, from the archives, words that, till now, have not been published. As set down, as sung, and as sung again.
From the filth and the fury to the elegant extravaganza, `Peter Gravelle', the many named photographer, has remained in the shadows of punk rock, low culture and high fashion, deflecting attention while steadily producing an epic body of iconic work. The Death of Photography is a tour de force, a high end art book showcasing forty years of the best punk, fashion and portraiture of Gravelle's career. Heavily stylised images are woven together with Gravelle's own fascinating recollections from a live lived in technicolour.
The first book ever produced with full access the Pink Floyd archive. Published to accompany the V&A's major summer exhibition, Pink Floyd: Their Mortal Remains, celebrates 50 years of one of the greatest bands of all time. Five essays tackle different aspects of their far-reaching legacy in music and the visual arts. Authors including Jon Savage, Howard Goodall and Rob Young examine what makes the band truly special, from the mythology underpinning their output, through to their experimentation with technology to create new sounds. their epic staging and performance impact will also be explored, along with the anti-authoritarianism that infuses their lyrics.The book is heavily illustrated throughout, emphasizing the essential role that visual material played in supporting the music and creating the lasting Pink Floyd phenomenon.
Part reference book, part history, and part road map to the connectivity of popular music, this book is a must for all rock `n' roll fans as it brings together a compilation of over two hundred genres of rock music-an entertaining, enlightening, knotty family tree of America's favorite musical genre. In the six decades since rock 'n' roll stole America's soul, the single genre has produced over two hundred sub-genres. The days of being able to walk in to a Tower Records and seek out recommendations from an aloof, all-knowing staffer has been relegated to a long-lost Generation X paradise preserved in John Hughes films. From iTunes to Spotify, listeners now regularly turn to algorithms instead of human advice to develop relationships with the music they love. The essential companion for any rock lover's collection-be it on vinyl or Spotify playlists-Appetite for Definition breaks down algorithms into their human stories and interconnected histories. It provides and pulls up recommendations from a deeper well of consideration and gives you the tools to do the same. Operating on a macro level it surveys the myriad microlevel movements into an accessible map that readers can use to navigate the vast, craggy terrain of rock music and take their rock knowledge-whether casual or obsessive-to the next level.
When he emerged from the nightclubs of Greenwich Village, Bob Dylan was often identified as a "protest" singer. As early as 1962, however, Dylan was already protesting the label: "I don't write no protest songs," he told his audience on the night he debuted "Blowin' in the Wind." "Protest" music is largely perceived as an unsubtle art form, a topical brand of songwriting that preaches to the converted. But popular music of all types has long given listeners food for thought. Fifty years before Vietnam, before the United States entered World War I, some of the most popular sheet music in the country featured anti-war tunes. The labor movement of the early decades of the century was fueled by its communal "songbook." The Civil Rights movement was soundtracked not just by the gorgeous melodies of "Strange Fruit" and "A Change Is Gonna Come," but hundreds of other gospel-tinged ballads and blues. In Which Side Are You On, author James Sullivan delivers a lively anecdotal history of the progressive movements that have shaped the growth of the United States, and the songs that have accompanied and defined them. Covering one hundred years of social conflict and progress across the twentieth century and into the early years of the twenty-first, this book reveals how protest songs have given voice to the needs and challenges of a nation and asked its citizens to take a stand - asking the question "Which side are you on?"
This long-awaited treatise on Montrose and Gamma is first and foremost the story of the five Montrose and four Gamma records, their making and baking, the hirings and firings, the superlative delivery live. Within the detailed analysis, one of course gets to celebrate with the author Montrose classics like `Rock the Nation', `Make it Last', `Rock Candy', `Bad Motor Scooter', `I Got the Fire', `Matriarch' and `Jump on It', along with the entirety of the Gamma years, including the top-shelf Gamma 2, an album Popoff considers the equal to the earth-shattering first Montrose album of 1973. But there's a darker turn to this extensive tribute as well, as we look at Ronnie's shocking suicide in 2012, before we correct the record, so to speak, looking at his legacy as articulated by those who played with him and knew him best. All told, it's a rough ride, with unsettling doses of negativity, but once our tale winds down, there are more than enough lessons on creativity to satisfy any lover of the arts, particularly those centred around the type of six-string mayhem cooked up by the hero of our story, Ronnie Montrose.
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