The Ozzy Osbourne story--as told by Bob Daisley, Lee Kerslake, Tommy Aldridge, Bernie Torme, Brad Gillis, Steve Vai, Phil Soussan, Carmine Appice, and many, many more Until 1978 the original and definitive heavy metal band Black Sabbath was fronted by the irrepressible Ozzy Osbourne. With Osbourne at the helm, Black Sabbath sold tens of millions of albums. When he finally broke away to fly solo Ozzy would achieve the unthinkable. Not only would he deliver one of the seminal Rock records ever crafted to mark his resurrection but he also used it as a career making catalyst that would see him trounce his former band mates and evolve into a cult icon. Along the way Ozzy displayed an enviable knack of choosing a series of groundbreaking guitarists such as Randy Rhoads, Jake E. Lee, and Zakk Wylde. There would also be the unsung heroes such as songwriter extraordinaire Bob Daisley and a series of world renowned bassists, drummers and keyboard players. This then is the story of the Ozzy Osbourne band--in their own words and detailed exclusively here for the first time. Chronicled with first-hand interviews, this is the real story of the first prototype Blizzard of Ozz band, how Ozzy met Randy Rhoads, the painful saga of Rhoads' replacement Bernie Torme and the torturous audition processes for successive guitarists and drummers told by both successful and unsuccessful candidates.

Following the outstanding success of book 1, Popular Voiceworks 2 is a second collection of jazzy and popular songs in the highly practical Voiceworks format. Packed with songs in a huge range of styles, the collection provides exciting new material written by the authors as well as choral arrangements of favourites such as 'Ain't no stoppin' us now', 'Feelin' good', and 'Bang the drum all day'. The accompanying CDs include stylish performances of all the songs, together with backings for most. This all adds up to a fabulous resource for all young and young-at-heart singing groups!

A richly illustrated 160-page chronicle of pop's greatest exponent of style. This visual examination of a celebrated multi-faceted career documents the impact of David Bowie on twentieth-century fashion and culture, brilliantly capturing his spatial odyssey from dedicated follower to supreme arbiter of rock chic. As the book says, 'Bowie's "style" has always amounted to more than clothes, hair and cosmetics. Style, for Bowie, is inextricable from art...it is less a flight from reality than an entire way of life.' The range of photographs is staggering. From his humble Brixton beginnings to the classy pop icon in the last quarter of the old millennium (every year from 1962 to 1999 is amply represented), the book shows a changing glamour gallery of Bowies down the years, all different and yet somehow all unified by an unerring grasp of Style with a capital S. Whether it's on-stage with The King Bees in the Sixties, off-stage at Haddon Hall in the Seventies, on-stage (again) with Iggy Pop in the Eighties, or back-stage with Morrissey in the Nineties, Steve Pafford, editor of the UK's 'Crankin' Out' Bowie fan club magazine (PO Box 3268, London NW6 4NH), has unearthed some fascinating pix. There are close to 500 images in BowieStyle, an all-time high, and around 40% are guaranteed previously unseen. There's also an exclusive two-page interview with photographer Mick Rock, contributions from ex-manager Ken Pitt, as well as previously unpublished extracts of Crankin' Out's interviews with collaborator Tony Visconti, clothes designer Natasha Kornilof and Manish Boy Bob Solly. The informed, incisive text and picture captions are also littered with quotes from David himself, compiled from various media interviews conducted over the years, as well as his chats with Crankin' Out, which appear in print for the very first time.

The Real Books are the best-selling jazz books of all time. Since the 1970s, musicians have trusted these volumes to get them through every gig, night after night. The problem is that the books were illegally produced and distributed without any copyrights or royalties paid to the master composers who created these musical canons. Hal Leonard is very proud to present the first legitimate and legal editions of these books ever produced. You won't even notice the difference...the covers look the same, the engravings look the same, the songlist is nearly identical, and the price remains fair even on a musician's salary! But every conscientious musician will appreciate that these books are now produced legally and ethically, benefitting the songwriters that we owe for some of the greatest music ever written! 400 songs, including: Air Mail Special * Birdland * Bye Bye Blackbird * Caravan * Doxy * Fly Me to the Moon (In Other Words) * Georgia * Girl Talk * I Remember You * I Thought About You * In Walked Bud * The Jodi Grind * Just the Way You Are * Killer Joe * Little Sunflower * Mercy, Mercy, Mercy * Moanin' * The Nearness of You * Now's the Time * Old Devil Moon * Phase Dance * St. Thomas * Speak Low * Stardust * Tangerine * Tenor Madness * Watch What Happens * Whisper Not * Willow Weep for Me * Yardbird Suite * and more.

With an emphasis on music, this definitive, lavishly illustrated book celebrates beloved living legend Tony Bennett. Tony Bennett, at the age of 92, continues to connect to people everywhere through the magic of his music. He's the quintessential interpreter of the Great American songbook, and recipient of numerous awards and honors, including 18 Grammys(R) and the Grammy Lifetime Achievement Award, two Emmys(R), and the first interpretive singer to receive the Library of Congress Gershwin Prize. Here, Tony, along with radio host, jazz expert, and close friend Dick Golden, reflects on the most important themes, influences, and inspirations that have informed his lifelong creative work, with a focus on music. This beautiful book--a follow-up to Tony Bennett: In the Studio (2007), which celebrated his prolific art career--features a foreword by award-winning singer Michael Bubl ; a preface by Danny Bennett; more than 140 images, including photographs, personal memorabilia, album covers, notes, and artwork; as well as essays from celebrated friends and colleagues, making it an essential keepsake for all Bennett fans.

For the past 50 years, the covers of Rolling Stone have depicted the icons of popular culture-from John Lennon, Bob Dylan, the Rolling Stones, Madonna, and Steve Martin to Rihanna, Louis C.K., Adele, Radiohead, and Barack Obama-cementing their legendary and influential status within popular culture. No other magazine has the illustrious history and prestige of having defined popular culture from the birth of rock and roll to the present. This fantastic collection is newly revised and updated to include the covers from all 50 years of Rolling Stone history. With an updated introduction by Jann S. Wenner as well as new excerpts from the magazine and quotes from photographers and their celebrity subjects, this nostalgic journey down the memory lane of music, entertainment, and politics is irresistible.

(Book). In 1964-1965, Larry Kane was the only American reporter, broadcast or newspaper, to travel with the Fab Four on every stop of their North American tour. In Ticket to Ride, Kane tells the story of what it was like to literally live with the four young men who would leave an indelible mark on contemporary music. Weaving in the voices of the Beatles themselves and covering the electrifying action of the road-the performances, the mischief, and all the players who cropped up along the way during those key years that catapulted the Beatles to major success Ticket to Ride is unlike any other book on the Beatles. The story is told from the perspective of a seasoned journalist, who at the time of the tour was just coming into his own in a nation that was bracing for the Vietnam War, the civil rights movement, and a radical shift in rock-and-roll music. Twenty-one and eager to cover "big news," Kane unknowingly was in the process of covering one of the biggest music events in history. Ticket to Ride is an inside account of these exciting years during the career of the band that redefined rock and roll. A must-have for Beatles fans, this paperback edition includes a foreword by the legendary Dick Clark, a CD of bonus interview material, rare photographs, and an appendix detailing tour schedules.

"Buffy Sainte-Marie is an icon and inspiration. This book is necessary--an authorized insight into the making of a legend." --Terese Marie Mailhot, author of Heart Berries A powerful, intimate look at the life of a beloved folk icon and activist. Folk hero. Songwriter icon. Living legend. Buffy Sainte-Marie is all of these things and more. In this, Sainte-Marie's first and only authorized biography, music critic Andrea Warner draws from more than sixty hours of exclusive interviews to offer a powerful, intimate look at the life of the beloved artist and everything that she has accomplished in her seventy-seven years (and counting). Since her groundbreaking debut, 1964's It's My Way!, the Cree singer-songwriter has been a trailblazer and a tireless advocate for Indigenous rights and freedoms, an innovative artist, and a disruptor of the status quo. Establishing herself among the ranks of folk greats such as Joni Mitchell and Bob Dylan, she has released more than twenty albums, survived being blacklisted by two U.S. presidents, and received countless accolades, including the only Academy Award ever to be won by a First Nations artist. But this biography does more than celebrate Sainte-Marie's unparalleled talent as a songwriter and entertainer; packed with insight and knowledge, it offers an unflinchingly honest, heartbreakingly real portrait of the woman herself, including the challenges she experienced on the periphery of showbiz, her healing from the trauma of childhood and intimate partner violence, her commitment to activism, and her leadership in the protest movement.

The Beatles. The Beach Boys. Blur, Bowie, Kylie Minogue, Kate Bush and Coldplay. EMI was one of the big four record companies, with some of the biggest names in the history of recorded music on its roster. Dominating the music industry for over 100 years, by 2010 EMI Group had reported massive pre-tax losses. The group was divided up and sold in 2011. How could one of the greatest recording companies of the 20th century have ended like this? With interviews from insiders and music industry experts, Eamonn Forde pieces together the tragic end to a financial juggernaut and a cultural institution in forensic detail. The Final Days of EMI: Selling the Pig is the story of the British recording industry, laid bare in all its hubris and glory.

a-ha has sold millions of albums and singles during an illustrious musical career.From topping the charts around the world with debut single 'Take On Me' in 1985 to a hugely successful farewell tour in 2010, a-ha has touched the lives of many.When the band confirmed its comeback, at a Berlin press conference in March 2015, it was the perfect ending - as well as a new beginning - for Living A Fan's Adventure Tale.Fans from around 50 different countries have been willing to share their wide and varied memories of following the band for this book, in a celebration of what has made a-ha so popular across the globe for three decades.With other contributions from musical collaborators and journalists who have interviewed the band, and academics in fandom, this is a thorough study into the career of the three Norwegians, lavishly illustrated throughout with fans snapshots and personal photos of the band.Living A Fan's Adventure Tale gets to the heart of what it really means to be a fan and is a must-read for all devotees as it puts into words why a-ha endures in the minds of millions of people. The passion conveyed by so many in Living A Fan's Adventure Tale will change your mindset forever.Author Greg Lansdowne has been a writer and communications professional for more than 20 years, and a fan of a-ha for much longer. He published his own cricket magazine, Big Hitter, and his most recent book was a well-received history of football stickers: Stuck On You: The Rise & Fall...& Rise Of Panini Stickers.Living A Fan's Adventure Tale is Lansdowne's first book on music and is published to coincide with the band's 2016 European tour that once again will see them playing to thousands of devoted fans.

" ...style and fashion mattered greatly, were central to their presentation, and I became fascinated with them I discovered what I believed was a subculture of chic and I thought it merited a story." - Baron Wolman. The 1960s witnessed a huge cultural revolution. Music was at the heart of a new generation's rallying cry for love, peace and harmony - from small clubs to giant festivals like Woodstock. With men predictably dominating as musicians and performers, the women and girls backstage started to explore their own forms of liberation and self-expression. They became better known as the Groupies - offering their allegiance to the music, and the artists who made it. On February 15, 1969 Rolling Stone magazine released a Special Super-Duper Neat Issue called 'THE GROUPIES and Other Girls' featuring the work of their chief photographer, Baron Wolman. It would turn out to be a sensational milestone, making instant celebrities of the women featured. With this single issue, the Groupies had arrived. They emerged as extraordinary women, whose lifestyles divided opinion and remain controversial.Some became models, actresses, writers, artists and musicians - the GTOs, the original "Groupie band" admired and encouraged by Frank Zappa, is featured here. Others fell into obscurity. Now, over 45 years later, ACC and Iconic Images are proud to publish the photographs of Baron Wolman in a single volume. Groupies and Other Electric Ladies features more than 150 images, including previously unseen out-takes and contact sheets, and comes complete with the original Rolling Stone text, as well as interviews with several of the women today.

If The Kinks' "Waterloo Sunset" had been released under its original title, "Liverpool Sunset", would it have had the same impact? Was "Greensleeves" really written by Henry VIII? And how did The White Stripes' "Seven Nation Army" become globally adopted as a football chant? Like its bestselling predecessor, THE LIFE OF A SONG VOLUME 2 contains the stories of 50 songs, originally published in FT Weekend, that unearth each song's biography. These are also the stories of how songs took on new life following their release: how, for instance, "Wild Thing" helped launch the career of Jimi Hendrix in America. Packed with intriguing factoids, these bite-sized essays will delight music lovers and send you scurrying back to listen to the songs in all their beauty and mystery.

Rory Gallagher is revered as one of the world's greatest guitarists. He bounded across the stage with the swagger of a rock star, but offstage he was a shy, unassuming man. There were no wild parties, no marriages and divorces. His short life shifted between the bright lights of his success and the darkness of personal struggle. Gallagher was a multi-instrumentalist, songwriter, singer and champion of blues music. His career began in an Irish showband, followed by four years as the central talent of Taste, one of the great Irish bands. He went on to even greater fame as a solo artist in the 1970s. Gallagher was dedicated to a steadfast musical vision, one that continues to burn brilliantly in rock history. Drawing on extensive interviews, Julian Vignoles casts new light on the familial, musical and other influences that inspired Gallagher, and on the complex personality that drove his career. He reassesses Gallagher's songwriting, often overlooked because of his dexterity as a guitarist. Crucially, Vignoles shows how many songs speak eloquently - and poignantly - about the person who penned them. Meticulously researched, this portrait is the insightful biography that Rory Gallagher deserves, as revelatory for his legions of loyal fans as for curious rock and blues enthusiasts.

_______________________ `Astonishing, soul-baring - the must-read memoir by rock's greatest survivor' DAILY MAIL ***The full, dramatic story of one of the most remarkable women in music history, celebrating Tina Turner's 60th year in the industry*** 'Unbearably poignant' THE TIMES, Book of the Week A MAIL ON SUNDAY BOOK OF THE YEAR _______________________ Love's got everything to do with it. Tina Turner is the Queen of Rock `n' Roll, a musical icon celebrating her 60th year in the industry. In this dramatic autobiography, she tells the story of a truly remarkable life in the spotlight. From her early years picking cotton in Nutbush, Tennessee to her rise to fame alongside Ike Turner, and finally to her phenomenal success in the 1980s and beyond, Tina candidly examines her personal history, from her darkest hours to her happiest moments and everything in between. In her honest and heart-felt voice, Tina reveals: * How (love) and a kidney transplant saved her life - and how her new husband made an incredible personal sacrifice * How she has coped with the tragic suicide of her son * How ex-husband Ike Turner forced her to go to a brothel on their wedding night... and why she tried to kill herself because of Ike's mistresses * The Cinderella moment when David Bowie made Tina a star ... * ...and the day Mick Jagger ripped her skirt off! AND MUCH MORE Brimming with her trademark blend of strength, energy, heart and soul, My Love Story is a gripping, surprising memoir, as memorable and entertaining as any of her greatest hits. _______________________ 'The book is written with a warm heart and a generous spirit... It is a thoughtful, moving reflection on a life of spectacular achievement' DAILY EXPRESS `Turner comes across as courageous, optimistic, big-hearted and generous' SUNDAY TIMES `Fascinating, dramatic, surprising' OK! MAGAZINE 'An honest, thoughtful and touching reflection on a full and fulfilling life' SUNDAY EXPRESS

Bob Dylan's ways with words are a wonder, matched as they are with his music and verified by those voices of his. In response to the whole range of Dylan early and late (his songs of social conscience, of earthly love, of divine love, and of contemplation), this critical appreciation listens to Dylan's attentive genius, alive in the very words and their rewards.

"Fools they made a mock of sin." Dylan's is an art in which sins are laid bare (and resisted), virtues are valued (and manifested), and the graces brought home. The seven deadly sins, the four cardinal virtues (harder to remember?), and the three heavenly graces: these make up everybody's world -- but Dylan's in particular. Or rather, his worlds, since human dealings of every kind are his for the artistic seizing. Pride is anatomized in "Like a Rolling Stone," Envy in "Positively 4th Street," Anger in "Only a Pawn in Their Game" ... But, hearteningly, Justice reclaims "Hattie Carroll," Fortitude "Blowin' in the Wind," Faith "Precious Angel," Hope "Forever Young," and Charity "Watered-Down Love."

In The "New Yorker, Alex Ross wrote that "Ricks's writing on Dylan is the best there is. Unlike most rock critics -- 'forty-year-olds talking to ten-year-olds, ' Dylan has called them -- he writes for adults." In the "Times (London), Bryan Appleyard maintained that "Ricks, one of the most distinguished literary critics of our time, is almost the only writer to have applied serious literary intelligence to Dylan ..."

Dylan's countless listeners (and even the artist himself, who knows?) may agree with W.H. Auden that Ricks "is exactly the kind of critic every poet dreams of finding."

Is It Still Good to Ya? sums up the career of longtime Village Voice stalwart Robert Christgau, who for half a century has been America's most widely respected rock critic, honoring a music he argues is only more enduring because it's sometimes simple or silly. While compiling historical overviews going back to Dionysus and the gramophone along with artist analyses that range from Louis Armstrong to M.I.A., this definitive collection also explores pop's African roots, response to 9/11, and evolution from the teen music of the '50s to an art form compelled to confront mortality as its heroes pass on. A final section combines searching obituaries of David Bowie, Prince, and Leonard Cohen with awed farewells to Bob Marley and Ornette Coleman.

The glamour, the parties, the excess, the highs: and, of course, the lows. The life of an international DJ playing at the most exotic destinations worldwide, in the most precarious of psychic circumstances, is rich to the point of toxicity. A globally-known DJ choosing to keep his identity secret takes us on a journey into the heart of life lived in the hedonistic fast lane of club culture for 30 years. Whether playing to 10,000 fans in Ibiza or in a local pub function room, this is a cautionary tale for the rave generation whose days of pills, thrills, and bellyaches are behind them. It may, as well, contain advice: though we cannot advise that it is always followed.

This book is not an instruction manual - more a cautionary tale that may illuminate anyone who has harboured ambition to pack a dancefloor...