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Hel Toe En Terug vertel die geskiedenis van die oorlog binne die bestek van minder as 170 bladsye en is ingedeel in agt afdelings, elk toegelig met uitsonderlike foto's en toepaslike kaarte. Een afdeling word in die besonder gewy aan Suid-Afrika se deelname aan die oorlog.
Die Groot Oorlog (1914-1918), soos wat die Eerste Wêreldoorlog oorspronklik bekend gestaan het, was waarlik in elke opsig enorm. Nie net het dit tot die dood van nagenoeg tien miljoen soldate gelei nie, dit was tot in daardie stadium ook die omvangrykste oorlog waarby sowat 80 miljoen mense van verskeie lande betrek is. Boonop is nagenoeg 9 miljoen mense permanent vermink, 12 miljoen is ernstig gewond en byna 8 miljoen is krygsgevange geneem.
Louis Scott, 'n historikus en bekende inwoner van Polokwane, se boek oor dié oorlog, Hel Toe En Terug: Die Eerste Wêreldoorlog, 'n honderd jaar later, het pas verskyn - betyds vir die honderdjarige herdenking van dié verwoestende oorlog. Dit bied vir die eerste keer in Afrikaans 'n omvattende geskiedenis van dié oorlog.
The enthralling new novel from the 10-million-copy, No. 1 bestselling author.
When her husband returns shell-shocked and broken from the Great War and his mother makes her life a misery, Betty Wellow discovers how bitter and hard life can truly be. But it is not until a devastating storm sweeps through their small fishing village and endangers her life, that she sees her chance to escape – and takes it.
Fleeing to Bristol, she changes her name to Mabel Brook and takes a position as a maid. But tragedy strikes once more after the sudden death of her mistress and she is cast back onto the streets. Penniless and alone Mabel suffers a brutal attack before being rescued by a psychic named Nora Nightingale. There she gets her first taste of those who receive messages from the dead and realises she may have this gift herself.
But it isn’t long before Mabel receives her own message and is forced back to the very place she has escaped. A place of heartbreak and perhaps even murder – but Mabel realises that to secure her future she must confront her past one last time.
Heart-pounding, exhilarating and ever suspenseful, Lesley Pearse’s You’ll Never See Me Again is a tale of one woman’s fight to find her destiny.
A fresh, nuanced look at an extraordinary woman and her lifelong fight for justice. Defying the constraints of her gender and class, Emily Hobhouse travelled across continents and spoke out against oppression. A passionate pacifist and a feminist, she opposed both the 1899-1902 Anglo-Boer War and World War One, leading to accusations of treason. Elsabe Brits travelled in her footsteps to bring to life a colourful story of war, heroism and passion, spanning three continents.
As kampvegter vir vrouestemreg en in haar uitgesproke teenkanting teen onreg is Emily Hobhouse ’n ikoon wat vandag nog inspireer. Ontdek die onbekende sy van ’n verbasend moderne vrou in hierdie volkleur pragboek propvol foto’s, interessante dagboekinskrywings en briewe. So gee sy ’n genuanseerde, vars blik op ’n buitengewone vrou wat voortdurend in die spervuur was. Van kleintyd het Emily haar verset teen haar lot. Vir vroue was daar min geleenthede en sy moes boonop haar siek pa oppas. Tog raak sy wereldwyd betrokke by die stryd teen onreg en oorlog. In twee oorloe het sy duisende lewens gered, en tog is sy – ’n ware patriot – in haar eie land onbekend en alleen dood.
Posterity has not been kind to Douglas Haig, the commander of the British Expeditionary Force on the Western Front for much of the First World War. Haig has frequently been presented as a commander who sent his troops to slaughter in vast numbers at the Somme in 1916 and at Passchendaele the following year. The Good Soldier re-examines Haig's record in these battles and presents his predicament with a fresh eye. More importantly, it re-evaluates Haig himself, exploring the nature of the man, turning to both his early life and army career before 1914, as well as his unstinting work on behalf of ex-servicemen's organizations after 1918. Finally, in this definitive biography, the man emerges from the myth.
A new illustrated story celebrating the poppy's history. Michael Morpurgo and Michael Foreman have teamed up with the Royal British Legion to tell an original story that explains the meaning behind the poppy.In Flanders' fields, young Martens knows his family's story, for it is as precious as the faded poem hanging in their home. From a poor girl comforting a grieving soldier, to an unexpected meeting of strangers, to a father's tragic death many decades after treaties were signed, war has shaped Martens's family in profound ways - it is their history as much as any nation's. They remember. They grieve. They honour the past. This book also includes a full-colour, illustrated afterword that explains the history that inspired the story.
The enthralling new novel from the 10-million-copy No. 1 bestselling author. You have to keep running if you want to survive . . . When her husband returns shell-shocked and broken from the Great War and his mother makes her life a misery, Betty Wellow discovers how bitter and hard life can truly be. But it is not until a devastating storm sweeps through their small fishing village and endangers her life, that she sees her chance to escape - and takes it. Fleeing to Bristol, she changes her name to Mabel Brook and takes a position as a maid. But tragedy strikes once more after the sudden death of her mistress and she is cast back on to the streets. Penniless and alone, Mabel suffers a brutal attack before being rescued by a psychic named Nora Nightingale. She gets her first taste of those who receive messages from the dead and realizes she may have this gift herself. But it isn't long before Mabel receives her own message and is forced back to the very place she has escaped. A place of heartbreak and perhaps even murder - but to secure her future Mabel must confront her past one last time. Heart-pounding, exhilarating and ever suspenseful, Lesley Pearse's You'll Never See Me Again is a tale of one woman's fight to find her destiny. _____________ Praise for Lesley Pearse 'Storytelling at its very best' Daily Mail 'Evocative, compelling, told from the heart' Sunday Express 'Glorious, heart-warming' Woman & Home
Die boek gee 'n voelvlugoorsig van die vier Suid-Afrikaanse kolonies gedurende die Eduardiaanse tydperk van 1902–1910. Die tydperk word deur Karel Schoeman beskou as die “hoogtepunt van die hele Imperiale gedagte” wat uiteindelik met die uitbreek van die Eerste Wereldoorlog sou eindig. Die klem val egter nie op die politieke besluite en ontwikkelinge nie, maar op die persoonlikhede van leiers- en ander figure, die omstandighede in die vier kolonies met hulle stede en dorpe, belangrike sosiale gebeurtenisse, die aanloop tot unifikasie in 1910 en die uitwerking van die belangrike naturelle grond-wet van 1913 op die lewenswyse van swart mense direk na Uniewording. Kort maar insiggewende tiperings word gegee van persoonlikhede so uiteenlopend soos oudpresident Steyn, Lord Milner, die dramaturg Stephen Black, die bendeleier Robert Foster, die avontuurlustige Mrs Edith Maturin en die deelsaaier Kas Maine. Ruim aanhalings uit verskillende bronne verlewendig die bespreking van alledaagse omstandighede op verskillende plekke in wat later die Unie van Suid-Afrika sou wees, soos die sketse van Jacob Lub oor die lewenswyse in Johannesburg, die setlaar Leonard Flemming se boeke oor sy eensame bestaan op 'n afgelee Vrystaatse plaas, en die talle verwysings na riksjas in die reisbeskrywings van besoekers aan Durban. Besonder boeiend is ook die hoofstukke oor die rol van Joodse smouse en handelaars in onder andere die volstruisveerbedryf en die toestande in die inrigting vir melaatses op Robbeneiland. Talle anekdotes en klein kameebeskrywings maak van Imperiale somer 'n besonder interessante leeservaring. Die boek word toegelig met ruim fotoseksies wat 'n visuele beeld van die era gee.
From the bestselling, award-winning author of SKELLIG comes a vivid and moving story, beautifully illustrated, which commemorates the hundred-year anniversary of the end of the First World War. "I am just a child," says John. "How can I be at war?" It's 1918, and war is everywhere. John's dad is fighting in the trenches far away in France. His mum works in the munitions factory just along the road. His teacher says that John is fighting, too, that he is at war with enemy children in Germany. One day, in the wild woods outside town, John has an impossible moment: a meeting with a German boy named Jan. John catches a glimpse of a better world, in which children like Jan and himself can come together, and scatter the seeds of peace. Gorgeously illustrated by David Litchfield, this is a book to treasure.
In the autumn of 1914 Europe was at war. The battling powers had already suffered casualties on a scale previously unimaginable. On both the Western and Eastern fronts elaborate war plans lay in ruins and had been discarded in favour of desperate improvisation. In the West this resulted in the remorseless world of the trenches; in the East all eyes were focused on the old, beleaguered Austro-Hungarian fortress of Przemysl. The great siege that unfolded at Przemysl was the longest of the whole war. In the defence of the fortress and the struggle to relieve it Austria-Hungary suffered some 800,000 casualties. Almost unknown in the West, this was one of the great turning points of the conflict. If the Russians had broken through they could have invaded Central Europe, but by the time the fortress fell their strength was so sapped they could go no further. Alexander Watson, prize-winning author of Ring of Steel, has written one of the great epics of the First World War. Comparable to Stalingrad in 1942-3, Przemysl shaped the course of Europe's future. Neither Russians nor Austro-Hungarians ever recovered from their disasters. Using a huge range of sources, Watson brilliantly recreates a world of long-gone empires, broken armies and a cut-off community sliding into chaos. The siege was central to the war itself, but also a chilling harbinger of what would engulf the entire region in the coming decades, as nationalism, anti-semitism and an exterminatory fury took hold.
A wartime romance, survival saga and murder mystery set in rural France during the First World War, from the bestselling author of `Operation Mincemeat' and `Agent Zig-Zag'. Four young British soldiers find themselves trapped behind enemy lines at the height of the fighting on the Western Front in August 1914. Unable to get back to their units, they shelter in the tiny French village of Villeret, where they are fed, clothed and protected by the villagers, including the local matriarch Madame Dessenne, the baker and his wife. The self-styled leader of the band of fugitives, Private Robert Digby, falls in love with the 20-year-old-daughter of one of his protectors, and in November 1915 she gives birth to a baby girl. The child is just six months old when someone betrays the men to the Germans. They are captured, tried as spies and summarily condemned to death. Using the testimonies of the daughter, the villagers, detailed town hall records and, most movingly, the soldiers' last letters, Ben Macintyre reconstructs an extraordinary story of love, duplicity and shame - ultimately seeking to discover through decades of village rumour the answer to the question, `Who betrayed Private Digby and his men?' In this new updated edition the mystery is finally solved.
In the winter trenches and flak-filled skies of World War I, captured soldiers and pilots narrowly avoided death only to find themselves imprisoned in Germany's archipelago of brutal POW camps. After several unsuccessful escapes, a group of Allied prisoners of Holzminden - Germany's land-locked Alcatraz- hatched the most elaborate escape plan yet known. With ingenious engineering, disguises, forgery and courage, their story would electrify Britain in some of its darkest hours of the war. Drawing on never-before-seen memoirs and letters, Neal Bascomb brings this little-known story narrative to life amid the despair of the trenches and the height of patriotic duty.
Although the Royal Navy did not invent the submarine, Norman Friedman's new book demonstrates how innovative the service was, to an extent which few will recognise. Its submarines performed well in combat in both world wars, and often in unheralded ways. Few will be aware that in 1914 Britain had the largest submarine fleet in the world, and that at the end of World War I it had some of the largest and most unusual of all submarines - whose origins and design are all detailed. During the First World War they virtually closed the Baltic to German iron ore traffic, and they helped block supplies to the Turkish army fighting at Gallipoli. British submarines were a major element in the North Sea battles, and they helped fight the U-boat menace. These roles led on to British submarine operations in World War II. Readers will be aware of the role of US submarines in strangling Japan, but perhaps not how British submarines in the Mediterranean fought a parallel costly but successful battle to strangle the German army in North Africa. Like their US counterparts, interwar British submariners were designed largely with the demands of a possible Pacific War, although that was not the war they fought. And the author shows how the demands of such a war, which would be fought over vast distances, collided with interwar British Government attempts to limit costs by holding down the size (and numbers) of submarines. It says much about the ingenuity of British submarine designers that they managed to meet their requirements despite enormous pressure on submarine size. As in other books in this series, the author demonstrates how a combination of evolving strategic and tactical requirements and evolving technology produced successive types of design. The Royal Navy was always painfully aware of the threat enemy submarines posed, and British submariners contributed heavily to the development of British anti-submarine tactics and technology, beginning with largely unknown efforts before the outbreak of World War I. Between the Wars British submariners exploited the new technology of sonar (Asdic), both to find and attack enemies and to avoid being attacked themselves. As a result, they pioneered submarine silencing, with important advantages to the US Navy as it observed the British. And it was a British submarine that pioneered the vital postwar use of submarines as anti-submarine weapons, sinking a U-boat while both were submerged. This feat was unique. Heavily illustrated with photos and original plans, this new volume from Norman Friedman, incorporating so much original analysis, will be eagerly awaited by naval historians and enthusiasts everywhere.
Selection of more than 300 letters published by The Times newspaper between 1914 and 1918, as its readers and the nation alike endured the ordeal of the First World War. Much of the correspondence relates to the conflict - the news, or absence of news, from the trenches and the sacrifices being made on the Home Front. Celebrated politicians and the man on the Clapham omnibus both responded to the horrors of gas and the slaughter on the Somme. Yet it was at this time, too, that the newspaper's famous letters page began to take on its distinctive nature, finding room for off-beat or humorous topics and writers who held up a mirror to Britain's character and its changing moods. Among those who wrote to The Times during the war were many of the most notable figures of the era, such as Arthur Conan Doyle, HG Wells, Millicent Fawcett, Edith Wharton, Nancy Astor, Edith Cavell, David Lloyd George and Winston Churchill. With insights and opinion on diverse subjects such as; * the Russian Revolution * Women's suffrage * the first Zeppelin raids * the rearing of guinea fowl for shooting Great War Letters shines a light on the world of a century ago at the very moment in time that it was about to change forever.
There could be no truer witness to the enormity of the First World War, and its terrible cost in lives, than the memorials and war cemeteries along the old Western Front. In Canada, no less than in the other Dominions of the British Empire, the war left a conflicting legacy of pride and sorrow that endures to this day. The soaring Vimy Memorial, the Brooding Soldier, and the monuments honouring Canada's significant contribution to the Allied victory symbolize the spirit of shared sacrifice and nationhood that emerged from the crucible of the war; but alongside this official commemoration there exists a poignant, strangely overlooked, record of the grief and search for consolation among the Canadian populace in the years after the Armistice. This has come down in the personal inscriptions which the Imperial War Graves Commission invited next of kin to have engraved on the headstones of the fallen. Simple, heartfelt, often gems of compression, these farewells preserve the voice of Canada's bereaved, the parents, the wives, the children, who were left to mourn and to seek meaning and comfort in their loss. This book offers an anthology of epitaphs drawn from the war cemeteries where Canadian soldiers lie buried in Flanders and France. Photographs and war art will transport readers to the sites, and each chapter will review the sources and themes of the epitaphs to establish their place in the national memory of the First World War. And while of particular interest to Canadian readers, the close cultural affinity between Great Britain and the English-speaking Dominions should make these epitaphs accessible and relevant to readers whose countries were as profoundly affected by the ordeal of 1914-1918.
In a sweeping narrative, David Olusoga describes how Europe's Great War became the World's War - a multi-racial, multi-national struggle, fought in Africa and Asia as well as in Europe, which pulled in men and resources from across the globe. Throughout, he exposes the complex, shocking paraphernalia of the era's racial obsessions, which dictated which men would serve, how they would serve, and to what degree they would suffer. As vivid and moving as it is revelatory and authoritative. The World's War explores the experiences and sacrifices of 4 million non-European, non-white people whose stories have remained too long in the shadows.
The Amazon History Book of the Year 2013 is a magisterial chronicle of the calamity that befell Europe in 1914 as the continent shifted from the glamour of the Edwardian era to the tragedy of total war. In 1914, Europe plunged into the 20th century's first terrible act of self-immolation - what was then called The Great War. On the eve of its centenary, Max Hastings seeks to explain both how the conflict came about and what befell millions of men and women during the first months of strife. He finds the evidence overwhelming, that Austria and Germany must accept principal blame for the outbreak. While what followed was a vast tragedy, he argues passionately against the `poets' view', that the war was not worth winning. It was vital to the freedom of Europe, he says, that the Kaiser's Germany should be defeated. His narrative of the early battles will astonish those whose images of the war are simply of mud, wire, trenches and steel helmets. Hastings describes how the French Army marched into action amid virgin rural landscapes, in uniforms of red and blue, led by mounted officers, with flags flying and bands playing. The bloodiest day of the entire Western war fell on 22 August 1914, when the French lost 27,000 dead. Four days later, at Le Cateau the British fought an extraordinary action against the oncoming Germans, one of the last of its kind in history. In October, at terrible cost they held the allied line against massive German assaults in the first battle of Ypres.The author also describes the brutal struggles in Serbia, East Prussia and Galicia, where by Christmas the Germans, Austrians, Russians and Serbs had inflicted on each other three million casualties. This book offers answers to the huge and fascinating question `what happened to Europe in 1914?', through Max Hastings's accustomed blend of top-down and bottom-up accounts from a multitude of statesmen and generals, peasants, housewives and private soldiers of seven nations. His narrative pricks myths and offers some striking and controversial judgements. For a host of readers gripped by the author's last international best-seller `All Hell Let Loose', this will seem a worthy successor.
On a summer morning in Sarajevo a hundred years ago, a teenage assassin named Gavrilo Princip fired not just the opening shots of the First World War but the starting gun for modern history, when he killed Archduke Franz Ferdinand. Yet the events Princip triggered were so monumental that his own story has been largely overlooked, his role garbled and motivations misrepresented. The Trigger puts this right, filling out as never before a figure who changed our world and whose legacy still has an impact on all of us today. Born a penniless backwoodsman, Princip's life changed when he trekked through Bosnia and Serbia to attend school. As he ventured across fault lines of faith, nationalism and empire, so tightly clustered in the Balkans, radicalisation slowly transformed him from a frail farm boy into history's most influential assassin. By retracing Princip's journey from his highland birthplace, through the mythical valleys of Bosnia to the fortress city of Belgrade and ultimately Sarajevo, Tim Butcher illuminates our understanding both of Princip and the places that shaped him. Tim uncovers details about Princip that have eluded historians for a century and draws on his own experience, as a war reporter in the Balkans in the 1990s, to face down ghosts of conflicts past and present. The Trigger is a rich and timely work that brings to life both the moment the world first went to war and an extraordinary region with a potent hold over history.
'Fascinating, full of original material and shrewd insights ... a masterful historian of air power' Leo McKinstry, Literary Review The RAF was the world's first air force. This is the story of its founding in 1918, as a response to the new terror of aerial warfare, the struggles to keep it alive amid controversy and opposition, its crucial role in the Second World War and its unique place in Britain's history. 'Brilliantly lucid' Noel Malcolm, Daily Telegraph 'Richard Overy is to be congratulated on creating a concise exposition of the formation of the RAF ... this is a book that makes you think' Peter Hart, BBC History Magazine 'A skilful pocket history of the founding of the Royal Air Force in 1918 ... a fine introduction' Kirkus Reviews
At the height of World War I, in the winter of 1917--1918, one of the Progressive era's most successful muckracking journalists, Ray Stannard Baker (1870--1946), set out on a special mission to Europe on behalf of the Wilson administration. While posing as a foreign correspondent for the New Republic and the New York World, Baker assessed public opinion in Europe about the war and postwar settlement. American officials in the White House and State Department held Baker's wide-ranging, trenchant reports in high regard. After the war, Baker remained in government service as the president's press secretary at the Paris Peace Conference, where the Allied victors dictated the peace terms to the defeated Central Powers. Baker's position gave him an extraordinary vantage point from which to view history in the making. He kept a voluminous diary of his service to the president, beginning with his voyage to Europe and lasting through his time as press secretary. Unlike Baker's published books about Wilson, leavened by much reflection, his diary allows modern readers unfiltered impressions of key moments in history by a thoughtful inside observer.
Published here for the first time, this long-neglected source includes an introduction by John Maxwell Hamilton and Robert Mann that places Baker and his diary into historical context.
How did German intelligence agents in the First World War use dead fish to pass on vital information to their operatives? What did an advertisement for a dog in The Times have to do with the movement of British troops into Egypt? And why did British personnel become suspicious about the trousers hanging on a Belgian woman's washing line? During the First World War, spymasters and their networks of secret agents developed many ingenious - and occasionally hilarious - methods of communication. Puffs of smoke from a chimney, stacks of bread in a bakery window, even knitted woollen jumpers were all used to convey secret messages decipherable only by well-trained eyes. Melanie King retells the astonishing story of these and many other tricks of the espionage trade, now long forgotten, through the memoirs of eight spies. Among them are British intelligence officers working undercover in France and Germany, including a former officer from the Metropolitan Police who once hunted Jack the Ripper. There is also the German Secret Service officer, codenamed Agricola, who spied on the Eastern Front, an American newspaperman and an Austrian agent who disguised himself as everything from a Jewish pedlar to a Russian officer. Drawing on the words of many of the spies themselves, Secrets in a Dead Fish is a fascinating compendium of clever and original ruses that casts new light into the murky world of espionage during the First World War.
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