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Between 1914 and 1950, Ellen Biddle Shipman (1869-1950) designed more than 650 gardens, and her commissions spanned the United States, from Long Island's Gold Coast to the state of Washington. In high demand for her formal gardens and lush planting style, her elite clients included Fords, Rockefellers, Astors, and du Ponts. Shipman's imaginative approach merged elements from the Colonial Revival and Arts and Crafts movements with a distinctive ability to create sensual, secluded landscapes. In Ellen Shipman and the American Garden author Judith B. Tankard describes Shipman's remarkable life and discusses fifty of her major works, including the Stan Hywet Gardens in Akron, Ohio; Longue Vue Gardens in New Orleans; and Sarah P. Duke Gardens at Duke University. Richly illustrated with plans and photographs, this expanded and revised edition reveals Shipman's ability to combine plants for dramatic impact and create spaces of the utmost intimacy. Tankard also examines Shipman's unusual life, including a childhood on the American frontier; years in the artists' colony of Cornish, New Hampshire; and her long association with artist and architect Charles Platt. Shipman was also notable for establishing a thriving New York City practice and acting as an advocate for women in the profession, as she trained several other successful designers in her all-female office.
Turn your Paperscapes book into a work of art and the perfect gift. Featuring 50 beautiful illustrations and innovative paper design, Paperscapes New York is both a book and a lovely decoration that you can proudly display. The press-out sections allow you to reveal the outlines of each building, creating the familiar cityscape of New York. Accompanying each illustration is an authoritative and compelling description that covers the key facts and history of New York's most striking architecture, allowing readers to explore the city in a way they never have before. Watch the videos on our Paperscapes author page to see your book transform into a dazzling skyline.
Turn your Paperscapes book into a work of art and the perfect gift. Featuring 50 beautiful illustrations and innovative paper design, Paperscapes London is both a book and a lovely decoration that you can proudly display. The press-out sections allow you to reveal the outlines of each building, creating the familiar cityscape of London. Accompanying each illustration is an authoritative and compelling description that covers the key facts and history of London's most striking architecture, allowing readers to explore the city in a way they never have before. Watch the videos on our Paperscapes author page to see your book transform into a dazzling skyline.
Turn your Paperscapes book into a work of art and the perfect gift. Featuring 50 beautiful illustrations and innovative paper design, Paperscapes Paris is both a book and a lovely decoration that you can proudly display. The press-out sections allow you to reveal the outlines of each building, creating the familiar cityscape of Paris. Accompanying each illustration is an authoritative and compelling description that covers the key facts and history of Paris's most striking architecture, allowing readers to explore the city in a way they never have before. Watch the videos on our Paperscapes author page to see your book transform into a dazzling skyline.
Who defines the landscapes around us? What practices are employed as contemporary landscapes are produced? This issue argues that landscapes are made and remade through interrelations between people and the worlds around them - from geographers investigating the lives of urban wastelands to landscape architects projecting future cities, and from migrants navigating border systems to artists working with local residents. In contrast to tendencies to emphasise the physical forms of landscapes, with their potential to be redesigned and represented in drawings, this issue brings to the forefront the social constructedness of landscapes by focusing on a range of critical practices and daily actions. As conventional frames of landscape are challenged, other ways of measuring, mapping, imagining, designing, building and occupying them are revealed. For centuries, artists and designers have represented landscapes of power in paintings and have transformed them through their design proposals. But in recent years a number of researchers, designers, artists and activists have explored an expanded field of landscape, investigating populations fleeing conflict zones, reimagining cities facing ecological challenges, questioning territorial claims, and critiquing processes of urbanisation. This issue focuses on some of these individuals whose work and lives encompass a diverse range of practices, brought together through their critical redefinition of landscape relations. Contributors: Pierre Belanger, Harry Bix, Neil Brenner and Nikos Katsikis, Luis Callejas and Charlotte Hansson, James Corner, Gareth Doherty and Pol Fite Matamoros, Matthew Gandy, Christina Leigh Geros, Rania Ghosn and El Hadi Jazairy, Nina-Marie Lister, Richard Mosse, Kate Orff, Toya Peal, Neil Spiller, Tiago Torres Campos and Tim Waterman. Featured practices: Advanced Landscape and Urbanism, Design Earth, East Anglia Records, Estudio Teddy Cruz + Fonna Forman, Furtherfield, James Corner Field Operations, Larissa Fassler, LCLA office, OPSYS and SCAPE.
The perennial borders and woodland gardens Gertrude Jekyll designed for the estates of monied clients continue to inspire designers, historians, and enthusiasts today, as do her writings on the seasonal qualities of gardens. While numerous biographers, garden historians, and critics have described and analyzed Jekyll's private commissions, her public work has received little attention. "Almost Home" is the first book to address these projects by one of the world's most recognized and celebrated English garden designers.
Given the number of private gardens she created, the range of Jekyll's public projects is quite surprising--from a tuberculosis sanatorium to a village memorial for the radio operator of the Titanic to seven British war cemeteries in northern France. Perhaps even more than do her private landscapes, Jekyll's public designs reveal the garden's function as a symbol of complex themes and as an inspiration for complex emotions. They show how Jekyll's concept of the English landscape and Englishness, which she refined and promulgated in her writing and photography, could be deployed not only within the realm of everyday upper-class life, but as part of the language of health, memorial, and tribute.
This book will appeal to landscape, garden, and architectural historians for its new information, never-before-published original drawings, and details about Jekyll's collaboration with noted architects such as Herbert Baker, Charles Holden, and her fellow Arts and Crafts proponent, Edwin Lutyens.
Using a rich assortment of illustrations and biographical sketches, Peter Martin relates the experiences of colonial gardeners who shaped the natural beauty of Virginia's wilderness into varied displays of elegance. He shows that ornamental gardening was a scientific, aesthetic, and cultural enterprise that thoroughly engaged some of the leading figures of the period, including the British governors at Williamsburg and the great plantation owners George Washington, Thomas Jefferson, William Byrd, and John Custis. In presenting accounts of their gardening efforts, Martin reveals the intricacies of colonial garden design, plant searches, and experimentation, as well as the problems in adapting European landscaping ideas to local climate. The Pleasure Gardens of Virginia also brings to life the social and commercial interaction between Williamsburg and the plantations, and examines early American ideas about gracious living.
While placing Virginia's garden tradition within the larger context of that of the colonial South, Martin tells a very human story of how this art both influenced and reflected the quality of colonial life. As Virginia grew economically and culturally, the garden became a projection of the gardener's personal identity, as exemplified by the endeavors of Washington at Mount Vernon and Jefferson at Monticello. Martin draws upon both pictorial representations and the findings of modern archaeological excavations in order to recapture the gardens as they existed in colonial times.
This book examines the development of ancient Greek civilization through a path-breaking application of social scientific theories. David B. Small charts the rise of the Minoan and Mycenaean civilizations and the unique characteristics of the later classical Greeks through the lens of ancient social structure and complexity theory, opening up new ideas and perspectives on these societies. He argues that Minoan and Mycenaean institutions evolved from elaborate feasting, and that the genesis of Greek colonization was born from structural chaos in the eighth century. Small isolates distinctions between Iron Age Crete and the rest of the Greek world, focusing on important differences in social structure. His book differs from others on Ancient Greece, highlighting the perpetuation of classical Greek social structure into the middle years of the Roman Empire, and concluding with a comparison of the social structure of classical Greece to that of the classical Maya civilization.
This charming volume presents a rare opportunity to view the gardens of Meiji Japan from the inside, as seen through the eyes of an official of the Imperial Household in 1928. In Japan, the garden is considered a barometer of the nation's prosperity and character, and different periods in history have produced different kinds of gardens. Harada gives brief summaries of them all, including the Edo period (1603-1867), when professional gardeners first took over the design of gardens from priests, and reveals a few of the subtle distinctions that the Japanese use to distinguish between different kinds of gardens that appear identical to Western eyes. As a reaction to all things foreign, the gardens of the Meiji Restoration period (1868-1912), revived the earlier simpler "cha-no-yu" style of garden heavily influenced by Zen. Rare period photographs of famous parks and the now vanished gardens of Japanese aristocrats show gardens in a more naturalistic style than is common in Japan today.
The garden and landscape designs of America's founding architect. Collaboration with the greatest botanists of his time, an instinctive humanitarianism, and a natural ingenuity in landscape design combined to make Thomas Jefferson a pioneer in American landscape architecture. Frederick D. Nichols and Ralph E. Griswold, in this close study of Jefferson's many notes, letters, and sketches, present a clear and detailed interpretation of his extraordinary accomplishments in the field. Thomas Jefferson, Landscape Architect investigates the many influences on--and of--the Jeffersonian legacy in architecture. Jefferson's personality, friendships, and convictions, complemented by his extensive reading and travels, clearly influenced his architectural work. His fresh approach to incorporating foreign elements into domestic designs, his revolutionary approach to relating the house to the surrounding land, and his profound influences on the architectural character of the District of Columbia are just a few of Jefferson's contributions to the American landscape. Eighteenth-and nineteenth-century maps, plans, and drawings, as well as pictures of the species of trees that Jefferson used for his designs, generously illustrate the engaging narrative in Thomas Jefferson, Landscape Architect.
The book when it first appeared was also well received by "House and Garden Architecture Forum" and "Landscape Architecture." "The handsome book will be a joy to possess for those who love beauty in architecture and cultivated nature," so wrote Pearl S. Buck. In 1940 Henry Inn of Honolulu, art collector, designer, and photographer, produced a collection of Chinese architectural pictures that is extraordinary.
Although probably the only record of its kind, many of the photographs were taken as recently as 1936. Of those locations very few remain if any. A veteran traveller to his ancestral homeland, Henry In had an extraordinarily wide set of acquaintances which gave him an entrance into some of the choicest homes and gardens throughout China. This combination of artistic shell and unusual opportunity are unique.
Andrew Bromberg, of global architecture and design practice Aedas, was born and raised in the Rocky Mountains of the United States and now lives and works in Asia. He is a leading light in the design of cutting-edge skyscrapers and large-scale development projects that consider cities not just as collections of buildings but as human-made landscapes shaped by social and economic forces as gradual or as abrupt as the erosions, accretions, uplifts and explosions that shape the natural world. Now inhabiting the craggy mixture of natural and human-made structures that define Hong Kong, Bromberg has long modelled his work on his knowledge of nature and his understanding of tectonic forces, both natural and human. Drawing on a series of conversations and exploratory walks in major Asian cities - including Singapore and Ghuangzou - architecture critic Aaron Betsky reveals how Bromberg visualizes his settings and locates his designs within the complex and dynamic contexts in which they appear. Interspersed amid these urban reflections is a largely visual presentation of over twenty of Bromberg's most exciting recent projects across Asia and the Middle East. Together these comprise a monograph/manifesto that offers a singular vision for the cities that will shape our future world.
Over nearly six decades of practice, Robert Royston (1918-2008) shaped the postwar Bay Area landscape with visionary designs for public spaces. Early in his career, Royston conceived of the "landscape matrix," a system of interconnected parks, plazas, and parkways that he hoped could bring order and amenity to rapidly developing suburbs. The idea would inform his work on more than two thousand projects as diverse as school grounds, new towns, transit corridors, and housing tracts. As an apprentice of Thomas Church, Royston gained experience with residential gardens that influenced his early designs for public parks. At a time when neighborhood parks were typically limited to playing fields and stock playground equipment, Royston created imaginative facilities for the American family, offering activities for people of all ages. Royston, Hanamoto & Mayes, founded in 1958, grew to become one of the nation's most influential corporate firms. With his collaborative approach, Royston designed landscapes that set a high standard of inclusivity and environmental awareness. In addition to the many beloved places he created, his perceptive humanism, which passed down to his students, is Royston's enduring legacy.
Artist Simon Harmer creates delightful and distinctive line drawings of our famous landmarks and landscape. In 'A Line Around England' he travels from Hadrian's Wall to Cornwall's coast and his illustrations capture everything from Stonehenge to Blackpool Tower. Each drawing is accompanied by a short text illuminating some quirky and interesting facts about the site.
`Architects do not actually build buildings,' says Mikkel Frost, co-founder of Danish architecture firm CEBRA. `What we build is an idea. To visualize it, we build drawings.' The evolutionary process of how aphorisms develop into precise architectural concepts is illustrated through a collection of Frost's sketches and watercolours. Over 200 drawings are organized into 20 sections, each relating to one of CEBRA's projects. An index containing c olour photographs and renders of their works further illuminates how the drawings are translated into reality. Introducing the book, a written version of Frost's TEDx talk Let your fingers do the talking elaborates on the book's impetus: to bring a spotlight to the craft of drawing as a powerful tool for creation and communication.
The scenic images that Louisiana brings to mind -- moss-draped cypress, lush marshlands, alligators gliding through bayous, herons coasting across an open sky -- all spring from one of the most diverse and productive ecosystems on the continent. This varied and inviting landscape gives rise to one of the state's many monikers, ""Sportsman's Paradise,"" which rings true whether you are boating on picturesque Lake Martin or bird-watching among the ancient live oaks of Lafitte Woods. From the precious maritime forests of Grand Isle to the steep contours of Tunica Hills, Louisiana's wild outdoors defines each region's sense of place and value. For nearly thirty years, The Nature Conservancy in Louisiana has served as a steward of these ecological riches, protecting and maintaining more than 285,000 acres of the state's land. Now, for the first time, readers can observe the vast array of flora and fauna found in these complex habitats in Louisiana Wild, with the awe-inspiring photography of C. C. Lockwood. After trekking and canoeing through more than sixty properties managed by The Nature Conservancy, Lockwood presents a vivid photo narrative that journeys from the little-known Copenhagen Hills, a prairie habitat with the largest variety of woody plants in Louisiana; to the swampland lake of Cypress Island, with its massive rookery of roseate spoonbills and great egrets; to over a dozen other sites that showcase Louisiana's distinct environs. With 220 color images, Louisiana Wild pays homage to the immeasurable impact of The Nature Conservancy's efforts and will delight anyone who calls Louisiana home.
This classic work on creating a garden was first published in 1956. We Made a Garden is the story of how Margery Fish, the leading gardener of the 1960s, and her husband Walter transformed an acre of wilderness into a stunning cottage garden, still open to the public at East Lambrook Manor, Somerset, England. A quirky classic, this book details her creation of a landmark cottage garden, as well as her battles with her husband in the process, who preferred the standard suburban approach. In this beautiful and timeless work, she recounts the trails and tribulations, successes and failures, of her venture with ease and humour. Topics covered are colourful and diverse, ranging from the most suitable hyssop for the terraced garden through composting, hedges, making paths to the best time to lift and replant tulip bulbs. Her good sense, practical knowledge and imaginative ideas will encourage and inspire gardeners everywhere. It has been hailed as everything from a blueprint for the creation of a modern cottage garden to a feminist manifesto.
Urban tree management is the key basis for greener cities of the future. It is a practical discipline which includes tree selection, planting, care and protection and the overall management of trees as a collective resource. Urban Tree Management aims to raise awareness for the positive impacts and benefits of city trees and for their importance to city dwellers. It describes their advantages and details their effects on quality of urban life and well-being aspects that are increasingly important in these times of progressing urbanisation. With this book you will learn: * fundamentals, methods and tools of urban tree management * state of the art in the fields of urban forestry and tree biology * positive effects and uses of urban trees * features, requirements and selection criteria for urban trees * conditions and problems of urban trees * governance and management aspects * environmental education programs. Edited by the leading expert Dr Andreas Roloff, Urban Tree Management is an excellent resource for plant scientists, horticulturists, dendrologists, arborists and arboriculturists, forestry scientists, city planners, parks department specialists and landscape architects. It will be an essential addition to all students and libraries where such subjects are taught.
Britain's countryside is liberally sprinkled with follies - eccentric, original buildings built for fun by landowners and aristocrats over the centuries. They include prospect towers, ornamental temples, rustic hermits' cottages, faux-prehistoric stone circles, and some buildings that don't seem to have had any purpose at all. In this fascinating and stylish book, folly expert Gwyn Headley brings together some of the most beautiful and intriguing follies cared for by the National Trust, from the craggy fake ruin at Mow Cop in Cheshire to the elegant buildings created by Henry Hoare for his great landscape garden at Stourhead. He also introduces some very extraordinary characters, such as Frederick Hervey, the 'Earl-Bishop', who had an obsession with women, volcanoes and rotundas, and Sir Thomas Tresham, whose fervent Catholicism inspired him to create the extraordinary Lyveden New Bield, an unfinished building suffused with religious symbolism. Fully illustrated with exquisite images of these remarkable buildings, this insightful book will inspire the folly-hunter in us all.
Women have practiced as landscape architects for over a century, since the founding of the practice as a profession in the United States in the 1890s. They came to landscape architecture as gardeners, garden designers, horticulturalists, and fine artists. They simultaneously shaped the profession while reflecting contemporary practice. It is all the more surprising, then, that the history of women in American landscape design has received relatively little attention. Thaisa Way corrects this oversight in "Unbounded Practice: Women and Landscape Architecture in the Early Twentieth Century. "Describing design practice in landscape architecture during the first half of the twentieth century, the book serves as a narrative both of women--such as Beatrix Jones Farrand, Marian Cruger Coffin, Annette Hoyt Flanders, Ellen Biddle Shipman, Martha Brookes Hutcheson, and Marjorie Sewell Cautley--and of the practice as it became a profession.
Winner of a 2008 David R. Coffin Publication Grant, awarded by the Foundation for Landscape Studies
In many ways the history of civilization is a history of humans relationship with nature. Starting from the dual inclination to clear land for cultivation and to enclose space for protection the forest clearing and the walled garden there emerges a vital and multifaceted narrative that describes our cultural relationship to, and dependence on, the landscape. Christophe Girot sets out to chronicle this history, drawing on all aspects of mankind s creativity and ingenuity. In twelve chapters, he brings together the key stories that have shaped our man-made landscapes. Each chapter consists of a thematic essay that ties together the central developments, as well as a case study illustrated with specially commissioned photographs and meticulously detailed 3D re creations showing the featured site in its original context.
The result of over two decades of teaching experience and academic research at one of the world s leading universities, The Course of Landscape Architecture will reach international students and professionals. But its wealth of visual material, the wide range of its cultural references and the beauty of the landscapes it features will attract the interest of all who desire to enrich their understanding of how our landscapes have been formed, and how we relate to them. "
The first biography of this important landscape architect, James Rose examines the work of one of the most radical figures in the history of mid-century modernist American landscape design. An artist who explored his profession with words and built works, Rose fearlessly critiqued the developing patterns of land use he witnessed during a period of rapid suburban development. The alternatives he offered in his designs for hundreds of gardens were based on innovative and iconoclastic environmental and philosophic principles, some of which have become mainstream today. A classmate of Garrett Eckbo and Dan Kiley at Harvard, Rose was expelled in 1937 for refusing to design landscapes in the Beaux-Arts method. In 1940, the year before he received his first commission, Rose also published the last of his influential articles for Architectural Record, a series of essays written with Eckbo and Kiley that would become a manifesto for developing a modernist landscape architecture. Over the next four decades, Rose articulated his philosophy in four major books. His writings foreshadowed many principles since embraced by the profession, including the concept of sustainability and the wisdom of accommodating growth and change. James Rose includes new scholarship on many important works, including the Dickenson Garden in Pasadena and the Averett House in Columbus, Georgia, as well as unpublished correspondence. Throughout his career Rose refined his conservation ethic, finding opportunities to create landscapes for contemplation, self-discovery, and pleasure. At a time when issues of economy and environmentalism are even more pressing, Rose's writings and projects are both relevant and revelatory.
J. B. Jackson transformed forever how Americans understand their landscape, a concept he defined as land shaped by human presence. In the first major biography of the greatest pioneer in landscape studies, Helen Horowitz shares with us a man who focused on what he regarded as the essential American landscape, the everyday places of the countryside and city, exploring them as texts that reveal important truths about society and culture, present and past. In Jackson's words, landscape is "history made visible." After a varied life of traveling, writing, sketching, ranch labor, and significant service in army intelligence in World War II, Jackson moved to New Mexico and single-handedly created the magazine Landscape. As it grew under his direction throughout the 1950s and 1960s, Landscape attracted a wide range of Contributors. Jackson became a man in demand as a lecturer and, beginning in the late 1960s, he established the field of landscape studies at Berkeley, Harvard, and elsewhere, mentoring many who later became important architects, planners, and scholars. Horowitz brings this singular person to life, revealing how Jackson changed our perception of the landscape and, through friendship as well as his writings, profoundly influenced the lives of many, including her own.
This intimate glimpse into the private sketchbooks of the world's leading landscape and garden designers reveals a dazzling array of insights and ideas that will inspire the amateur and practitioner alike. Thirty-seven international designers carefully selected by the design critic behind the Chelsea Fringe have opened their sketchbooks specially for this publication. Featuring hundreds of drawings and illustrations as diverse as their creators, Landscape and Garden Design Sketchbooksis a continual source of inspiration for planting, design elements, colour schemes and materials, encouraging weekend gardeners, design professionals and students to draw their ideas by hand.
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