Your cart is empty
As lesbian, gay, bisexual, transgender and intersex identities increasingly secure legal recognition across the globe, these formal equality gains are contradicted by the continued presence of violence. Such violence emerges as a political pressure point for contestations of identity and power within wider systems of global and local inequality. Discourses of homophobia-related violence constitute subjectivities that enact violence and that are rendered vulnerable to it, as well as shaping political possibilities to act against violence. Blackwashing Homophobia critiques prevailing discourses through which violence and its targets are normatively understood, exploring the knowledge regimes in which multiple forms of othering are both reproduced and/or resisted.
This book draws on primary research on lesbian subjectivity and violence in South Africa examining the intersections of sexual, gender, race and class identities, and the contemporary politics of violence in a postcolonial context:
The book explores these questions and their implications for how violence, as an instrument of power, might be countered. Blackwashing Homophobia is a timely intervention for theorising the discourse of homophobia-related violence and what it reveals and conceals, enables and hinders, in relation to queer identities and political imaginaries in times of violence. The book's interdisciplinary approach to the topic will appeal to social and political scientists, philosophers and psychology professionals, as well as to advanced psychology undergraduates and postgraduates alike.
In Oktober 2015 het die Algemene Sinode van die NG Kerk ’n merkwaardige besluit oor selfdegeslagverhoudings geneem. Die besluit het erkenning gegee aan sulke verhoudings en dit vir predikante moontlik gemaak om gay en lesbiese persone in die eg te verbind. Ook die selibaatsvereiste wat tot op daardie stadium vir gay predikante gegeld het, is opgehef. Met hierdie besluit het die NG Kerk die eerste hoofstroomkerk in Suid-Afrika en Afrika geword wat totale gelykwaardige menswaardige behandeling van alle mense, ongeag seksuele oriëntasie, erken – en is gedoen wat slegs in ’n handjievol kerke węreldwyd uitgevoer is. Die besluit het egter gelei tot groot konsternasie. Verskeie appčlle en beswaargeskrifte is ingedien, distriksinodes het hulle van die besluit distansieer, en in die media was daar volgehoue kritiek en debat.
Rosa Bonheur was the very antithesis of the feminine ideal of 19th-century society. She was educated, she shunned traditional `womanly' pursuits, she rejected marriage - and she wore trousers. But the society whose rules she spurned accepted her as one of their own, because of her genius for painting animals. She shared an intimate relationship with the eccentric, self-styled inventor Nathalie Micas, who nurtured the artist like a wife. Together Rosa, Nathalie and Nathalie's mother bought a chateau and with Rosa's menagerie of animals the trio became one of the most extraordinary households of the day. Catherine Hewitt's compelling new biography is an inspiring evocation of a life lived against the rules.
'I want what I want ... not what other people think I ought to want' Roy Clark insists to all those who attempt to help him: to the psychiatrist at the mental hospital in which he briefly finds himself; to his baffled but affectionate sister, whose clothes he has stolen; to his father, who is appalled that he has produced such a son. For Roy Clark wants to be Wendy Ross. When a small legacy enables him - not to have the operation on which he has set his heart - but at least to dress and live his life as a woman, he feels brilliantly alive for the first time. But then he meets a man called Frank and, realising he can't live without love, the stage is set for tragedy. I Want What I Want is an extraordinary portrait of a young man struggling with his gender identity. Devastating and deeply moving, it is a modern classic and was made into a film by the same title starring Anne Heywood.
From the co-creator and co-star of the hit series Broad City, a hilarious and poignant collection about love, loss, work, comedy and figuring out who you really are when you thought you already knew. When Abbi Jacobson announced to friends and acquaintances that she planned to drive across the country alone, she was met with lots of questions and opinions: Why wasn't she going with friends? Wouldn't it be incredibly lonely? The North route is better! Was it safe for a woman? The Southern route is the way to go! You should bring mace! And a common one . . . why? But Abbi had always found comfort in solitude, and needed space to step back and hit the reset button. As she spent time in each city and town on her way to Los Angeles, she mulled over the big questions - What do I really want? What is the worst possible scenario in which I could run into my ex? How has the decision to wear my shirts tucked in been pivotal in my adulthood? In this collection of anecdotes, observations and reflections - all told in the sharp, wildly funny and relatable voice that has endeared Abbi to critics and fans alike - readers will feel like they're in the passenger seat on a fun and, ultimately, inspiring journey. With some original illustrations by the author.
From Victoria Island, Lagos to Brooklyn, USA to Accra, Ghana to Paris, France; from across the Diaspora to the heart of the African continent, in this memoir Nigerian journalist Chike Frankie Edozien offers a highly personal series of contemporary snapshots of same gender loving Africans, unsung Great Men living their lives and finding joy in the face of great adversity.
This new edition includes an introduction from Carmen Maria Machado, author of Her Body and Other Parties, and an afterword from the author. Born in 1940, Lillian Faderman is the only child of an uneducated and unmarried Jewish woman who left Latvia with her sister to seek a better life in America. However, their family were murdered by Nazis and their shtetl destroyed in the war. Her mother, racked by guilt at having left them behind, suffered from psychosis. The only relief she had from this and the poverty in which they lived, was her daughter, Lilly. Lilly grows into Lil, a beautiful young woman who discovers that she is attracted to other women, and who finds herself in the dangerous but seductive world of addicts, pimps, prostitutes and sham-marriages of Hollywood in the fifties. Desperately seeking to make her life meaningful and to redeem her mother's suffering, she studies at Berkeley; paying her way by working as a pin-up model and burlesque dancer, hiding her lesbian affairs from the outside world. At last she becomes Lillian, a brilliant student and the woman who becomes a loving partner, a devoted mother, an acclaimed writer and ground-breaking pioneer of gay and lesbian scholarship. Told with wrenching immediacy and great power: Naked in the Promised Land is the story of an exceptional woman and her remarkable, unorthodox life.
Queer lives give rise to a vast array of objects: the things we fill our houses with, the gifts we share with our friends, the commodities we consume at work and at play, the clothes and accessories we wear, and the analogue and digital technologies we use to communicate with one another. But what makes an object queer? The sixty-three chapters in Queer Objects consider this question in relation to lesbian, gay and transgender communities across time, cultures and space. In this unique international collaboration, well-known and newer writers traverse world history to write about items ranging from ancient Egyptian tomb paintings and Roman artefacts to political placards, snapshots, sex toys and the smartphone. Fabulous, captivating, transgressive. -- .
'OUR FAVOURITE READS OF 2016' THE TIMES | A NEW YORK TIMES BESTSELLER 'A BOOK THAT HAS YOU EMAILING FRIENDS "YOU HAVE TO READ THIS"' The Sunday Times - 'A WARM AND POIGNANT MEMOIR' Daily Express - 'WITHOUT A DOUBT MY FAVOURITE BOOK OF THE YEAR' Nathan Lane, Wall Street Journal Signed by Paramount for TV starring Oscar-winner Shirley MacLaine & Tony-winner Matthew Broderick A witty, tender memoir of a son's journey home to care for his irascible mother with dementia - a tale of secrets, silences, and enduring love. When George Hodgman leaves Manhattan for his hometown of Paris, Missouri, he finds himself-an unlikely caretaker and near-lethal cook-in a head-on collision with his ageing mother, Betty, a woman of wit and will. Will George lure her into assisted living? When hell freezes over. He can't bring himself to force her from the home both treasure-the place where his father's voice lingers, the scene of shared jokes, skirmishes, and, behind the dusty antiques, a rarely acknowledged conflict: Betty, who speaks her mind but cannot quite reveal her heart, has never really accepted the fact that her son is gay. As these two unforgettable characters try to bring their different worlds together, Hodgman reveals the challenges of Betty's life and his own struggle for self-respect, moving readers from their small town-crumbling but still colourful-to the star-studded corridors of Vanity Fair. Evocative of The End of Your Life Book Club and The Tender Bar, Hodgman's New York Times bestselling debut is both an indelible portrait of a family and an exquisitely told tale of a prodigal son's return.
Hoekom is ek so, wat is fout met my? Ek kan nie regtig met iemand hieroor praat nie. Ek sien nie kans vir die verwerping, spot en veroordeling nie. Wanneer my ouers, vriende en familie dit uitvind, hoe gaan hulle reageer? Wat dink God van alles, waar pas Hy in? Hoekom straf Hy my so? Ek bly liewers stil en leef ’n lewe van leuens.
Hierdie is 'n moet-lees boek vir:
In Lendetaal gee Hennie Aucamp sy perspektief op vrae rondom kwessies oor homoerotiek in die kunste en in die letterkunde. Onder die afdeling "Kuns" word daar gekyk na die manlike naakt in fotografie, die voorstelling van die jong seun in die kunste en hoe gay kunstenaars die lyntekening in die verkenning van erotiese sones ontgin. Die afdeling "Skrywers en individuele werke" is 'n kort historiese oorsig van die hantering van homoseksualiteit in literatuur. Skrywers soos Stephen Spender, C. Louis Leipoldt, Christopher Isherwood en Edmund White word belig en daar word aandag gegee aan gay stereotipes soos die cowboy in die kortverhaal "Brokeback Mountain". In "Bloemlesings" gee Aucamp onder andere 'n hipotetiese keur van gay verhale. Die laaste afdeling, "Egodokumente", bespreek beroemde mense se dagboeke en daar word afskeid geneem van Lucas Malan.
World events demonstrate that equality for women isn't only a women's issue: when women fulfil their potential, everyone benefits. Completely updated and redesigned, this new edition of Joni Seager's award-winning classic illustrates how women live across continents and cultures, and charts the status of women worldwide - the advances they have made and the distances still to be travelled. With vivid graphics and pithy text, it is a comprehensive and accessible analysis of up-to-the-minute global data on the key issues facing women today.; Topics include:; Gender equality * Literacy and information technology * Feminism * Beauty * Work and the global economy * Changing households * Domestic violence * Refugees * LGBTQ rights * Government and power * Motherhood
McKenzie Wark invents a new genre for another gender: not a memoir but an auto-ethnography of the opacity of the self. Another genre for another gender. What if you were trans and didn't know it? What if there were some hole in your life and you didn't even know it was there? What if you went through life not knowing why you only felt at home in your body at peak moments of drugs and sex? What if you expended your days avoiding an absence, a hole in being? Reverse Cowgirl is not exactly a memoir. The author doesn't, in the end, have any answers as to who she really is or was, although maybe she figures out what she could become. Traveling from Sydney in the 1980s to New York today, Reverse Cowgirl is a comedy of errors, chronicling the author's failed attempts at being gay and at being straight across the shifting political and media landscapes of the late twentieth century. Finding that the established narratives of being transgender don't seem to apply to her, Wark borrows from the genres of autofiction, fictocriticism, and new narrative to create a writing practice that can discover the form of a life outside existing accounts of trans experience: an auto-ethnography of the opacity of the self.
In Balancing act: South African gay and lesbian youth speak out, twenty one young gay and lesbian South Africans from a wide range of social backgrounds speak candidly about their experiences, hopes and dreams. This collection of stories gives a fascinating insight into choices faced by young South African gay and lesbian people.
Marking the tenth anniversary of Tim Dean's seminal work Unlimited Intimacy: Reflections on the Subculture of Barebacking, RAW returns to the question of sex without condoms, or barebacking, a timely topic in the age of PrEP, a drug that virtually eliminates the transmission of HIV. Writing out of the history of the AIDS crisis, the authors in RAW push Dean's conclusions, expanding the study of barebacking into new areas, such as its appearance within lesbian, heterosexual, and BDSM communities and its implications for teaching critical sexology.
A revealing memoir, laying open the cruel truth behind the longstanding ban on LGBT+ personnel serving openly in H.M. Forces. Discover the human cost of being deemed a criminal in the institutions protecting fellow citizens' hard-won freedoms. The first book covering recent military history, written from a lesbian perspective. * 'The inside story of the long, heroic battle to overturn homophobia in the British Armed Forces. Inspiring!' - Peter Tatchell 'A richly textured and deeply human tour de force. Chambers is a deft storyteller who movingly chronicles her battle to live authentically. Unputdownable.' - Dr Emma Vickers, Senior Lecturer in History, Liverpool John Moores University
Homecoming Queers provides a critical discussion of the multiple strategies used by queer Latina authors and artists in the United States to challenge silence and invisibility within mainstream media, literary canons, and theater spaces. Marivel T. Danielson's analysis reveals the extensive legacy of these cultural artists, including novelists, filmmakers, students and activists, comedians, performers, and playwrights. By clearly discussing the complexities and universalities of ethnic, racial, sexual, gender, and class intersections between queer Chicana and U.S. Latinas, Danielson explores the multiple ways identity shapes and shades creative expression. Weaknesses and gaps are revealed in the treatment of difference as a whole, within dominant and marginalized communities.
Spanning multiple genres and forms, and including scholarly theory alongside performances, films, narratives, and testimonials, Homecoming Queers leads readers along a crucial path toward understanding and overcoming the silences that previously existed across these fields.
You may like...
A Little Gay History - Desire and…
R.B. Parkinson Paperback
Movie Star Confidential
Of Mud and Flame - A Penda's Fen…
Matthew Harle, James Machin Paperback
In the Dream House - A Memoir
Carmen Maria Machado Hardcover
Love Stories - Sex between Men before…
Jonathan Ned Katz Paperback
Pleasure Zones - Bodies, Cities, Spaces
David Bell Paperback R425 Discovery Miles 4 250
The Bold World - A Memoir of Family and…
Jodie Patterson Paperback
Cracks in the Iron Closet - Travels in…
David Tuller Paperback R653 Discovery Miles 6 530
Semi Queer - Inside the World of Gay…
Anne Balay Paperback R535 Discovery Miles 5 350
I.M. - A Memoir
Isaac Mizrahi Paperback