Your cart is empty
In 1965, photographer Jerry Schatzberg, already well-established in the field due to his fashion and portrait photography for various publications, such as Vogue, Esquire and Life, listened to Bob Dylan for the first time. He had been hearing about the singer for close to three years; two friends were especially dogged and would ask him every time they spoke if he had heard the music yet. Finally, feeling obligated to them for their persistency, he listened and understood immediately why Dylan was inspiring such passionate excitement. Shortly thereafter, Schatzberg was photographing a job in his studio and had some fortuitous company. Famed music journalist Al Aronowitz and disc jockey Scott Ross were discussing Dylan and a recent performance they had seen of his. Half listening to their conversation, he volunteered that he'd like to photograph the singer if given the chance. Dylan's new wife (one of the friends mentioned above) called the following day and gave him an open invitation to the studio where he was currently recording 'Highway 61 Revisited'. Excited and curious, Schatzberg set off the very next day for the studio, exactly six days after the seminal Newport Folk Festival set where Dylan went electric and was collectively booed. Schatzberg received a warm welcome from the singer, who immediately sat him down to listen to what he had been recording that day. Dylan gave him free rein of the studio once he started shooting and the images that emerged from that day make obvious the comfortable and relaxed atmosphere that was already brewing between photographer and subject. Considering Dylan's almost-universal dislike of journalists (and by extension photographers), this was a completely unprecedented situation, one that Schatzberg took seriously. That almost-instant trust and rapport quickly grew into a friendship and they are part of the reason Schatzberg's sittings with Dylan work so successfully and are so important. Dylan is relaxed, he's funny, he takes the props that the photographer gives him and has fun with them - he's obviously not taking himself too seriously. Working and socialising together, Schatzberg would eventually do nine more photo shoots with Dylan from 1965-6, arguably the singer's most creative period, and capture the (now) Nobel laureate during one of the most pivotal moments in music history. Part of their uniqueness is their basic broad range of intimate and public locations: music and photography studios, live performances and street portraits. But more than that, each session (including the one for possibly his greatest album, 'Blonde on Blonde') says something different about Dylan, the man and the musician, and manages to perfectly capture the many facets of one of the most unique, complex and mysterious individuals of all time.
Evening Standard Book of the Year. Observer Book of the Year. Guardian Book of the Year. Sunday Times Book of the Year. Telegraph Book of the Year. New Statesman Book of the Year. Herald Book of the Year. Mojo Book of the Year. Brett Anderson came from a world impossibly distant from rock star success, and in Coal Black Mornings he traces the journey that took him from a childhood as 'a snotty, sniffy, slightly maudlin sort of boy raised on Salad Cream and milky tea and cheap meat' to becoming founder and lead singer of Suede. Anderson grew up in Hayward's Heath on the grubby fringes of the Home Counties. As a teenager he clashed with his eccentric taxi-driving father (who would parade around their council house dressed as Lawrence of Arabia, air-conducting his favourite composers) and adored his beautiful, artistic mother. He brilliantly evokes the seventies, the suffocating discomfort of a very English kind of poverty and the burning need for escape that it breeds. Anderson charts the shabby romance of creativity as he travelled the tube in search of inspiration, fuelled by Marmite and nicotine, and Suede's rise from rehearsals in bedrooms, squats and pubs. And he catalogues the intense relationships that make and break bands as well as the devastating loss of his mother. Coal Black Mornings is profoundly moving, funny and intense - a book which stands alongside the most emotionally truthful of personal stories.
THE NUMBER ONE SUNDAY TIMES BESTSELLER Shortlisted for the Specsavers National Book Awards 2018 'Unflinching, unputdownable' Guardian 'Witty, dark, devastating' Caitlin Moran 'An amazing read. Brutally honest' Matt Haig 'I love it' Jon Ronson ********************************************************** So, this is me. Lily Allen. I am a woman. I am a mother. I was a wife. I drink. I have taken drugs. I have loved and been let down. I am a success and a failure. I am a songwriter. I am a singer. I am all these things and more. When women share their stories, loudly and clearly and honestly, things begin to change - for the better. This is my story.
In January 1969, before the world heard a note of their music, The MC5 was on the cover of Rolling Stone. The missing link between free jazz and punk rock, they were raw, primal, and unstoppable.
Led by legendary guitarist Wayne Kramer, The MC5 was a reflection of the times: exciting, sexy, violent, chaotic, and out of control, and all but assuring their time in the spotlight would be short-lived. Kramer wanted to redefine what a rock 'n' roll group was capable of achieving - and there was power in reaching for that - but it was also a recipe for disaster, both personally and professionally. The band recorded three major label albums: but by 1972, it was all over.
Kramer's story is a revolutionary one, but it is also the deeply personal struggle of an addict and an artist. From the glory days of Detroit to the junk-sick streets of the East Village - in and out of prison and on and off drugs - this is the classic journeyman narrative, but with a twist: Kramer is here to remind us that revolution is always an option.
For the past fifty years, Rolling Stone has been a leading voice in journalism, cultural criticism, and-above all-music. This landmark book documents the magazine's rise to prominence as the voice of rock and roll and a leading showcase for era-defining photography. From the 1960s to the present day, the book offers a decade-by-decade exploration of American music and history. Interviews with rock legends-Bob Dylan, Mick Jagger, Kurt Cobain, Bruce Springsteen, and more-appear alongside iconic photographs by Baron Wolman, Annie Leibovitz, Mark Seliger, and other leading image-makers. With feature articles, excerpts, and exposes by such quintessential writers as Hunter S. Thompson, Matt Taibbi, and David Harris, this book is an irresistible and essential keepsake of the magazine that has defined American music for generations of readers.
Previously published in hardback as Hey Jo, this is a moving and candid memoir from the woman who married the most controversial member of the Rolling Stones, and had the strength and courage to bounce back from heartbreak. When young model and mother Jo met rock star Ronnie Wood, she had no idea what her brief flirtation with this brilliant, charismatic musician would become. A raw and rollicking narrative from the eye of the storm, Jo's extraordinary story of life as a Rolling Stone girlfriend, then wife, mother and more, is a never-before-heard account of the heady hedonistic Ronnie Wood years - the drugs, the roadies, the tours, and the booze - and a celebration of her new-found happiness as an entrepreneur, fashion icon and beauty expert. Following the public breakdown of her marriage, Jo moved on with a dignity and lack of bitterness that won her fans across the country. Now a successful businesswoman, a passionate campaigner of pure, organic living, and a thriving name in fashion, Jo has learnt to embrace her new found vitality, and in doing so has become the heroine of everyone from 20-something fashionistas to Strictly Come Dancing devotees. This is Jo's journey, from the breathtaking highs of her and Ronnie's shared infatuation and love, to the devastating lows of his sudden disappearances, drug-induced mania and seizures, and how she learned to walk away without regret or bitterness, and forgive.
Here is the story of the boy from Brixton who became one of the most famous artists of the 20th century, returned to prominence in the 21st with music and visions informed by a sense of his own mortality and who through his life and work, changed lives and those of generations to come.
This book is pretty much our official story so far. It really does only seem like last week we played our first gig in at the Annandale hotel in Sydney. Since then we've been given the opportunity to turn into the people and musicians we wanted to be. The people who gave us the opportunity were the fans. So this book is like a thank you. We want everyone to know the story of how four western Sydney teenagers picked up their instruments and dreamt of being one of the biggest bands in the world. There's also some embarrassing photos of us dicking around and some facts that some of us didn't even know. So we hope you enjoy it! Love cal, luke, ash and mike x
The Beatles, the 1968 double LP more commonly known as the White Album, has always been viewed as an oddity in the group's oeuvre. Many have found it to be inconsistent, sprawling, and self-indulgent. The Beatles through a Glass Onion: Reconsidering the White Album is the first-ever scholarly volume to explore this seminal recording at length, bringing together contributions by some of the most eminent scholars of rock music writing today. It marks a reconsideration of this iconic but under-appreciated recording and reaffirms the White Album's significance in the Beatles' career and in rock history. This volume treats the White Album as a whole, with essays scrutinizing it from a wide range of perspectives. These essays place the album within the social and political context of a turbulent historical moment; locate it within the Beatles' lives and careers, taking into consideration the complex personal forces at play during the recording sessions; investigate the musical as well as pharmaceutical influences on the record; reveal how it reflects new developments in the Beatles' songwriting and arranging; revisit the question of its alleged disunity; and finally, track its legacy and the breadth of its influence on later rock, pop, and hip-hop artists. The Beatles through a Glass Onion features the scholarship of Adam Bradley, Vincent Benitez, Lori Burns, John Covach, Walter Everett, Michael Frontani, Steve Hamelman, Ian Inglis, John Kimsey, Mark Osteen, Russell Reising, Stephen Valdez, Anthony D. Villa, Kenneth Womack, and Alyssa Woods. John Covach's Afterword summarizes the White Album's lasting impact and value. As the first essay collection focusing on the White Album, The Beatles through a Glass Onion represents a landmark work of rock music scholarship. It will prove to be an essential and enduring contribution to the field.
No one explodes one of the longest-held misconceptions of music history better than Steve Lukather and his band Toto. The dominant pop-culture sound of the late-1970s and '80s was not in fact the smash and sneer of punk, but a slick, polished amalgam of rock and R&B that was first staked out on Boz Scaggs' Silk Degrees. That album was shaped in large part by the founding members of Toto, who were emerging as the most in-demand elite session muso-crew in LA, and further developed on the band's self-titled three-million-selling debut smash of 1978. A string of hits followed for the band going into the '80s and beyond. Running parallel to this, as stellar session players, Lukather and band-mates David Paich, Jeff Porcaro and Steve Porcaro were also the creative linchpins on some of the most successful, influential and enduring records of the era. In The Gospel According to Luke, Lukather tells the Toto story: how a group of high school friends formed the band in 1977 and went on to sell more than 40 million records worldwide. He also lifts the lid on what really went on behind the closed studio doors and shows the unique creative processes of some of the most legendary names in music: from Quincy Jones, Paul McCartney, Stevie Nicks and Elton John to Miles Davis, Joni Mitchell, Don Henley, Roger Waters and Aretha Franklin. And yet, Lukather's extraordinary tale encompasses the dark side of the American Dream. Engaging, incisive and often hilarious, The Gospel According to Luke is no ordinary rock memoir. It is the real thing . . .
Winner of the NOBEL PRIZE in Literature 2016 For the first time, a comprehensive, definitive collection of lyrics of music legend and poet Bob Dylan. A major publishing event - a beautiful, comprehensive collection of the lyrics of Bob Dylan with artwork from thirty-three albums. As it was well put by Al Kooper (the man behind the organ on 'Like a Rolling Stone'), 'Bob is the equivalent of William Shakespeare. What Shakespeare did in his time, Bob does in his time.' Christopher Ricks, editor of T. S. Eliot, Samuel Beckett, Tennyson, and The Oxford Book of English Verse, has no argument with Mr. Kooper's assessment, and Dylan is attended to accordingly in this authoritative edition of his lyrics. In the words of Christopher Ricks: 'For fifty years, all the world has delighted in Bob Dylan's books of words and more than words: provocative, mysterious, touching, baffling, not-to-be-pinned-down, intriguing, and a reminder that genius is free to do as it chooses. And, again and again, these are not the words that he sings on the initially released albums.' This edition changes things, giving us the words from officially released studio and live recordings, as well as selected variant lyrics and revisions to these, recent revisions and retrospective ones; and, from the archives, words that, till now, have not been published. As set down, as sung, and as sung again.
The first book ever produced with full access the Pink Floyd archive. Published to accompany the V&A's major summer exhibition, Pink Floyd: Their Mortal Remains, celebrates 50 years of one of the greatest bands of all time. Five essays tackle different aspects of their far-reaching legacy in music and the visual arts. Authors including Jon Savage, Howard Goodall and Rob Young examine what makes the band truly special, from the mythology underpinning their output, through to their experimentation with technology to create new sounds. their epic staging and performance impact will also be explored, along with the anti-authoritarianism that infuses their lyrics.The book is heavily illustrated throughout, emphasizing the essential role that visual material played in supporting the music and creating the lasting Pink Floyd phenomenon.
Part reference book, part history, and part road map to the connectivity of popular music, this book is a must for all rock `n' roll fans as it brings together a compilation of over two hundred genres of rock music-an entertaining, enlightening, knotty family tree of America's favorite musical genre. In the six decades since rock 'n' roll stole America's soul, the single genre has produced over two hundred sub-genres. The days of being able to walk in to a Tower Records and seek out recommendations from an aloof, all-knowing staffer has been relegated to a long-lost Generation X paradise preserved in John Hughes films. From iTunes to Spotify, listeners now regularly turn to algorithms instead of human advice to develop relationships with the music they love. The essential companion for any rock lover's collection-be it on vinyl or Spotify playlists-Appetite for Definition breaks down algorithms into their human stories and interconnected histories. It provides and pulls up recommendations from a deeper well of consideration and gives you the tools to do the same. Operating on a macro level it surveys the myriad microlevel movements into an accessible map that readers can use to navigate the vast, craggy terrain of rock music and take their rock knowledge-whether casual or obsessive-to the next level.
When he emerged from the nightclubs of Greenwich Village, Bob Dylan was often identified as a "protest" singer. As early as 1962, however, Dylan was already protesting the label: "I don't write no protest songs," he told his audience on the night he debuted "Blowin' in the Wind." "Protest" music is largely perceived as an unsubtle art form, a topical brand of songwriting that preaches to the converted. But popular music of all types has long given listeners food for thought. Fifty years before Vietnam, before the United States entered World War I, some of the most popular sheet music in the country featured anti-war tunes. The labor movement of the early decades of the century was fueled by its communal "songbook." The Civil Rights movement was soundtracked not just by the gorgeous melodies of "Strange Fruit" and "A Change Is Gonna Come," but hundreds of other gospel-tinged ballads and blues. In Which Side Are You On, author James Sullivan delivers a lively anecdotal history of the progressive movements that have shaped the growth of the United States, and the songs that have accompanied and defined them. Covering one hundred years of social conflict and progress across the twentieth century and into the early years of the twenty-first, this book reveals how protest songs have given voice to the needs and challenges of a nation and asked its citizens to take a stand - asking the question "Which side are you on?"
This long-awaited treatise on Montrose and Gamma is first and foremost the story of the five Montrose and four Gamma records, their making and baking, the hirings and firings, the superlative delivery live. Within the detailed analysis, one of course gets to celebrate with the author Montrose classics like `Rock the Nation', `Make it Last', `Rock Candy', `Bad Motor Scooter', `I Got the Fire', `Matriarch' and `Jump on It', along with the entirety of the Gamma years, including the top-shelf Gamma 2, an album Popoff considers the equal to the earth-shattering first Montrose album of 1973. But there's a darker turn to this extensive tribute as well, as we look at Ronnie's shocking suicide in 2012, before we correct the record, so to speak, looking at his legacy as articulated by those who played with him and knew him best. All told, it's a rough ride, with unsettling doses of negativity, but once our tale winds down, there are more than enough lessons on creativity to satisfy any lover of the arts, particularly those centred around the type of six-string mayhem cooked up by the hero of our story, Ronnie Montrose.
Julian Cope's highly acclaimed autobiography and its long-awaited sequel in one extraordinary volume. Contents: * Julian Cope shot to fame with eighties band 'Teardrop Explodes' during the Punk era. Hailed as a visionary by those people who recognise his genius and a madman by those who find him perplexing, he has become a cult figure in the music world. * Head-On has previously only been available via 'Head Heritage' Julian's own company. Repossesed picks up in 1983 where Head On ends and continues up until 1989. Written in Cope's inimitable style it is set to provoke the same kind of media excitement. * When Julian Cope published 'Head On' in 1994 he received astounding reviews: Visceral, ballsy, bitchy, brutal, beautifully written. Book of the year. Made my heart burst. -- The Observer ...an enthralling saga of bitchiness, betrayal and unrepentent debauchery. -- The Sunday Times (Books of the Year) As a glimpse of the essentially pathetic but amusing whims and eccentricities that lie behind the screwed down hairdos of rock musicians, it's equally essential reading. And as a genital -warts-and -all diary of madmen, it is simply supreme entertainment. -- N.M.E Cope never portrays himself as anything less than a self-serving, childish, whinging half-assed failure. He's wrong, of course, but it makes for insanely funny reading. -- Select
Pop music and rock music are often treated as separate genres but the distinction has always been blurred. Motti Regev argues that pop-rock is best understood as a single musical form defined by the use of electric and electronic instruments, amplification and related techniques. The history of pop-rock extends from the emergence of rock'n'roll in the 1950s to a variety of contemporary fashions and trends - rock, punk, soul, funk, techno, hip hop, indie, metal, pop and many more. This book offers a highly original account of the emergence of pop-rock music as a global phenomenon in which Anglo-American and many other national and ethnic variants interact in complex ways. Pop-rock is analysed as a prime instance of 'aesthetic cosmopolitanism' - that is, the gradual formation, in late modernity, of world culture as a single interconnected entity in which different social groupings around the world increasingly share common ground in their aesthetic perceptions, expressive forms and cultural practices. Drawing on a wide array of examples, this path-breaking book will be of great interest to students and scholars in cultural sociology, media and cultural studies as well as the study of popular music.
Rory Gallagher is a hero and icon of rock music. He inspired guitar players from The Edge to Johnny Marr, Slash to Gary Moore, Johnny Fean to Philip Donnelly, Declan Sinnott to Brian May. He toured incessantly and sold over 30 million albums worldwide. Acknowledged as one of the world's leading guitarists, he collaborated with his boyhood hero Muddy Waters, and played with Jerry Lee Lewis, Albert King and Lonnie Donegan. In this compelling biography, contemporaries, fellow musicians, film maker Tony Palmer and Taste drummer John Wilson tell stories about Rory from his meteoric rise in the late 1960s with Taste to his remarkable solo career. This is a compelling testament to the musical life of a shy and retiring working-class hero, distinguished by his checked shirts and his astounding dexterity on acoustic and electric guitar - the guitarist and blues man who blazed a trail for others to follow.
There were many reasons Moby was never going to make it as a DJ and musician in the New York club scene of the late 1980s and early 90s. This was the New York of Palladium, of Mars, Limelight, and Twilo, an era when dance music was still a largely underground phenomenon, popular chiefly among working-class African Americans and Latinos. And then there was Moby-not just a poor, skinny white kid from deepest Connecticut, but a devout Christian, a vegan, and a teetotaler, in a scene that was known for its unchecked drug-fueled hedonism. He would learn what it was to be spat on, literally and figuratively. And to live on almost nothing. But it was perhaps the last good time for an artist to live on nothing in New York City ... And so by the end of the decade, Moby contemplated the end of things, in his career and elsewhere in his life, and he put that emotion into what he assumed would be his swan song, his good-bye to all that, the album that would be in fact the beginning of an astonishing new phase in his life, the multimillion-selling Play. Porcelain is about making it, losing it, loving it, and hating it. It's about finding your people, and your place, thinking you've lost them both, and then, finally, somehow, creating a masterpiece. As a portrait of the young artist, Porcelain is a masterpiece in its own right, fit for the short shelf of musicians' memoirs that capture not just a scene but an age and something timeless about the human condition. Push play.
A remarkable memoir from the legendary drummer with The Police. Stewart Copeland is a genuine rock legend. As the drummer with The Police he was part of the biggest rock band in the world. They sold over 50 million records, won 2 Brits and 5 Grammys and were inducted into the Rock & Roll Hall of Fame. When they reformed in 2007 they played to nearly 4 million fans on a record-breaking world tour which grossed over $400m. But his time with The Police is just a tiny part of his story. Growing up in Lebanon, unaware that his dad was a major US spy. Being best friends with Kim Philby's son. Singing in the choir in Wells Cathedral. Performing arts college in San Diego. Drumming with prog-rock gods Curved Air. Appearing on TOTP as Klark Kent in full camoflage make-up. Spray painting The Police logos around London at night. Rock stardom and fan obsessions. Filming experimental movies with a pygmy tribe. Playing polo against Prince Charles. Recording the score to Rumblefish with Francis Ford Coppola looking on. Composing operas. Reforming the band. Arguing with Sting. Embarking on one of the biggest tours of all time as he approaches sixty. These are just a few of the episodes covered in this revelatory autobiography. It is destined to be a must-read for thousands of Police fans and music enthusiasts. Strange Things Happen is an unforgettable memoir from a musician who has earned his place in rock history.
Gered Mankowitz was the man who created the enduring and defining image of not only Jimi Hendrix and the Rolling Stones but of "the rock star". Now you can enjoy the best of his 50-year career in this defining tome of photography which chronicles music history, and tells you more about relevant popular culture than any text book could.
"When Ben got out of the hospital he said, `When I fall down and can't pick myself up we'll know it's over. Until then, we rock!'" - Jeff Carlisi Benjamin Orr was the co-founder, co-lead singer, and bassist for the platinum-selling rock band The Cars. Often considered the band's heartthrob, Orr possessed an incredible voice, diverse musical talent, and rare stage presence, all balanced by an enigmatic personality and a relentless determination to reach rock stardom. Selling over 30 million albums worldwide with fifteen Billboard Top 40 hits, The Cars certainly achieved success. Within a decade of the debut album, though, Orr found himself adrift and without a band. Veteran music journalist Joe Milliken draws together interviews with over 120 family members, friends, bandmates, and music associates from Orr's life, as well as many unpublished and never-before-seen photos from private collections, to reveal an intimate portrait of one of classic rock's greatest talents. From Orr's first performances as a house-band musician for the TV show UpBeat through his creation of The Cars with Ric Ocasek to Orr's eventual rebirth with the supergroup Big People, this definitive account of Orr's life is a rollercoaster ride that sheds new light on the history of The Cars. Orr is no longer able to rock with The Cars, but the music he made with them continues to attract new generations of fans. Coinciding with the band's 2018 induction into the Rock and Roll Hall of Fame, this first-ever biography of Benjamin Orr immortalizes his legacy as a deeply kind-hearted and exceptionally talented musician who would stop at nothing to live his rock and roll dream.
Music critic and mauvais vivant John Doran is turning his popular and long running MENK column for VICE into a book. Jolly Lad concerns the author's attempts to deal with his life as a recovering alcoholic, to calm his enthusiasm for narcotics, to take control of his wildly fluctuating mental health issues and to curb a tendency toward bleakness in order to become a better father to his young son and less of a meff'. It will also be accompanied by an album of spoken word and music, featuring Manic Street Preachers, British Sea Power and more.'
As heard on Radcliffe and Maconie, Danny Baker and Simon Mayo `Fascinating from start to finish' Simon Mayo, Radio 2 The age of the rock star, like the age of the cowboy, has passed. Like the cowboy, the idea of the rock star lives on in our imaginations. What did we see in them? Swagger. Recklessness. Sexual charisma. Damn-the-torpedoes self-belief. A certain way of carrying themselves. Good hair. Interesting shoes. Talent we wished we had. What did we want of them? To be larger than life but also like us. To live out their songs. To stay young forever. No wonder many didn't stay the course. In Uncommon People, David Hepworth zeroes in on defining moments and turning points in the lives of forty rock stars from 1955 to 1995, taking us on a journey to burst a hundred myths and create a hundred more. As this tribe of uniquely motivated nobodies went about turning themselves into the ultimate somebodies, they also shaped us, our real lives and our fantasies. Uncommon People isn't just their story. It's ours as well.
You may like...
Not Dead Yet - The Autobiography
Phil Collins Paperback (2)
It's Me, Marah - An Autobiography
Marah Louw Paperback (2)
Adele - The Biography
Chas Newkey-Burden Paperback (3)
Sean Smith Paperback (1)
Poker Face - The Rise and Rise of Lady…
Maureen Callahan Paperback (1)
Becoming Beyonce - The Untold Story
J. Randy Taraborrelli Paperback (2)
Michelle Morgan Paperback (1)
I'll Never Write My Memoirs
Grace Jones Paperback (1)
My Love Story - The Autobiography
Tina Turner Paperback (2)
Crosby, Stills, Nash and Young - The…
David Browne Hardcover