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WITH A NEW AFTERWORD BY THE AUTHOR The definitive biography of the late Leonard Cohen - singer-songwriter, musician, poet, and novelist. The genius behind such classic songs as Suzanne, So Long, Marianne, Bird on the Wire and Hallelujah, Leonard Cohen has been one of the most important and influential songwriters of our time, a man of spirituality, emotion, and intelligence whose work has explored the definitive issues of human life - sex, religion, power, meaning, love. I'm Your Man explores the facets of Cohen's life. Renowned music journalist Sylvie Simmons draws on Cohen's private archives and a wealth of interviews with many of his closest associates, colleagues, and other artists whose work he has inspired. Containing exclusive material and interviews, this is the biography to buy on Leonard Cohen.
Shawn Mendes: The Ultimate Fanbook is a must-have for any fan of this new rising star in the pop world. Charting his rise from Vine star and creator of six-second pop covers, all the way to heading a world tour that sold out in six minutes, this book is filled with fantastic photographs of the heart-throb, giving a behind-the-scenes look at this comparatively young artist. This ultimate fanbook delves into Mendes' pre-fame life as well as charting his journey to recent success, even looking at his budding friendships with celebrities such as Taylor Swift, Fifth Harmony, and The Vamps, musicians who saw his potential and took him under their collective wings as he rose to the top. Shawn Mendes is 2016's 'one to watch'. With Number One hits worldwide and two albums under his belt, and there is no sign of him stopping him from become the world's hottest star.
Forty years in the business...six gold & platinum U.S. albums...classic songs like (Don'tFear) The Reaper, Godzilla, Burnin' For You, Astronomy and E.T.I. Donald "BuckDharma" Roeser, Eric Bloom, Allen Lanier, Albert Bouchard & Joe Bouchard comprised one of the great stadium acts of the '70s & '80s. BOC were heavy enough to duke it out with Kiss, Rush, Aerosmith, Ted Nugent & Black Sabbath, yet smart, funny, ironic & jaded enough to please the tough New York critics.Agents of Fortune examines the complicated early days of the band, graphically demonstrating the showbiz sweat that goes into making a successful act. The book is centred around the peerless intellectual quality of the songs - made entertaining by the band's psychotropic & ghoulish humour; its interest in all manner of conspiracy theories, cults, monsters, vampires, UFOs, foul play, arcane spiritualism, alchemy, love lost & love buried, science fiction & friction.Popoff draws on his personal interviews with Roeser, Bloom, Albert & Joe Bouchard, along with drummer Bobby Rondinelli, legendary band producer Murray Krugman & BOC expert Bolle Gregmar. For insight into the band's fantastic lyrical world, Popoff went right to the source, the writers of the BOC classics highlighting their creativity through the author's countless interviews with Sandy Pearlman (manager during the golden years), Richard Meltzer, John Shirley, cover artists Greg Scott and Ioannis, as well as the late Helen Wheels and David Roter. An essential read for Blue Oyster Cult devotees.
West Germany after the Second World War was a country in shock: estranged from its recent history, and adrift from the rest of Europe. This proved to be fertile ground for a generation of musicians who, from the 1960s onwards, would develop the experimental sounds that became known as Krautrock.
Faust, Neu!, Cluster, Ash Ra Tempel, Amon Düül II, Can, Kraftwerk - the influence of these groups upon popular music is incalculable. Future Days is an in-depth study of the music and the groups who made it.
As the fiftieth anniversary of the Woodstock festival nears, Woodstock 1969 stands out for its singular voice. Photojournalist Jason Laur followed his unerring instinct for being in the right place at the crucial moment. He and coauthor Ettagale Blauer trace the historic events that preceded the festival and then envelop the reader with photographs of the headliner rock stars that performed during the landmark three-day concert including The Who, Janis Joplin, Grace Slick of Jefferson Airplane, and Santana. Threading his way back and forth from the stage, through a sea of happy audience members, Jason Laur photographed the communal life that was an essential part of the phenomenon that was Woodstock. Never intrusive, yet working close-up, he managed to capture these innocent moments in the pond and in the woods with the same compassion and intimacy he brought to his coverage of all the crucial events of the era. After Woodstock, he photographed such legends as Jimi Hendrix, Tina Turner, and Jim Morrison of the Doors. Woodstock 1969 gives the reader an appreciation of the lasting impact of the festival, showing the way it changed the lives of all who experienced it. It served as the high point of the counterculture that started in earnest in the Summer of Love, and also as a leading influence in the decades that followed. The book concludes with a look at Woodstock's lasting legacy, from Greenwich Village and the rock scene of the Fillmore East to the establishment of Earth Day and the burgeoning environmental movement.
David Bowie: The Golden YearsAuthor Roger GriffinABOUT THE BOOKDavid Bowie's career is defined by the 70s, his golden years. This book chronicles Bowie's creative life during that decade in a year by year, month by month, day by day format, placing his works in their historical, personal and creative contexts. Every live performance: when and where and who played with him. Every known recording: session details, who played on it, who produced it and release details. Every collaboration is also covered, including production and guest appearances. Film, stage and television appearances: Bowie brought his theatrical training into every performance and created a new form of rock spectacle.Follows Bowie on his journeys across the countries that fired his imagination and inspired his greatest work. A detailed illustrated discography documenting every Bowie recording during this period, including tracks he left in the vault. Many of these ended up on reissues and compilations, which are covered comprehensively - an invaluable reference work.
For the first time Cheryl tells her full story, her way. Revealing the truth behind the headlines, this is the only official autobiography, giving the fans the true story they've been waiting for. Includes exclusive, personal photos.
The British nation's sweetheart, Cheryl has achieved unrivalled success with Girls Aloud, as a solo artist, a judge on the X Factor, a fashion icon and as the face of L'Oreal. However, the path to fame is rarely easy and for Cheryl it has been a colourful journey. From happy but humble beginnings growing up on a tough Newcastle estate, Cheryl saw firsthand the damage that drugs and alcohol can do. But this feisty Geordie never gave up on her dreams of being on stage. With success came a level of fame no one could prepare for.
As Cheryl's career went from strength to strength her personal heartache was played out in the national media. From her divorce to her battles with malaria, Cheryl's every move was captured by paparazzi. There was nowhere for Cheryl to hide. However, a true fighter, Cheryl emerged from every challenge stronger. Now it's Cheryl's turn to set the record straight.
In this heartfelt account, she opens up about all of the incredible ups and downs of her life. Told with searing honesty this is Cheryl as you've never seen her before.
You will hear a Nile Rodgers song today. It will make you happy. Legendary producer and co-founder of Chic, Nile wrote 'We are Family' for Sister Sledge and 'I'm Coming Out' for Diana Ross, and then produced Let's Dance for David Bowie and Like a Virgin for Madonna. But before he reinvented pop music Nile Rodgers invented himself. Le Freak is an astonishing, exuberant and inspiring story of a creative genius. It is also a stunning recreation of a time and place - by the man who wrote its soundtrack.
George is the story of two extraordinary lives - the private man and the public legend. Georgios Panayiotou was just eighteen when he decided to adopt the stage name of George Michael. Sometimes his two worlds would collide with shattering consequences. Bestselling biographer Sean Smith has gone back to the neighbourhoods of North London to trace the astonishing journey of a sensitive but determined boy who grew up to be one of the biggest British pop stars of all time. Along the way, he talks to those close to George, revealing the real man - funny, articulate, intelligent and generous spirited - who hid behind the powerful image he created. He reveals the complex relationship with his high-achieving Greek-Cypriot father; the unconditional love of his mother; his teenage relationships with girls; and his first tragic love affair with another man. George's career began falteringly with a schoolboy band, exploded with Wham! before he became a solo phenomenon. But at the height of his fame, the world seemed to turn against him. Smith describes his despair at losing the two people who mattered most, how he sought consolation in drugs, his notorious `coming out' and how he ended up in jail. His health failed him and he died heartbreakingly alone on Christmas Day, 2016. Affectionate yet honest and moving, George is both a celebration of George Michael's music and a lasting tribute to a decent and much-loved man.
In 1978, Siouxsie and the Banshees declared `We don't see ourselves in the same context as other rock'n'roll bands.' A decade later, and in the stark aftermath of a devastating storm, the band retreated to a 17th-century mansion house in the deracinated Sussex countryside to write their ninth studio album, Peepshow. Here, the band absorbed the bygone, rural atmosphere and its inspirational mise en scene, thus framing the record cinematically, as Siouxsie Sioux recalled, `It was as if we were doing the whole thing on the set of The Wicker Man'. Samantha Bennett looks at how Siouxsie and the Banshees' Peepshow is better understood in the context of film and film music (as opposed to popular music studies or, indeed, the works of other rock'n'roll bands). Drawing upon more than one hundred films and film scores, this book focuses on Peepshow's deeply embedded historical and aesthetic (para)cinematic influences: How is each track a reflection of genre film? Who are the various featured protagonists? And how does Peepshow's diverse orchestration, complex musical forms, atypical narratives and evocative soundscapes reveal an inherently cinematic record? Ultimately, Peepshow can be read as a soundtrack to all the films Siouxsie and the Banshees ever saw. Or perhaps it was the soundtrack to the greatest film they never made.
Late in the Reagan years, three young men at Jerry Falwell's Liberty University formed the Christian rap group dc Talk. The trio put out a series of records that quickly secured their place at the forefront of contemporary Christian music. But, with their fourth studio album Jesus Freak (1995), dc Talk staked a powerful claim on the worldly market of alternative music, becoming an evangelical group with secular selling power. This book sets out to study this mid-90s crossover phenomenon-a moment of cultural convergence between Christian and secular music and an era of particular political importance for American evangelicalism. Written by two queer scholars with evangelical pasts, Jesus Freak explores the importance of a multifarious album with complex ideas about race, sexuality, gender, and politics-an album where dc Talk wonders, "What will people do when they hear that I'm a Jesus freak?" and evangelical fans stake a claim for Christ-like coolness in a secular musical world.
Transformer, Lou Reed's most enduringly popular album, is described with varying labels: it's often called a glam rock album, a proto-punk album, a commercial breakthrough for Lou Reed, and an album about being gay. And yet, it doesn't neatly fit into any of these descriptors. Buried underneath the radio-friendly exterior lie coded confessions of the subversive, wounded intelligence that gives this album its staying power as a work of art. Here Lou Reed managed to make a fun, accessible rock'n'roll record that is also a troubled meditation on the ambiguities-sexual, musical and otherwise-that defined his public persona and helped make him one of the most fascinating and influential figures in rock history. Through close listening and personal reflections, songwriter Ezra Furman explores Reed's and Transformer's unstable identities, and the secrets the songs challenge us to uncover.
Unless you lived through the 1970s, it seems impossible to understand it at all. Drug delirium, groovy fashion, religious cults, mega corporations, glitzy glam, hard rock, global unrest-from our 2018 perspective, the seventies are often remembered as a bizarre blur of bohemianism and disco. With Pick Up the Pieces, John Corbett transports us back in time to this thrillingly tumultuous era through a playful exploration of its music. Song by song, album by album, he draws our imaginations back into one of the wildest decades in history. Rock. Disco. Pop. Soul. Jazz. Folk. Funk. The music scene of the 1970s was as varied as it was exhilarating, but the decade's diversity of sound has never been captured in one book before now. Pick Up the Pieces gives a panoramic view of the era's music and culture through seventy-eight essays that allow readers to dip in and out of the decade at random or immerse themselves completely in Corbett's chronological journey. An inviting mix of skilled music criticism and cultural observation, Pick Up the Pieces is also a coming-of-age story, tracking the author's absorption in music as he grows from age seven to seventeen. Along with entertaining personal observations and stories, Corbett includes little-known insights on musicians from Pink Floyd, Joni Mitchell, James Brown, and Fleetwood Mac to the Residents, Devo, Gal Costa, and Julius Hemphill. A master DJ on the page, Corbett takes us through the curated playlist that is Pick Up the Pieces with captivating melody of language and powerful enthusiasm for the era. This funny, energetic book will have readers longing nostalgically for a decade long past.
REVISED EDITION WITH FIVE THOUSAND WORDS BONUS MATERIAL AND NEW PHOTOGRAPHS M Train begins in the tiny Greenwich Village cafe where Smith goes every morning for black coffee, ruminates on the world as it is and the world as it was, and writes in her notebook. Through prose that shifts fluidly between dreams and reality, past and present, and across a landscape of creative aspirations and inspirations, we travel to Frida Kahlo's Casa Azul in Mexico; to a meeting of an Arctic explorer's society in Berlin; to a ramshackle seaside bungalow in New York's Far Rockaway that Smith acquires just before Hurricane Sandy hits; and to the graves of Genet, Plath, Rimbaud and Mishima. Woven throughout are reflections on the writer's craft and on artistic creation. Here, too, are singular memories of Smith's life in Michigan and the irremediable loss of her husband, Fred Sonic Smith. Braiding despair with hope and consolation, illustrated with her signature Polaroids, M Train is a meditation on travel, detective shows, literature and coffee. It is a powerful, deeply moving book by one of the most remarkable artists at work today.
Adele: The Other Side reveals the stories behind the hugely popular and iconic songs that have made Adele the star she is today. With a detailed exploration of the meanings behind her personal and enigmatic lyrics, and full of insightful revelations about her musical journey both on and off the stage, this is the perfect book for any fan of Adele and the soulful, heart-wrenching music she has written.
Shortlisted for the Penderyn Music Book Prize Sticky Fingers is the story of how one man's ego and ambition captured the 1960s youth culture of rock and roll and turned it into a hothouse of fame, power, politics, and riches that would last for fifty years. Drawn from dozens of hours of interviews with Jann Wenner, who granted Joe Hagan exclusive access to his vast personal archive, this biography reveals how Wenner manufactured an unforgettable cultural mythology in story and image every other week for five decades. Hagan captures in stunning detail the extraordi-nary stories behind Rolling Stone, the magazine that reinvented youth culture, and marketed the libertine world of late-sixties San Francisco. He chronicles Wenner's marksmanship as an editor, his instinctive un-derstanding of the zeitgeist, his endless pursuit of fame and power and his capacity for betrayal that would earn him as many enemies as friends. Featuring on-the-record interviews with Mick Jagger, Bruce Springsteen, Paul McCartney, Elton John, Keith Richards, Pete Townsend, Yoko Ono, Billy Joel, Tom Wolfe, Cameron Crowe, Lorne Michaels, David Geffen, Dan Aykroyd, Bette Midler, and many others, Hagan describes Wenner with intimacy, nuance, and complexity. Like a real life Clash of the Titans, Sticky Fingers captures the spirit of the age and paints an unforgettable portrait of one of the most signif-icant cultural forces of our time.
Popoff's easy to read book utilises his celebrated timeline with quotes methodology, allowing for drop-ins on all aspects of Alice's busy life. The author has made use of his extensive archive of interviews with Alice and the band as well as producers, designers and even The Amazing Randi, world-renowned magician and inventor of Alice's legendary guillotine prop. Welcome to My Nightmare is an immense addition to Alice Cooper scholarship. Alice Cooper was one of the biggest concert draws in the seventies with a string of gold and platinum albums to his name. Hits include "I'm Eighteen," "Be My Lover," "Under My Wheels," "School's Out," "Elected," & "Billion Dollar Babies". Alice continued to shake pop consciousness with Welcome to My Nightmare and a string of hit ballads. He appeared regularly on TV and talk shows. Following a debilitating drug and alcohol addiction and subsequent notorious dark period in the early eighties which is addressed in the book, Alice returned to gold and platinum status with albums like Trash and Hey Stoopid, featuring smash singles "Poison" and "Feed My Frankenstein." He's never stopped touring and being a multi-media whirlwind since-Alice, with his pioneering use of facepaint, remains one of the most famous faces in America. Shockingly, there has not been a comprehensive Alice Cooper book since the eighties. The key here is the rich content Popoff brings to the project. Welcome to My Nightmare is sure to impress the Alice expert and novice alike, with new revelations and interviews turning up page after page.
"When Ben got out of the hospital he said, `When I fall down and can't pick myself up we'll know it's over. Until then, we rock!'" - Jeff Carlisi Benjamin Orr was the co-founder, co-lead singer, and bassist for the platinum-selling rock band The Cars. Often considered the band's heartthrob, Orr possessed an incredible voice, diverse musical talent, and rare stage presence, all balanced by an enigmatic personality and a relentless determination to reach rock stardom. Selling over 30 million albums worldwide with fifteen Billboard Top 40 hits, The Cars certainly achieved success. Within a decade of the debut album, though, Orr found himself adrift and without a band. Veteran music journalist Joe Milliken draws together interviews with over 120 family members, friends, bandmates, and music associates from Orr's life, as well as many unpublished and never-before-seen photos from private collections, to reveal an intimate portrait of one of classic rock's greatest talents. From Orr's first performances as a house-band musician for the TV show UpBeat through his creation of The Cars with Ric Ocasek to Orr's eventual rebirth with the supergroup Big People, this definitive account of Orr's life is a rollercoaster ride that sheds new light on the history of The Cars. Orr is no longer able to rock with The Cars, but the music he made with them continues to attract new generations of fans. Coinciding with the band's 2018 induction into the Rock and Roll Hall of Fame, this first-ever biography of Benjamin Orr immortalizes his legacy as a deeply kind-hearted and exceptionally talented musician who would stop at nothing to live his rock and roll dream.
This smart, incisive biography traces Bruce Springsteen s evolution from a young artist who wasn t sure what he wanted to say to an acclaimed musician with a distinctive vision for a better society. Brilliantly analyzing and evoking Springsteen s output, Marc Dolan unveils the pulsing heart of his music: its deep personal, political, and cultural resonances, which enabled Springsteen to reflect on his experiences as well as the world around him. The book is now updated with a new chapter on The Promise, Wrecking Ball, and the 2012 tour."
The punk band D.O.A., established in 1978, is considered one of the founders of hardcore punk, alongside such other seminal groups as Black Flag and Minor Threat. Their raw, melodic sound, which drew comparisons to The Clash and The Ramones, has always been matched by the band's acute political sensibility. Known for its uncompromising and outspoken anarchist viewpoints, D.O.A. has been active on behalf of many issues, including anti-racism, anti-globalization, freedom of speech, women's rights, and the environment. Its slogan, "Talk - Action = 0," refers to the importance of artists and others who need to "walk the walk" when it comes to their politics.
After more than thirty years, D.O.A. remains as active as ever, touring internationally (including a trip to China, the first punk band to do so) and recording regularly (their thirteenth studio album was released in 2010); their fan base now spans three generations. This large-format book is a sprawling visual history of the group by lead singer and guitarist Joe Keithley--made up of vintage photographs, posters, handwritten lyrics, and other various ephemera--that offers a visceral glimpse into the hardcore life of one of the hardest-working punk bands in the business.
Joe Keithley is the founder of D.O.A. His autobiography "I,
Shithead: A Life in Punk" was published by Arsenal Pulp Press in
2003; now in its third printing, it has been translated into
French, German, and Italian.
In the early nineties, a group of disaffected and fiercely political young men from the Welsh valleys exploded onto a British music scene still in thrall to rave and acid house.It was the legendary photographer Kevin Cummins who captured James, Sean, Richey and Nicky in their most uncompromising, glam-fixated early years. Assassinated Beauty is a unique record of a band on a mission to reclaim rock and roll through literature, image and thrilling guitar pop. Working at the NME and already famous for his association with the classic images of Joy Division, The Smiths and Stone Roses, Cummins was the ideal photographer to capture the essence of a band who understood and manipulated androgynous and decadent imagery. These photographs document the period just before the release of Generation Terrorists (1992) up to Holy Bible (1995) and the subsequent disappearance of guitarist and lyricist, Richey Edwards. A revealing mix of studio shots and never-seen-before behind-the-scenes photographs and the ultimate portrait of one of the last great British rock and roll bands.
Until recently, glam rock has been a mere footnote in popular music history: a style-over-substance lark in an otherwise serious industry. Glam Rock: Music in Sound and Vision reveals the true story of how glam carved out a place as a diverse musical style and how it related to the artistic, political, economic, emotional, sexual, and commercial scenes of the late twentieth century. Committed to spectacle but also to musical ingenuity, glam delivered an exhilarating burst of color that offered a joyful reboot for pop culture-"a total blam blam!" Glam swept through Britain to North America in the early 1970s with the foundational stardom of T Rex and David Bowie, offering an alternative to the established rock and pop styles that had started to bore a segment of young listeners. As Alice Cooper and KISS filled concert arenas, British acts as diverse as the Rolling Stones, Elton John, and Queen consciously adopted glam's flair for drama. Refreshing and reinvigorating, glam influenced later musical movements and moments from glitterfunk to punk, from new wave to new romanticism, and from hair metal to the synth-pop of self-conscious changelings like Marilyn Manson and Lady Gaga. In Simon Philo's engaging history, glam finally gets the spotlight it deserves. As an essential force in the history of popular music, glam offers a prism through which to explore '70s pop culture in all its glitter and charm.
In 1965, photographer Jerry Schatzberg, already well-established in the field due to his fashion and portrait photography for various publications, such as Vogue, Esquire and Life, listened to Bob Dylan for the first time. He had been hearing about the singer for close to three years; two friends were especially dogged and would ask him every time they spoke if he had heard the music yet. Finally, feeling obligated to them for their persistency, he listened and understood immediately why Dylan was inspiring such passionate excitement. Shortly thereafter, Schatzberg was photographing a job in his studio and had some fortuitous company. Famed music journalist Al Aronowitz and disc jockey Scott Ross were discussing Dylan and a recent performance they had seen of his. Half listening to their conversation, he volunteered that he'd like to photograph the singer if given the chance. Dylan's new wife (one of the friends mentioned above) called the following day and gave him an open invitation to the studio where he was currently recording 'Highway 61 Revisited'. Excited and curious, Schatzberg set off the very next day for the studio, exactly six days after the seminal Newport Folk Festival set where Dylan went electric and was collectively booed. Schatzberg received a warm welcome from the singer, who immediately sat him down to listen to what he had been recording that day. Dylan gave him free rein of the studio once he started shooting and the images that emerged from that day make obvious the comfortable and relaxed atmosphere that was already brewing between photographer and subject. Considering Dylan's almost-universal dislike of journalists (and by extension photographers), this was a completely unprecedented situation, one that Schatzberg took seriously. That almost-instant trust and rapport quickly grew into a friendship and they are part of the reason Schatzberg's sittings with Dylan work so successfully and are so important. Dylan is relaxed, he's funny, he takes the props that the photographer gives him and has fun with them - he's obviously not taking himself too seriously. Working and socialising together, Schatzberg would eventually do nine more photo shoots with Dylan from 1965-6, arguably the singer's most creative period, and capture the (now) Nobel laureate during one of the most pivotal moments in music history. Part of their uniqueness is their basic broad range of intimate and public locations: music and photography studios, live performances and street portraits. But more than that, each session (including the one for possibly his greatest album, 'Blonde on Blonde') says something different about Dylan, the man and the musician, and manages to perfectly capture the many facets of one of the most unique, complex and mysterious individuals of all time.
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