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Artist + Entrepreneur = Artrepreneur.
Today, more than ever before, creative professionals from all creative domains are beginning to realize that in order to pursue a creative career you need to think like an entrepreneur. Yet as we discover in this book, the motivating factors between what drives an entrepreneur and an Artrepreneur differ greatly.
For one, Artrepreneurs are not always in it for the money. On the contrary, they are often driven by raw passion and the desire to create. This drive usually creates tension between maintaining authenticity and creativity as an artist, and administrating a business, which is you. In essence, this book is about assisting creative professionals to understand that they are the business and not only the artist. It is about the intersection between being an artist and being an entrepreneur, hence the title of the book.
Part self-help, part coaching, part delve-into-your-soul-to-find-the-real-you. Why? Because without the real you, art will always be a copy and never a creation.
As the struggle against apartheid gained momentum in the seventies and eighties, women photographers recorded the drama unfolding across the land. More recently, women have begun exploring a different aesthetic and developing a wide range of photographic practices in the worlds of fashion, journalism, documentary, and advertising. Seventy-five photographers and almost 400 images are included.
"Robin Comley" has worked as a journalist and editor and is photographic editor of "A Century of Sundays," a retrospective on 100 years of the "Sunday Times" newspaper. "George Hallett" is a Cape Town-based photographer who has exhibited internationally. In 1995, he won a Golden Eye in the World Press Photo Award for his essay on President Mandela during the 1994 election campaign. "Neo Ntsoma" has won many prestigious awards including the CNN African Journalist Award (Photography), of which she was the first woman recipient. Her work has been published in international publications and her photo-project, South African Youth ID--Kwaito Culture' appeared in "Moving in Time," an anthology of work from fifty South African photographers in celebration of ten years of democracy.
The best-selling guide to writing about art Sylvan Barnet's A Short Guide to Writing About Art guides students through every aspect of writing about art. Students are shown how to analyze pictures (drawings, paintings, photographs), sculptures and architecture, and are prepared with the tools they need to present their ideas through effective writing. Coverage of essential writing assignments includes formal analysis, comparison, research paper, review of an exhibition, and essay examination. New to the 11th edition is a chapter on "Virtual Exhibitions: Writing Text Panels and Other Materials."
For an undergraduate introductory level course in humanities. An introduction to the world's major civilizations. This Fourth Edition is an introduction to the world's major civilizations-to their artistic achievements, their history, and their cultures. Through an integrated approach to the humanities, Arts and Culture offers an opportunity to view works of art, read literature, and listen to music in historical and cultural contexts. In studying the humanities, we focus our attention on works of art, literature, and music that reflect and embody the central values and beliefs of particular cultures and specific historical moments.
In a world of turmoil, art matters more than ever. Art can bring about political action, even social revolution. Art reminds us of the things that really matter. It lifts our eyes to eternity and show us the importance of the here and now. With illustration from contemporary art and reference to theatre and film, this book shows the importance of art for all, not just the professionals. Creativity helps humans to flourish and reflects the character of a creative God. This is a book to return to time and again for inspiration and encouragement. Illustrated by author Alastair Gordon, Why Art Matters encourages us to embrace creativity at home, church, in play and professionally in the creative arts and industries.
A powerful portrait of the greatest humanitarian emergency of our time, from the director of Human Flow In the course of making Human Flow, his epic feature documentary about the global refugee crisis, the artist Ai Weiwei and his collaborators interviewed more than 600 refugees, aid workers, politicians, activists, doctors, and local authorities in twenty-three countries around the world. A handful of those interviews were included in the film. This book presents one hundred of these conversations in their entirety, providing compelling first-person stories of the lives of those affected by the crisis and those on the front lines of working to address its immense challenges. Speaking in their own words, refugees give voice to their experiences of migrating across borders, living in refugee camps, and struggling to rebuild their lives in unfamiliar and uncertain surroundings. They talk about the dire circumstances that drove them to migrate, whether war, famine, or persecution; and their hopes and fears for the future. A wide range of related voices provides context for the historical evolution of this crisis, the challenges for regions and states, and the options for moving forward. Complete with photographs taken by Ai Weiwei while filming Human Flow, this book provides a powerful, personal, and moving account of the most urgent humanitarian crisis of our time.
From the bestselling author of Purple Cow and This is Marketing comes an elegant little book that will inspire artists, writers, and entrepreneurs to stretch and commit to putting their best work out into the world.
Creative work doesn't come with a guarantee. But there is a pattern to who succeeds and who doesn't. And engaging in the consistent practice of its pursuit is the best way forward.
Based on the breakthrough Akimbo workshop pioneered by legendary author Seth Godin, The Practice will help you get unstuck and find the courage to make and share creative work. Godin insists that writer's block is a myth, that consistency is far more important than authenticity, and that experiencing the imposter syndrome is a sign that you're a well-adjusted human. Most of all, he shows you what it takes to turn your passion from a private distraction to a productive contribution, the one you've been seeking to share all along.
With this book as your guide, you'll learn to dance with your fear. To take the risks worth taking. And to embrace the empathy required to make work that contributes with authenticity and joy.
This catalog explores the psychological and social implications contained in the hybrid creatures and fantastic scenarios created by contemporary artists whose works will appear in the exhibition "Fairy Tales, Monsters, and the Genetic Imagination, " which opens at Nashville's Frist Center for the Visual Arts in February 2012. Curator Mark Scala's introductory essay focuses on anthropomorphism in the mythology, folklore, and art of many cultures as it contrasts with the dominant Western view of human exceptionalism. Scala also provides an art historical context, linking the visual fabulists of today to artists of the Romantic, Symbolist, and Surrealist periods who sought to transcend oppositions such as rationality and intuition, fear and desire, the physical and the spiritual.
Discussing how artists adapt traditional stories to give mythic form to the very real dilemmas of contemporary life, Jack Zipes's "Fairy-Tale Collisions" centers on Paula Rego, Kiki Smith, and Cindy Sherman. From a generation of women who have attained prominence since the 1980s, these artists alter fairy-tale imagery to subvert or rewrite social roles and codes.
In "Metamorphosis of the Monstrous," Marina Warner discusses works in the exhibition in the context of historical conceptions of monsters as expressions of alterity, bestiality, or sinfulness. Her reminder that contemporary monster images offer "a promise and a warning about the variety, heterogeneity, and possible combinations and recombinations in the order of things" sets the stage for Suzanne Anker's essay, punningly titled "The Extant Vamp (or the) Ire of It All: Fairy Tales and Genetic Engineering." Considering representations of hybrid bodies by Patricia Piccinini, Janaina Tschape, Saya Woolfalk, and others, which evoke imagined beings of the past as a way to envision the recombinant creatures that may lie in the future, Anker shows how artists explore the social, ethical, and future implications of biological design and enhanced evolution.
Accompanying an exhibition of contemporary art in which depictions of marvelous creatures and fantastic narratives provide both chills and delights, the essays in "Fairy Tales, Monsters, and the Genetic Imagination" explore the meaning of this fabulist revival through the lenses of social and art history, literature, feminism, animal studies, and science.
Here is the first comprehensive survey of modern craft in the United States. Makers follows the development of studio craft--objects in fiber, clay, glass, wood, and metal--from its roots in nineteenth-century reform movements to the rich diversity of expression at the end of the twentieth century. More than four hundred illustrations complement this chronological exploration of the American craft tradition. Keeping as their main focus the objects and the makers, Janet Koplos and Bruce Metcalf offer a detailed analysis of seminal works and discussions of education, institutional support, and the philosophical underpinnings of craft. In a vivid and accessible narrative, they highlight the value of physical skill, examine craft as a force for moral reform, and consider the role of craft as an aesthetic alternative. Exploring craft's relationship to fine arts and design, Koplos and Metcalf foster a critical understanding of the field and help explain craft's place in contemporary culture. Makers will be an indispensable volume for craftspeople, curators, collectors, critics, historians, students, and anyone who is interested in American craft. |Here is the first comprehensive survey of modern craft in the United States. The book follows the development of studio craft--objects in fiber, clay, glass, wood, and metal--from its roots in 19th-century reform movements to the rich diversity of expression at the end of the 20th century. Keeping as their main focus the objects and the makers, Koplos and Metcalf offer a detailed analysis of seminal works and discussions of education, institutional support, and the philosophical underpinnings of craft. Oversize, with more than 400 illustrations.
THE SUNDAY TIMES BESTSELLER With a foreword by Diana Gabaldon. Two men. One country. And a lot of whisky. As stars of Outlander, Sam and Graham eat, sleep and breathe the Highlands on this epic road trip around their homeland. They discover that the real thing is even greater than fiction. Clanlands is the story of their journey. Armed with their trusty campervan and a sturdy friendship, these two Scotsmen are on the adventure of a lifetime to explore the majesty of Scotland. A wild ride by boat, kayak, bicycle and motorbike, they travel from coast to loch and peak to valley and delve into Scotland's history and culture, from timeless poetry to bloody warfare. With near-death experiences, many weeks in a confined space together, and a cast of unforgettable characters, Graham and Sam's friendship matures like a fine Scotch. They reflect on their acting careers in film and theatre, find a new awestruck respect for their native country and, as with any good road trip, they even find themselves. Hold onto your kilts... this is Scotland as you've never seen it before.
Twenty leading women artists of the 20th century outline the personal and aesthetic issues that shaped their private lives. Includes contributions from Georgia O'Keefe and Barbara Hepworth. First published in 1992.
This study tool focuses on critical analysis of the subject through a workbook section including discussion, maps, timeline, and essay and multiple-choice questions. To enhance student learning and provide more practical application of information, there are three self-quizzes that cover each chapter of the text. The tests consist of multiple-choice, short-answer, and image-identification questions. Complete answers and page references are located at the end of the guide. Now split so as to better pair with the textbook volumes, the Study Guide will help the students not only remember the information presented in each chapter but also process it on a higher level.
This is the fascinating autobiography of a society heiress who became the bohemian doyenne of the art world. Written in her own words it is the frank and outspoken story of her life and loves: her stormy relationships with such men as Max Ernst and Jackson Pollock, and her discovery of new artists. Known as 'the mistress of modern art', Peggy Guggenheim was a passionate collector and major patron. She amassed one of the most important collections of early twentieth-century European and American art embracing Cubism, Surrealism and Expressionism. A must-read for anyone with an interest in these major-league artists, this seminal period of art history, and the ultimate self-invented woman. Includes a foreword by Gore Vidal.
A mindbending new collection of short stories from the unique,
internationally acclaimed author of Norwegian Wood and The Wind-up Bird
The National Bolshevik Party, founded in the mid-1990s by Eduard Limonov and Aleksandr Dugin, began as an attempt to combine radically different ideologies. In the years that followed, Limonov, Dugin, and the movements they led underwent dramatic shifts. The two leaders eventually became political adversaries, with Dugin and his organizations strongly supporting Putin's regime while Limonov and his groups became part of the liberal opposition. To illuminate the role of these right-wing ideas in contemporary Russian society, Fabrizio Fenghi examines the public pronouncements and aesthetics of this influential movement. He analyzes a diverse range of media, including novels, art exhibitions, performances, seminars, punk rock concerts, and even protest actions. His interviews with key figures reveal an attempt to create an alternative intellectual class, or a 'counter-intelligensia.' This volume shows how certain forms of art can transform into political action through the creation of new languages, institutions, and modes of collective participation.
Elegant, culturally accessible and beautiful, this work of original aphorisms in Russian and English from the perspective of a very successful business magnate features exceptional design and production values to ensure a striking, relevant and truly high-quality book. The text of Maxims of a Man of Schemes is balanced throughout by fine-art illustrations, including a number supplied by contemporary painters of the author's acquaintance.
As the author and artist of a heroine's surreal journey through a haunting southern landscape, Kelli Scott Kelley reveals the mastery of her craft and the strong narrative ability of her artwork. Borrowing from Roman mythology, Jungian analysis, and the psychology of fairy tales, Kelley presents a story of family dysfunction, atonement, and transformation.
Reproductions of her artwork -- mixed-media paintings executed on repurposed antique linens -- punctuate the tale of Accalia, who is tasked with recovering the arms of her father from the belly of the swamp monster. Visually and metaphorically, Accalia's odyssey enchants and displaces as Kelley delicately balances the disquieting with the familiar.
Rich in symbolism and expertly composed, Accalia and the Swamp Monster pulls readers into the physical realm through Kelley's chimerical imagery and then pushes them towards the inner world of the subconscious. To that end, Kelley's story is accompanied by essays from Jungian analyst Constance Romero and art historian Sarah Bonner.
A culmination of nearly a decade of work, introspection, and research, Accalia and the Swamp Monster is both an entrancing display of Kelley's art and an affirmation of the transformative power of fairy tales.
The first volume of Brian Sewell's scandalous and haunting memoir was met by riotous applause in the press. 'Outsider is a delicious read ...I want more - much more,' wrote Rachel Cooke in the Guardian. 'This book records an extraordinary life and will, I hope, soon be continued,' added Lynn Barber in the Sunday Times. Outsider II will certainly not disappoint. With the first instalment ending tantalisingly in 1967 - after exploring Sewell's childhood, adolescence and early adulthood - this next chapter charts his path to becoming, as the Spectator noted, 'Surely the funniest art critic of our time.'
From Giotto to David Hockney, this invaluable A-Z reference guide introduces some of the most celebrated artists in history. 100 Great Artists showcases the masterworks of one hundred painters who represent eight centuries of artistic tradition, ranging from the 13th century to the 21st. Featuring spectacular full-colour images and biographic timelines, this book is a wonderful resource to browse some of histories most iconic artists and why they remain influential today. Featured artists include: * Michelangelo * William Blake * Francisco Goya * Katsushika Hokusai * James McNeill Whistler The secrets of the masterpieces revealed: does Van Eyck's Arnolfini Marriage portray a secret sadness? What political purpose did Rubens' fat, rosy models serve? And did Seurat's pointillist experiment really work? A must-have collection for general readers, art students and practitioners alike.
Arts education is regarded as an essential part of quality education which not only enhances learners' social, personal and intellectual development, but also their critical and creative thinking skills. It provides learners with opportunities to work collaboratively with each other and in so doing, to develop respect for others' opinions and backgrounds. It is also a healthy outlet for emotions and ideas that learners may not otherwise be able to express. Creative arts education provides guidelines on how to teach dance, drama, visual arts and music in a more animated, vibrant and practical manner so as to allow each child to reach his full potential. Based on the grades 7-9 curricula, Creative arts education provides examples and activities to enable creative arts teachers to put theory into practice. Besides sections for each art form, a full chapter is devoted to inclusive education, learning barriers and how best to accommodate the different learning styles and needs of a diverse class of learners. Structural guidance according to CAPS requirements is also included. Creative arts education is aimed at all prospective and practising grades 7-9 teachers of visual arts, dance, music and drama.
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