This is the first of seven volumes of a translation of the Valmiki Ramayana, the great Sanskrit epic of the life of Rama, ideal man and incarnation of the great god Visnu. This renowned work of ancient India has profoundly affected the literature, art, religions, and cultures of countless millions of people in South and Southeast Asiaan influence that is perhaps unparalleled in the history of world literature. Balakanda, the opening portion of this first translation to be based on the critical edition (Oriental Institute, Baroda), is presented here in a compact volume without the section of notes that appears in the hardcover book.

"The Bhagavad Gita" is a book of light, love and life: Jnana, Bhakti and Karma. Karma is work and work is life. "The Bhagavad Gita" teaches us how to be, how to think and how to act. In this book, the author has presented the teachings of "The Bhagavad Gita" in an easily understandable form for the average reader who does not have the time or the facility to read the bigger volume written on this great epic poem.

Volume Two of "Drona" begins in the aftermath of tragedy. As evening falls, Arjuna journeys wearily back to camp and is greeted by the ashen faces of his brothers. Before they speak, he guesses the worst. And the worst is right: his son Abhimanyu is dead. Arjuna is inconsolable. Insensible with rage, he vows to take revenge on the boy's killers. He swears that if they are not dead before another day passes, he will set himself alight. The world seems to shudder at his words.

The great war of the Maha bharata is over. Or is it? This is a single extended family wracked in conflict. Both sides succumbed to treachery. Ashva tthaman, the young leader of the three survivors on the losing side, is incensed at his father's murder. He returns after dark to the now sleeping encampment. The sacrifice of the unsuspecting champions, the "Dead of Night," ensues. The five sons of Pandu have escaped. After a final confrontation, a missile crisis, Ashva tthaman concedes defeat but redirects his missile into the wombs of the victors' women. They miscarry, and cannot hope for more children. Now the survivors, victors and vanquished, must struggle to comprehend their loss. "The Women" of both sides are confronted by their men's mangled corpses in a masterpiece of horror and pathos. But their potent curses must be curbed to usher in a new era. Maha bharata Books Ten and Eleven give voice to the vanquished, to the psychology of loss and the conflicting desires for understanding and revenge.

"The books line up on my shelf like bright Bodhisattvas ready to take tough questions or keep quiet company. They stake out a vast territory, with works from two millennia in multiple genres: aphorism, lyric, epic, theater, and romance."
--Willis G. Regier, "The Chronicle Review"

"No effort has been spared to make these little volumes as attractive as possible to readers: the paper is of high quality, the typesetting immaculate. The founders of the series are John and Jennifer Clay, and Sanskritists can only thank them for an initiative intended to make the classics of an ancient Indian language accessible to a modern international audience."
--"The Times Higher Education Supplement"

"The Clay Sanskrit Library represents one of the most admirable publishing projects now afoot. . . . Anyone who loves the look and feel and heft of books will delight in these elegant little volumes."
--"New Criterion"

"Published in the geek-chic format."
--"BookForum"

"Very few collections of Sanskrit deep enough for research are housed anywhere in North America. Now, twenty-five hundred years after the death of Shakyamuni Buddha, the ambitious Clay Sanskrit Library may remedy this state of affairs."
--"Tricycle"

aNow an ambitious new publishing project, the Clay Sanskrit Library brings together leading Sanskrit translators and scholars of Indology from around the world to celebrate in translating the beauty and range of classical Sanskrit literature. . . . Published as smart green hardbacks that are small enough to fit into a jeans pocket, the volumes are meant to satisfy both the scholar and the lay reader. Each volume has a transliteration of the original Sanskrit texton the left-hand page and an English translation on the right, as also a helpful introduction and notes. Alongside definitive translations of the great Indian epics -- 30 or so volumes will be devoted to the Maha-bharat itself -- Clay Sanskrit Library makes available to the English-speaking reader many other delights: The earthy verse of Bhartri-hari, the pungent satire of Jayanta Bhatta and the roving narratives of Dandin, among others. All these writers belong properly not just to Indian literature, but to world literature.a
--"LiveMint"

aThe Clay Sanskrit Library has recently set out to change the scene by making available well-translated dual-language (English and Sanskrit) editions of popular Sanskritic texts for the public.a
--"Namarupa"

In India's great epic the Maha-bharata, the eighth book, aKarna, a recounts the events that occurred during the mighty hero Karna's two days as general of the Kaurava army. This second volume resumes on the war's seventeenth and penultimate day. This will be a momentous day for the Bharata clans and especially for a number of their most distinguished heroes, with some of the epic's most telegraphed events reaching their climax. Not only will the epic's most anticipated duel between its greatest champions Arjuna and Karna be played out to its cruel and tragic end, but one of the more gruesome episodes in the epic will also take place with Duhshasana meeting the fate that has long waited him since his brazen maltreatment of Draupadi in the assembly hall.

Co-published by New York University Press and the JJC Foundation

For more on this title and other titles in the Clay Sanskrit series, please visit http: //www.claysanskritlibrary.org

Awakening: An Introduction to the History of Eastern Thought engages students with lively anecdotes, essential primary and secondary sources, an accessible writing style, and a clear historical approach. The text focuses primarily on India, China, and Japan, while showing the relationships that exist between Eastern and Western traditions. Patrick Bresnan consistently links the past to the present, so students may see that Eastern traditions, however ancient their origins, are living traditions and relevant to modern times. Updates to the Sixth Edition include a new introduction as well as new approaches to problem areas throughout the text, but with special emphasis in Chapter 5 (Ashtanga Yoga), Chapter 10 (Basic Teaching of Shakyamuni Buddha), Chapter 12(Mahayana Buddhism: Madhyamaka section) and Chapter 18 (Chan Buddhism: regarding the relationship of Chan Buddhism to Zen Buddhism). In addition, all references and source material have been brought up to date. The companion website includes two new videos and many new photos, produced by the author. New to this Sixth Edition: * A new introduction that provides a helpful overview of each of the nineteen chapters and important connections between them; * An improved explanation of the nature of Vedanta philosophy, and a more logical organization of the Key Elements of the Upanishads in Chapter 3; * An extensive rewrite of Chapter 5, which deals with the subject of Ashtanga Yoga as expressed in the Yoga Sutras of Patanjali; * A greatly improved presentation of Buddha's "Four Noble Truths" in Chapter 10; * A total recasting of the teaching of Nagarjuna in the Madhyamaka section of Chapter 12; * A clearer and easier to understand presentation of the teaching of the Dao De Jing in Chapter 14; * A major revision of Chapter 18 so as to clearly distinguish Chinese Chan from Japanese Zen; * Greater emphasis throughout, where pertinent, on the role of meditation practice in all Eastern traditions; * Revised and updated Questions for Discussion at the end of each chapter; * New photos and two newly produced videos prepared by the author for the book's companion website: http://patrickbresnan.com/.

This volume examines several theoretical concerns of embodiment in the context of Asian religious practice. Looking at both subtle and spatial bodies, it explores how both types of embodiment are engaged as sites for transformation, transaction and transgression. Collectively bridging ancient and modern conceptualizations of embodiment in religious practice, the book offers a complex mapping of how body is defined. It revisits more traditional, mystical religious systems, including Hindu Tantra and Yoga, Tibetan Buddhism, Bon, Chinese Daoism and Persian Sufism and distinctively juxtaposes these inquiries alongside analyses of racial, gendered, and colonized bodies. Such a multifaceted subject requires a diverse approach, and so perspectives from phenomenology and neuroscience as well as critical race theory and feminist theology are utilised to create more precise analytical tools for the scholarly engagement of embodied religious epistemologies. This a nuanced and interdisciplinary exploration of the myriad issues around bodies within religion. As such it will be a key resource for any scholar of Religious Studies, Asian Studies, Anthropology, Sociology, Philosophy, and Gender Studies.

Today numbering more than twelve million people, the Virasaivas constitute a vibrant south-Indian community renowned for its bhakti (devotional) religiosity and for its entrenched resistance to traditional Brahminical values. For eight centuries this tradition produced a vast and original body of literature, composed mostly in the Kannada language. Siva's Saints introduces the Ragalegalu, a foundational and previously unexplored work produced in the early thirteenth century. As the first written narrative about the traditions progenitors, this work inaugurated a new era of devotional narratives accessible to wide audiences in the Kannada-speaking region. By closely reading the saints stories in the Ragalegalu, Gil Ben-Herut takes a more nuanced historical view than commonly-held notions about the egalitarian and iconoclastic nature of the early tradition. Instead, Ben-Herut argues that the early Siva-devotion movement in the region was less radical and more accommodating toward traditional religious, social, and political institutions than thought today. In contrast to the narrowly sectarian and exclusionary vision that shapes later accounts, the Ragalegalu is characterized by an opposite impulse, offering an open invitation to people from all walks of life, whose stories illustrate the richness of their devotional lives. Analysis of this seminal text yields important insights into the role of literary representation of the social and political development of a religious community in a pre-modern and non-Western milieu.

To most good Vishnuites, and to most Hindus, the "Bhagavad Gita" is what the New Testament is to good Christians. It is their chief devotional book, and has been for centuries the principal source of religious inspiretion for many millions of Indian. In this two-volume edition, Volume I contains on facing pages a transliteration of original Sanskirt and the autor's close translation. Volume II is Mr. Edgerton's interpretation in which he makes clear the historical setting of the poem and analyzes its influence on later literature and its place in Indian philosophy. Sir Edwin Arnold's beautiful translation, "The Song Celestial," is also includes in the second volume.

Mr. Edgerton is the author of many books and articles in the fields of Egyptology and Oriental languages and literature. He is an editor of the American Journal of Semitic Languages and Literature.

"The books line up on my shelf like bright Bodhisattvas ready to take tough questions or keep quiet company. They stake out a vast territory, with works from two millennia in multiple genres: aphorism, lyric, epic, theater, and romance."
--Willis G. Regier, "The Chronicle Review"

"No effort has been spared to make these little volumes as attractive as possible to readers: the paper is of high quality, the typesetting immaculate. The founders of the series are John and Jennifer Clay, and Sanskritists can only thank them for an initiative intended to make the classics of an ancient Indian language accessible to a modern international audience."
--"The Times Higher Education Supplement"

"The Clay Sanskrit Library represents one of the most admirable publishing projects now afoot. . . . Anyone who loves the look and feel and heft of books will delight in these elegant little volumes."
--"New Criterion"

"Published in the geek-chic format."
--"BookForum"

"Very few collections of Sanskrit deep enough for research are housed anywhere in North America. Now, twenty-five hundred years after the death of Shakyamuni Buddha, the ambitious Clay Sanskrit Library may remedy this state of affairs."
--"Tricycle"

aNow an ambitious new publishing project, the Clay Sanskrit Library brings together leading Sanskrit translators and scholars of Indology from around the world to celebrate in translating the beauty and range of classical Sanskrit literature. . . . Published as smart green hardbacks that are small enough to fit into a jeans pocket, the volumes are meant to satisfy both the scholar and the lay reader. Each volume has a transliteration of the original Sanskrit texton the left-hand page and an English translation on the right, as also a helpful introduction and notes. Alongside definitive translations of the great Indian epics -- 30 or so volumes will be devoted to the Maha-bharat itself -- Clay Sanskrit Library makes available to the English-speaking reader many other delights: The earthy verse of Bhartri-hari, the pungent satire of Jayanta Bhatta and the roving narratives of Dandin, among others. All these writers belong properly not just to Indian literature, but to world literature.a
--"LiveMint"

aThe Clay Sanskrit Library has recently set out to change the scene by making available well-translated dual-language (English and Sanskrit) editions of popular Sanskritic texts for the public.a
--"Namarupa"

aBy any measure the Ramayana of Valmiki is one of the great epic poems of world literature. . . . Now the New York University Press is republishing the translations, without notes and with minimal introductions, in more accessible and less expensive editions, as part of the Clay Sanskrit Library. So far the translators have been eminently successful.a
--"The New York Sun" [Refers to the nine volumes of the Ramayana]

Rama, the crown prince of the City of Ayodhya, is a model son and warrior. He is sent by his father the king to rescue a sage from persecution by demons, but must first kill a fearsome ogress. That done, he drives out the demons, restores peace, and attends a tournament in the neighboring city of Mithila; here he bends the bow that no other warrior can handle, winning the prize and the hand of Sita, the princess of Mithila.

Valmiki's Ramayana is one of the two great national epics of India, the source reveredthroughout South Asia as the original account of the career of Rama, ideal man and incarnation of the great god Vishnu. The first book, "Boyhood," introduces the young hero Rama and sets the scene for the adventures ahead. It begins with a fascinating excursus on the origins and function of poetry itself.

Co-published by New York University Press and the JJC Foundation

For more on this title and other titles in the Clay Sanskrit series, please visit http: //www.claysanskritlibrary.org