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`Wonderfully researched and beautifully written' Philip Hoare, author of Leviathan `Succeeds in conjuring a lost world' Dava Sobel, author of Longitude For more than a millennium, Polynesians have occupied the remotest islands in the Pacific Ocean, a vast triangle stretching from Hawaii to New Zealand to Easter Island. Until the arrival of European explorers they were the only people to have ever lived there. Both the most closely related and the most widely dispersed people in the world before the era of mass migration, Polynesians can trace their roots to a group of epic voyagers who ventured out into the unknown in one of the greatest adventures in human history. How did the earliest Polynesians find and colonise these far-flung islands? How did a people without writing or metal tools conquer the largest ocean in the world? This conundrum, which came to be known as the Problem of Polynesian Origins, emerged in the eighteenth century as one of the great geographical mysteries of mankind. For Christina Thompson, this mystery is personal: her Maori husband and their sons descend directly from these ancient navigators. In Sea People, Thompson explores the fascinating story of these ancestors, as well as those of the many sailors, linguists, archaeologists, folklorists, biologists and geographers who have puzzled over this history for three hundred years. A masterful mix of history, geography, anthropology, and the science of navigation, Sea People is a vivid tour of one of the most captivating regions in the world.
The remarkable memoir of Zuzana Ruzickova, Holocaust survivor and world-famous harpsichordist. Zuzana Ruzickova grew up in 1930s Czechoslovakia dreaming of two things: Johann Sebastian Bach and the piano. But her peaceful, melodic childhood was torn apart when, in 1939, the Nazis invaded. Uprooted from her home, transported from Auschwitz to Hamburg to Bergen-Belsen, bereaved, starved, and afflicted with crippling injuries to her musician's hands, the teenage Zuzana faced a series of devastating losses. Yet with every truck and train ride, a small slip of paper printed with her favourite piece of Bach's music became her talisman. Armed with this `proof that beauty still existed', Zuzana's fierce bravery and passion ensured her survival of the greatest human atrocities of all time, and would continue to sustain her through the brutalities of post-war Communist rule. Harnessing her talent and dedication, and fortified by the love of her husband, the Czech composer Viktor Kalabis, Zuzana went on to become one of the twentieth century's most renowned musicians and the first harpsichordist to record the entirety of Bach's keyboard works. Zuzana's story, told here in her own words before her death in 2017, is a profound and powerful testimony of the horrors of the Holocaust, and a testament in itself to the importance of amplifying the voices of its survivors today. It is also a joyful celebration of art and resistance that defined the life of the `first lady of the harpsichord'- a woman who spent her life being ceaselessly reborn through her music. Like the music of her beloved Bach, Zuzana's life is the story of the tragic transmuted through art into the state of the sublime.
Cambridge International AS Level History is a suite of three books that offer complete coverage of the Cambridge International AS Level History syllabus (code 9389). Written in clear and accessible language, this title covers the History of Europe from 1789 to 1917. Features include key questions, timelines, definitions of key terms, profile of key figures, notes to highlight significant points and formative questions to consolidate learning. Each chapter reinforces knowledge and builds skills using detailed study of primary and secondary sources to help students achieve their best. Exam support is offered in a final Examination Skills chapter offering advice on exam technique and how to approach source investigation and structured essay questions.
*** WINNER OF THE COSTA BOOK OF THE YEAR 2018 *** ***WINNER OF THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZE 2018*** 'A masterpiece of history and memoir' Evening Standard 'Superb. This is a necessary book - painful, harrowing, tragic, but also uplifting' The Times Little Lien wasn't taken from her Jewish parents in the Hague - she was given away in the hope that she might be saved. Hidden and raised by a foster family in the provinces during the Nazi occupation, she survived the war only to find that her real parents had not. Much later, she fell out with her foster family, and Bart van Es - the grandson of Lien's foster parents - knew he needed to find out why. His account of tracing Lien and telling her story is a searing exploration of two lives and two families. It is a story about love and misunderstanding and about the ways that our most painful experiences - so crucial in defining us - can also be redefined. 'Luminous, elegant, haunting - I read it straight through' Philippe Sands, author of East West Street 'Deeply moving. Writes with an almost Sebaldian simplicity and understatement' Guardian
This sequel to Jennifer Friedman’s enchanting first memoir picks up where Queen of the Free State leaves off: as the rebellious young Jennifer is packed off to boarding school in Cape Town.
Told with humour and pathos, the theme of displacement – of the outsider – is explored further as we follow Jennifer’s journey into adulthood, becoming a wife and mother, living in Johannesburg and Israel, emigration, and leave-takings in Australia. Once again a strong sense of love, loyalty and place prevails, especially on her trips home to her beloved Free State. Expect stories about train journeys, windmills and floods, dead bodies on deck chairs, certifiably crazy home-help, babies, secrets and redemption, a Jewish British Bulldog and the Messiah’s favourite place.
In 1894, Ruth Smythers, `Beloved wife of The Reverend L. D. Smythers', wrote: `One cardinal rule of marriage should never be forgotten: give little, give seldom and, above all, give grudgingly...' The Methodist wife didn't intend to be amusing, but this brief treatise written for young brides is side-splitting today and an eye-opener to how our love lives have changed in just over a century.
WARRIOR. SAMURAI. LEGEND. The remarkable life of history's first foreign-born samurai, and his astonishing journey from Northeast Africa to the heights of Japanese society. The man who came to be known as Yasuke arrived in Japan in the 16th century, an indentured mercenary arriving upon one of the Portuguese ships carrying a new language, a new religion and an introduction to the slave trade. Curiously tall, bald, massively built and black skinned, he was known as a steadfast bodyguard of immense strength and stature, and swiftly captured the interest, and thence the trust, of the most powerful family in all of Japan. Two years later, he vanished. Yasuke is the story of a legend that still captures the imagination of people across the world. It brings to life a little known side of Japan - a gripping narrative about an extraordinary figure in a fascinating time and place.
Anne Frank's diary is one of the most recognised and widely read books of the Second World War. Hundreds of thousands of people visit the Anne Frank House on the Prinsengracht in Amsterdam each year to see the annexe where Anne and her family hid from the occupying forces, before eventually being deported to Auschwitz in 1944. Only Anne's father, Otto, survived the Holocaust. Anne Frank: The Collected Works includes each of the versions of Anne's world-famous diary including the 'A' and 'B' diaries now in continuous, readable form, and the definitive text ('D') edited by renowned translator and author Mirjam Pressler. For the first time readers have access to Anne's letters, personal reminiscences, daydreams, essays and notebook of favourite quotes. Also included are background essays by notable writers such as historian Gerhard Hirschfeld (University of Stuttgart) and Francine Prose (Bard College) on topics such as `Anne Frank's Life', `The History of the Frank Family' and `The Publication History of Anne Frank's diary', as well as numerous photographs of the Franks and the other occupants of the annexe. An essential book for scholars and general readers alike, The Collected Works brings together for the first time Anne Frank's complete writings, together with important images and documents. Supported by the Anne Frank Fonds in Basel, Switzerland, set up by Otto Frank to act as the guardian of Anne's work, this is a landmark publication marking the anniversary of 90 years since Anne's birth in 1929.
1-Recce was die skerpste, veelsydigste en dodelikste spesialiseenheid in die ganse Suid-Afrikaanse weermag. Dié manne was superfiks, bomenslik taai en het vir niks gestuit nie. Hulle het telkens hul lewens op die spel geplaas in die uitvoering van hoogs geheime operasies agter vyandelike linies.
Dekades lank is oor al dié hoogs geheime sendings geswyg. Nou, vir die eerste keer, openbaar die Recce's se groot generaals (waaronder die legendariese kol Jan Breytenbach) hoe hulle gestuur is om verskeie polities sensitiewe operasies uit te voer.
Daar word onthul hoe hulle in die doodsnikke van die apartheidsera gestuur is, en op die laaste oomblik verhoed is, om sleutel ANC-figure op te blaas. Hulle vertel van 1-Recce se betrokkenheid by die omstrede Grensoorlog en die bestaan van 'n hoogsgeheime "Eskadron" in die destydse Rhodesiese Weermag.
Ná jare van mites en geheimhouding gee dié boek 'n totaal nuwe blik op die Recce's en die werk wat hulle onsigbaar agter die skerms gedoen het.
'His finest work and one that was both symptom and engine of the concept of "history from below" ... Here Levellers, Diggers, Ranters, Muggletonians, the early Quakers and others taking advantage of the collapse of censorship to bid for new kinds of freedom were given centre stage ... Hill lives on' Times Higher Education In 'The World Turned Upside Down' Christopher Hill studies the beliefs of such radical groups as the Diggers, the Ranters, the Levellers and others, and the social and emotional impulses that gave rise to them. The relations between rich and poor classes, the part played by wandering 'masterless' men, the outbursts of sexual freedom, the great imaginative creations of Milton and Bunyan - these and many other elements build up into a marvellously detailed and coherent portrait of this strange, sudden effusion of revolutionary beliefs. 'Established the concept of an "English Revolution" every bit as significant and potentially as radical as its French and Russian equivalents' Daily Telegraph 'Brilliant ... marvellous erudition and sympathy' David Caute, New Statesman 'This book will outlive our time and will stand as a notable monument to the man, the committed radical scholar, and one of the finest historians of the age' The Times Literary Supplement 'The dean and paragon of English historians' E.P. Thompson
Almost Human is the personal story of a charismatic and visionary palaeontologist, a rich and readable narrative about science, exploration, and what it means to be human.
In 2013, Wits University reasearch professor Lee Berger caught wind of a cache of bones in a hard-to-reach underground cave near Johannesburg. He put out a call around the world for collaborators – men and women small and adventurous enough to be able to squeeze through 8-inch tunnels to reach a sunless cave 40 feet underground. With this team of ‘underground astronauts’, Berger made the discovery of a lifetime: hundreds of prehistoric bones, including entire skeletons of at least 15 individuals, all perhaps two million years old. Their features combined those of known pre-hominids with those more human than anything ever before seen in prehistoric remains. Berger's team had discovered an all new species: Homo naledi.
The cave proved to be the richest pre-hominid site ever discovered, full of implications that challenge how we define ourselves as human. Did these ancestors of ours bury their dead? If so, they must have had an awareness of death, a level of self-knowledge: the very characteristic we used to define ourselves as human. Did an equally advanced species inhabit Earth with us, or before us?
Addressing these questions, Berger counters the arguments of those colleagues who have questioned his controversial interpretations and astounding finds.
"We Greeks are one in blood and one in language; we have temples to the gods and religious rites in common, and a common way of life." Herodotus Throughout the course of ancient Greek civilization, there always existed a sense of shared culture among the many Greek communities scattered throughout the Mediterranean. During the Classical (479-338) and Hellenistic (338-30) periods, the countless individual poleis of the Archaic period gradually came together in leagues and alliances, and finally were more or less united when they fell under the Roman empire. But what is fascinating about this process is how much resistance there was to it. The Greeks found it impossible to unify when faced with common enemies. Even under Roman rule the Greek cities still bickered. Acts of union - going back to the legendary Trojan War - were widely celebrated, but made little practical difference. If the Greeks knew that they were kin, why is Greek history so often the history of their internecine wars and other forms of competition with one another? This is the question acclaimed historian Robin Waterfield sets out to explore in Creators, Conquerors, and Citizens. This extraordinary contradiction - the recognition that they were all Greeks, but the deep-seated reluctance to unify - is at the heart of this ambitious new history. The culmination of a lifetime of research, Waterfield gives a comprehensive account of seven hundred years, from the emergence of the Greeks around 750 BCE to the downfall of the last of the Greco-Macedonian kingdoms in 30 BCE, looking at political, military, social, and cultural history.
The Elliott Collection is one of the most remarkable photographic collections in the world. The qualities that make his photographs of old Cape scenes so memorable have something to do with they way the sunlight strikes the irregularity of white plastered walls, something also with the way Elliot introduced the human element into his photographs, but mostly with the way his camera conveyed that delicate balance between picturesque dilapidation and unselfconscious prosperity that used to characterise Cape domestic architecture.
These are the stories that made Europe. Journeying from Turkey to Iceland, award-winning travel writer Nicholas Jubber takes us on a fascinating adventure through our continent's most enduring epic poems to learn how they were shaped by their times, and how they have since shaped us. The great European epics were all inspired by moments of seismic change: The Odyssey tells of the aftermath of the Trojan War, the primal conflict from which much of European civilisation was spawned. The Song of the Nibelungen tracks the collapse of a Germanic kingdom on the edge of the Roman Empire. Both the French Song of Roland and the Serbian Kosovo Cycle emerged from devastating conflicts between Christian and Muslim powers. Beowulf, the only surviving Old English epic, and the great Icelandic Saga of Burnt Njal, respond to times of great religious struggle - the shift from paganism to Christianity. These stories have stirred passions ever since they were composed, motivating armies and revolutionaries, and they continue to do so today. Reaching back into the ancient and medieval eras in which these defining works were produced, and investigating their continuing influence today, Epic Continent explores how matters of honour, fundamentalism, fate, nationhood, sex, class and politics have preoccupied the people of Europe across the millennia. In these tales soaked in blood and fire, Nicholas Jubber discovers how the world of gods and emperors, dragons and water-maidens, knights and princesses made our own: their deep impact on European identity, and their resonance in our turbulent times.
Ever since the 1918 Spanish influenza pandemic, scientists have dreamed of preventing catastrophic outbreaks of infectious disease. Yet despite a century of medical progress, viral and bacterial disasters continue to take us by surprise, inciting panic and dominating news cycles. From the Spanish flu to the 1924 outbreak of pneumonic plague in Los Angeles to the 1930 "parrot fever" pandemic, through the more recent SARS, Ebola, and Zika epidemics, the last one hundred years have been marked by a succession of unanticipated pandemic alarms. In The Pandemic Century, a lively account of scares both infamous and less known, Mark Honigsbaum combines reportage with the history of science and medical sociology to artfully reconstruct epidemiological mysteries and the ecology of infectious diseases. We meet dedicated disease detectives, obstructive or incompetent public health officials, and brilliant scientists often blinded by their own knowledge of bacteria and viruses. We also see how fear of disease often exacerbates racial, religious, and ethnic tensions-even though, as the epidemiologists Malik Peiris and Yi Guan write, "`nature' remains the greatest bioterrorist threat of all." Like man-eating sharks, predatory pathogens are always present in nature, waiting to strike; when one is seemingly vanquished, others appear in its place. These pandemics remind us of the limits of scientific knowledge, as well as the role that human behavior and technologies play in the emergence and spread of microbial diseases.
One morning on the outskirts of Damascus, two starving friends are walking through their desolate city and come across a familiar street that has been turned to rubble, concrete bridges towering above them like tombs and houses turned inside out. Aeham turns to the only comfort he has left and pushes his piano into the street to play a song of hope to his fellow Syrians. It is a song that will reach far beyond the streets of his home and carry consequences he could never have dreamed of. This tender and poetic account of Aeham's experiences, from losing his city, friends and family to leaving his country and finding safety, will move readers with its raw and candid emotion. This is a gripping portrait of a man's search for solace and of a country that has been fiercely torn apart.
On the 27th August, 1963, the day before Martin Luther King electrified the world from the steps of the Lincoln Memorial with the immortal words, "I Have a Dream", the life of another giant of the Civil Rights movement quietly drew to a close in Accra, Ghana: W.E.B. Du Bois. In this new biography, Bill V. Mullen interprets the seismic political developments of the Twentieth Century through Du Bois's revolutionary life. Du Bois was born in Massachusetts in 1868, just three years after formal emancipation of America's slaves. In his extraordinarily long and active political life, he would emerge as the first black man to earn a PhD from Harvard; surpass Booker T. Washington as the leading advocate for African American rights; co-found the NAACP, and involve himself in anti imperialist and anti-colonial struggles across Asia and Africa. Beyond his Civil Rights work, Mullen also examines Du Bois's attitudes towards socialism, the USSR, China's Communist Revolution, and the intersectional relationship between capitalism, poverty and racism. An accessible introduction to a towering figure of American Civil Rights, perfect for anyone wanting to engage with Du Bois's life and work.
Hierdie publikasie gee ’n volledige beeld van die kunstenaar Frans David Oerder (1867–1944) se oeuvre – sy Anglo-Boereoorlogtekeninge, landskappe, genrestukke, portrette, blomstudies en stillewes, interieurs, dierestudies en grafiese werk. Geen moeite is ontsien om hierdie boek so volledig en betroubaar moontlik te maak nie. Argivale bronne in die Kunsargief van die Universiteit van Pretoria, die Argief van die Johannesburg Kunsmuseum en die Nasionale Argief van Suid-Afrika in Pretoria het grootliks bygedra tot die toevoeging van inligting oor hierdie kunstenaar wat nie voorheen bekend was nie. Dieplakboek van Gerda Oerder en ’n lang lesing met detailinligting oor Oerder se vroee lewe deur mev. Lorimer in die Kunsargief van die Universiteit van Pretoria het bygedra tot ’n nuwe vertolking van die lewe en werk van hierdie belangrike Suid-Afrikaanse kunstenaar. Tydens die Anglo-Boereoorlog was Oerder die enigste amptelike kunstenaar aan Boerekant, maar tot dusver is nog geen volledige geskiedenis van sy deelname aan die oorlog geskryf nie. In hierdie boek word Oerder se Anglo-Boereoorlogtekeninge nou vir die eerste keer so volledig moontlik afgedruk en beskryf.
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