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Thomas A. Spain, architect, recently retired from the University of Miami School of Architecture, where he'd been a faculty member since 1966. His enormous talent and unwavering devotion to teaching design and drawing have left an indelible impact on the students he taught over the past two generations. Especially known on campus for his drawings of Rome, through his almost yearly visits from 1991 to 2014 with his students, Spain's extensive and brilliant collection of work focuses on memorable locations, revisited and redrawn over the years. The work demonstrates how time and acute observation lead to new ways of seeing, while revealing the circumstantial relationship between author, subject and medium.
*BBC RADIO 4 BOOK OF THE WEEK *
*Illustrated with over 130 colour photographs and drawings*
In her majestic biography of Walter Gropius, charismatic founder of the Bauhaus, Fiona MacCarthy argues that his visionary ideas still influence the way we live, work, and think today.
'An absolute triumph.' Edmund de Waal, bestselling author of The Hare with Amber Eyes
'Moving and vivid ... Hard to beat.' Rowan Moore, Observer
'Commanding, intelligent, gripping.' Laura Freeman, Times
Mention the Bauhaus and iconic objects such as a Marianne Brandt teapot, an Anni Albers weaving or a Marcel Breuer chair leap to mind. But the Bauhaus was more than an art school - it was the birth of a radical new philosophy of design: a constellation of talents including Kandinsky, Klee and Moholy-Nagy, at the heart of which was Walter Gropius.
MacCarthy grippingly narrates the story of the ground-breaking architect's life beginning with his shattering experiences in World War One before his turbulent marriage to the notorious Alma Mahler and the tragic death of their daughter. After Gropius' agonized decision to leave Nazi Germany in 1933, she explores his life in exile by tracing how a disorientating period in London evolved into a peaceful marriage with Ise Gropius and his late starring role in twentieth-century architecture in America.
Challenging views of Gropius as a doctrinaire modernist, MacCarthy's modern reassessment of Gropius' interior life is biography at its finest: insightful, witty, and gloriously three-dimensional.
This book, edited by David Chipperfield, documents his most important project to date: the Neues Museum, the centrepiece of the Berlin Museumsinsel. Here he connects the old and new in a completely novel way. As he says himself, he proceeded like a painter, who painstakingly considers every dab of paint. Photographs by Candida Hofer show the rooms after their completion and before they were furnished. As Hofer avoided using artificial light, the rooms are bathed in a soft natural light. These critical moments are perfectly reproduced in the book as matt colour plates. The photographer is inspired by the empty rooms and grandiose corridors of space to then dedicate her attention to the architects interventions. This artistic-photographic documentation is complemented by texts from well known architects, architectural historians, art historians and conservation architects. They highlight the fundamental principles of the project of conservation and complementation. Kenneth Frampton discusses the almost historical endeavour to restore such a building and responds to Chipperfields architectural interventions, purely abstract forms that avoid any trace of kitsch. Joseph Rykwert describes the fragmented history of which this building is evidence, thanks to its many layers. An interview with David Chipperfield by Wolfgang Wolters imparts insights into the problems and questions that the restoration posed, and in his contribution, Thomas Weski takes a closer look at Candida Hofers photography. In addition, a chronology offers an overview of the history of the building, the request for proposals for its reconstruction and the restoration itself.
Sir David Chipperfield is of one of Britain's leading architects. Renowned for his quiet and thoughtful style, he has a huge international reputation and has created works in China, Japan, Italy, USA, Spain and Germany. Chipperfield produces sophisticated buildings, from museums to homes, with an acute sensitivity for materials and a powerful awareness of their environment. This revised and expanded book presents projects spanning Chipperfield's entire career. Each has a project profile, many accompanied by specially commissioned photographs, along with a complete project chronology. Among the featured works are the River and Rowing Museum in Henley-on-Thames, the Neues Museum Berlin, BBC Scotland at Pacific Quay, The Hepworth Wakefield, Turner Contemporary Margate, Naga Museum Sudan and Fayland House. This new edition includes 34 new projects, including One Pancras Square and the Royal Academy extension.
Cities are the product of a myriad of forces. Their forms and
structures evolve over centuries and articulate the relationships
between us, their citizens--how we live, work and connect. Although
constantly changing, they are also remarkably fragile, particularly
in these times of rapid expansion and consequent pressures for
increased density. Cities need careful cultivation by all involved
in making proposals for their growth, if new projects are to
support the continuity of existing city fabric, reinforce the
particular identity of place and provide new
Berthold Lubetkin: Architecture and the Tradition of Progress is the definitive account of the life and works of Berthold Lubetkin (1901-1990), Britain's leading Modernist architect. He was awarded the RIBA Royal Gold Medal for Architecture and he is believed to have more listed buildings to his credit than any other twentieth century architect in Britain. Following a 20-year friendship, author and architect John Allan documents unpublished drawings, photographs, and extracts of writing in this richly illustrated study. Allan sets Lubetkin's work in the wider historical, social and political environment of the time. From Lubetkin's early work in Paris in the 1920s, when he was acquainted with renowned architects such as August Perret and Le Corbusier through to the work of his practice Tecton, the book provides a comprehensive account of his landmark buildings for London Zoo, Finsbury Borough Council and the famous Highpoint apartments. His post-war work, including the troubled project to build Peterlee New Town, is also fully covered. Originally published in 1992 by RIBA Publications, this updated and comprehensive study is an essential book for students of architecture and the modern period, practitioners of architecture and design alike, as well as anyone with an interest in one of the great figures in twentieth century architecture.
RB Kitaj started painting The Architects in August of 1979 to celebrate the remodelling of his home by MJ Long. Painted largely without the models themselves present, this portrait of his friends against the backdrop of the stepped bookcase designed for him by MJ marks a transition in Kitaj's development as an artist.
The story of Benjamin Rathbun's ruin reads like a primer for the scandals and studied neglect that triggered America's economic crisis today. Banker, builder and architect, a revered citizen of the flourishing American northwestern frontier-in the end he was also a convicted forger. And his forgeries were of such gravity that they added momentum to the Panic of 1837, the rapid collapse of a system of credit and debt that brought down the young nation's financial system. Rathbun was surely a rascal, but a rascal somehow of great decency. In Buffalo, a half-built landscape was strewn with Rathbun's broken vision. Concerned for the thousands who had depended upon him, he begged for release from jail long enough to fix the damage. Instead, he spent five years in prison shouldering the blame for others who fled to Texas, beyond the reach of American law.
Sweeping one of the world's most famous skylines at 135 metres in height, the London Eye is the largest observational wheel in the world, and provides a spectacular 30 minute 'flight' over the capital. But if it had not been for the vision, commitment and sheer persistence of David Marks and Julia Barfield, the husband and wife team of architects behind the project, the London Eye might never have been built. Against the backdrop of New Labour's pre-millennium Britain, prominent public figures attacked and defended the project, there were unprecedented design and construction problems to overcome, and Marks and Barfield had to fight every inch of the way to maintain the integrity of their vision. This seminal moment in British architecture is celebrated through the dazzling photography of Marcus Robinson, insightful writing by "The Guardian" journalist Steve Rose, and the clean and modern design of Neville Brody's Research Studios.
"Colin St John Wilson: Buildings and Projects" is the definitive examination of the work of one of Britain's most eminent and prolific architects, Sir Colin St John Wilson. The book, which coincides with and celebrates St John Wilson's 85th birthday, spans projects from throughout his career, from earlier work, such as the 1956 'This is Tomorrow' collaborative exhibition of architects and artists; to his own house in Cambridge (where he was the University's Head of the School of Architecture from 1975 to 1989); to perhaps his most celebrated building, the British Library in St Pancras and its extension, to the current work he is engaged with in the masterplanning of the Royal Academy. "Colin St John Wilson: Buildings and Projects" beautifully illustrates the thought processes and theories behind the work, with essays, photographs, building drawings and diagrams; as well as genealogical and chronological charts, which place his architecture within its historical context. This title is a must-have for everyone with an interest in modern architecture, and provides the perfect companion to Black Dog Publishing's re-issue of St John Wilson's "The Other Tradition of Modern Architecture: The Uncompleted Project."
The garden and landscape designs of America's founding architect. Collaboration with the greatest botanists of his time, an instinctive humanitarianism, and a natural ingenuity in landscape design combined to make Thomas Jefferson a pioneer in American landscape architecture. Frederick D. Nichols and Ralph E. Griswold, in this close study of Jefferson's many notes, letters, and sketches, present a clear and detailed interpretation of his extraordinary accomplishments in the field. Thomas Jefferson, Landscape Architect investigates the many influences on--and of--the Jeffersonian legacy in architecture. Jefferson's personality, friendships, and convictions, complemented by his extensive reading and travels, clearly influenced his architectural work. His fresh approach to incorporating foreign elements into domestic designs, his revolutionary approach to relating the house to the surrounding land, and his profound influences on the architectural character of the District of Columbia are just a few of Jefferson's contributions to the American landscape. Eighteenth-and nineteenth-century maps, plans, and drawings, as well as pictures of the species of trees that Jefferson used for his designs, generously illustrate the engaging narrative in Thomas Jefferson, Landscape Architect.
The definitive new life of the father of architectural modernism, by an award-winning biographer. The impact of Walter Gropius can be measured in his buildings-Fagus Factory, Bauhaus Dessau, Pan Am-but no less in his students. I. M. Pei, Paul Rudolph, Anni Albers, Philip Johnson, Fumihiko Maki: countless masters were once disciples at the Bauhaus in Berlin and at Harvard. Between 1910 and 1930, Gropius was at the center of European modernism and avant-garde society glamor, only to be exiled to the antimodernist United Kingdom during the Nazi years. Later, under the democratizing influence of American universities, Gropius became an advocate of public art and cemented a starring role in twentieth-century architecture and design. Fiona MacCarthy challenges the image of Gropius as a doctrinaire architectural rationalist, bringing out the visionary philosophy and courage that carried him through a politically hostile age. Pilloried by Tom Wolfe as inventor of the monolithic high-rise, Gropius is better remembered as inventor of a form of art education that influenced schools worldwide. He viewed argument as intrinsic to creativity. Unusually for one in his position, Gropius encouraged women's artistic endeavors and sought equal romantic partners. Though a traveler in elite circles, he objected to the cloistering of beauty as "a special privilege for the aesthetically initiated." Gropius offers a poignant and personal story-and a fascinating reexamination of the urges that drove European and American modernism.
A dazzling dual portrait of Frank Lloyd Wright and early twentieth-century New York, revealing the city's role in establishing the career of America's most famous architect Frank Lloyd Wright (1867-1959) took his first major trip to New York in 1909, fleeing a failed marriage and artistic stagnation. He returned a decade later, his personal life and architectural career again in crisis. Booming 1920s New York served as a refuge, but it also challenged him and resurrected his career. The city connected Wright with important clients and commissions that would harness his creative energy and define his role in modern architecture, even as the stock market crash took its toll on his benefactors. Wright denounced New York as an "unlivable prison" even as he reveled in its culture. The city became an urban foil for Wright's work in the desert and in the "organic architecture" he promoted as an alternative to American Art Deco and the International Style. New York became a major protagonist at the end of Wright's life, as he spent his final years at the Plaza Hotel working on the Guggenheim Museum, the building that would cement his legacy. Anthony Alofsin has broken new ground by mining the recently opened Wright archives held by Columbia University and the Museum of Modern Art. His foundational research provides a crucial and innovative understanding of Wright's life, his career, and the conditions that enabled his success. The result is at once a stunning biography and a glittering portrait of early twentieth-century Manhattan.
William Burges was one of the most imaginative designers of the nineteenth century. Regarded by many as an eccentric, Burges had a passion for Gothic art-architecture. This guide looks at Burges' early commissions and his work at St Fin Barre's Cathedral, Yorkshire, Cardiff Castle, Castell Coch, Knightshayes and Tower House, London. Look out for more Pitkin Guides on the very best of British art, history, heritage and travel.
Studying the history of a project through its drawings, models, the client's profile, pictures of the construction site and the finished building, is a fundamental excursus, but it cannot replace the deeper understanding that materializes during a visit to the place. I reread Silvia's diary during my trip from Genoa to Athens, flying at an altitude of 30,000 feet, with the concentration required to grasp the nuances of her experience and retrace through the eyes of a young architect her visit to all the buildings designed by Renzo Piano and RPBW, which I too have equally studied over the years. I really appreciated her passionate story and trust that her wonderful adventure will spark the curiosity of any reader fond of architecture.
They are architecture's most famous father-son duo: Eero, the younger Saarinen, designer of such masterpieces as the TWA Terminal Building at Kennedy Airport, and his father Eliel, celebrated for triumphs such as the art nouveau railway station in Helsinki. Lesser known, but no less impressive, are their houses, which, regardless of style, share a belief in architecture as a total work of art. Featuring carefully designed interiors--often with custom-made furniture--they effortlessly merge with the landscape, and reward residents with exciting views, inviting nooks, and opulent furnishings. For the first time, Saarinen Houses presents seventeen remarkable houses built over a span of six decades, in Finland and the United States. From Eliel's early twentieth-century Villa Pulkanranta-- an eclectic mix of local Finnish design traditions and international influences--to Eero's Miller House, one of the most significant examples of modern domestic architecture in the United States, each project features original drawings and archival photos, as well as new interior and exterior shots. This book is a revelation for the Saarinen family faithful and an inspiration for anyone captivated by beautifully designed homes.
Robert Adam is perhaps the best known of all British architects, the only one whose name denotes both a style and an era. The new decorative language he introduced at Kedleston and Syon around 1760 put him at the forefront of dynamic changes taking place in 18th-century British architecture. His later claim that his practice with his brother James had effected `a kind of revolution' in design was no idle boast. Their style dominated the later Georgian period and their influence was widespread, not only in Western Europe but in Russia and North America. But for such a well-known figure, much of Robert Adam's art still remains poorly understood. This new study, based on papers given at a Georgian Group symposium in 2015, looks afresh at many aspects of the Adam brothers' oeuvre, such as interior planning, their use of colour, the influence of classical sources, their involvement in the art market, town planning and building speculation, and Robert Adam's late picturesque drawings and castle designs - all within the context of the Adam family background and their personal and working relationships. The Scottish architecture of Robert and James's older brother, John, is also assessed. There are essays by established Adam experts as well as contributions from a younger generation of historians and postdoctoral scholars, one of the book's aims being to stimulate further research on the Adams' contribution to British architecture, art and design.
The African continent contains some of the world's most vibrant culture and creativity, and yet its buildings - vernacular, colonial or contemporary - have rarely engaged the interest of Western architects. David Adjaye, the first black architect to establish a truly global reputation in his field, has found endless sources of inspiration for his designs in the rich - and chequered - heritage of Africa's teeming metropolises. His life dream was to return to the continent as an architect to document Africa's built environment. Over a long decade, he tirelessly documented these dynamic, colourful cities, photographing thousands of buildings, sites and places, and letting each building speak for itself in telling contrast to a design world obsessed with photorealistic slickness. The result was a stunning seven-volume work that has become an essential resource for all those interested in the burgeoning continent. This compact edition will make the fruits of this once-in-a-generation record available to a much wider audience. The result is one of the most original, ambitious and important architectural publications of our time, now available to everyone wishing to gain an understanding of a unique architectural heritage overlooked for too long.
At just over forty, David Adjaye is one of the world's most exciting and accomplished architects, and has built many highly acclaimed houses and public buildings in the UK and USA. Over a ten-year period, the Tanzanian born, London-based architect has visited 53 major African cities and photographed thousands of buildings, sites and places that few of us will ever be able to visit. This 7-volume slipcased edition documents Adjaye's tribute to African metropolitan architecture. The individual volumes present cities according to the terrain in which they are situated - the Maghreb, Desert, The Sahel, Savannah and Grassland, Mountain and Highveld, and Forest. Each city is shown in a concise urban history, fact file, maps and satellite imagery, along with Adjaye's personal travel notes and dozens of photographs of the city's civic, commercial and residential architecture. All six `terrain' volumes feature an introductory essay by Adjaye, and a separate volume is dedicated to essays by leading academics and commentators on Africa.
5+1 (Paola Arboco, Pierluigi Feltri, Alfonso Femia, Gianluca Peluffo, Maurizio Vallino) is one of Italy's hottest young architectural studios. The 5+1 studio of associated architects was established in Genoa in 1995 by five graduates of the Faculty of Architecture at Genoa University where they worked on architectural design courses with Enrico D. Bona. After winning the first prize in a national competition regarding the signalling system at Campi industrial park in Genoa in 1996, since 1997 they have been part of the IFYA (International Forum of Young Architects), and in the same year they were commissioned by Spes spa to convert the former Bligny Barracks in Savona into a new university campus. In 1998 they were invited by the Italian Institute for Culture in Paris to expound on the creative process in an exhibition entitled 5+1 associati: progetti in gruppo. Fin qui tutto bene with a catalogue jointly published with Joshua. In 1999 they won a bid to design the new archaeological centre in Aquileia, which with the university campus in Savona is an important example of project based on existing sites. In the same year they took part in the Biennale dei Giovani Artisti dell'Europa e del Mediterraneo held in Rome (May-June) where they displayed their work in the exhibition Gerico and a portrait of the studio in 'grande et@gere'. They were invited to take part in the second phase of the international design competition for the expansion of the Palace of Justice (Law Courts) in Siena. In 2000 they were invited by INARCH to display their work at the Italian Institute of Culture in Prague and at the Venice Biennale, both of which were dedicated to young Italian architects. They won the competition to construct an office building at Vado Ligure and were invited to take part in the second phase of the international design competition for the new Congress Bridge in Rome.
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