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Skollie, saint, scholar, hippest of hippies, imperfect musician with a perfect imagination, Syd Kitchen was, like all great artists, born to enrich his art and not himself.
Plagued by drugs, alcohol and depression, too much of an outlaw to be embraced by record companies, he frequently sold his furniture to cover production costs of his albums, seduced fans at concerts and music festivals worldwide with his dazzling ‘Afro-Saxon’ mix of folk, jazz, blues and rock interspersed with marvellously irreverent banter, and finally became the subject of several compelling documentaries, one of which - Fool in a Bubble - premiered in New York in 2010.
for solo voice, SATB (with divisions), flute, and piano John Rutter's timeless arrangement of Skylark, a standard of the golden age of American song, is rich, mellow, and mellifluous. Soaring lines for flute depict the eponymous songbird, and the classic Hoagy Carmichael tune is shared between solo voice and choir, the latter also often providing a cushion of evocative harmonies.
for SATB, piano, and optional bass and drum kit The Nidaros Jazz Mass draws on a variety of jazz styles to present a fun and innovative setting of the Latin Missa brevis. With a gentle Kyrie, funky Gloria, ballad-like Sanctus, laid-back Benedictus, and passionate Agnus Dei, this work breathes new life into familiar words, perfectly combining the contemporary with the ancient. Recorded by a professional jazz trio (piano, bass, and drums), this backing track is a useful tool for rehearsal and performance, and is compatible with both mixed- and upper-voice versions.
Empire of Sin is a vibrant account of New Orleans in the early 1920s, a time when commercialised vice, jazz culture and endemic crime formed the background for a civil war that lasted for thirty years. At its centre the city's vice lord fought desperately to keep his empire intact. Populated by flamboyant prostitutes, crusading moral reformers, dissolute jazzmen, ruthless Mafiosi, corrupt politicians and a violent serial killer, the heady and dangerous underworld of the Jazz Age is bought vividly to life in Empire of Sin. This gripping account intertwines personal stories with the wider history of New Orleans and plunges the reader into the heart of a city at war with itself.
Drummer, record producer, bandleader, jazz researcher, and cigar-chomping raconteur Barry Martyn is a New Orleans original who happens to have been born in England. Implausible though this may seem, it makes perfect sense to members of the New Orleans traditional jazz community, who view themselves as an extended family based on merit as much as nativity. For more than forty years, Martyn has been a fixture in the Crescent City's jazz scene, laying down the beat for generations of celebrated musicians and avidly promoting the city's unique musical heritage around the world. In Walking with Legends -- based on over forty hours of interviews with Martyn by fellow British jazz enthusiast and author Mick Burns -- Martyn reflects upon his life in jazz and offers a window into a musical world that few have understood, let alone witnessed from the inside.
At the age of nineteen, jazz fanatic Martyn found his way to the Crescent City and began working as a professional drummer in clubs and studios. The first white man in the United States to join a black musician's union, he eventually started his own record label and recorded hundreds of jam sessions that today are regarded as classics in Europe. In 1972, he formed the Legends of Jazz, an old-style New Orleans jazz band that toured the world and took New Orleans jazz into the American showbiz mainstream.
Martyn's life story provides unique intimate glimpses of a vanished generation of New Orleans musicians, including Louis Armstrong, Kid Sheik Cola, Harold Dejan, Joe Watkins, Albert Nicholas, Kid Thomas, Andrew Blakeney, and many others. Throughout his chronicle, Martyn highlights the continual clash of cultures that arose from an avid British pupil learning lessons of life and music from elderly African American strangers who take him under their wing both out of curiosity and self-interest. Together, they find a way to connect through music, even if the road gets a little bumpy at times.
A standard-bearer for New Orleans's jazz drumming tradition, Martyn remains one of the city's busiest musicians and most avid promoters of New Orleans music. In Walking with Legends, he honors the legacies of the African American musicians who taught and inspired him and affirms the importance of the human relationships that make the music possible.
(Fake Book). The Real Books are the best-selling jazz books of all time. Since the 1970s, musicians have trusted these volumes to get them through every gig, night after night. The problem is that the books were illegally produced and distributed, without any regard to copyright law, or royalties paid to the composers who created these musical masterpieces. Hal Leonard is very proud to present the first legitimate and legal editions of these books ever produced. You won't even notice the difference, other than that all of the notorious errors have been fixed: the covers and typeface look the same, the song list is nearly identical, and the price for our edition is even cheaper than the original Every conscientious musician will appreciate that these books are now produced accurately and ethically, benefitting the songwriters that we owe for some of the greatest tunes of all time Includes 400 songs: All Blues * Au Privave * Autumn Leaves * Black Orpheus * Bluesette * Body and Soul * Bright Size Life * Con Alma * Dolphin Dance * Don't Get Around Much Anymore * Easy Living * Epistrophy * Falling in Love with Love * Footprints * Four on Six * Giant Steps * Have You Met Miss Jones? * How High the Moon * I'll Remember April * Impressions * Lullaby of Birdland * Misty * My Funny Valentine * Oleo * Red Clay * Satin Doll * Sidewinder * Stella by Starlight * Take Five * There Is No Greater Love * Wave * and hundreds more Editions also available in B-flat, E-flat, and Bass Clef.
The legendary band leader and jazz trumpeter, broadcaster and humorist looks back at his extraordinarily rich and varied life and the many colourful characters he has known and played with - from Duke Ellington to Louis Armstrong. He also recalls his early life as the son of a famous housemaster at Eton, where he was educated. During the war, he served in the Grenadier Guards and, on demobilisation, studied for two years at Camberwell Arts School. In 1949, he joined the "Daily Mail" as cartoonist, wrote the story-line for Trog's "Flook" cartoon, and also signed a recording contract with EMI. He had the first British jazz record to get into the Top Twenty in 1956 with 'Bad Penny Blues'. The book will appeal to his large cult following, both from his regular live appearances with his band, as the irrepressible chairman of BBC Radio 4's popular nonsense quiz 'I'm Sorry I Haven't a Clue' and as the presenter of "The Best of Jazz" since 1967.
'A masterpiece, as fresh and shocking as if it were written yesterday' Craig Brown "I've been told that no one sings the word 'hunger' like I do. Or the word 'love'." Lady Sings the Blues is the inimitable autobiography of one of the greatest icons of the twentieth century. Born to a single mother in 1915 Baltimore, Billie Holiday had her first run-in with the law at aged 13. But Billie Holiday is no victim. Her memoir tells the story of her life spent in jazz, smoky Harlem clubs and packed-out concert halls, her love affairs, her wildly creative friends, her struggles with addiction and her adventures in love. Billie Holiday is a wise and aphoristic guide to the story of her unforgettable life.
for soprano solo, SATB, piano, bass, drums and optional alto saxophone Will Todd's Mass in Blue is a dynamic, uplifting, and highly popular jazz setting of the Latin mass. The work features driving grooves and blues harmonies, with provision for short piano solos (notated or improvised) and great moments of musical interplay between soprano soloist and choir. The Jazz Trio Set includes parts for piano (with chord symbols), bass (with chord symbols), drum kit (fully notated), and optional alto saxophone.
Nothing defines the songs of the Great American Songbook more centrally than their urban sensibility. During the first half of the twentieth century, songwriters such as Harold Arlen, Irving Berlin, Dorothy Fields, George and Ira Gershwin, and Thomas "Fats" Waller flourished in New York City, the home of Tin Pan Alley, Broadway, and Harlem. Through their songs, these artists described America -- not its geography or politics, but its heart -- to Americans and to the world at large. In City Songs and American Life, 1900-1950, renowned author and broadcaster Michael Lasser offers an evocative and probing account of the popular songs -- including some written originally for the stage or screen -- that America heard, sang, and danced to during the turbulent first half of the twentieth century. Many songs portrayed the glamor of Broadway or the energy and Jazz Age culture of Harlem. But a city-bred spirit -- or even a specifically New York City way of feeling and talking -- also infused other widely known and loved songs, stretching from the early decades of the century to the Twenties (the age of the flapper, bathtub gin, and women's right to vote), the Great Depression, and, finally, World War II. Lasser's deftly written book demonstrates how the soul of city life -- as echoed in the nation's songs -- developed and changed in tandem with economic, social, and political currents in America as a whole. Michael Lasser, a former teacher and theater critic, is host of the syndicated public-radio show Fascinatin' Rhythm (winner of the Peabody Award) and the author of two previous books.
Sophisticated Giant presents the life and legacy of tenor saxophonist Dexter Gordon (1923-1990), one of the major innovators of modern jazz. In a context of biography, history, and memoir, Maxine Gordon has completed the book that her late husband began, weaving his "solo" turns with her voice and a chorus of voices from past and present. Reading like a jazz composition, the blend of research, anecdote, and a selection of Dexter's personal letters reflects his colorful life and legendary times. It is clear why the celebrated trumpet genius Dizzy Gillespie said to Dexter, "Man, you ought to leave your karma to science." Dexter Gordon the icon is the Dexter beloved and celebrated on albums, on film, and in jazz lore--even in a street named for him in Copenhagen. But this image of the cool jazzman fails to come to terms with the multidimensional man full of humor and wisdom, a figure who struggled to reconcile being both a creative outsider who broke the rules and a comforting insider who was a son, father, husband, and world citizen. This essential book is an attempt to fill in the gaps created by our misperceptions as well as the gaps left by Dexter himself.
In his eulogy of saxophonist Johnny Hodges (1907-70), Duke Ellington ended with the words, "Never the world's most highly animated showman or greatest stage personality, but a tone so beautiful it sometimes brought tears to the eyesthis was Johnny Hodges. This is Johnny Hodges." Hodges' unforgettable tone resonated throughout the jazz world over the greater part of the twentieth century. Benny Goodman described Hodges as "by far the greatest man on alto sax that I ever heard," and Charlie Parker compared him to Lily Pons, the operatic soprano. As a teenager, Hodges developed his playing style by imitating Sidney Bechet, the New Orleans soprano sax player, then honed it in late-night cutting sessions in New York and a succession of bands lead by Chick Webb, Willie "The Lion" Smith, and Luckey Roberts. In 1928 he joined Duke Ellington, beginning an association that would continue, with one interruption, until Hodges' death. Hodges' celebrated technique and silky tone marked him then, and still today, as one of the most important and influential saxophone players in the history of jazz. As the first ever biography on Johnny Hodges, Rabbit's Blues details his place as one of the premier artists of the alto sax in jazz history, and his role as co-composer with Ellington.
This stylish piano album takes players on a musical tour of springtime, presenting well-loved jazz standards such as 'April in Paris' and 'Honeysuckle Rose' alongside cool original compositions by celebrated jazz pianist Nikki Iles. The nine pieces present a variety of jazz styles, including swing, folk, samba, and contemporary, drawing inspiration from the likes of Keith Jarrett, Oscar Peterson, Count Basie, and Chick Corea. With fully notated rhythms, grooves, and improvisations, Jazz in Springtime is the perfect collection for pianists looking for that authentic jazz sound.
Why Jazz Happened is the first comprehensive social history of jazz. It provides an intimate and compelling look at the many forces that shaped this most American of art forms and the many influences that gave rise to jazz's post-war styles. Rich with the voices of musicians, producers, promoters, and others on the scene during the decades following World War II, this book views jazz's evolution through the prism of technological advances, social transformations, changes in the law, economic trends, and much more. In an absorbing narrative enlivened by the commentary of key personalities, Marc Myers describes the myriad of events and trends that affected the music's evolution, among them, the American Federation of Musicians strike in the early 1940s, changes in radio and concert-promotion, the introduction of the long-playing record, the suburbanization of Los Angeles, the Civil Rights movement, the "British invasion" and the rise of electronic instruments. This groundbreaking book deepens our appreciation of this music by identifying many of the developments outside of jazz itself that contributed most to its texture, complexity, and growth.
(Real Book Play-Along). The Real Book you know and love has now been updated to include backing tracks for 240 songs on one convenient USB flash drive stick The play-along CDs alone are worth $100 so this is an amazing package price The Real Books are the best-selling jazz books of all time. Since the 1970s, musicians have trusted these volumes to get them through every gig, night after night. The problem is that the books were illegally produced and distributed without any reqard to copyright law or royalties paide to the composers who created these musical masterpieces. Hal Leonard is very proud to present the first legitimate and legal editions of these books ever produced. You won't even notice the difference, other than that all of the notorious errors have been fixed
Following the success of the first volume in Nikki Iles's acclaimed jazz series, this collection features sophisticated new jazz arrangements of Christmas classics, including 'Let it snow!', 'Rudolph, the red-nosed reindeer', 'Away in a manger', and 'Past three o'clock'. A wide variety of styles are represented, from swing and stride to boogaloo and calypso, and the expertly recorded CD, by Nikki Iles, helps with interpretation. With fully notated rhythms, grooves, and improvisations, Jazz on a Winter's Night 2 is the perfect collection for pianists looking for that authentic sound.
Thelonius Monk, Billy Taylor, and Maceo Parker--famous jazz artists who have shared the unique sounds of North Carolina with the world--are but a few of the dynamic African American artists from eastern North Carolina featured in The African American Music Trails of Eastern North Carolina. This first-of-its-kind travel guide will take you on a fascinating journey to music venues, events, and museums that illuminate the lives of the musicians and reveal the deep ties between music and community. Interviews with more than 90 artists open doors to a world of music, especially jazz, rhythm and blues, funk, gospel and church music, blues, rap, marching band music, and beach music. New and historical photographs enliven the narrative, and maps and travel information help you plan your trip. Included is a CD with 17 recordings performed by some of the region's outstanding artists.
for SSAA, piano, and optional bass and drum kit The Nidaros Jazz Mass draws on a variety of jazz styles to present a fun and innovative setting of the Latin Missa brevis. With a gentle Kyrie, funky Gloria, ballad-like Sanctus, laid-back Benedictus, and passionate Agnus Dei, this work breathes new life into familiar words, perfectly combining the contemporary with the ancient. The stylistic piano part can be played as written or serve as a guide, and an optional bass and drum kit part is available separately for jazz trio accompaniment. Ideal for all upper-voice choirs, the Nidaros Jazz Mass will make a groovy and soulful addition to any concert programme. This work was commissioned by the Nidaros Cathedral Girls' Choir of Trondheim, Norway.
Violin Jazz on a Winter's Night is a Christmas album of stylish, swinging arrangements for violin and piano. Favourite Christmas carols and songs are given the complete jazz treatment, with rhythm, embellishment, grooves, and solos all carefully notated. The expertise of the arranger, a celebrated jazz musician and composer, guarantees an authentic jazz sound, and a range of styles from Nat King Cole to John Coltrane. While paying homage to American Christmas jazz, the collection also reflects a European tradition, in such time-honoured classics as 'In the bleak mid-winter'.
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