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Their love story was one of the greatest of our times.
Ruth Williams was a middle-class Londoner who loved ballroom dancing and ice skating when she met Seretse Khama. He was chief designate of the most powerful tribe in Bechuanaland, today Botswana, on the borders of apartheid South Africa. Their union sparked outrage, fear and anger. Ruth’s father barred her from their family home, she was hounded by the global media and shunned by white people in Seretse’s village of Serowe. The couple was humiliated, tricked and eventually exiled to England. But, despite all these tribulations, their love triumphed over the politics and prejudice of the time.
This is the story Ruth Khama told well-known journalist and author Sue Grant-Marshall ‒ the story of an extraordinary woman, who had the courage of her convictions in marrying the man she loved and accepting his country and people as her own.
Critical Reading and Writing in the Digital Age is a fully introductory, interactive textbook that explores the power relations at work in and behind the texts we encounter in our everyday lives. Using examples from numerous genres - such as fiction, poetry, advertisements and newspapers - this textbook examines the language choices a writer must make in structuring texts, representing the world and positioning the reader. Assuming no prior knowledge of linguistics, Critical Reading and Writing in the Digital Age offers guidance on how to read texts critically and how to develop effective writing skills. Extensively updated, key features of the second edition include: a radically revised and repackaged section that highlights the theme of discourses of power and authority and the new possibilities for resisting them; a revamped analysis of the art of communication which has changed due to the advent of new media including Facebook and Wikipedia; fresh examples, exercises and case studies including fan fiction, articles from the BBC, Daily Mail and South China Morning Post, and a selection of international ads for a variety of products; a brand new companion website at www.routledge.com/cw/goatly featuring projects, quizzes and activities for each chapter, a glossary and further reading. Written by two experienced teachers, Critical Reading and Writing in the Digital Age is an ideal coursebook for students of English language.
A heart-wrenching story from the international bestselling author of The Kite Runner, brought to life by Dan Williams's beautiful illustrations
On a moonlit beach a father cradles his sleeping son as they wait for dawn to break and a boat to arrive. He speaks to his boy of the long summers of his childhood, recalling his grandfather's house in Syria, the stirring of olive trees in the breeze, the bleating of his grandmother's goat, the clanking of her cooking pots. And he remembers, too, the bustling city of Homs with its crowded lanes, its mosque and grand souk, in the days before the sky spat bombs and they had to flee.
When the sun rises they and those around them will gather their possessions and embark on a perilous sea journey in search of a new home.
When Johan Booysen hears that the new Provincial Police Chief takes backhanders from a Durban businessman, he decides to give her the benefit of the doubt. But the evidence becomes impossible to ignore and he soon gets dragged down the corridors of power and politics into a web of intrigue, deceit and betrayal that, at times, he has trouble making sense of.
Only when he is arrested, handcuffed and tossed into a cell does Booysen realise just how ruthless those opposed to him are – an opposition he comes to call the ‘cabal’ – and whom he believes have more blood on their hands than the so-called Cato Manor Death Squad with which he is closely associated.
Blood On Their Hands traces Johan Booysen’s life and career – from patrolling the streets of Amanzimtoti in the 1970s to his rise in 2010 to major general and head of KZN’s Directorate for Priority Crime Investigation unit, the Hawks. But his tenure is short-lived. When Booysen decides to take on those so determined to be rid of him, each legal battle he wins is met by hostility and further efforts to shut him out of the of the criminal justice system. But capitulating is not in his DNA…
The first ever memoirs from the Number One global bestselling adventure author.
Wilbur Smith has lived an incredible life of adventure, and now he shares the extraordinary true stories that have inspired his fiction. From being attacked by lions to close encounters with deadly reef sharks, from getting lost in the African bush without water to crawling the precarious tunnels of gold mines, from marlin fishing with Lee Marvin to near death from crash-landing a Cessna airplane, from brutal school days to redemption through writing and falling in love, Wilbur Smith tells us the intimate stories of his life that have been the raw material for his fiction.
Always candid, sometimes hilarious, and never less than thrillingly entertaining, On Leopard Rock is testament to a writer whose life is as rich and eventful as his novels are compellingly unputdownable.
An anecdotal, bitter-sweet, tongue-in-cheek meander through a boyhood on a Karoo farm and town school, from footpaths to highways, farmers to teachers, getting to know Mom, Dad, the family and friends; religious and identity conundrums, schoolboy pranks, from tears to belly-laughs, slander to hero-worship, from the classroom to the sportsfields.
But it is mostly about friends.
A reissue of this classic title brought up to date and with a new introduction by Andrew Morton.
Reflecting on the extraordinary circumstances surrounding the original publication, and on the long-term legacy of Diana, the woman who helped reinvigorate the royal family, giving it a more emotional, human face, and thus helping it move forward into the 21st century.
"He either enchants or antagonizes everyone he meets. But even his enemies agree there are three things Ray Kroc does damned well: sell hamburgers, make money, and tell stories." --from Grinding It Out
Few entrepreneurs can claim to have radically changed the way we live, and Ray Kroc is one of them. His revolutions in food-service automation, franchising, shared national training, and advertising have earned him a place beside the men and women who have founded not only businesses, but entire empires. But even more interesting than Ray Kroc the business man is Ray Kroc the man. Not your typical self-made tycoon, Kroc was fifty-two years old when he opened his first franchise. In Grinding It Out, you'll meet the man behind McDonald's, one of the largest fast-food corporations in the world with over 32,000 stores around the globe.
Irrepressible enthusiast, intuitive people person, and born storyteller, Kroc will fascinate and inspire you on every page.
Drawing on fifteen centuries of poetry from all over the world, the third edition of Seasons Come To Pass continues to make poetry relevant and accessible to students in Southern Africa.
The anthology includes unusual, erotic, witty, and political poems, presented in chronological order. A wide range of poets is included, from classics and old favourites to fresh new voices.
This anthology offers support and guidance by providing a clear overview of the important movements in the history of the English language and its literature, as well as detailed notes on critical analysis and techniques for writing essays and exams. The aim is to encourage students to develop the confidence to express their ideas in writing. Practical examples are given of how to come to grips with poetry, and develop critical and analytical skills. Poems are brought alive through supporting notes that tackle contemporary and controversial concerns.
Ek blaai vinnig deur hierdie bladsye. Ouma se politieke spore is besaai met duwweltjies. ’n Deel van my wil-wil die swart dagboek toemaak. ’n Ander deel skop vas: Hoe eerlik is jy in jou poging om oupa Hendrik te verstaan?
NŠ jare van versoeningswerk tussen eertydse vyande in Ierland keer Wilhelm Verwoerd terug na Suid-Afrika. Hy wil vrede maak met sy eie familie en sy geskiedenis. In die Verwoerd-strandhuis, Blaas ’n Bietjie, waar hy sit en skryf, hang ’n gesinsfoto waarop sy oupa, HF Verwoerd, hom as baba teer vashou. Hoe versoen hy diť menslike oupa met die gehate onderdrukker wat in die stories van sy swart bure en kennisse na vore kom, mense wat as kinders in die strate gedans het toe sy oupa vermoor is?
In sy soektog na begrip kom Wilhelm op ouma Betsie Verwoerd se private dagboeke af en voer hy soms ongemaklike gesprekke met mense wat sy van as vloekwoord onthou. So ontvou ’n geskakeerde blik op wat dit beteken om vandag met integriteit in Suid-Afrika te leef.
“Diepsinnig … Wilhelm Verwoerd ondersoek die veelkantigheid van verantwoording in families in hierdie belangrike en menslike memoir.” – Martie Retief Meiring
Working with Texts is a well established textbook that introduces students to the main principles of language analysis, through contemporary text examples. Covering a wide range of language areas, the book uses an interactive, activity-based approach to support students' understanding of language structure and variety.
The third edition includes: new material on analyzing sound; an updated range of texts, including literary extracts, advertisements, newspaper articles, comic book strips, excerpts from popular comedy sketches, political speeches, telephone discourse, and internet chat; new extension work to support student-directed study; detailed suggestions after each unit for further reading within the Intertext series as a whole; and an updated list of URLs.
In his celebrated oil painting 'The black Christ', artist Ronald Harrison chose Chief Albert Luthuli as a model for the face of the Christ. He modeled the two centurions on John Vorster and Hendrik Verwoerd, the arch-exponents of apartheid. For this bold act of worship and defiance and his subsequent refusal to divulge the whereabouts of the painting, Ronald Harrison was incarcerated, tortured and harassed. The Black Christ tells the story of these events and, beyond that, the story of man's inhumanity to man.
The painting, which was unveiled in 1962 at St Luke's Anglican Church in Salt River, Cape Town, with the permission of Archbishop Joost De Blank, caused a stir when featured in local newspapers. The Minister of the Interior instructed that it be taken down, and the young artist was ordered to appear before the Censor Board. In the ordinary course of events, the painting would have been destroyed. Instead Ė in what the author sees as divine intervention Ė it was not confiscated, but was successfully hidden and smuggled abroad, where it played a key role in raising funds for victims of apartheid, including the Rivonia treason trialists. The miraculous recovery of the painting and its return to South Africa after more than 30 years - it is now held at the South African National Gallery in Cape Town - are part of the dramatic story of 'The Black Christ'.
Harrison's painting is an example of the use of art for political resistance. The use of popular or controversial figures was common in Renaissance art, as Harrison was quick to understand and appreciate. His symbolic representation of Luthuli, Vorster and Verwoerd (with an Asiatic St John in the background and Mary Magdalene modeled on the artist's mother) reflected 'a young man's anger, an older man's belief in divine providence, a nation's painful history and still raises political and theological issues'.
Dit is die verhaal van ’n vrou wat haar familie in ’n terreuraanval verloor. Dit vertel van ’n gelowige wat in gehoorsaamheid leef, net sodat die mat onder haar uitgeruk kan word. Die boek sal die leser aanmoedig om die werklike koste van ons geloof te bereken, na te dink oor die karakter van God en ons identiteit as Sy kinders. Hannelie se verhaal is ’n merkwaardige getuienis van ’n lewe in geloof en die krag van vergifnis.
Hykie Berg is ín bekende film- en TV-akteur, geliefd en gewild reg oor Suid-Afrika. Hy is ook 'n verslaafde. Op die kruin van sy suksesloopbaan verloor Hykie alles en draai by die dood om. Hier vertel hy sy verhaal openhartig, van die dwelmhole van Hillbrow tot in 'n maksimum-sekuriteitsel in die Weskoppies-hospitaal, waar God hom van 'n gewisse dood red. Hykie nooi jou uit om te onthou dat God se liefde ook vir jou bedoel is, en dat, al doen ons wat, God ons nie laat gaan nie.
Belly Of Fire is a metaphor for the anxiety and fear that we hold within ourselves; the voices of those who are disempowered by racism, poverty, war and gendered abuse, voices that remain silenced, are housed as fire in our bellies.
Themes of abuse, xenophobia, female genital mutilation, reawakening, are unpacked here in a collection of seven reflective, compelling stories intertwined with no more than thirteen contemporary poems that bring out the essence of the themes developed in the narratives.
When Bridget Hilton-Barber got on a train to Grahamstown in 1982 to study journalism at Rhodes University, she had no idea of the brutal drama that would unfold.
A rebellious young woman, she became politically involved in anti-apartheid organisations and was caught up in the massive resistance and repression sweeping the Eastern Cape at the time. She ended up spending three months in detention without trial, and after her release discovered she had been betrayed by one of her best friends, Olivia Forsyth, who was a spy for the South African security police.
Thirty years later, a horrific flashback triggers Bridget’s journey back to the Eastern Cape to see if she can forgive her betrayer and finally let go of the extraordinary violence she encountered in the final days of apartheid. This is her powerful story.
Priscilla Jana is a legendary figure in South African revolutionary politics. As an Indian woman who had experienced racial oppression first-hand, she decided to use her degree in law to fight for the rights of her fellow people and do all she could to bring down the Apartheid state - who saw her as a very real threat. At one time she represented every single political prisoner on Robben Island, including both the late Nelson Mandela and his wife Winnie. Priscilla spent her days in court, fighting human rights case after human rights case, but it was at night when her real work was done. As part of an underground cell, she fought tirelessly to bring down the hated government. This activism, however, came at a price. One of South Africa's infamous 'banned persons', for five years Priscilla was unable to take part in any political activities, enter any place where a large number of people were gathered, and had her movements severely restricted. Worse, her own home was attacked with petrol bombs on multiple occasions. Undeterred, Priscilla Jana continued her work, even adopting the baby daughter of a client imprisoned on Robben Island, bringing here up, educating her, and providing a loving home. Finally, upon Mandela's release and the political revolution of her beloved country, Priscilla's work was rewarded, as she was elected as a member of South Africa's first democratic parliament. Later, she was to become an ambassador to both The Netherlands and Ireland. Now retired and living in Cape Town, Priscilla still works and waits for her most fervent desire: the true healing and unification of South Africa.
Toe sÍ sy, terwyl sy skuins afkyk na die mat, asof sy met haarself praat: “Vir te lank in my lewe het ek ongedefinieerd geleef. Ek weet nie wie ek is nie.”
Iets of iemand moet die katalisator wees wat ’n mens aan die dink sit oor jouself. Die vrou van Waterkloof was dit vir my, die een wat my oor myself laat wonder en bewus gemaak het: hier binne is ’n mens. Die vraag laat vra het: Wie is ek?
Oorkant jou is gevul met die stories van die uiteenlopende mense wat Juliana Coetzer se pad kruis as psigoterapeut. Deur hul verhale van swaarkry en herstel, neem Juliana die leser op ŉ reis wat eintlik ons almal sŉ is: Die pad van grootword en eienaarskap neem.
Sy vertel hoe sommige kliŽnte haar inspireer en uitdaag om haar eie vrese te konfronteer, maar ook watter uitwerking dit op terapeute het om aan die wreedheid van die mensdom blootgestel te word. Daar is die families wat uitmekaar geskeur is as gevolg van seksuele misbruik, die man wat sukkel met sy selfbeeld weens afknouery en ook die prostituut Venicia wat ’n tragiese symbool van verwaarlosing word.
Juliana se aardse humorsin maak dat sy egter ook die komiese oomblikke raaksien – totdat die volgende storie oor die menslike toestand jou wind uitslaan.
The official playscript of the original West End production of Harry Potter And The Cursed Child.
It was always difficult being Harry Potter and it isn't much easier now that he is an overworked employee of the Ministry of Magic, a husband, and father of three school-age children. While Harry grapples with a past that refuses to stay where it belongs, his youngest son Albus must struggle with the weight of a family legacy he never wanted. As past and present fuse ominously, both father and son learn the uncomfortable truth: sometimes, darkness comes from unexpected places.
The playscript for Harry Potter and the Cursed Child was originally released as a 'special rehearsal edition' alongside the opening of Jack Thorne's play in London's West End in summer 2016. Based on an original story by J.K. Rowling, John Tiffany and Jack Thorne, the play opened to rapturous reviews from theatregoers and critics alike, while the official playscript became an immediate global bestseller.
This revised paperback edition updates the 'special rehearsal edition' with the conclusive and final dialogue from the play, which has subtly changed since its rehearsals, as well as a conversation piece between director John Tiffany and writer Jack Thorne, who share stories and insights about reading playscripts. This edition also includes useful background information including the Potter family tree and a timeline of events from the Wizarding World prior to the beginning of Harry Potter and the Cursed Child.
(Please note: This is written in a screenplay format and not a novelized format.)
From the best-selling author of Americanah and We Should All Be Feminists comes a powerful new statement about feminism today - written as a letter to a friend.
"I have some suggestions for how to raise Chizalum. But remember that you might do all the things I suggest, and she will still turn out to be different from what you hoped, because sometimes life just does its thing. What matters is that you try".
In We Should All be Feminists, her eloquently argued and much admired essay of 2014, Chimamanda Ngozi Adichie proposed that if we want a fairer world we need to raise our sons and daughters differently. Here, in this remarkable new book, Adichie replies by letter to a friend's request for help on how to bring up her newborn baby girl as a feminist. With its fifteen pieces of practical advice it goes right to the heart of sexual politics in the twenty-first century.
She was confident, beautiful and financially secure. When she arrived in London with her daughter the future looked bright and she was hoping for a lasting, mature relationship. But within days, things started to go wrong. Was he manipulating her? Maybe it was all in her head? She started a diary, evidence to reassure herself that she wasnít going mad. This is the true story of a strong, independent woman's descent into abuse, and how she eventually escaped.
In this finely observed memoir, Kenneth de Kok writes tenderly yet humorously about the relationship between fathers and sons, about family life, and about childhood.
The work unearths the physical and psychic landscape of Stilfontein, a small mining community in the Western Transvaal, in the 1950s. The narrator gives voice to his own secret pleasures and fears, while vividly recreating the topography that dominates his world.
A sensitive and rare account of the hierarchies, privileges and prejudices of white mining experience, as seen through the eyes of a boy.
A Raisin in the Sun is a classic American play: a groundbreaking 1950s civil rights drama and has a strong claim to be the greatest play of the black American experience. Deeply committed to the black struggle for equality and human rights, Lorraine Hansberry's brilliant career as a writer was cut short by her death when she was only 34. A Raisin in the Sun was the first play written by a black woman to be produced on Broadway and won the New York Drama Critics Circle Award. Hansberry was the youngest and the first black writer to receive this award. She was also the first person to be called 'young, gifted and black'. The play is set in south side Chicago, where Walter Lee, a black chauffeur, dreams of a better life, and hopes to use his father's life insurance money to open a liquor store. Humane and heart-rending, the play depicts characters and a whole society with complexity and reality. This Student Edition features expert and helpful annotation, including a scene-by-scene summary, a detailed commentary on the dramatic, social and political context, and on the themes, characters, language and structure of the play, as well as a list of suggested reading and questions for further study and a review of performance history.
Felix is at the top of his game as Artistic Director of the Makeshiweg Theatre Festival. His productions have amazed and confounded. Now he's staging a Tempest like no other: not only will it boost his reputation, it will heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And also brewing revenge.
After twelve years, revenge finally arrives in the shape of a theatre course at a nearby prison. Here, Felix and his inmate actors will put on his Tempest and snare the traitors who destroyed him. It's magic! But will it remake Felix as his enemies fall?
Margaret Atwood's novel take on Shakespeare's play of enchantment, revenge and second chances leads us on an interactive, illusion-ridden journey filled with new surprises and wonders of its own.
Everyone knows that Alan Paton wrote Cry the beloved country. What is less well-known is that he was also a courageous and innovative educationalist – the man who pulled up the barbed wire fences at Diepkloof Reformatory and planted geraniums instead.
This collection, edited by Clyde Broster, is a series of reflections drawn from his heartfelt experiences during his thirteen years as Principal of Diepkloof Reformatory. Included are short stories, autobiography, drama and poetry in which he looks back with a kind of gentle astonishment at events that took him as a young schoolmaster from Natal to be Principal at this previously gloomy institution.
Misgivings, fears, successes, failures – all are dramatically mirrored, as is his determination to test whether a firm compassion and a measure of freedom might be more effective than harshness and close confinement, in the treatment of young delinquents.
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