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"Notes on Nowhere "was first published in 1997. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The term utopia implies both "good place" and "nowhere." Since Sir Thomas More wrote Utopia in 1516, debates about utopian models of society have sought to understand the implications of these somewhat contradictory definitions. In Notes on Nowhere, author Jennifer Burwell uses a cross section of contemporary feminist science fiction to examine the political and literary meaning of utopian writing and utopian thought.
Burwell provides close readings of the science fiction novels of five feminist writers-Marge Piercy, Sally Gearhart, Joanna Russ, Octavia Butler, and Monique Wittig-and poses questions central to utopian writing: Do these texts promote a tradition in which narratives of the ideal society have been used to hide rather than reveal violence, oppression, and social divisions? Can a feminist critical utopia offer a departure from this tradition by using utopian narratives to expose contradiction and struggle as central aspects of the utopian impulse? What implications do these questions have for those who wish to retain the utopian impulse for emancipatory political uses?
As one way of answering these questions, Burwell compares two "figures" that inform utopian writing and social theory. The first is the traditional abstract "revolutionary" subject who contradicts existing conditions and who points us to the ideal body politic. The second, "resistant," subject is partial, concrete, and produced by conditions rather than operating outside of them. In analyzing contemporary changes in the subject's relationship to social space, Burwell draws from and revises "standpoint approaches" that tie visions of social transformation to a group's position within existing conditions.
By exploring the dilemmas, antagonisms, and resolutions within the critical literary feminist utopia, Burwell creates connections to a similar set of problems and resolutions characterizing "nonliterary" discourses of social transformation such as feminism, gay and lesbian studies, and Marxism. Notes on Nowhere makes an original, significant, and persuasive contribution to our understanding of the political and literary dimensions of the utopian impulse in literature and social theory.
Jennifer Burwell teaches in the Department of English at Wesleyan University in Connecticut.
With the rise of women's suffrage, challenges to marriage and divorce laws, and expanding opportunities for education and employment for women, the early years of the twentieth century were a time of social revolution. Examining British novels written in 1890-1914, Jane Eldridge Miller demonstrates how these social, legal, and economic changes rendered the traditional narratives of romantic desire and marital closure inadequate, forcing Edwardian novelists to counter the limitations and ideological implications of those narratives with innovative strategies. The original and provocative novels that resulted depict the experiences of modern women with unprecedented variety, specificity, and frankness. "Rebel Women" is a major re-evaluation of Edwardian fiction and a significant contribution to literary history and criticism. "Miller's is the best account we have, not only of Edwardian women novelists, but of early 20th-century women novelists; the measure of her achievement is that the distinction no longer seems workable." --David Trotter, "The London Review of Books"
This anthology argues for the serious study of the literary oeuvre of Anne Rice, a major figure in today's popular literature. The essays assert that Rice expands the conventions of the horror genre's formula to examine important social issues. Like a handful of authors working in this genre, Rice manipulates its otherwise predictable narrative structures so that a larger, more interesting cultural mythology can be developed. Rice searches for philosophical truth, examining themes of good and evil, the influence on people and society of both nature and nurture, and the conflict and dependence of humanism and science.
H.G. Wells - inventor of the concept of the time machine and the phrase ""the shape of things to come"" - described his life's work as one of critical anticipation. This book unravels the complex layers of meaning in ""The Time Machine"", and shows how, throughout his life, he sought to exploit the potential of literary and cultural prophecy in new ways. Described by John Middleton Murry as ""the last prophet of bourgeois Europe"", he was its first futurologist. In ""Shadows of the Future"", Wells's assumption of the prophet's role is related to his championing of the modern scientific outlook, and to the theory and practice of science fiction and utopian literature. Parrinder explores the connections between novelty and repetition, between imagining the future and imagining the past, and between prophecy and parody as literary modes. Wells's science fiction is reexamined both as a projection of the cosmology implicit in the writings of Darwin and Huxley, and as a new variation on the Romantic and Enlightenment themes of such earlier authors as Blake, Gibbon and Mary Shelley. Later chapters relate Wells's fiction to his nonfiction and look at the uneasy relationship of his utopianism to literary prophecy, and at the paradoxes inherent in the militant internationalism of the ""prophet at large"". Finally, Well's influence is traced in a study of the antiutopian fictions in Zamayatin and Orwell, and in a broad account of the connections between science fiction and the scientific outlook down to our time.
The poetry of William Butler Yeats presents unusual problems for the general reader. Yeats drew heavily upon mystical and theosophical systems of a more or less arcane nature. Moreover, he often referred to events in his own life and in the history of modern Ireland which require elucidition for the non-specialist. A Reader's Guide to William Butler Yeats not only provides the background needed for an understanding of the works but also reveals the structure of images and meanings of the various lyrics.
"Passionate Fictions "was first published in 1994. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
"Clarice Lispector is the premiere Latin American woman prose writer of this century," Suzanne Ruta noted in the "New York Times Book Review," "but because she is a woman and a Brazilian, she has remained virtually unknown in the United States." "Passionate Fictions " provides American readers with a critical introduction to this remarkable writer and offers those who already know Lispector's fiction a deeper understanding of its complex workings.
Ivan Illich alights on such topics as education, history, language, politics, and the church. The conversations range over the whole of Illich's published work and public career as a priest, vice-rector of a university, founder of the Centre for Intercultural Documentation in Cuernavaca, Mexico, and author of such classics as Tools for Conviviality, Medical Nemesis, and Deschooling Society.
Winner of the 2016 Goodreads Choice Award, the princess saves herself in this one is a collection of poetry about resilience. It is about writing your own ending. From Amanda Lovelace, a poetry collection in four parts: the princess, the damsel, the queen, and you. The first three sections piece together the life of the author while the final section serves as a note to the reader. This moving book explores love, loss, grief, healing, empowerment, and inspiration. the princess saves herself in this one is the first book in the "women are some kind of magic" series.
The Records of Mazu and the Making of Classical Chan Literature explores the growth, makeup, and transformation of Chan (Zen) Buddhist literature in late medieval China. The volume analyzes the earliest extant records about the life, teachings, and legacy of Mazu Daoyi (709-788), the famous leader of the Hongzhou School and one of the principal figures in Chan history. While some of the texts covered are well-known and form a central part of classical Chan (or more broadly Buddhist) literature in China, others have been largely ignored, forgotten, or glossed over until recently. Poceski presents a range of primary materials important for the historical study of Chan Buddhism, some translated for the first time into English or other Western language. He surveys the distinctive features and contents of particular types of texts, and analyzes the forces, milieus, and concerns that shaped key processes of textual production during this period. Although his main focus is on written sources associated with a celebrated Chan tradition that developed and rose to prominence during the Tang era (618-907), Poceski also explores the Five Dynasties (907-960) and Song (960-1279) periods, when many of the best-known Chan collections were compiled. Exploring the Chan School's creative adaptation of classical literary forms and experimentation with novel narrative styles, The Records of Mazu and the Making of Classical Chan Literature traces the creation of several distinctive Chan genres that exerted notable influence on the subsequent development of Buddhism in China and the rest of East Asia.
For avid readers and the uninitiated alike, this is a chance to reengage with classic literature and to stay inspired and entertained. The concept of the magazine is simple: the first half is a long-form interview with a notable book fanatic and the second half explores one classic work of literature from an array of surprising and invigorating angles.
This is the fourth and final volume of the Cambridge edition of the works of John Webster. It contains four plays Webster wrote in collaboration, one - Sir Thomas Wyatt, a historical tragedy based around Lady Jane Grey - as part of a team of five led by Thomas Dekker, two - Westward Ho and Northward Ho, city comedies that prompted Chapman, Jonson, and Marston's Eastward Ho - with Thomas Dekker alone, and one - The Fair Maid of the Inn, an Italianate tragicomedy of which Webster wrote the largest share - with John Fletcher, Philip Massinger and John Ford. With the inclusion of these four plays, this Cambridge edition becomes the first complete works of John Webster. The edition preserves the original spelling of the plays, poetry, and prose, and incorporates the most recent editorial scholarship, including information on Webster's share in the collaborative plays, and new critical methods, textual theory, and theatrical analysis.
A plain, blank stationer's notebook from the 1780s in the Bodleian Library contains some of the most famous juvenilia in all of English literature. Copied out in Jane Austen's youthful hand, Volume the First, which takes its name from the inscription on the cover, preserves the stories, playlets, verses, and moral fragments she wrote during her teenage years. For the first time, the entire manuscript of Volume the First is available in a printed facsimile. In it, we see the young author's delight in language, in expressing ideas and sentiments sharply and economically. We also see Jane Austen learning the craft of genre by closely observing and parodying the popular stories of her day. Kathryn Sutherland's introduction places Jane's Austen's earliest works in context and explains how she mimicked even the style and manner in which these stories were presented and arranged on the page. Clearly the work of a teenager, Volume the First reveals the development of the unmistakable voice and style that would mark out Jane Austen as one of the most popular authors of all time. None of her six famous novels survives in manuscript form. This is a unique opportunity to own a likeness of Jane Austen's hand in the form of a complete manuscript facsimile.
HarperCollins is proud to present its new range of best-loved, essential classics. `Clanless, lawless, homeless is he who is in love with civil war, that brutal ferocious thing.' The epic poem The Iliad begins nine years after the beginning of the Trojan War and describes the great warrior Achilles and the battles and events that take place as he quarrels with the King Agamemnon. Attributed to Homer, The Iliad, along with The Odyssey, is still revered today as the oldest and finest example of Western Literature.
Exam Board: AQA, Edexcel, WJEC, Eduqas & CCEA Level: AS/A-level Subject: Modern Languages First Teaching: September 2017 First Exam: June 2018 Literature analysis made easy. Build your students' confidence in their language abilities and help them develop the skills needed to critique their chosen work: putting it into context, understanding the themes and narrative technique, as well as specialist terminology. Breaking down each scene, character and theme in La casa de Bernarda Alba (The House of Bernarda Alba), this accessible guide will enable your students to understand the historical and social context of the play and give them the critical and language skills needed to write a successful essay. - Strengthen language skills with relevant grammar, vocab and writing exercises throughout - Aim for top marks by building a bank of textual examples and quotes to enhance exam response - Build confidence with knowledge-check questions at the end of every chapter - Revise effectively with pages of essential vocabulary and key mind maps throughout - Feel prepared for exams with advice on how to write an essay, plus sample essay questions, two levels of model answers and examiner commentary
This collection, published by SA History Online and distributed by Deep South in conjunction with UKZN Press, brings together the published work of Mafika Gwala (1946-2014), one of South Africa's most powerful poets and political thinkers. The text includes his two books Jol'iinkomo (Ad Donker, 1977) and No More Lullabies (Ravan, 1982), as well as his poems published in Exiles Within: Seven South African poets (Writers Forum, 1986). The collection is edited with a substantial introduction by Mandla Langa and Ari Sitas, themselves well-known writer-activists who both knew Gwala well.
There is a reason why Stephen King is one of the bestselling writers in the world, ever. Described in the Guardian as 'the most remarkable storyteller in modern American literature', Stephen King writes books that draw you in and are impossible to put down. Part memoir, part master class by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writer's craft, comprising the basic tools of the trade every writer must have. King's advice is grounded in the vivid memories from childhood through his emergence as a writer, from his struggling early career to his widely reported, near-fatal accident in 1999 - and how the inextricable link between writing and living spurred his recovery.
`Where are the snows of yesteryear. And the speedballs I useta know? Well, I guess it's time for my Ovaltine and a long good night.' In 1996 William Burroughs began writing a final journal. He died the following summer after a life of notoriety: godfather of the Beat writers, author of thirteen controversial novels, druggy, dangerous and bleak. Spanning the realms of personal memoir, cultural criticism and fiction, Burroughs' diaries include anecdotes and memories, entries on his beloved cats and the joys of housekeeping, and musings on drug-taking, humanity and government cover-ups. `Last Words' contains some of the most brutally personal prose in the William Burroughs canon, and the deaths of his friends, Allen Ginsberg and Timothy Leary, provide a window onto his own preparations for death - a quest for absolution marked by a profound sense of guilt and loss.
This is the never-before-told story of George Orwell's first wife, Eileen, a woman who shaped, supported, and even saved the life of one of the twentieth century's greatest writers. In 1934, Eileen O'Shaughnessy's futuristic poem, `End of the Century, 1984', was published. The next year, she would meet George Orwell, then known as Eric Blair, at a party. `Now,' he remarked that night, `that's the kind of girl I would like to marry.' Years later, Orwell would name his greatest work, Nineteen Eighty-Four, in homage to the memory of Eileen, the woman who shaped his life and his art in ways that have never been acknowledged by history, until now. From the time they spent in a tiny village tending goats and chickens, through the Spanish Civil War, the couple's narrow escape from the destruction of their London flat during a German bombing raid, and their adoption of a baby boy, Eileen is the first account of the Blairs' nine-year marriage. It is also a vivid picture of bohemianism, political engagement, and sexual freedom in the 1930s and '40s. Through impressive depth of research, illustrated throughout with photos and images from the time, this captivating and inspiring biography offers a completely new perspective on Orwell himself, and most importantly tells the life story of an exceptional woman who has been unjustly overlooked.
The Red Wheel is Nobel Prize-winner Aleksandr Solzhenitsyn's multivolume epic work about the Russian Revolution. He spent decades writing about just four of the most important periods, or ""nodes." This is the first time that the monumental March 1917-the third node-has been translated into English. It tells the story of the Russian Revolution itself, during which the Imperial government melts in the face of the mob, and the giants of the opposition also prove incapable of controlling the course of events. Together, these factors condemn Russia to chaos, destruction, and ultimately Communist dictatorship. The action of Book 2 (of four) of March 1917 is set during March 13-15, 1917, the Russian Revolution's turbulent second week. The revolution has already won inside the capital, Petrograd. News of the revolution flashes across all Russia through the telegraph system of the Ministry of Roads and Railways. But this is wartime, and the real power is with the army. At Emperor Nikolai II's order, the Supreme Command sends troops to suppress the revolution in Petrograd. Meanwhile, victory speeches ring out at Petrograd's Tauride Palace. Inside, two parallel power structures emerge: the Provisional Government and the Executive Committee of the Petrograd Soviet of Workers' and Soldiers' Deputies, which sends out its famous ""Order No. 1,"" presaging the destruction of the army. The Emperor hurries to leave his headquarters and join his family at Tsarskoye Selo. The troops sent to suppress the Petrograd revolution are halted by the army's own top commanders. The Emperor is detained and abdicates, and his ministers are jailed and sent to the Peter and Paul Fortress. This sweeping, historical novel is a must-read for Solzhenitsyn's many fans, as well as those interested in twentieth-century history, Russian history and literature, and military history.
Aristocrat, literary celebrity, `Rose Queen', devoted wife, lesbian, recluse, iconoclast - Vita Sackville-West was many things, but she was never straightforward. Her life is re-told here in a dazzling new biography. Vita Sackville-West was a woman who defied categorisation. She was the dispossessed girl whose lonely childhood at Knole inspired enduring feats of imagination, the celebrated author and poet, the adored and affectionate wife whose marriage included passionate homosexual affairs (most famously with Virginia Woolf ), and the recluse who found in nature and her garden at Sissinghurst Castle solace from the contradictions of her extraordinary life. In this dazzling new biography, Matthew Dennison traces these complexities, depicting a prolific, radical, sensitive and uncompromising figure in all her depth.
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