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This is the OCR-endorsed publication from Bloomsbury for the Latin AS and A-Level (Group 3) prescription of Ovid's Amores 1.1 and 2.5, Propertius 1.1 and Tibullus 1.1 with the A-Level (Group 4) prescription of Ovid's Amores 2.7 and 2.8, Propertius 1.3 and 2.14 and Tibullus 1.3, giving full Latin text, commentary and vocabulary, with a detailed introduction that also covers the prescribed text to be read in English for A Level. Propertius, Tibullus and Ovid are our three main writers of Latin love elegy. The selected poems depict the bitter-sweet love affairs of the poet-lovers and their mistresses, from the heartbreak of rejection to the elation at love reciprocated. While Propertius's and Ovid's setting is the city and their poems show us such details of urbane Roman life as drinking parties and elaborate hair-dressing, Tibullus introduces the idyll of the countryside to the genre. Their sophisticated poems combine intense emotion with wit and irony, and celebrate the life of love and their mistresses, Propertius's Cynthia, Tibullus's Delia and Nemesis, and Ovid's Corinna.
Gaming and chiefing. Imposters and freedmen. Distinguished novelist Robert J. Conley examines some of the most interesting facets of the Cherokee world. In 26 essays laced with humor, understatement, and even open sarcasm, this popular writer takes on politics, culture, his people's history, and what it means to be Cherokee. As provocative as it is entertaining, Cherokee Thoughts will intrigue tribal members and anyone with an interest in the Cherokee people.
Anton Chekhov is revered as a boldly innovative playwright and short story writer - but he wrote more than just plays and stories. In "Alive in the Writing" - an intriguing hybrid of writing guide, biography, and literary analysis - anthropologist and novelist Kirin Narayan introduces readers to some other sides of Chekhov: his pithy, witty observations on the writing process; his life as a writer through accounts by his friends, family, and lovers; and his venture into nonfiction through his book "Sakhalin Island". By closely attending to the people who lived under the appalling conditions of the Russian penal colony on Sakhalin, Chekhov showed how empirical details combined with a literary flair can bring readers face to face with distant, different lives, enlarging a sense of human responsibility. Highlighting this balance of the empirical and the literary, Narayan uses Chekhov to bring new energy to the writing of ethnography and creative nonfiction alike. Weaving together selections from writing by and about him with examples from other talented ethnographers and memoirists, she offers practical exercises and advice on topics such as story, theory, place, person, voice, and self. A new and lively exploration of ethnography, "Alive in the Writing" shows how the genre's attentive, sustained connection with the lives of others can become a powerful tool for any writer.
The Columbia Companion to Modern Chinese Literature features more than fifty short essays on specific writers and literary trends from the Qing period (1895-1911) to the present. The volume opens with thematic essays on the politics and ethics of writing literary history, the formation of the canon, the relationship between language and form, the role of literary institutions and communities, the effects of censorship, the representation of the Chinese diaspora, the rise and meaning of Sinophone literature, and the role of different media in the development of literature. Subsequent essays focus on authors, their works, and the schools with which they were aligned, featuring key names, titles, and terms in English and in Chinese characters. Woven throughout are pieces on late Qing fiction, popular entertainment fiction, martial arts fiction, experimental theater, post-Mao avant-garde poetry, post-martial law fiction from Taiwan, contemporary genre fiction from China, and recent Internet literature. The volume includes essays on such authors as Liang Qichao, Lu Xun, Shen Congwen, Eileen Chang, Jin Yong, Mo Yan, Wang Anyi, Gao Xingjian, and Yan Lianke. Both a teaching tool and a go-to research companion, this volume is a one-of-a-kind resource for mastering modern literature in the Chinese-speaking world.
In this original and trenchant work, Christina Sharpe interrogates literary, visual, cinematic, and quotidian representations of Black life that comprise what she calls the "orthography of the wake." Activating multiple registers of "wake"-the path behind a ship, keeping watch with the dead, coming to consciousness-Sharpe illustrates how Black lives are swept up and animated by the afterlives of slavery, and she delineates what survives despite such insistent violence and negation. Initiating and describing a theory and method of reading the metaphors and materiality of "the wake," "the ship," "the hold," and "the weather," Sharpe shows how the sign of the slave ship marks and haunts contemporary Black life in the diaspora and how the specter of the hold produces conditions of containment, regulation, and punishment, but also something in excess of them. In the weather, Sharpe situates anti-Blackness and white supremacy as the total climate that produces premature Black death as normative. Formulating the wake and "wake work" as sites of artistic production, resistance, consciousness, and possibility for living in diaspora, In the Wake offers a way forward.
Dylan Thomas's classic account of his childhood Christmases, newly issued with full colour illustrations by Peter Bailey in this beautiful, cloth-bound hardback gift edition for Thomas's centenary. All the Christmases roll down toward the two-tongued sea, like a cold and headlong moon bundling down the sky that was our street... Dylan Thomas's lyrical account of his childhood Christmases in a small Welsh town, featuring wolves, bears, hippos and Mrs Prothero's cat, has become deservedly famous. This stunning re-designed cloth-bound hardback edition celebrates the centenary of his birth, and features brand-new full-colour artwork from illustrator Peter Bailey. A beautiful gift edition of a classic work from one of Britain's best-loved writers, this is the perfect Christmas present for young readers building their own childhood Christmas memories.
The College of Corpus Christi, Oxford, was a 'Renaissance' institution both as to its foundation date (1517) and the intention of its founder, Richard Fox, bishop of Winchester. Both Fox himself and his choice as the College's first President, John Claymond, were friends of Erasmus, who approved of the foundation and especially of its library. Fox intended his foundation to be a conduit of Italian humanism to Oxford and to the English clergy. In its extraordinary variety, this collection is a challenge to the cataloguer. Some manuscripts relate to the programme of the College's founder and first President, but most of the manuscripts reflect the particular interests of collectors from the late sixteenth century onwards. John Dee's books for example, mostly small, unpretentious and often fragmentary or made up of fragments, constitute a gold-mine for the historian of medieval chemistry and alchemy. These are supplemented by an important group of astronomical, arithmetical and medical texts. There is a substantial clutch of twelfth- and thirteenth-century manuscripts from Lanthony Priory. Noteworthy, too, is the large number of manuscripts in several vernaculars: Old and Middle English and French, Old Irish, Catalan, and even a few words of fifteenth-century Czech. The bindings of the Corpus manuscripts have been wholly neglected. Many books retain important medieval bindings, some as early as the twelfth century, and a substantial number of beautiful blind-stamped bindings of the late fifteenth and sixteenth centuries. A special place in the collection is occupied by the approximately 1, 200 manuscript fragments, taken from bindings of books in the library in the late nineteenth century.
Writing a new page in the surprisingly long history of literary deceit, Impostors examines a series of literary hoaxes, deceptions that involved flagrant acts of cultural appropriation. This book looks at authors who posed as people they were not, in order to claim a different ethnic, class, or other identity. These writers were, in other words, literary usurpers and appropriators who trafficked in what Christopher L. Miller terms the "intercultural hoax." In the United States, such hoaxes are familiar. Forrest Carter's The Education of Little Tree and JT LeRoy's Sarah are two infamous examples. Miller's contribution is to study hoaxes beyond our borders, employing a comparative framework and bringing French and African identity hoaxes into dialogue with some of their better-known American counterparts. In France, multiculturalism is generally eschewed in favor of universalism, and there should thus be no identities (in the American sense) to steal. However, as Miller demonstrates, this too is a ruse: French universalism can only go so far and do so much. There is plenty of otherness to appropriate. This French and Francophone tradition of imposture has never received the study it deserves. Taking a novel approach to this understudied tradition, Impostors examines hoaxes in both countries, finding similar practices of deception and questions of harm.
In the spring of 1804 Coleridge sailed to the Mediterranean in the hope of restoring his health, recreating his poetic energies and solving his emotional problems. During the voyage he kept a very detailed diary. This title combines the pleasures of researched biography, and criticism and social history, with the narrative sweep of a novel.
An insightful account of the key role reading has played in the life of literary icon Edmund White Edmund White made his name as a writer, but he remembers his life through the books he read. For White, each momentous occasion came with books to match: Proust's Remembrance of Things Past, which opened up the seemingly closed world of homosexuality while he was at boarding school in Michigan; the Ezra Pound poems adored by a lover he followed to New York; the biography of Stephen Crane that inspired one of White's novels. Blending memoir and literary criticism, The Unpunished Vice is a compendium of all the ways reading has shaped White's life and work. His larger-than-life presence on the literary scene - he is close friends with giants including Michael Ondaatje and Joyce Carol Oates - lends itself to fascinating, intimate insights into the lives of some of the world's best-loved cultural figures. With characteristic wit and candour, he recalls reading Henry James to Peggy Guggenheim in her private gondola in Venice, and phone calls at eight o'clock in the morning to Vladimir Nabokov - who once said that White was his favourite American writer. The Unpunished Vice is a sensitive, smart and insightful account of a life in literature.
In Race, Theft, and Ethics, Lovalerie King examines African American literature's critique of American law concerning matters of property, paying particular attention to the stereotypical image of the black thief. She draws on two centuries of African American writing that reflects the manner in which human value became intricately connected with property ownership in American culture, even as racialized social and legal custom and practice severely limited access to property. Using critical race theory, King builds a powerful argument that the stereotype of the black thief is an inevitable byproduct of American law, politics, and social customs.
In making her case, King ranges far and wide in black literature, looking closely at over thirty literary works. She uses four of the best-known African American autobiographical narratives -- Narrative of the Life of Frederick Douglass, Harriet Jacobs's Incidents in the Life of a Slave Girl, Booker T. Washington's Up From Slavery, and Richard Wright's Black Boy -- to reveal the ways that law and custom worked to shape the black thief stereotype under the institution of slavery and to keep it firmly in place under the Jim Crow system. Examining the work of William Wells Brown, Charles Chesnutt, James Weldon Johnson, and Alice Randall, King treats "the ethics of passing" and considers the definition and value of whiteness and the relationship between whiteness and property.
Close readings of Richard Wright's Native Son and Dorothy West's The Living is Easy, among other works, question whether blacks' unequal access to the economic opportunities held out by the American Dream functions as a kind of expropriation for which there is no possible legal or ethical means of reparation. She concludes by exploring the theme of theft and love in two famed neo--slave or neo--freedom narratives -- Toni Morrison's Beloved and Charles Johnson's Middle Passage.
Race, Theft, and Ethics shows how African American literature deals with the racialized history of unequal economic opportunity in highly complex and nuanced ways, and illustrates that, for many authors, an essential aspect of their work involved contemplating the tensions between a given code of ethics and a moral course of action. A deft combination of history, literature, law and economics, King's groundbreaking work highlights the pervasiveness of the property/race/ethics dynamic in the interfaces of African American lives with American law.
In Plantation Airs, Brannon Costello argues persuasively for new attention to the often neglected issue of class in southern literary studies. Focusing on the relationship between racial paternalism and social class in American novels written after World War II, Costello asserts that well into the twentieth century, attitudes and behaviors associated with an idealized version of agrarian antebellum aristocracy -- especially, those of racial paternalism -- were believed to be essential for white southerners. The wealthy employed them to validate their identities as "aristocrats," while less-affluent whites used them to separate themselves from "white trash" in the social hierarchy. Even those who were not legitimate heirs of plantation-owning families found that "putting on airs" associated with the legacy of the plantation could align them with the forces of power and privilege and offer them a measure of authority in the public arena that they might otherwise lack.
Fiction by Zora Neale Hurston, Eudora Welty, William Faulkner, Ernest Gaines, Walker Percy, and others reveals, however, that the racial paternalism central to class formation and mobility in the South was unraveling in the years after World War II, when the civil rights movement and the South's increasing industrialization dramatically altered southern life. Costello demonstrates that these writers were keenly aware of the ways in which the changes sweeping the South complicated the deeply embedded structures that governed the relationship between race and class. He further contends that the collapse of racial paternalism as a means of organizing class lies at the heart of their most important works -- including Hurston's Seraph on the Suwanee and her essay "The 'Pet Negro' System," Welty's Delta Wedding and The Ponder Heart, Faulkner's The Mansion and The Reivers, Gaines's Of Love and Dust and his story "Bloodline," and Percy's The Last Gentleman and Love in the Ruins.
By examining ways in which these works depict and critique the fall of the plantation ideal and its aftermath, Plantation Airs indicates the richness and complexity of the literary responses to this intersection of race and class. Understanding how many of the modern South's best writers imagined and engaged the various facets of racial paternalism in their fiction, Costello confirms, helps readers construct a more comprehensive picture of the complications and contradictions of class in the South.
A concise and authoritative survey of the Welsh- and English-language literatures of Wales from the earliest period up to the present day. This illustrated guide, containing extracts from original texts with English translations, is a revised version of Professor Dafydd Johnston's volume in the University of Wales Press Pocket Guide series, and includes a new chapter on contemporary writing.
David Almond is one of the most exciting and innovative authors writing for children and young people today. Since the publication of his award-winning first book, Skellig (1998), his novels have pushed the boundaries of children's literature and magical realism. This vibrant collection of original essays by leading international children's literature scholars and researchers provides a theoretically-informed overview of Almond's novels and fresh analysis of individual texts. Exploring broad themes such as philosophy, theology and cognitive science, the volume also introduces new concepts such as mystical realism, literary Catholicism and radical landscape.
The first book to explore the extraordinary story of the legendary friendship - and quarrel - between Wordsworth and Coleridge, two giants of English Romanticism. Wordsworth and Coleridge's passionate intimacy, shared ambition and subsequent estrangement contribute to a tragic tale. But Sisman's biography of this most remarkable friendship - the first to devote itself wholly to exploring the impact of their relationship on each other - seeks to re-examine the orthodox assumption that these two poets flourished as a result of it. Instead, Sisman argues that it was a meeting that may well have been disastrous for both: for it was Wordsworth's rejection of Coleridge, and not primarily his opium addiction, that destroyed the latter as a poet, and that Coleridge's impossible ambitions for Wordsworth pushed the latter towards failure and disappointment. Underlying the poignancy of the tale is the intriguing subject of the influence one writer can have on another. Sisman seeks to answer fundamental questions about this relationship: why was Wordsworth so reliant on Coleridge, and why was he so easily swayed in the most critical decision of his career? Was it in Coleridge's nature to play second fiddle? Would it, in fact, have been better for both men if they had never met?
Ireland is suffering a crisis of authority. Catholic Church scandals, political corruption, and economic collapse have shaken the Irish people's faith in their institutions. The nation's struggle for independence is thrown into doubt. But, as Declan Kiberd argues in this engaging survey of post-war Irish literature, the country's creative writers have been alert to this reality from the start. He describes the young Samuel Beckett witnessing the burning of Dublin in 1916 and realising that 'the birth of a nation might also seal its doom.' Surveying thirty works by modern Irish writers, Kiberd traces the response to the crisis of Irish Statehood in the work of Seamus Heaney, Edna O'Brien, Joseph O'Connor, Tom Murphy, Nuala Ni Dhomhnaill, Derek Mahon and John Banville, among others. Placing these writers at the centre of Ireland's on-going exploration of the true meaning of freedom, Kiberd shows how Irish artists preserve and extend a humane culture that imagines a renewed, more plural and open nation. Kiberd's Inventing Ireland, originally published in 1995 is a dazzlingly ambitious critical history of modern Irish literature and the standard work on the Irish Literary Revival. In After Ireland, Kiberd responds to the next generation of Irish writers, in this second renaissance of Irish literature.
Focusing on the core assessment objectives for GCSE English Literature 9-1, The Quotation Bank takes 25 of the most important quotations from the text and provides detailed material for each quotation, covering interpretations, literary techniques and detailed analysis. Also included is a sample answer, detailed essay plans, revision activities and a comprehensive glossary of relevant literary terminology, all in a clear and practical format to enable effective revision and ultimate exam confidence.
Literature from the 'political' 1930s has often been read in contrast to the 'aesthetic' 1920s. This collection suggests a different approach. Drawing on recent work expanding our sense of the political and aesthetic energies of interwar modernisms, these chapters track transitions in British literature. The strains of national break-up, class dissension and political instability provoked a new literary order, and reading across the two decades between the wars exposes the continuing pressure of these transitions. Instead of following familiar markers - 1922, the Crash, the Spanish Civil War - or isolating particular themes from literary study, this collection takes key problems and dilemmas from literature 'in transition' and reads them across familiar and unfamiliar cultural works and productions, in their rich and contradictory context of publication. Themes such as gender, sexuality, nation and class are thus present throughout these essays. Major writers such as Woolf are read alongside forgotten and marginalised voices.
This is the endorsed publication from OCR and Bloomsbury for the Greek AS and A-Level set text prescriptions for 2019-21 giving full Greek text, commentary and vocabulary and a detailed introduction for each text that also covers the prescription to be read in English for A Level. The texts covered are: AS and A Level Groups 1&3 Herodotus, Book 7: 5-10 Plato, Phaedo: 62c9 to 67e6 Homer, Iliad 18: 1-38, 50-238 Euripides, Medea: 271-355, 663-758, 869-905 A Level Groups 2&4 Herodotus, Book 7: 34-35, 38-39, 45-52, 101-105 Plato, Phaedo: 69e6 to 75c5 Xenophon, Anabasis, Book 4: 7-8 Homer, Iliad 9: 182-431 Euripides, Medea: 214-270, 364-409, 1019-1055, 1136-1230 Aristophanes, Peace: 1-10, 13-61, 180-336 Resources are available on the Companion Website www.bloomsbury.com/ocr-editions-2019-2021
In eighteenth-century England, the institution of marriage became the subject of heated debates, as clerics, jurists, legislators, philosophers, and social observers began rethinking its contractual foundation. Public Vows argues that these debates shaped English fiction in crucial and previously unrecognized ways and that novels played a central role in the debates. Like many legal and social thinkers of their day, novelists such as Daniel Defoe, Samuel Richardson, Frances Burney, Eliza Fenwick, and Amelia Opie imagine marriage as a public institution subject to regulation by church and state rather than a private agreement between two free individuals. Through recurring scenes of infidelity, fraud, and coercion as well as experiments with narrative form, these writers show the practical and ethical problems that result when couples attempt to establish and dissolve unions simply by exchanging consent. Even as novelists seek to shore up the state's control over marriage, however, they contest the specific forms that its regulations take. In recovering novelists' engagements with the nuptial controversies of the Enlightenment, Public Vows challenges traditional readings of domestic fiction as contributing to sharp divisions between public and private life. At the same time, the book counters received views of law and literature, highlighting fiction's often simultaneous affirmations and critiques of legal authority.
Forty-five years after his death, and more than seventy years after his indictment for treason, Ezra Pound remains a deeply controversial figure. Today it is hard to imagine a poet sparking national debate, but Pound did just that. His receipt in 1949 of the first-ever Bollingen Award for Poetry started a hue and cry that spread to every US periodical that made even a pretense of following "cultural" issues: even Time weighed in. It took two years for things to simmer down, and when they finally did, literary study looked profoundly different. Everyone engaged in the study of poetry today, professors and students alike, works in an environment shaped by that national crisis of conscience. The present book considers this untold story, and investigates not just what critics have had to say about Pound but also why they have asked the questions they have asked. It is routine for reception histories to distinguish between professional studies and more popular responses; this book encourages us to consider why we make that distinction and what the costs of doing so might be. Unprofessional responses to Pound have often been ideologically and politically embarrassing for Pound scholars, who have in response policed the distinction between professional and popular readings with extraordinary vigilance. As a result, the history of Pound's reception unfolds as a kind of drama - perhaps the last ongoing theater for McCarthyite cultural-political anxieties. Michael Coyle is Professor of English at Colgate University and has published widely on Pound. Roxana Preda is Leverhulme Fellow in American Literature at the University of Edinburgh and President of the Ezra Pound Society.
Samuel Richardson (1689 1761), renowned master printer and celebrated English novelist, wrote hundreds of letters during his lifetime. The Cambridge Edition of the Correspondence of Samuel Richardson is the first complete edition of these letters. This volume contains his correspondences, many published for the first time, with three very different young women, all seeking to find their voice within family and society while corresponding with a celebrated author and moralist. Sarah Wescomb and Frances Grainger, two young, unmarried correspondents, sought paternal advice from the middle-aged author and in the process contested stances taken in his novels. Laetitia Pilkington, an accused adulteress, offers poignant glimpses into an impoverished woman's struggles to survive in Grub Street. The scholarly apparatus in this volume provides ample information about these three women's lives and their milieu, giving fascinating insights into eighteenth-century English social and literary history."
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