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Historian Karen Horn painstakingly tracked down a number of former POWs in which their interviews reveal rich narratives of hardship, endurance, humour, longing and self-discovery. Instead of fighting, these men adapted to another war, one which was fought on the inside of many prison camps.
In their interviews, all the POWs expressed surprise at being asked to share their experiences of almost 70 years earlier.They returned home in 1945 to a country which soon afterwards tried its utmost to promote national amnesia with regard to the country’s participation in the war.
With great insight and empathy, Karen Horn shines a light on a neglected corner of South African history. Karen Horn is a lecturer at Stellenbosch University.
A younger generation of South Africans are developing important and innovative ways of understanding South Africa’s past, challenging narratives that have, over the last decades, been informed by notions of forgiveness and reconciliation. Carli Coetzee uses the image of history-rich blood to explore these approaches to intergenerational memory. In this book, she revisits older archives and analyses contemporary South African cultural and literary forms.
The emphasis on blood challenges the privileged status skin has had as an explanatory category in thinking about identity. Instead, Coetzee emphasises intergenerational transfer and continuity. She argues that a younger generation is contesting the terms through which to understand contemporary South Africa and interpreting the legacies of the past that remain under the visible layer of skin.
The chapters each concern blood: Mandela’s prison cell as laboratory for producing bloodless freedom, the kinship relations created and resisted in accounts of Eugene de Kock in prison, Ruth First’s concern with information leaks in her accounts of her time in prison, the first human-to-human heart transplant and its relation to racialised attempts to salvage white identity, the #Fallist moment, the Abantu Book Festival, and activist scholarship and creative art works that use blood as a trope for thinking about change and continuity.
Vyftig jaar gelede, om drie minute oor tien op 29 September 1969, is die Noord-Boland getref deur ’n aardbewing van 6.3 op die Richterskaal.
Die middelpunt van die aardbewing was net buite Tulbagh, tuiste van sommige van die oudste kerke, Kaaps-Hollandse huise en wynplase in Suid-Afrika. Tien van die elf mense (meestal kinders) wat in die skudding gesterf het, is in en om die dorpie dood.
In hierdie boek – wat met die vyftigjarige herdenking van die aardbewing saamval – verwesenlik Rosette Jordaan, ’n boorling van Tulbagh, ’n lewensideaal om dié geskiedenis op te teken voordat dit uit die menseheugenis verdwyn. Die resultaat is ’n skatkis van verhale en vertellinge – aangrypend, amusant, onvergeetlik
A quest is never what you expect it to be.
Elizabeth Madeline Martin spends her days in a retirement home in Cape Town, watching the pigeons and squirrels on the branch of a tree outside her window. Bedridden, her memory fading, she can recall her early childhood spent in a small wood-and-iron house in Blackridge on the outskirts of Pietermaritzburg. Though she remembers the place in detail – dogs, a mango tree, a stream – she has no idea of where exactly it is. ‘My memory is full of blotches,’ she tells her daughter Julia, ‘like ink left about and knocked over.’
Julia resolves to find the Blackridge house: with her mother lonely and confused, would this, perhaps, bring some measure of closure? A journey begins that traverses family history, forgotten documents, old photographs, and the maps that stake out a country’s troubled past – maps whose boundaries nature remains determined to resist. Kind strangers, willing to assist in the search, lead to unexpected discoveries of ancestors and wars and lullabies. Folded into this quest are the tender conversations between a daughter and a mother who does not have long to live.
Taken as one, The Blackridge House is a meditation on belonging, of the stories we tell of home and family, of the precarious footprint of life.
Pomp, pageantry, power and prestige are just a few of the words to sum up the history and vibrancy of the City of London. Beyond its fame as the financial heart of London, this new guidebook explores the Square Mile of London revealing the secrets hidden in its rich treasure trove. Neither square nor a square mile, the City of London seems to lie beyond the limits of logic. From St Paul's, Wren's Masterpiece to the Barbican, Europe's largest centre for Arts, the City of London is a compelling blend of diverse visitor attractions waiting to be explored. Whether you pop into the Old Bailey, the scene of many a courtroom drama, amble through Lincoln Inn Fields or drool over the Crown Jewels in the Tower of London there is never a dull moment in the City... Learn why the Bank of England is known as the Old Lady of Threadneedle Street and the importance of Mansion House, home to the Right Honorable The Lord Mayor of London and looks at the traditions behind the Lord Mayor's Show.
Based on walks around Chichester this guide takes in the wonderful sights that this coastal city has to offer, as well as attractions nearby. From city walls to the cathedral, from theatres to museums, from gardens to galleries - and so much more - there is something for everyone in this charming place that embraces city, coast and countryside. Also available in this series: Bath, Cambridge, Edinburgh, Ely, Glasgow, Lincoln, Liverpool, Norwich, Oxford, York.
Cambridge Then and Now is the latest in the long-running series that uncovers archive photos of the landmark sites of a city and re-photographs them from exactly the same viewpoint today. Cambridge Then and Now features vintage photos that date back to the Victorian era, through the twentieth century up until the early 1960s. And while many of the colleges have remained remarkably similar; the cars, the bikes and the fashion on the street has changed a great deal. Cambridge sites include: King's College, Queen's College, St.John's College, Trinity Hall College, Peterhouse, Magadalene College, Pembroke College, Jesus College, Jesus Green, Parker's Piece, the Mathematical Bridge, Great St. Mary's Church, the Corn Exchange, the Arts Theatre, Grantchester Rectory and the American Cemetery.
The town of Hornchurch was historically in the county of Essex and its medieval church of St Andrew's was known as the 'horned church' - hence the name. The area was mainly agricultural until the nineteenth century but then expanded rapidly due to its proximity to London. Today Hornchurch is a large commuter town on the edge of Greater London. In themed chapters, this book delves into the history of the town from traces of prehistoric ancestors in the area to the founding of the priory by Henry II and the story of RAF Hornchurch, which played a key role in two world wars and of which traces remain among the housing estate built on the airfield. The town's story includes alleged witchcraft; the local industries of tanning, milling, brewing and a foundry; historic pubs and manor houses; famous and notorious inhabitants; changing tastes in entertainment including an annual wrestling match, cockfighting and prize-fighting, a Whit Monday fair, art deco cinemas and ballroom dancing; the parish workhouse and charity schools; and the first fire engine, village lock-up and tube station. Secret Hornchurch explores the lesser-known episodes and characters in the history of the town through the centuries. With tales of remarkable events and tucked-away historical buildings, this book will appeal to all those with an interest in the story of this town.
The nations bordering the North Sea have always been engaged in a dialogue with water. The sea is the source of livelihoods as well as leisure, industry as well as relaxation. Holidaymakers are not the only ones drawn to the seaside: the currency of both painters and photographers is light, and under Northern skies the best light is often to be found where land joins water. In addition, coastal locations often give urban artists an opportunity to observe life in the raw. The North Sea provides the overarching theme for this showcase of vintage and contemporary photography, accompanied by paintings and songs, poetry and prose. Its pages capture both the sublimity of nature and a cast of human subjects, whose lives are placed in perspective by the vastness of the sea. In spite of the changes wrought by history, the fascination of the frontier between land and water remains timeless, and these images stand as a striking testament to the relationship between the sea and the people who live and work alongside it.
Step behind the scenes of the biggest mystery of the British Isles Loch Ness is one of the most popular visitor sites in the world. Its stunning beauty draws many, but far more come to experience the mystery of the monster that may lurk in its waters. Known affectionately as 'Nessie', this elusive creature has been chased with great zeal for over a century (it has been seen by over 1000 people) and this enthusiasm shows no sign of diminishing. A new edition, rewritten and with fresh new images, of a Pitkin classic that examines the evidence and the various sitings on this perennial mystery.
The radio in Africa has shaped culture by allowing listeners to negotiate modern identities and sometimes fast-changing lifestyles. Through the medium of voice and mediated sound, listeners on the station – known as Radio Bantu, then Radio Zulu, and finally Ukhozi FM – shaped new understandings of the self, family and social roles.
Through particular genres such as radio drama, fuelled by the skills of radio actors and listeners, an array of debates, choices and mistakes were unpacked daily for decades. This was the unseen literature of the auditory, the drama of the airwaves, which at its height shaped the lives of millions of listeners in urban and rural places in South Africa. Radio became a conduit for many talents squeezed aside by apartheid repression. Besides Winnie Mahlangu and K.E. Masinga and a host of other talents opened by radio, the exiles Lewis Nkosi and Bloke Modisane made a niche and a network of identities and conversations which stretched from the heart of Harlem to the American South. Nkosi and Modisane were working respectively in BBC Radio drama and a short-lived radio transcription centre based in London which drew together the threads of activism and creativity from both Black America and the African continent at a critical moment of the late empire.
Radio Soundings is a fascinating study that shows how, throughout its history, Zulu radio has made a major impact on community, everyday life and South African popular culture, voicing a range of subjectivities which gave its listeners a place in the modern world.
Liverpool Then and Now takes the reader on a journey through a city once considered the 'second city of empire'. So great was the volume of commerce flowing through the port of Liverpool in the nineteenth century that it sometimes eclipsed London. This wealth produced many fine buildings, giving rise to a second Bank of England building, the classical architecture of St George's Hall- today the Walker Art Gallery-and Liverpool's 'three graces'; the Liver, the Cunard and the Port of Liverpool buildings. Some 70 historic photographs of Liverpool's past are paired with specially commissioned contemporary views taken from the same vantage point. You can see the same streets and buildings as they were 'then' and as they are 'now'. It includes Lord Street, Albert Dock, Speke Airport, Goodison, Aintree, Lime Street Station, the Mersey Tunnel, plus the ferry across the Mersey and the place where it was famously celebrated in song, The Cavern. There are also some of Liverpool's closest neighbours, Birkenhead, New Brighton, Port Sunlight and the glorious Victorian promenades of Southport. Part of the bestselling 'Then and Now' series, this charming contrast of old and new photographs highlights the stunning changes - and the equally amazing similarities - of one of the most loved cities in Britain, its well-known places but also some of its hidden gems.
The centre of Leeds is the wide thoroughfare of Briggate and it has been since at least 1207 when the path northwards from the crossing over the River Aire - literally the bridge gate - was established. As with most settlements, Leeds started out as dwellings next to the water. The first mention of Leeds was made by the scholarly monk The Venerable Bede in his Ecclesiastical History of the English People of 731 AD when he referred to the region of Loidis, but he was scant on details. The modern Leeds is a product of the Industrial Revolution, a great Victorian northern industrial city shaped by the manufacturing boom that began in the late 18th century and employed thousands of people for almost 200 years in industries like textiles, clothing manufacturing, metalworking and engineering. Using historic images, some dating back to the 19th century, paired with their modern-day viewpoint, Eric Musgrave charts the evolution of the city from its industrial heyday through the disruptions of two world wars, to its position as one of the most prominent of the northern powerhouses. Sites include: City Square, Park Place, Leeds University, Leeds Town Hall, Odeon Cinema, Kirkgate Market, Briggate, Headrow, Boar Lane, Vicar Lane, Duncan Street, Quarry Hill Flats, Queens Arcade, Cross Arcade, Leeds Cathedral.
Harry Potter, A Fish Called Wanda, Inspector Morse, Downton Abbey and X Men are just a few of the films that have become synonymous with the world renowned University City of Oxford. This new Pitkin souvenir guide highlights key sites that have become famously linked to these internationally successful and much loved films and TV specials. Not limited to Oxford city centre, this guide will also include the often-used film location Blenheim Palace, located just outside Oxford. With 15 individual Walks around Oxford, and information on both architecture and filming history, this guide will become a must-have souvenir for every visitor to Oxford.
Big Moose Lake in the Adirondacks transports the reader back in time to the days when steamboats, buckboards, and gas lighting were common. Jane and Mark Barlow deliver tales of one-room schools, of ice harvesting, of women who managed households accessible only by boat, of families struck by deaths from tuberculosis or from drowning, of uncontrollable fires and stories of exuberant amusements such as primitive motorboat regattas. People arrived on the first railroad to stretch through the uninhabited Adirondack wilderness and helped establish a thriving community. Early trappers and hunters of the Adirondacks became guides there, eventually establishing permanent camps and hotels. Prosperous businessmen brought their families and built private summer homes. This is the story of Big Moose Lake brought to life by 259 antique postcards and family photographs and previously unpublished memoirs, oral histories, diary entries, and personal correspondence of the men and women who settled the area.
Opus in Brick and Stone: The Architectural and Planning Heritage of Texas Tech University explores the campus architecture of the Texas Tech University System, which was inspired by the sixteenth-century Plateresque Spanish Renaissance architectural style. This book details the parallels between the buildings of Texas Tech and those of their forebears from this relatively short period in Spanish architectural history, while exploring the remarkable stories behind the construction itself. A crucial element of Opus in Brick and Stone is to provide a visual chronicle of the campus's unique architectural style. In addition to historic and contemporary photography, the book also includes a comparative drawing section that, through original common scale drawings of physical structures, explores in detail historic design sources alongside their campus counterparts. Opus in Brick and Stone also tells a fascinating history: included is biographic information on figures such as Houston architect William Ward Watkin, who was convinced that this Spanish architectural style aligned well with the South Plains of Texas, and later College Architect Nolan Barrick, a Watkin protege. Through the stories of these and other key figures, readers come to understand how it was only through the vision of specific individuals that this fascinating architectural heritage came to be situated upon the plains of West Texas. The architectural history of Texas Tech University, then, is a carefully crafted, purposeful history. Opus in Brick and Stone celebrates and elevates this little-known history into a tradition that can be appreciated by all Red Raiders, past and present.
Riddle's Court is a unique survival: an A-listed 16th-century courtyard house set behind the Royal Mile close to Edinburgh Castle. Over the centuries it has been a merchant's house, aristocratic apartments, overcrowded tenements, a mechanics' subscription library, a university hall of residence, emergency post-war housing, a community learning centre and an Edinburgh Festival Fringe venue. The property contains significant architectural features, including a rare late 16th-century painted beam ceiling, an early 17th-century plaster ceiling and a late 19th-century ceiling by T.K. Bonnar. This is the story of the long and varied life of this remarkable building, right up to its recent magnificent restoration as the Patrick Geddes Centre for Learning and Conservation.
Jefferson County, New York, has one of the richest concentrations of stone houses in America. As many as 500 limestone houses, churches, and commercial buildings were built there before 1860. Some of the buildings are beautiful mansions built by early entrepreneurs, and others are small vernacular farmhouses. Some are clustered together; others dot the countryside near limestone outcroppings. Embedded in the fabric of each building are the stories of its location, its maker, and those who have lived there. Lavishly illustrated with almost 300 photographs, this volume highlights eighty-five stone houses in the region. The editors explore both the beauty and permanence of the stonework and the courage and ambition of the early dwellers. They detail the ways in which skilled masons utilized local limestone and sandstone, crafting double-faced stone walls to protect against fire and harsh winters. The book includes detailed discussions of the geology of the region, the stone buildings that have been lost, and the preservation and care of existing structures. Stone Houses of Jefferson County provides a fascinating look at the intrinsic beauty of these buildings and the historical links they provide to our early settlement.
Hartskombuis: Boerekos Van Die Anglo-Boereoorlog Tot Vandag bring tydlose Boerekosresepte, pragtige kleurfoto’s van artefakte uit die oorlog en fassinerende brokkies historiese inligting saam in een boek.
Dit bevat meer as 100 resepte vir alles van biltong en beskuit, watertand wildspastei en pampoenkoekies tot ’n magdom gebak.
Die skrywers verweef hierdie resepte soomloos met historiese feite soos oor hoe Nonnie de la Rey, vrou van genl. Koos de la Rey, moes vlug en in die veld oorleef.
Discover the picturesque late Victorian home and Edwardian garden created by the Manders, Wolverhampton paint and varnish manufacturers. Superb craftsmanship and rooms you can easily imagine living in form a wonderful setting for a very personal collection of William Morris furnishings and Pre-Raphaelite art. This guide tells the story of a family and a firm, and of the collecting partnership between Geoffrey and Rosalie Mander and the National Trust that has so enriched Wightwick. It features many of the collections highlights, with family photographs and some of the Manders own words.
Salisbury Cathedral - English edition
With warmth and a keen eye for the nuances of history and place, David K. Leff offers this affectionate, insightful portrait of his adopted home of Collinsville, Connecticut, a village that looked perfectly ordinary until he fell prey to its rhythms and charm. The town taught him a new way of seeing his environment, and through this process he discovered what many Americans long for amid the suburban sprawl decried in James H. Kunstler's The Geography of Nowhere and many other recent books: a sense of community.
When Leff began to look for a suitable place to raise a family, his criteria were familiar: an affordable fixer-upper with some historical character, pleasant neighbors, good schools, walkable streets, and attractive natural surroundings. The suburbs around Hartford were uninviting, so he settled sixteen miles away in Collinsville, a small village that grew up around--indeed was largely built by--The Collins Company, once the world's leading maker of edge tools.
Collins, which supplied the pikes for John Brown's raid on Harpers Ferry, went out of business in 1966, and Collinsville settled into the familiar decrepitude of many New England mill towns. In spite of its half-alive state, Leff found in its battered factory buildings and struggling main street an extraordinary place. Built before the restrictive zoning codes that today keep most Americans in their cars for hours on end, Collinsville's mixed-use center has been preserved by industrious residents and a hilly topography marked by the presence of the Farmington River, which once drove the mill. The landscape designer Frederick Law Olmsted Sr. lived here at a time when Samuel Collins, the socially minded founder of the company, was laying out his ideal village for workers and managers.
Leff feels Olmsted's presence as he walks the village's uneven streets, often in the company of his children, musing on its history, politics, and architecture. Living at the center of Collins's creation years later, Leff has come to believe, like Olmsted, that human beings are deeply affected by their experience of landscape, and that local interaction--between parents and teachers, store owners and customers, bar regulars and volunteer firefighters--matters. The Last Undiscovered Place argues quietly but forcefully for looking at our landscapes more carefully, as Leff strives for a metaphorical Collinsville that can serve as a way to rediscover other places, those that already exist and those that are still on the drawing boards of developers and planners.
The Railways of Devon & Cornwall Around the Early 1960s covers many of the lines across the two counties and the steam locomotives that worked over them. Whilst there are main line photographs, this book mainly visits a selection of the now largely vanished secondary routes and branch lines. The early 1960s also saw the change from steam to diesel power, so the WR hydraulics and first generation DMUs also make an appearance. In the main, the time period is the eight years or so from 1958 until 1966. This book will appeal to railway enthusiasts, modellers, and those interested in local history. Coverage includes: The Exe Valley branch, The Culm Valley branch, The Teign Valley branch, Lyme Regis, Seaton Junction, Sidmouth Junction, Exeter, Crediton, Okehampton, Barnstaple, Torrington to Halwill, Bude and its harbour branch, The North Cornwall Railway to Wadebridge and Padstow, The Launceston and South Devon branch, Plymouth, The Looe branch, Bodmin, Wenford Bridge, Newquay to Par, Falmouth, The Helston branch, and concludes at Penzance. Virtually all of the photographs, a mixture of black & white and colour, have never been published before, and all were taken by the author, his father, or his friend Alan Maund.
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