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Khamr: The Makings Of A Waterslams is a true story that maps the author’s experience of living with an alcoholic father and the direct conflict of having to perform a Muslim life that taught him that nearly everything he called home was forbidden.
A detailed account from his childhood to early adulthood, Jamil F. Khan lays bare the experience of living in a so-called middle-class Coloured home in a neighbourhood called Bernadino Heights in Kraaifontein, a suburb to the north of Cape Town. His memories are overwhelmed by the constant discord that was created by the chaos and dysfunction of his alcoholic home and a co-dependent relationship with his mother, while trying to manage the daily routine of his parents keeping up appearances and him maintaining scholastic excellence.
Khan’s memories are clear and detailed, which in turn is complemented by his scholarly thinking and analysis of those memories. He interrogates the intersections of Islam, Colouredness and the hypocrisy of respectability as well as the effect perceived class status has on these social realities in simple yet incisive language, giving the reader more than just a memoir of pain and suffering.
Khan says about his debut book: "This is not a story for the romanticisation of pain and perseverance, although it tells of overcoming many difficulties. It is a critique of secret violence in faith communities and families, and the hypocrisy that has damaged so many people still looking for a place and way to voice their trauma. This is a critique of the value placed on ritual and culture at the expense of human life and well-being, and the far-reaching consequences of systems of oppression dressed up as tradition."
We are living through a period of cultural climate change. We have outsourced morality to the markets on the one hand, and the state on the other. The markets have brought wealth to many, and the state has done much to contain the worst excesses of inequality, but neither is capable of bearing the moral weight of showing us how to live.
This has had a profound impact on society and the way in which we interact with each other. Traditional values no longer hold, yet recent political swings show that modern ideals of tolerance have left many feeling rudderless and adrift. In this environment we see things fall apart in unexpected ways - toxic public discourse makes true societal progress almost unattainable, a more divisive society is fuelled by identity politics and extremism, and the rise of a victimhood mentality calls for 'safe spaces' but stifles debate. The influence of social media seems all-pervading and the breakdown of the family is only one result of the loss of social capital. Many fear what the future may hold.
Delivering a devastatingly insightful critique of our modern condition, and assessing its roots and causes from the ancient Greeks through the Reformation and Enlightenment to the present day, Sacks argues that there is no liberty without morality, and no freedom without responsibility.
If we care about the future of western civilisation, all of us must play our part in rebuilding our common moral foundation. Then we will discover afresh the life-transforming and counterintuitive truths that a nation is strong when it cares for the weak, and rich when it cares for the poor.
Here is an inspiring vision of a world in which we can all find our place, and face the future without fear.
This book tells the story of the Prophet Muhammad as an inspirational role model for anyone who wants to be extraordinary.
You will learn how Muhammad shaped his personality as a child, dealt with the universal challenges of adolescence while a teenager, and then emerged as a leader in his community as a young adult. The book deliberately avoids the language of historical narration used in typical biographies of the Prophet in favor of a more informal, down-to-earth approach.
In this book, the reader will get a completely different view of Muhammad and hopefully will see how Muhammad addressed our own daily challenges, inspiring us to excel in confronting these challenges.
In this celebration of Jewish life at the tip of the African continent,
businessman and philanthropist, Tony Raphaely, has curated stunning
individual and group portraits that collectively represent a snapshot
in time of Cape Town’s vibrant Jewish community.
Nobel Peace Prize Laureates His Holiness the Dalai Lama and Archbishop Desmond Tutu have survived more than fifty years of exile and the soul-crushing violence of oppression. Despite their hardships - or, as they would say, because of them - they are two of the most joyful people on the planet. In April 2015, Archbishop Tutu travelled to the Dalai Lama's home in Dharamsala, India, to celebrate His Holiness's eightieth birthday and to create this book as a gift for others. They looked back on their long lives to answer a single burning question: how do we find joy in the face of life's inevitable suffering?
They traded intimate stories, teased each other continually, and shared their spiritual practices. By the end of a week filled with laughter and punctuated with tears, these two global heroes had stared into the abyss and despair of our times and revealed how to live a life brimming with joy.
This book offers us a rare opportunity to experience their astonishing and unprecedented week together, from the first embrace to the final goodbye.
Dov Fedler was a "laatlammetjie", born and bred in Johannesburg in 1940 just as Hitler was getting into his stride. A third child was not on his parents' "want-list". It was hard enough supporting two much older children and a printing business struggling to exist.
When Dov was about three his mother had a "nervous breakdown" which is when he remembers seeing his first pencil and knowing precisely what it was that he wanted to do with his life. There are no coincidences in Dov's life. He believes that a hand of destiny has steered his path towards becoming a leading South African cartoonist for more than 45 years. Many dramatic encounters (not with aliens or spirits, but with everyday people) have shaped him and he wouldn't have missed any of it.
Dov's story is intensely personal and honest, with a powerful combination of humour, emotion and community history. OUt Of Line attempts to do a few short things. It is an autobiography but it is also an attempt to capture a particular history of a specific generation; that of the Jewish baby boomers who descended from mainly Lithuanian stock.
From one of America's most brilliant writers, a New York Times bestselling journey through psychology, philosophy, and lots of meditation to show how Buddhism holds the key to moral clarity and enduring happiness. At the heart of Buddhism is a simple claim: The reason we suffer-and the reason we make other people suffer-is that we don't see the world clearly. At the heart of Buddhist meditative practice is a radical promise: We can learn to see the world, including ourselves, more clearly and so gain a deep and morally valid happiness. In this "sublime" (The New Yorker), pathbreaking book, Robert Wright shows how taking this promise seriously can change your life-how it can loosen the grip of anxiety, regret, and hatred, and how it can deepen your appreciation of beauty and of other people. He also shows why this transformation works, drawing on the latest in neuroscience and psychology, and armed with an acute understanding of human evolution. This book is the culmination of a personal journey that began with Wright's landmark book on evolutionary psychology, The Moral Animal, and deepened as he immersed himself in meditative practice and conversed with some of the world's most skilled meditators. The result is a story that is "provocative, informative and...deeply rewarding" (The New York Times Book Review), and as entertaining as it is illuminating. Written with the wit, clarity, and grace for which Wright is famous, Why Buddhism Is True lays the foundation for a spiritual life in a secular age and shows how, in a time of technological distraction and social division, we can save ourselves from ourselves, both as individuals and as a species.
Authentic and simple, this retelling of the Passover story in the Haggadah is designed to guide Passover participants through the Seder while educating them about the practice. Detailing the meaning of the ceremony in the past and present, the book also discusses the authenticity of the ceremony and the story, allowing those with little or no experience conducting a Seder to do so with confidence. A phonetic version of the Hebrew text is also included to aid those unfamiliar with Hebrew pronunciation.
"What's this you're writing?" asked Pooh, climbing onto the writing table. "The Tao of Pooh," I replied. "The how of Pooh?" asked Pooh, smudging one of the words I had just written. "The Tao of Pooh," I replied, poking his paw away with my pencil. "It seems more like ow! of Pooh," said Pooh, rubbing his paw. "Well, it's not," I replied huffily. "What's it about?" asked Pooh, leaning forward and smearing another word. "It's about how to stay happy and calm under all circumstances!" I yelled. "Have you read it?" asked Pooh... ...Winnie-the-Pooh has a certain way about him, a way of doing things that has made him the world's most beloved bear, and Pooh's Way, as Benjamin Hoff brilliantly demonstrates, seems strangely close to the ancient Chinese principles of Taoism. Follow the Pooh Way in this humorous and enlightening introduction to Taoism, with classic illustrations from E.H. Shepard throughout.
Evie and Lottie are twin sisters, but they couldn't be more different. Evie's sharp and funny. Lottie's a day-dreamer. Evie's the fighter, Lottie's the peace-maker. What they do have in common is their Jewishness - even though the family isn't religious. When their mother gets a high-profile job and is targeted by antisemitic trolls on social media, the girls brush it off at first - but then the threats start getting uglier. . . What We're Scared Of is a taut thriller, a tale of sibling friendship and rivalry - and a searing look at what happens when you scratch beneath the surface.
地 Stil gemoed verskyn oorspronklik in 1993 in Engels onder die titel Tranquil Mind. Die eerste Afrikaanse uitgawe verskyn in 1997, en die tyd is dus ryp vir 地 heruitgawe. 地 Stil gemoed is 地 eenvoudige inleiding tot die Boeddhisme en meditasie. Die Boeddhisme is wesenlik 地 aantal metodes om met die verstand en gemoed om te gaan. As ons hierdie metodes verstaan en op ons lewens toepas, sal hulle ons inherente vermoe om innerlike vrede, erbarming en wysheid te ervaar laat ontplooi deur die potensiaal van ons gees te ontwikkel. Mediteerders in die Weste ervaar unieke probleme as gevolg van hul kulturele, sosiale en sielkundige agtergrond. Aan die hand van sy uitgebreide akademiese en praktiese ervaring stel die skrywer van hierdie inleiding die onderwerp bekend op 地 manier wat met die invloede rekening hou.
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Endorsed support to help students improve
Avoiding the traps of sensational political exposes and specialized
scholarly Orientalism, Carl Ernst introduces readers to the
profound spiritual resources of Islam while clarifying diversity
and debate within the tradition. Framing his argument in terms of
religious studies, Ernst describes how Protestant definitions of
religion and anti-Muslim prejudice have affected views of Islam in
Europe and America. He also covers the contemporary importance of
Islam in both its traditional settings and its new locations and
provides a context for understanding extremist movements like
fundamentalism. He concludes with an overview of critical debates
on important contemporary issues such as gender and veiling, state
politics, and science and religion.
God is unbounded. God became flesh. While these two assertions are equally viable parts of Western Christian religious heritage, they stand in tension with one another. Fearful of reducing God's majesty with shallow anthropomorphisms, philosophy and religion affirm that God, as an eternal being, stands wholly apart from creation. Yet the legacy of the incarnation complicates this view of the incorporeal divine, affirming a very different image of God in physical embodiment. While for many today the idea of an embodied God seems simplisticaeven pedestrianaChristoph Markschies reveals that in antiquity, the educated and uneducated alike subscribed to this very idea. More surprisingly, the idea that God had a body was held by both polytheists and monotheists. Platonic misgivings about divine corporeality entered the church early on, but it was only with the advent of medieval scholasticism that the idea that God has a body became scandalous, an idea still lingering today. In God's Body Markschies traces the shape of the divine form in late antiquity. This exploration follows the development of ideas of God's corporeality in Jewish and Greco-Roman traditions. In antiquity, gods were often like humans, which proved to be important for philosophical reflection and for worship. Markschies considers how a cultic environment nurtured, and transformed, Jewish and Christian descriptions of the divine, as well as how philosophical debates over the connection of body and soul in humanity provided a conceptual framework for imagining God. Markschies probes the connections between this lively culture of religious practice and philosophical speculation and the christological formulations of the church to discover how the dichotomy of an incarnate God and a fleshless God came to be. By studying the religious and cultural past, Markschies reveals a Jewish and Christian heritage alien to modern sensibilities, as well as a God who is less alien to the human experience than much of Western thought has imagined. Since the almighty God who made all creation has also lived in that creation, the biblical idea of humankind as image of God should be taken seriously and not restricted to the conceptual world but rather applied to the whole person.
A rare, intimate account of a world-renowned Buddhist monk’s near-death experience and the life-changing wisdom he gained as a result.
'One of the most generous, beautiful, and essential books I’ve ever read – thoroughly engaging, so clear, so honest, so courageous and full of wisdom.' George Saunders, Booker Prize-winning author of Lincoln in the Bardo
'This book makes me think enlightenment is possible and necessary.' Russell Brand
Yongey Mingyur Rinpoche’s experience begins the night he has chosen to embark on a four-year wandering retreat, slipping past the monastery gates. Alone for the first time in his life, he sets out into the unknown. His initial motivation is to step away from his life of privilege and to explore the deepest, most hidden aspects of his being, but what he discovers throughout his retreat – about himself and about the world around us – comes to define his meditation practice and teaching.
Just three weeks into his retreat, Rinpoche becomes deathly ill and his journey begins in earnest through this near-death experience. Moving, beautiful and suffused with local colour, In Love with the World is the story of two different kinds of death: that of the body and that of the ego, and how we can bridge these two experiences to live a better and more fulfilling life. Rinpoche’s skilful and intimate account of his search for the self is a demonstration of how we can transform our dread of dying into joyful living.
"Royal power, oil, and puritanical Islam are primary elements in Saudi Arabia's rise to global influence. Oil is the reason for Western interest in the kingdom and the foundation for commercial, diplomatic, and strategic relations. Were it not for oil, the government of Saudi Arabia would lack the resources to construct a modern economy and infrastructure, and to thrust the kingdom into regional prominence. Were it not for oil, Saudi Arabia would not be able to fund institutions that spread its religious doctrine to Muslim and non-Muslim countries. That doctrine, commonly known as Wahhabism, is a puritanical form of Islam that is distinctive in a number of ways, most visibly for how it makes public observance of religious norms a matter of government enforcement rather than individual disposition and social conformity, as it is in other Muslim countries."-from the IntroductionSaudi Arabia is often portrayed as a country where religious rules dictate every detail of daily life: where women may not drive; where unrelated men and women may not interact; where women veil their faces; and where banks, restaurants, and cafes have dual facilities: one for families, another for men. Yet everyday life in the kingdom does not entirely conform to dogma. David Commins challenges the stereotype of Saudi Arabia as a country immune to change by highlighting the ways that urbanization, education, consumerism, global communications, and technological innovation have exerted pressure against rules issued by the religious establishment.Commins places the Wahhabi movement in the wider context of Islamic history, showing how state-appointed clerics built on dynastic backing to fashion a model society of Sharia observance and moral virtue. Beneath a surface appearance of obedience to Islamic authority, however, he detects reflections of Arabia's heritage of diversity (where Shi'ite and Sufi tendencies predating the Saudi era survive in the face of discrimination) and the effects of its exposure to Western mores.
The ancient world, much like our own, thrived on cultural diversity and exchange. The riches of this social reality are evident in the writings of Jews in the Hellenistic and Roman eras. Jewish authors drew on the wide range of Greek literary conventions and gave fresh expressions to the proud traditions of their faith and ethnic identity. They did not hesitate to modify and adapt the forms they received from the surrounding culture, but their works stand as legitimate participants in Greco-Roman literary tradition. In Greek Genres and Jewish Authors , Sean Adams argues that a robust understanding of ancient genre facilitates proper textual interpretation. This perspective is vital for insight on the author, the work's original purpose, and how the original readers would have received it. Adopting a cognitive-prototype theory of genre, Adams provides a detailed discussion of Jewish authors writing in Greek from ca. 300 BCE to ca. 135 CEaincluding New Testament authorsaand their participation in Greek genres. The nine chapters focus on broad genre divisions (e.g., poetry, didactic, philosophy) to provide studies on each author's engagement with Greek genres, identifying both representative and atypical expressions and features. The book's most prominent contribution lies in its data synthesis to provide a macroperspective on the ways in which Jewish authors participated in and adapted Greek genresain other words, how members of a minority culture intentionally engaged with the dominant culture's literary practices alongside traditional Jewish features, resulting in unique text expressions. Greek Genres and Jewish Authors provides a rich resource for Jewish, New Testament, and classical scholars, particularly those who study cultural engagement, development of genres, and ancient education.
Customers in Europe should contact Combined Academic Publishers to order a copy of this book.
Browse the Table of Contents
The Hebrew Bible is only part of ancient Israel's writings. Another collection of Jewish works has survived from late- and post-biblical times, a great library that bears witness to the rich spiritual life of Jews in that period. This library consists of the most varied sorts of texts: apocalyptic visions and prophecies, folktales and legends, collections of wise sayings, laws and rules of conduct, commentaries on Scripture, ancient prayers, and much, much more.
While specialists have studied individual texts or subsections of this vast library, Outside the Bible seeks for the first time to bring together all the major components into a single collection, gathering portions of the Dead Sea Scrolls, the Septuagint, the biblical Apocrypha, and Pseudepigrapha, and the writings of Philo of Alexandria and Josephus.
The editors have brought together these diverse works in order to highlight what has often been neglected; their common Jewish background. For this reason the commentaries that accompany the texts devote special attention to references to Hebrew Scripture and to issues of halakhah (Jewish law), their allusions to motifs and themes known from later Rabbinic writings in Talmud and Midrash, their evocation of recent or distant events in Jewish history, and their references to other texts in this collection.
The work of more than seventy contributing experts in a range of fields, Outside the Bible offers new insights into the development of Judaism and Early Christianity. This three-volume set of translations, introductions, and detailed commentaries is a must for scholars, students, and anyone interested in this great body of ancient Jewish writings.
The collection includes a general introduction and opening essays, new and revised translations, and detailed introductions, commentaries, and notes that place each text in its historical and cultural context. A timeline of the Second Temple Period, two appendixes (Books of the Bible; Second Temple Literature), and a general subject index complete the set.
Black Elk of the Sioux has been recognized as one of the truly remarkable men of his time in the matter of religious belief and practice. Shortly before his death in August, 1950, when he was the "keeper of the sacred pipe," he said, "It is my prayer that, through our sacred pipe, and through this book in which I shall explain what our pipe really is, peace may come to those peoples who can understand, and understanding which must be of the heart and not of the head alone. Then they will realize that we Indians know the One true God, and that we pray to Him continually."
Black Elk was the only qualified priest of the older Oglala Sioux still living when "The Sacred Pipe "was written. This is his book: he gave it orally to Joseph Epes Brown during the latter's eight month's residence on the Pine Ridge Reservation in South Dakota, where Black Elk lived. Beginning with the story of White Buffalo Cow Woman's first visit to the Sioux to give them the sacred pip, Black Elk describes and discusses the details and meanings of the seven rites, which were disclosed, one by one, to the Sioux through visions. He takes the reader through the sun dance, the purification rite, the "keeping of the soul," and other rites, showing how the Sioux have come to terms with God and nature and their fellow men through a rare spirit of sacrifice and determination.
The "wakan "Mysteries of the Siouan peoples have been a subject of interest and study by explorers and scholars from the period of earliest contact between whites and Indians in North America, but Black Elk's account is without doubt the most highly developed on this religion and cosmography. "The Sacred Pipe, "published as volume thirty-six in the Civilization of the American Indian Series, will be greeted enthusiastically by students of comparative religion, ethnologists, historians, philosophers, and everyone interested in American Indian life.
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