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Khamr: The Makings Of A Waterslams is a true story that maps the author’s experience of living with an alcoholic father and the direct conflict of having to perform a Muslim life that taught him that nearly everything he called home was forbidden.
A detailed account from his childhood to early adulthood, Jamil F. Khan lays bare the experience of living in a so-called middle-class Coloured home in a neighbourhood called Bernadino Heights in Kraaifontein, a suburb to the north of Cape Town. His memories are overwhelmed by the constant discord that was created by the chaos and dysfunction of his alcoholic home and a co-dependent relationship with his mother, while trying to manage the daily routine of his parents keeping up appearances and him maintaining scholastic excellence.
Khan’s memories are clear and detailed, which in turn is complemented by his scholarly thinking and analysis of those memories. He interrogates the intersections of Islam, Colouredness and the hypocrisy of respectability as well as the effect perceived class status has on these social realities in simple yet incisive language, giving the reader more than just a memoir of pain and suffering.
Khan says about his debut book: "This is not a story for the romanticisation of pain and perseverance, although it tells of overcoming many difficulties. It is a critique of secret violence in faith communities and families, and the hypocrisy that has damaged so many people still looking for a place and way to voice their trauma. This is a critique of the value placed on ritual and culture at the expense of human life and well-being, and the far-reaching consequences of systems of oppression dressed up as tradition."
The dazzling companion volume to the bestselling Mythos.
Few mere mortals have ever embarked on such bold and heart-stirring adventures, overcome myriad monstrous perils, or outwitted scheming vengeful gods, quite as stylishly and triumphantly as Greek heroes. Join Jason aboard the Argo as he quests for the Golden Fleece. See Atalanta - who was raised by bears - outrun any man before being tricked with golden apples. Witness wily Oedipus solve the riddle of the Sphinx and discover how Bellerophon captures the winged horse Pegasus to help him slay the monster Chimera.
Heroes is the story of what we mortals are truly capable of - at our worst and our very best.
Daughters Are Diamonds is a groundbreaking treatise on the objectification of women in honour-bound sectors of society.
As a study, it's set out to define these questions: How are the opportunities, challenges and obstacles facing South Africa Indian Muslim woman within the family, perceived and experienced by the individual? To what extent, if at all, does traditionalist culture create/influence a gap between opportunity and achievement for South Africa Indian Muslim Women?
The statement that "woman are diamonds" is often used by Indian Muslim traditionalists to justify the abject seclusion of woman. In this view, that which is valuable should be hidden in safekeeping. The metaphor of the diamond is used to illustrate the objectification of daughters borne of honour-bound societies, and the limits put to the administration of their lives, in keeping with the code of honour.
This study is a comment on the notion that, in keeping with this honour code, there is a fine line between maintaining the dignity of a people and infringing on the rights of the individual. It also asks whether woman are able to carve out a space for themselves within which a fully reflexive life may be loved in spite of the restrictions placed on them.
This book tells the story of the Prophet Muhammad as an inspirational role model for anyone who wants to be extraordinary.
You will learn how Muhammad shaped his personality as a child, dealt with the universal challenges of adolescence while a teenager, and then emerged as a leader in his community as a young adult. The book deliberately avoids the language of historical narration used in typical biographies of the Prophet in favor of a more informal, down-to-earth approach.
In this book, the reader will get a completely different view of Muhammad and hopefully will see how Muhammad addressed our own daily challenges, inspiring us to excel in confronting these challenges.
In this celebration of Jewish life at the tip of the African continent,
businessman and philanthropist, Tony Raphaely, has curated stunning
individual and group portraits that collectively represent a snapshot
in time of Cape Town’s vibrant Jewish community.
Nobel Peace Prize Laureates His Holiness the Dalai Lama and Archbishop Desmond Tutu have survived more than fifty years of exile and the soul-crushing violence of oppression. Despite their hardships - or, as they would say, because of them - they are two of the most joyful people on the planet. In April 2015, Archbishop Tutu travelled to the Dalai Lama's home in Dharamsala, India, to celebrate His Holiness's eightieth birthday and to create this book as a gift for others. They looked back on their long lives to answer a single burning question: how do we find joy in the face of life's inevitable suffering?
They traded intimate stories, teased each other continually, and shared their spiritual practices. By the end of a week filled with laughter and punctuated with tears, these two global heroes had stared into the abyss and despair of our times and revealed how to live a life brimming with joy.
This book offers us a rare opportunity to experience their astonishing and unprecedented week together, from the first embrace to the final goodbye.
Dov Fedler was a "laatlammetjie", born and bred in Johannesburg in 1940 just as Hitler was getting into his stride. A third child was not on his parents' "want-list". It was hard enough supporting two much older children and a printing business struggling to exist.
When Dov was about three his mother had a "nervous breakdown" which is when he remembers seeing his first pencil and knowing precisely what it was that he wanted to do with his life. There are no coincidences in Dov's life. He believes that a hand of destiny has steered his path towards becoming a leading South African cartoonist for more than 45 years. Many dramatic encounters (not with aliens or spirits, but with everyday people) have shaped him and he wouldn't have missed any of it.
Dov's story is intensely personal and honest, with a powerful combination of humour, emotion and community history. OUt Of Line attempts to do a few short things. It is an autobiography but it is also an attempt to capture a particular history of a specific generation; that of the Jewish baby boomers who descended from mainly Lithuanian stock.
From one of America's most brilliant writers, a New York Times bestselling journey through psychology, philosophy, and lots of meditation to show how Buddhism holds the key to moral clarity and enduring happiness. At the heart of Buddhism is a simple claim: The reason we suffer-and the reason we make other people suffer-is that we don't see the world clearly. At the heart of Buddhist meditative practice is a radical promise: We can learn to see the world, including ourselves, more clearly and so gain a deep and morally valid happiness. In this "sublime" (The New Yorker), pathbreaking book, Robert Wright shows how taking this promise seriously can change your life-how it can loosen the grip of anxiety, regret, and hatred, and how it can deepen your appreciation of beauty and of other people. He also shows why this transformation works, drawing on the latest in neuroscience and psychology, and armed with an acute understanding of human evolution. This book is the culmination of a personal journey that began with Wright's landmark book on evolutionary psychology, The Moral Animal, and deepened as he immersed himself in meditative practice and conversed with some of the world's most skilled meditators. The result is a story that is "provocative, informative and...deeply rewarding" (The New York Times Book Review), and as entertaining as it is illuminating. Written with the wit, clarity, and grace for which Wright is famous, Why Buddhism Is True lays the foundation for a spiritual life in a secular age and shows how, in a time of technological distraction and social division, we can save ourselves from ourselves, both as individuals and as a species.
What are you willing to do to survive? What are you willing to endure if it means you might live? 'Achingly moving, gives much-needed hope . . . Deserves the status both as a valuable historical source and as a stand-out memoir' Daily Express 'A story that neads to be heard' 5***** Reader Review Entering Terezin, a Nazi concentration camp, Franci was expected to die. She refused. In the summer of 1942, twenty-two-year-old Franci Rabinek - designated a Jew by the Nazi racial laws - arrived at Terezin, a concentration camp and ghetto forty miles north of her home in Prague. It would be the beginning of her three-year journey from Terezin to the Czech family camp in Auschwitz-Birkenau, to the slave labour camps in Hamburg, and finally to Bergen Belsen. Franci, a spirited and glamorous young woman, was known among her fellow inmates as the Prague dress designer. Having endured the transportation of her parents, she never forgot her mother's parting words: 'Your only duty to us is to stay alive'. During an Auschwitz selection, Franci would spontaneously lie to Nazi officer Dr Josef Mengele, and claim to be an electrician. A split-second decision that would go on to endanger - and save - her life. Unpublished for 50 years, Franci's War is an astonishing account of one woman's attempt to survive. Heartbreaking and candid, Franci finds the light in her darkest years and the horrors she faces instill in her, strength and resilience to survive and to live again. She gives a voice to the women prisoners in her tight-knit circle of friends. Her testimony sheds new light on the alliances, love affairs, and sexual barter that took place during the Holocaust, offering a compelling insight into the resilience and courage of ordinary people in an extraordinary situation. Above all, Franci's War asks us to explore what it takes to survive, and what it means to truly live. 'A candid account of shocking events. Franci is someone many women today will be able to identify with' 5***** Reader Review 'First-hand accounts of life in Nazi death camps never lose their terrible power but few are as extraordinary as Franci's War' Mail on Sunday 'Fascinating and traumatic. Well worth a read' 5***** Reader Review
What are you willing to do to survive? What are you willing to endure if it means you might live? 'Achingly moving, gives much-needed hope . . . Deserves the status both as a valuable historical source and as a stand-out memoir' Daily Express 'A story that neads to be heard' 5***** Reader Review Entering Terezin, a Nazi concentration camp, Franci was expected to die. She refused. In the summer of 1942, twenty-two-year-old Franci Rabinek - designated a Jew by the Nazi racial laws - arrived at Terezin, a concentration camp and ghetto forty miles north of her home in Prague. It would be the beginning of her three-year journey from Terezin to the Czech family camp in Auschwitz-Birkenau, to the slave labour camps in Hamburg, and finally to Bergen Belsen. Franci, a spirited and glamorous young woman, was known among her fellow inmates as the Prague dress designer. Having endured the transportation of her parents, she never forgot her mother's parting words: 'Your only duty to us is to stay alive'. During an Auschwitz selection, Franci would spontaneously lie to Nazi officer Dr Josef Mengele, and claim to be an electrician. A split-second decision that would go on to endanger - and save - her life. Unpublished for 50 years, Franci's War is an astonishing account of one woman's attempt to survive. Heartbreaking and candid, Franci finds the light in her darkest years and the horrors she faces instill in her, strength and resilience to survive and to live again. She gives voice to the women prisoners in her tight-knit circle of friends. Her testimony sheds new light on the alliances, love affairs, and sexual barter that took place during the Holocaust, offering a compelling insight into the resilience and courage of ordinary people in an extraordinary situation. Above all, Franci's War asks us to explore what it takes to survive, and what it means to truly live. 'A candid account of shocking events. Franci is someone many women today will be able to identify with' 5***** Reader Review 'First-hand accounts of life in Nazi death camps never lose their terrible power but few are as extraordinary as Franci's War' Mail on Sunday 'Fascinating and traumatic. Well worth a read' 5***** Reader Review
A timely and honest coming-of-age story that explores the complicated relationship between identity, culture, family, and love. Seventeen-year-old Rukhsana Ali tries her hardest to live up to her conservative Muslim parents' expectations, but lately she's finding that impossible to do. She rolls her eyes when they blatantly favour her brother and saves her crop tops and makeup for parties her parents don't know about. If she can just hold out another few months, Rukhsana will be out of her familial home and away from her parents' ever-watchful eyes at Caltech, a place where she thinks she can finally be herself. But when she is caught kissing her girlfriend Ariana, her devastated parents take Rukhsana to Bangladesh, where everything she had been planning is out of reach. There, immersed in a world of tradition and arranged marriages, Rukhsana finds the perspective she's been looking for in her grandmother's old diary. The only question left for her to answer is: Can she fight for the life she wants without losing her family in the process?
The Book of Sarah is missing from the bible, so artist Sarah Lightman sets out to make her own: questioning religion, family, motherhood and what it takes to be an artist in this quietly subversive visual autobiography from NW3. The Jerusalem Bible, Ellerdale Road, St Paul's Girls School and a baby monitor: books and streets, buildings and objects ll this bildungsroman set in Hampstead, North West London. Sarah Lightman has been drawing her life since she was a 22-year-old undergraduate at The Slade School of Art. The Book of Sarah traces her journey from modern Jewish orthodoxy to a feminist Judaism, as she searches between the complex layers of family and family history that she inherited and inhabited. While the act of drawing came easily, the letting go of past failures, attachments and expectations did not. It is these that form the focus of Sarah's astonishingly beautiful pages, as we bear witness to her making the world her own.
Iman Rappetti is an award-winning journalist who has been involved in print, radio and television. She worked as a young journalist in South Africa and then abandoned it (along with all her worldly possessions) when she became Muslim. She lived in the Islamic Republic of Iran for two years, where she also worked on a current affairs TV show for the state broadcaster before returning to South Africa and resuming her life here.
She describes herself as `the youngest of five children. One Rasatafarian brother (passed away), one ex-con brother (who can dance the pants off any woman and has a wicked sense of humour), another brother who's a big shot in the marine engineering industry (he makes a mean curry), and a sister who has the thankless task of staying at home and raising the rugrats (she has a way with words, and also makes a kick-ass briyani)'.
In this moving and entertaining memoir, Iman shares stories and what she has learned from her colourful journey through life.
A rare, intimate account of a world-renowned Buddhist monk’s near-death experience and the life-changing wisdom he gained as a result.
'One of the most generous, beautiful, and essential books I’ve ever read – thoroughly engaging, so clear, so honest, so courageous and full of wisdom.' George Saunders, Booker Prize-winning author of Lincoln in the Bardo
'This book makes me think enlightenment is possible and necessary.' Russell Brand
Yongey Mingyur Rinpoche’s experience begins the night he has chosen to embark on a four-year wandering retreat, slipping past the monastery gates. Alone for the first time in his life, he sets out into the unknown. His initial motivation is to step away from his life of privilege and to explore the deepest, most hidden aspects of his being, but what he discovers throughout his retreat – about himself and about the world around us – comes to define his meditation practice and teaching.
Just three weeks into his retreat, Rinpoche becomes deathly ill and his journey begins in earnest through this near-death experience. Moving, beautiful and suffused with local colour, In Love with the World is the story of two different kinds of death: that of the body and that of the ego, and how we can bridge these two experiences to live a better and more fulfilling life. Rinpoche’s skilful and intimate account of his search for the self is a demonstration of how we can transform our dread of dying into joyful living.
A NEW YORK TIMES BESTSELLER 'Powerful and provocative' Paula McLain 'Beautiful, engrossing, heart-breaking' Rachel Rhys 'Monumental in a way that few novels dare attempt' Washington Post The Miltons are a powerful old New York family - the kind of family that used to run the world. And in 1935, they still do. Kitty and Ogden Milton seem to have it all: an elegant apartment on the Upper East Side, two beautiful little boys, a love everyone envies. When a tragedy befalls them, Ogden comforts Kitty the only way he knows how - they go sailing, picnic on a small island off the coast of Maine, and buy it. For generations the Miltons of Crockett Island revel in a place that is entirely their own. But it's 1959, and the world is changing: Ogden's firm hire a Jewish man, Len Levy, who earns the admiration of not only his boss, but his boss's beautiful young daughter. When Len and his friend visit the island, the Milton's principles and prejudices are challenged like never before. At the dawn of the 21st century, the family money has run dry, and the island is up for sale. Returning for one last visit, Kitty's granddaughter uncovers disturbing evidence about her family's wealth - and realizes she is on the verge of finally understanding the silences that seemed to hover just below the surface of her family all her life. 'Thought-provoking and propulsive...Welcome to old money, new heartbreak and big secrets' New York Times Book Review
Ari, Merlin and her Rainbow knights must pull off a heist thousands of years in the past – to save humanity’s future.
The battle against the tyrannical Mercer corporation may have been won, but the war has only just begun. Now Ari and her cursed wizard Merlin must travel back in time to the unenlightened Middle Ages and steal King Arthur’s Grail – the very definition of impossible.
But the time travellers have to tread carefully. If they come face-to-face with the original Arthurian legend, it could produce a ripple effect that changes the course of history. It’s a risky game where the past can be even more dangerous than the future.
地 Stil gemoed verskyn oorspronklik in 1993 in Engels onder die titel Tranquil Mind. Die eerste Afrikaanse uitgawe verskyn in 1997, en die tyd is dus ryp vir 地 heruitgawe. 地 Stil gemoed is 地 eenvoudige inleiding tot die Boeddhisme en meditasie. Die Boeddhisme is wesenlik 地 aantal metodes om met die verstand en gemoed om te gaan. As ons hierdie metodes verstaan en op ons lewens toepas, sal hulle ons inherente vermoe om innerlike vrede, erbarming en wysheid te ervaar laat ontplooi deur die potensiaal van ons gees te ontwikkel. Mediteerders in die Weste ervaar unieke probleme as gevolg van hul kulturele, sosiale en sielkundige agtergrond. Aan die hand van sy uitgebreide akademiese en praktiese ervaring stel die skrywer van hierdie inleiding die onderwerp bekend op 地 manier wat met die invloede rekening hou.
Tibetan yoga is the hidden treasure at the heart of the Tibetan Tantric Buddhist tradition: a spiritual and physical practice in pursuit of an expanded experience of the human body and its energetic and cognitive potential. Ian A. Baker progressively introduces the core principles and practices of Tibetan yoga in this pioneering overview. In addition to meditations, visualizations and practices for the breath and body, these include elements rather less familiar to yoga initiates in the West, including sexual yoga; dream yoga or lucid dreaming; and yoga practices enhanced by psychoactive plant or mineral substances. Baker draws on contemporary scientific research and contemplative and humanitarian traditions to enable the reader to understand these practices. The book includes ethnographic photography and works of Himalayan art that have never been published before, as well as illustrations of yogic practice and theory from historical books of instruction.
God is unbounded. God became flesh. While these two assertions are equally viable parts of Western Christian religious heritage, they stand in tension with one another. Fearful of reducing God's majesty with shallow anthropomorphisms, philosophy and religion affirm that God, as an eternal being, stands wholly apart from creation. Yet the legacy of the incarnation complicates this view of the incorporeal divine, affirming a very different image of God in physical embodiment. While for many today the idea of an embodied God seems simplisticaeven pedestrianaChristoph Markschies reveals that in antiquity, the educated and uneducated alike subscribed to this very idea. More surprisingly, the idea that God had a body was held by both polytheists and monotheists. Platonic misgivings about divine corporeality entered the church early on, but it was only with the advent of medieval scholasticism that the idea that God has a body became scandalous, an idea still lingering today. In God's Body Markschies traces the shape of the divine form in late antiquity. This exploration follows the development of ideas of God's corporeality in Jewish and Greco-Roman traditions. In antiquity, gods were often like humans, which proved to be important for philosophical reflection and for worship. Markschies considers how a cultic environment nurtured, and transformed, Jewish and Christian descriptions of the divine, as well as how philosophical debates over the connection of body and soul in humanity provided a conceptual framework for imagining God. Markschies probes the connections between this lively culture of religious practice and philosophical speculation and the christological formulations of the church to discover how the dichotomy of an incarnate God and a fleshless God came to be. By studying the religious and cultural past, Markschies reveals a Jewish and Christian heritage alien to modern sensibilities, as well as a God who is less alien to the human experience than much of Western thought has imagined. Since the almighty God who made all creation has also lived in that creation, the biblical idea of humankind as image of God should be taken seriously and not restricted to the conceptual world but rather applied to the whole person.
Sail through these fifty 30-second legends to discover what Hercules did to deserve his twelve labours, why Odysseus took ten years to travel 500 miles, and how Narcissus found the love of his life. Full of gods and goddesses, heroes and monsters, story locations and the great storytellers, this book is the fastest way to get up to speed with the world of Greek and Roman mythology. So much modern culture traces its origins back to Greek and Roman mythology (witness 2010's Clash of the Titans and Percy Jackson and the Olympians). The stories provide wonderful references to make your conversation more heroic and lift your imagination closer to the gods. Each idea, no matter how complex, is explained in just two pages, 300 words, and one picture, making this the quickest way to understand the tragic tales and their modern legacies: from the Oedipus Complex to the Narcissus Syndrome. The bestselling 30-Second series offers a new approach to learning about those subjects you feel you should really understand. Every title takes a popular topic and dissects it into the 50 most significant ideas at its heart, explained in just two pages that are easily digested in only half a minute.
Avoiding the traps of sensational political exposes and specialized
scholarly Orientalism, Carl Ernst introduces readers to the
profound spiritual resources of Islam while clarifying diversity
and debate within the tradition. Framing his argument in terms of
religious studies, Ernst describes how Protestant definitions of
religion and anti-Muslim prejudice have affected views of Islam in
Europe and America. He also covers the contemporary importance of
Islam in both its traditional settings and its new locations and
provides a context for understanding extremist movements like
fundamentalism. He concludes with an overview of critical debates
on important contemporary issues such as gender and veiling, state
politics, and science and religion.
"Royal power, oil, and puritanical Islam are primary elements in Saudi Arabia's rise to global influence. Oil is the reason for Western interest in the kingdom and the foundation for commercial, diplomatic, and strategic relations. Were it not for oil, the government of Saudi Arabia would lack the resources to construct a modern economy and infrastructure, and to thrust the kingdom into regional prominence. Were it not for oil, Saudi Arabia would not be able to fund institutions that spread its religious doctrine to Muslim and non-Muslim countries. That doctrine, commonly known as Wahhabism, is a puritanical form of Islam that is distinctive in a number of ways, most visibly for how it makes public observance of religious norms a matter of government enforcement rather than individual disposition and social conformity, as it is in other Muslim countries."-from the IntroductionSaudi Arabia is often portrayed as a country where religious rules dictate every detail of daily life: where women may not drive; where unrelated men and women may not interact; where women veil their faces; and where banks, restaurants, and cafes have dual facilities: one for families, another for men. Yet everyday life in the kingdom does not entirely conform to dogma. David Commins challenges the stereotype of Saudi Arabia as a country immune to change by highlighting the ways that urbanization, education, consumerism, global communications, and technological innovation have exerted pressure against rules issued by the religious establishment.Commins places the Wahhabi movement in the wider context of Islamic history, showing how state-appointed clerics built on dynastic backing to fashion a model society of Sharia observance and moral virtue. Beneath a surface appearance of obedience to Islamic authority, however, he detects reflections of Arabia's heritage of diversity (where Shi'ite and Sufi tendencies predating the Saudi era survive in the face of discrimination) and the effects of its exposure to Western mores.
Making Sense of Islamic Art & Architecture is designed to equip the cultural tourist and art student with the means to interpret each painting, building, or artifact in terms of the iconography and symbolism of Islam. With reference to 100 clearly illustrated and diverse historical works, readers will learn to identify the telling details that mean so much to Muslims. The book's layout is both visually striking and accessible. Each double-page spread features a full-page colour photograph of either a detail of the work or its context, depending on the subject, with a second photograph chosen to illustrate important aspects of the work. Alongside is a detailed exposition of the work's significance in Islamic art history and philosophy, with key historical facts about the work, including where it may be seen today. By tracing the paths between Islamic belief and artistic intention, this book will deepen understanding not only of Islamic art and architecture but also of Islam itself.
Carole Hillenbrand's book offers a profound understanding of the history of Muslims and their faith, from the life of Muhammad to the religion practised by 1.6 billion people around the world today. Each of the eleven chapters explains a core aspect of the faith in historical perspective, allowing readers to gain a sensitive understanding of the essential tenets of the religion and of the many ways in which the present is shaped by the past. It is an ideal introductory text for courses in Middle Eastern studies, in religious studies, or on Islam and its history.
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