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Arts & Crafts > Fine Art Supplies > Oil Painting > Oil Colour

Winsor And Newton Artists Oil Tube - Rose Madder Genuine (37ml): Winsor And Newton Artists Oil Tube - Rose Madder Genuine (37ml)
R511 Discovery Miles 5 110 Ships in 7 - 14 working days

Series number: 5

Chemical Description: Lake of natural madder

Colour index name: Nat.R9

Colour index number: 75330

Permanence rating: A

ASTM Lightfastness Rating: II

Transparency/Opacity: T





Every Winsor & Newton Artists' Oil Colour is individually formulated to enhance each pigment's natural characteristics and ensure stability of colour. By exercising maximum quality control throughout all stages of manufacture, selecting the most suitable drying oils and method of pigment dispersion, the unique individual properties of each colour are preserved.

Combined with over 170 years of manufacturing and quality control expertise, the formulation of Artist's Oil Colour ensures the best raw materials are made into the world's finest colours.

Artists' Oil Colour uses the highest level of pigmentation consistent with the broadest handling properties. The quantity of pigment used provides covering power and tinting strength.



Griffin Alkyd Oil - Mixing White (37ml): Griffin Alkyd Oil - Mixing White (37ml)
R113 Discovery Miles 1 130 Ships in 7 - 14 working days

Series number: 1

Chemical Description: Titanium dioxide

Colour index name: PW6

Colour index number: 77891

Permanence rating: AA

ASTM Lightfastness Rating: I

Transparency/Opacity: O

As with all Winsor & Newton colours, every colour in the range is individually formulated to take advantage of the natural characteristics of each pigment and to ensure the stability of the colour. The vehicle (oil modified alkyd resin) allows the colour to dry quicker whilst retaining the other characteristics of conventional oil colour.Because alkyd resin has physical properties that differ slightly from those of traditional oils, the pigment load is somewhat different as well. Experienced painters will notice slightly greater transparency compared to Artists' Oil Colour. The colour has been formulated to offer the greatest degree of tinting strength possible (consistent with good handling properties), and to take full advantage of the true characteristics of each pigment.

Old Holland Classic Oil - Golden Green (40ml): Old Holland Classic Oil - Golden Green (40ml)
R422 Discovery Miles 4 220 Ships in 7 - 14 working days

Pigment classification : Azomethine cu-complex

Colour index : PY129

Colour index number : 48042

Lightfastness : Lightfast pigment according to ASTM category 1 and 2

Opacity/transparency : Semi transparent

Old Holland Classic Oil - Golden Barok Red (40ml): Old Holland Classic Oil - Golden Barok Red (40ml)
R422 Discovery Miles 4 220 Ships in 7 - 14 working days

Pigment classification :Azocondensation-Anthraquinone

Colour index :PBR23-PR177

Colour index number :20060-65300

Lightfastness : Lightfast pigment according to ASTM category 1 and 2

Opacity/transparency :Semi opaque

Winsor And Newton Artists Oil Tube - Transparent Red Ochre (37ml): Winsor And Newton Artists Oil Tube - Transparent Red Ochre (37ml)
1
R158 Discovery Miles 1 580 Ships in 7 - 14 working days

Series number: 1

Chemical Description: Natural iron oxide

Color index name: PR101

Color index number: 77491

Permanence rating: AA

ASTM Lightfastness Rating: I

Transparency/Opacity: ST







Every Winsor & Newton Artists' Oil Colour is individually formulated to enhance each pigment's natural characteristics and ensure stability of colour. By exercising maximum quality control throughout all stages of manufacture, selecting the most suitable drying oils and method of pigment dispersion, the unique individual properties of each colour are preserved.

Combined with over 170 years of manufacturing and quality control expertise, the formulation of Artist's Oil Colour ensures the best raw materials are made into the world's finest colours.

Artists' Oil Colour uses the highest level of pigmentation consistent with the broadest handling properties. The quantity of pigment used provides covering power and tinting strength.





Talens Rembrandt Oil Colour Tube - Yellow Ochre Light (40ml): Talens Rembrandt Oil Colour Tube - Yellow Ochre Light (40ml)
R186 Discovery Miles 1 860 Ships in 7 - 14 working days



Sublime brilliance and intensely deep colours

Optimal colour strength due to the highest possible concentration of pigments and very fine grinding

Highest degree of lightfastness

Very pure colours and greatest durability of the paint coat

Schmincke Mussini Oil - Attish Light Ochre (35ml): Schmincke Mussini Oil - Attish Light Ochre (35ml)
R244 Discovery Miles 2 440 Ships in 7 - 14 working days

Imitation of the ochre which was much sought-after in ancient times, using modern ferrous oxides. Semi-opaque to semi-translucent. Fiery golden yellow in glazes.

Pigment: Hydrated iron oxide CI number: PY 42

Lightfastness: *****

On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process.

Old Holland Classic Oil - Caput Mortuum Violet (mars)(60ml): Old Holland Classic Oil - Caput Mortuum Violet (mars)(60ml)
R301 Discovery Miles 3 010 Ships in 7 - 14 working days

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Synthetic iron oxide

Colour Index: PR101

Colour index number: n.a.

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

Michael Harding Oil Colour - Prussian Blue (225ml): Michael Harding Oil Colour - Prussian Blue (225ml)
R763 Discovery Miles 7 630 Ships in 7 - 14 working days

PB27. Very Fast Drying. Transparent. Very Good Lightfastness. High Oil Content. Ferri-ammonium Ferrocyanide, discovered in Berlin in 1704 and introduced through the early 18th century, was one of the first synthetic inorganic pigments and also one of the most controversial. The earlier and less purified versions had a mixed reputation; they were said to fade in hues, or even to migrate or leech through succeeding paint layers. But modern standards of washing have dispensed with the tendency to fade, and the migratory properties ascribed to this colour are no longer reported. At any rate, Prussian Blue, like Alizarin, is one of those colours some painters find essential. Its inky depth when unmixed is belied by a range of uniquely intense blues resulting from hues, particularly with Zinc White. On its own and in more concentrated mixes it exhibits a slight bronzy sheen which can be used almost like a complementary glaze.

Old Holland Classic Oil - Blue Lake (40ml): Old Holland Classic Oil - Blue Lake (40ml)
R291 Discovery Miles 2 910 Ships in 7 - 14 working days

Pigment classification : Phthalocyanine

Colour index : PB15

Colour index number :74160

Lightfastness : Lightfast pigment according to ASTM category 1 and 2

Opacity/transparency : Semi-transparent

Talens Rembrandt Oil Colour Tube - Stil Grain Yellow (40ml): Talens Rembrandt Oil Colour Tube - Stil Grain Yellow (40ml)
R271 Discovery Miles 2 710 Ships in 7 - 14 working days



Sublime brilliance and intensely deep colours

Optimal colour strength due to the highest possible concentration of pigments and very fine grinding

Highest degree of lightfastness

Very pure colours and greatest durability of the paint coat

Genesis Heat Set Oil Paint - Grey 02 (30ml): Genesis Heat Set Oil Paint - Grey 02 (30ml)
R256 Discovery Miles 2 560 Ships in 7 - 14 working days

Genesis is an artist quality heat setting paint that is ready to apply without repeated pre-mixing. It will not dry until you are ready to work, and then it dries very quickly. Genesis Colours stay wet until heated. It is important to use a glass or other non-porous surface such as china, polished marble or porcelain for your palette.This paint offers fine control in mixing, blending and application, and can be worked in many states without the addition of mediums.

Genesis Heat Set Oil Paint - Grey 06 (30ml): Genesis Heat Set Oil Paint - Grey 06 (30ml)
R364 Discovery Miles 3 640 Ships in 7 - 14 working days

Genesis is an artist quality heat setting paint that is ready to apply without repeated pre-mixing. It will not dry until you are ready to work, and then it dries very quickly. Genesis Colours stay wet until heated. It is important to use a glass or other non-porous surface such as china, polished marble or porcelain for your palette.This paint offers fine control in mixing, blending and application, and can be worked in many states without the addition of mediums.

Schmincke Mussini Oil - Lamp Black (35ml): Schmincke Mussini Oil - Lamp Black (35ml)
R244 Discovery Miles 2 440 Ships in 7 - 14 working days

Particularly fine gas black with maximum depth of colour. This provides for high intensity and tinting power.

On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process.

Genesis Heat Set Oil Paint - Pyrrole Red 02 (30ml): Genesis Heat Set Oil Paint - Pyrrole Red 02 (30ml)
R438 Discovery Miles 4 380 Ships in 7 - 14 working days

Genesis Heat Set Oil Paint : PYRROLE RED 02 : 30ml (1oz) jar

Daler Rowney Artists Oil Tube - Titanium White (38ml): Daler Rowney Artists Oil Tube - Titanium White (38ml)
R160 Discovery Miles 1 600 Ships in 7 - 14 working days

Artists’ Oil Colours are professional-quality paints, designed for durability and permanence and made using only the very best materials available.Only the best pigments are used regardless of cost, to ensure absolute perfection for the discerning artist. The distinctive buttery consistency of Daler-Rowney Artists’ Oils derives from the use of linseed oil and wax, which acts as a plasticiser, helping to prevent even heavy impasto from becoming brittle and cracking over time.

Michael Harding Oil Colour - Phthalo Blue Lake (60ml): Michael Harding Oil Colour - Phthalo Blue Lake (60ml)
R386 Discovery Miles 3 860 Ships in 7 - 14 working days

PB15.3 Fast Drying. Transparent. Excellent Lightfastness. High Oil Content.

A Chlorinated Copper invented in 1935, this was one of the first synthetic organic pigments to be accepted as reliably permanent. It is sometimes seen as a modern replacement for Prussian blue, but its unmixed colour is slightly more cyan, and in hues it exhibits a unique range of throbbing, intense, greenish blues which are quite distinct from the latter. Having the most powerful tint power of any colour in my range, this paint will blow any mix apart; if you wish to avoid doing so, add it in tiny quantities and with caution! Its ferrous content makes it a great drier, and like Prussian Blue it shows a tendency to bronze on drying.

Daler Rowney Georgian Oil - Yellow Ochre (225ml): Daler Rowney Georgian Oil - Yellow Ochre (225ml)
R381 Discovery Miles 3 810 Ships in 7 - 14 working days

Georgian Oil Colour offers high performance at an economical and uniform price across all colours in the range. They are carefully blended and tested to produce the most brilliant colour, and match tint and texture from batch to batch. Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and even performance and finish across all colours. • High pigment loads include traditional pigments • Exceptionally permanent and brilliant colours • Colours are intermixable and consistent from wet to dry • Surface dry in 4 to 5 days • Smooth and buttery consistency • Easy mixing with mediums

Winsor And Newton Artists Oil Tube - Jaune Brilliant (37ml): Winsor And Newton Artists Oil Tube - Jaune Brilliant (37ml)
R170 Discovery Miles 1 700 In stock

Series number: 1

Chemical Description: Cadmium Zinc Sulphide, Cadmium Zinc Selphoselenide, Basics lead carbonate, Zinc Oxide

Color index name: PY35, PR108, PW1, PW4

Color index number: 77205, 77202, 77597, 77947

Permanence rating: A

ASTM Lightfastness Rating: I

Transparency/Opacity: O







Every Winsor & Newton Artists' Oil Colour is individually formulated to enhance each pigment's natural characteristics and ensure stability of colour. By exercising maximum quality control throughout all stages of manufacture, selecting the most suitable drying oils and method of pigment dispersion, the unique individual properties of each colour are preserved.

Combined with over 170 years of manufacturing and quality control expertise, the formulation of Artist's Oil Colour ensures the best raw materials are made into the world's finest colours.

Artists' Oil Colour uses the highest level of pigmentation consistent with the broadest handling properties. The quantity of pigment used provides covering power and tinting strength.





Michael Harding Oil Colour - Terre Verte (60ml): Michael Harding Oil Colour - Terre Verte (60ml)
R265 Discovery Miles 2 650 Ships in 7 - 14 working days

PG23. Fast Drying. Transparent. Excellent Drying. Average Oil Content. Green Earth, a complex of Ferrous Silicates in Aluminium and Magnesium clays, is one of the few naturally-occurring inorganic pigments still to be offered by colourmen. It has a very soft texture with very low tint power, beloved of portraitists who use it as a glaze over Alizarin Crimson hues.

Old Holland Classic Oil - Red Gold Lake (40ml): Old Holland Classic Oil - Red Gold Lake (40ml)
R414 Discovery Miles 4 140 Ships in 7 - 14 working days

Pigment classification :Azocondesation-Anthraquinone

Colour index :PY95-PR177

Colour index number :20034-65300

Lightfastness : Lightfast pigment according to ASTM category 1 and 2

Opacity/transparency :Transparent

Winsor & Newton Winton Oil - Yellow Ochre (37ml): Winsor & Newton Winton Oil - Yellow Ochre (37ml)
R89 Discovery Miles 890 Ships in 7 - 14 working days

Series number: 1

Chemical Description: Synthetic iron oxide

Colour index name: PY42

Colour index number: 77492

Permanence rating: AA

ASTM Lightfastness Rating: I

Transparency/Opacity: O

A high level of pigmentation provides good covering power and tinting strength. While it can't match the superior pigment load of Artists' Oil Colour, the Winton range is much stronger than many other artists' quality ranges.The economical cost has been achieved through the use of moderately priced pigments rather than lessening the pigment content to an unacceptable level. Winsor & Newton formulation, manufacture and quality control ensure a product of absolute excellence. The Winton range has a more uniform consistency than Artists' Oil Colour and is slightly stiffer. It offers excellent retention of brush and palette knife strokes.

Michael Harding Oil Colour - Cobalt Blue (60ml): Michael Harding Oil Colour - Cobalt Blue (60ml)
R1,006 Discovery Miles 10 060 Ships in 7 - 14 working days

PB28. Very Fast Drying. Semi-Opaque. Excellent Lightfastness. Average Oil Content.

Introduced at about the same time as Ultramarine, Cobalt Aluminate is a synthetic inorganic spinel (i.e. a very high-fired metal compound). It is a more greenish blue than the latter, with a heavier, more mineral appearance when neat. The hues formed from it are correspondingly heavier and greyer. But it has a certain downright shade which the cheaper Ultramarine cannot quite match. The paint film when dry is quite soft.

Griffin Alkyd Oil - Naples Yellow Hue (37ml): Griffin Alkyd Oil - Naples Yellow Hue (37ml)
R116 Discovery Miles 1 160 Ships in 7 - 14 working days

Series number: 1

Chemical Description: Synthetic iron oxide, Synthetic iron oxide, Titanium dioxide

Colour index name: PR101, PY42, PW6

Colour index number: 77491, 77492, 77891

Permanence rating: A

ASTM Lightfastness Rating: I

Transparency/Opacity: O

As with all Winsor & Newton colours, every colour in the range is individually formulated to take advantage of the natural characteristics of each pigment and to ensure the stability of the colour. The vehicle (oil modified alkyd resin) allows the colour to dry quicker whilst retaining the other characteristics of conventional oil colour.Because alkyd resin has physical properties that differ slightly from those of traditional oils, the pigment load is somewhat different as well. Experienced painters will notice slightly greater transparency compared to Artists' Oil Colour. The colour has been formulated to offer the greatest degree of tinting strength possible (consistent with good handling properties), and to take full advantage of the true characteristics of each pigment.

Michael Harding Oil Colour - Lapis Lazuli Afghan S7 (40ml): Michael Harding Oil Colour - Lapis Lazuli Afghan S7 (40ml)
R1,534 Discovery Miles 15 340 Ships in 7 - 14 working days

PB29, Average Drying, Semi Transparant, Low Oil Content, Average Tint Power, Non-Toxic There are a few special pigment colours in the range; an example is a genuine Afghan lapis lazuli. The first and most noticeable thing about the lapis lazuli compared to the modern synthetic equivalent ultramarine blue, is the considerably less tinting and covering power and its slightly dirtier colour, though neither of these traits should be seen to detract from the natural beauty.

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