They contain only the purest medium fine ground artists' pigments, which are in the highest possible concentration. Contrastingly, the binding agent content, is kept to a minimum, which ensures a stable compound. In order to guarantee the highest quality it is necessary to manufacture Schmincke pastels using special recipes which avoid the use of machinery during manufacture. 'Worm extruders' form the pre-kneaded dough into round skeins, which are then detached by hand and cut in a wirestrung frame. The damp sticks have to dry for around eight days before they can be labelled and packed by hand. This is a costly and time consuming process, however it is the only way Schmincke can guarantee homogenous quality and smoothness in all the production cycles.

They contain only the purest medium fine ground artists' pigments, which are in the highest possible concentration. Contrastingly, the binding agent content, is kept to a minimum, which ensures a stable compound. In order to guarantee the highest quality it is necessary to manufacture Schmincke pastels using special recipes which avoid the use of machinery during manufacture. 'Worm extruders' form the pre-kneaded dough into round skeins, which are then detached by hand and cut in a wirestrung frame. The damp sticks have to dry for around eight days before they can be labelled and packed by hand. This is a costly and time consuming process, however it is the only way Schmincke can guarantee homogenous quality and smoothness in all the production cycles.

They contain only the purest medium fine ground artists' pigments, which are in the highest possible concentration. Contrastingly, the binding agent content, is kept to a minimum, which ensures a stable compound. In order to guarantee the highest quality it is necessary to manufacture Schmincke pastels using special recipes which avoid the use of machinery during manufacture. 'Worm extruders' form the pre-kneaded dough into round skeins, which are then detached by hand and cut in a wirestrung frame. The damp sticks have to dry for around eight days before they can be labelled and packed by hand. This is a costly and time consuming process, however it is the only way Schmincke can guarantee homogenous quality and smoothness in all the production cycles.

They contain only the purest medium fine ground artists' pigments, which are in the highest possible concentration. Contrastingly, the binding agent content, is kept to a minimum, which ensures a stable compound. In order to guarantee the highest quality it is necessary to manufacture Schmincke pastels using special recipes which avoid the use of machinery during manufacture. 'Worm extruders' form the pre-kneaded dough into round skeins, which are then detached by hand and cut in a wirestrung frame. The damp sticks have to dry for around eight days before they can be labelled and packed by hand. This is a costly and time consuming process, however it is the only way Schmincke can guarantee homogenous quality and smoothness in all the production cycles.

They contain only the purest medium fine ground artists' pigments, which are in the highest possible concentration. Contrastingly, the binding agent content, is kept to a minimum, which ensures a stable compound. In order to guarantee the highest quality it is necessary to manufacture Schmincke pastels using special recipes which avoid the use of machinery during manufacture. 'Worm extruders' form the pre-kneaded dough into round skeins, which are then detached by hand and cut in a wirestrung frame. The damp sticks have to dry for around eight days before they can be labelled and packed by hand. This is a costly and time consuming process, however it is the only way Schmincke can guarantee homogenous quality and smoothness in all the production cycles.

They contain only the purest medium fine ground artists' pigments, which are in the highest possible concentration. Contrastingly, the binding agent content, is kept to a minimum, which ensures a stable compound. In order to guarantee the highest quality it is necessary to manufacture Schmincke pastels using special recipes which avoid the use of machinery during manufacture. 'Worm extruders' form the pre-kneaded dough into round skeins, which are then detached by hand and cut in a wirestrung frame. The damp sticks have to dry for around eight days before they can be labelled and packed by hand. This is a costly and time consuming process, however it is the only way Schmincke can guarantee homogenous quality and smoothness in all the production cycles.

Only lightfast, high density mineral pigments are used in the manufacture of Blue Earth Pastels. The pastels are almost square in shape and are on the very soft end of the hardness scale. Each stick has a number imprinted for easy identification. Blue Earth offer an impressive colour selection, with new Turquoise, Nearly Neutral Warm and Nearly Neutral Cool colours recently added to the original colour ranges. Stick Size: approx. 1/2" x 7/16" x 1 3/16"

They contain only the purest medium fine ground artists' pigments, which are in the highest possible concentration. Contrastingly, the binding agent content, is kept to a minimum, which ensures a stable compound. In order to guarantee the highest quality it is necessary to manufacture Schmincke pastels using special recipes which avoid the use of machinery during manufacture. 'Worm extruders' form the pre-kneaded dough into round skeins, which are then detached by hand and cut in a wirestrung frame. The damp sticks have to dry for around eight days before they can be labelled and packed by hand. This is a costly and time consuming process, however it is the only way Schmincke can guarantee homogenous quality and smoothness in all the production cycles.

They contain only the purest medium fine ground artists' pigments, which are in the highest possible concentration. Contrastingly, the binding agent content, is kept to a minimum, which ensures a stable compound. In order to guarantee the highest quality it is necessary to manufacture Schmincke pastels using special recipes which avoid the use of machinery during manufacture. 'Worm extruders' form the pre-kneaded dough into round skeins, which are then detached by hand and cut in a wirestrung frame. The damp sticks have to dry for around eight days before they can be labelled and packed by hand. This is a costly and time consuming process, however it is the only way Schmincke can guarantee homogenous quality and smoothness in all the production cycles.

These wood cased Pastel Pencils have a soft, powdery texture which produces a velvety smooth finish, ideal for mixing and blending. And because they’re pencils, they’re clean and easy to control. There are 72 colours to choose from.

Conte crayons with their 6x6mm cross-section offer a range of 84 colours, 14 tones of which are specifically designed for sketching. The crayons are very soft to use and are manufactured using natural pigments (iron oxide, carbon black, titanium dioxide), clay (kaolin) and a binder (cellulose ether), which are then baked after being extruded and dried. The degree of baking varies the grade (hardness:H/ softness:B) of the black and white crayons.

They contain only the purest medium fine ground artists' pigments, which are in the highest possible concentration. Contrastingly, the binding agent content, is kept to a minimum, which ensures a stable compound. In order to guarantee the highest quality it is necessary to manufacture Schmincke pastels using special recipes which avoid the use of machinery during manufacture. 'Worm extruders' form the pre-kneaded dough into round skeins, which are then detached by hand and cut in a wirestrung frame. The damp sticks have to dry for around eight days before they can be labelled and packed by hand. This is a costly and time consuming process, however it is the only way Schmincke can guarantee homogenous quality and smoothness in all the production cycles.

Mount Vision soft pastels are hand made by Karl Kelly using the finest traditional and synthetic pigments combined with a base of chalk, talc and clay to produce a pastel with a wonderful buttery feel, yet durable and strong. Pastel Size: 1/2"x 2 3/4"

The exceptional diameter of the Conté à Paris pastel pencil (5 mm) lead gives genuine freedom of creation and has an unrivalled feel. The pastel is a perfect pencil companion to soft pastel because it's lead is slightly harder with less pigment. It is preferable to Conté soft pastels and crayons when detail is required for small and medium sized formats. In contrast with soft pastel, pastel pencil should not be added in successive layers of colours, but used as pure colours laid out in patchwork fashion side by side (so as not to dull the shades).

The exceptional diameter of the Conté à Paris pastel pencil (5 mm) lead gives genuine freedom of creation and has an unrivalled feel. The pastel is a perfect pencil companion to soft pastel because it's lead is slightly harder with less pigment. It is preferable to Conté soft pastels and crayons when detail is required for small and medium sized formats. In contrast with soft pastel, pastel pencil should not be added in successive layers of colours, but used as pure colours laid out in patchwork fashion side by side (so as not to dull the shades).

The exceptional diameter of the Conté à Paris pastel pencil (5 mm) lead gives genuine freedom of creation and has an unrivalled feel. The pastel is a perfect pencil companion to soft pastel because it's lead is slightly harder with less pigment. It is preferable to Conté soft pastels and crayons when detail is required for small and medium sized formats. In contrast with soft pastel, pastel pencil should not be added in successive layers of colours, but used as pure colours laid out in patchwork fashion side by side (so as not to dull the shades).

Conte crayons with their 6x6mm cross-section offer a range of 84 colours, 14 tones of which are specifically designed for sketching. The crayons are very soft to use and are manufactured using natural pigments (iron oxide, carbon black, titanium dioxide), clay (kaolin) and a binder (cellulose ether), which are then baked after being extruded and dried. The degree of baking varies the grade (hardness:H/ softness:B) of the black and white crayons.Please note: due to trading agreements we are unable to ship this product outside of the EU.

Ingres is a type of paper named after the Neoclassical French painter Jean-Auguste-Dominique Ingres. Its unique texture is formed on a cylinder mould machine by pressing the paper fibres between the cylinder mesh and the marking felt. This surface texture is known as a chain and laid line surface. Daler-Rowney’s Ingres paper provides excellent tooth for traditional pastel work. This pad contains 24 sheets of 160gsm acid-free pastel paper, in 6 assorted colours (4 of each) with interleaving sheets. Size: 12" x 9" / 305 x 229 mm

Wonderfully dry and dusty stroke, just like charcoal.

Can be dry mixed and blended or used as a water colour.

Brilliant results on dark backgrounds too.

Available in 60 shades, various ranges and also individually.

High pigmentation guarantees great luminosity and opacity as well as colour-fastness and colour brilliance.

The soft lead also draws perfectly on delicate paper.

The wooden shaft protects the lead from breaking.

Daler-Rowney are acknowledged as the world masters in the making of artists’ pastels - and to complement the range of almost 200 tints, there are specialist surfaces and fixatives. The finest pigments are blended with chalk and china clay to produce the vibrant colour and smooth velvet texture of Artists’ Soft Pastels, each one carefully wrapped by hand. The rich, deep colour, texture and immediacy of Artists’ Soft Pastels is ideal for all kinds of drawing and painting as well as quick colour sketches for preparatory work.