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Lynne Buchanan began photographing Florida's inland waters to create artistic records of her connection with those waters and to learn lessons from being in the present moment and aligning with the flow of life. The more time she spent photographing waterways in her native Florida, the more she noticed what was being damaged and lost due to human impact. She resolved to draw attention to the situation through her photography and to work with water-quality and environmental advocates, from members of the Water-keeper Alliance to Native American citizens fighting to preserve the integrity of their ancestral lands and drinking water. The result is Changing Waters, which not only showcases the beauty, diversity, and complexity of Florida's waters, but also documents the negative effects of agricultural and industrial pollution, a growing population with its urban growth and land development, and climate change on Florida's inland and coastal waters and springs. Though her work is place specific, the book reveals the interconnected and global nature of environmental problems. Indeed, Florida's fragile springs, wetlands, rivers, and coastal waters can be considered a tragic and powerful example of what is happening to aquatic systems else-where in the nation and world as a result of unchecked human action. Buchanan's photographs invite viewers to consider their personal relationship to water and en-courage better stewardship of this vital--and finite--resource. They are also a call to action to find more effective ways to preserve these waterways for both their natural beauty and essential role in our survival.
A Scotsman Best Photography Book of 2017 Texts by Filippo Grandi, UN High Comissioner for Refugees, UNHCR, and Robert Del Naja, Massive Attack In October 2015, Giles Duley was commissioned by the UNHCR to document the refugee crisis. Over the next seven months, he was to criss-cross Europe and the Middle East attempting to put a human face to one of the biggest humanitarian emergencies of our time. Duley visited fourteen countries to tell the stories of individuals and families forced to flee their homes. He chronicled the turmoil of Lebanon, the camps of Jordan and Iraq, hellish scenes on the beaches of Lesvos and the refugees arrival in Germany. Bringing together over 150 original photographs, this book captures how even in the midst of such horror and tragedy there is humour, the unexpected and, above all, humanity.
Angelo Sindaco, a contributing photographer to Vice magazine, has been taking backstage pictures and live video footage at clubs since the 1990s. Ten years later, he is sitting on an unparalleled recent history of the indie rock scene, a virtual night out like no other. This is a book about the new rock-and-roll fever. This is a book about being young, and crazy for music, and for the moment's brightest stars. This is a book about the ritual of a rock concert, and it captures that spirit of celebration--its sound, sweat and raw energy--in conversely rigorous black-and-white. Backstage, in live performances, in portraits of the bands and their audiences, Sindaco catches the credibility and attitude of the new generation of stars in the genre that won't quit, showcasing underground legends including the Editors, Art Brut, Maximo Park, Animal Collective, The Cribs, Cazals and Baby Shambles from a stunningly intimate point of view. These are our youth culture's new pagan gods, and if you can't be there at the altar, Sindaco brings them to your doorstep. With a preface by Alan McGee, founder of the Creation and Poptones labels and the former manager of Oasis and the Libertines, and with text by Christian Zingales, the Editor-in-Chief of Blow Up magazine. Rock lives. Display copy available.
Working Men's Clubs were originally set up for the support and education of the working man. Many clubs have long since disappeared, though there are still six million UK members. As a child, Chris Coekin visited clubs with his parents, both in his home town of Leicester and, on family holidays, around England. "Knock Three Times" is set in the Acomb WMC York, which Chris first photographed in 1996. Through photographs and archive material, Coekin explores the cultural roots and identity of the Working Men's Club and examines the complexity of working class culture, as well as ideas of masculinity, relationships and the work ethic.
In every crisis situation, children are the greatest victims. Physically weak, they are often the first to succumb to hunger, disease, and dehydration. Innocent to the workings and failings of the world, they are unable to understand why there is danger, why there are people who want to hurt them, or why they must leave, perhaps quite suddenly, and abandon their schools, their friends, and their home. In this companion series to Exodus, Sebastiao Salgado presents 90 portraits of the youngest exiles, migrants, and refugees. His subjects are from different countries, victims to different crises, but they are all on the move, and all under the age of 15. Through his extensive refugee project, what struck Salgado about these boys and girls was not only the implicit innocence in their suffering but also their radiant reserves of energy and enthusiasm, even in the most miserable of circumstances. From roadside refuges in Angola and Burundi to city slums in Brazil and sprawling camps in Lebanon and Iraq, the children remained children: they were quick to laugh as much as to cry, they played soccer, splashed in dirty water, got up to mischief with friends, and were typically ecstatic at the prospect of being photographed. For Salgado, the exuberance presented a curious paradox. How can a smiling child represent circumstances of deprivation and despair? What he noticed, though, was that when he asked the children to line up, and took their portraits one by one, the group giddiness would fade. Face to face with his camera, each child would become much more serious. They would look at him not as part of a noisy crowd, but as an individual. Their poses would become earnest. They looked into the lens with a sudden intensity, as if abruptly taking stock of themselves and their situation. And in the expression of their eyes, or the nervous fidget of small hands, or the way frayed clothes hung off painfully thin frames, Salgado found he had a refugee portfolio that deserved a forum of its own. The photographs do not try to make a statement about their subjects' feelings, or to spell out the particulars of their health, educational, and housing deficits. Rather, the collection allows 90 children to look out at the viewer with all the candor of youth and all the uncertainty of their future. Beautiful, proud, pensive, and sad, they stand before the camera for a moment in their lives, but ask questions that haunt for years to come. Will they remain in exile? Will they always know an enemy? Will they grow up to forgive or seek revenge? Will they grow up at all?
Mike the Tiger has symbolized the spirit and resolve of Louisiana State University for over seventy-five years. Fiercely confident, keenly competitive, marvelously clever, and the only live tiger to reside on a college campus, Mike reigns nobly from his home just outside of Tiger Stadium in Baton Rouge.
In this completely updated and visually stunning new edition of Mike the Tiger, David G. Baker and W. Sheldon Bivin tell the story of the famed mascot from the Civil War origins of LSU's fighting tiger tradition to the present age of social media. They debunk the myths, confirm the legends, and share priceless behind-the-scenes anecdotes as they chronicle the reign of each of the six Mikes. Included are 70 additional photos, for a total of 200 images, as well as new details about:
? The construction of a spacious natural enclosure for Mike in 2005, complete with waterfall, stream, pool, shrubs, rocks, and grass
? The final years of Mike V, who was hand-raised at LSU, and the outpouring of condolences upon his death
? The exciting arrival and introduction of Mike VI and the establishment of his reputation as possibly the most affectionate and inquisitive personality of any LSU tiger to date
? The naming of a sixth subspecies of tiger, the Malayan, and the current status of global tiger preservation efforts
? Frequently asked questions and answers about Mike's care and lifestyle
Mike the Tiger provides a treat for all who ever said, "Meet me at the tiger cage," for all who still marvel at his regal appearance, and for all who will forever bleed purple and gold.
Rarely visited by outsiders, the ranchers of Sierra de la
Giganta in Baja California Sur live much as their ancestors have
for the past two centuries. They raise goats and cattle and grow a
magnificent variety of fruits, vegetables, and flowers in one of
the driest places on the continent. The men, women, and children
depicted in this book have never known the luxury of municipal
water or electricity on their ranches. Yet, as Marchand's
photographs show, they are remarkably self-sufficient in their use
of technologies that would be considered archaic by most standards
today. Some ranches now have solar panels, generators, a light bulb
or two, a radio or TV, and, most recently, a cell phone charger.
But water is supplied either by gravity or a gasoline-powered pump
(though windmills still turn at some ranches), cooking is most
often by wood fire, machaca is ground on a stone metate or pounded
on a stump, and coffee is ground in a hand-cranked mill. Plowing is
still done mostly with mules, and planting, harvesting, and milking
are all done by hand.
In this book a gifted photojournalist introduces us to individual ranchers and their families and describes their traditional practices as they move into the twenty-first century. Marchand's photographs and text are both informative and intimate. His introduction to this little-known corner of Mexico will delight travelers and scholars alike.
Remarkable satellite photographs show where water is - or isn't - and how we are using it. Water is in crisis. We are in crisis. All life depends on water and we are running out of it, but where exactly is the water and where is it going? This book provides new insight into the world of water and contributes to a wider understanding of the current predicament. Water: Exploring the Blue Planet is essentially a map of water. It features astonishingly detailed photographs that reveal the watery health of the Blue Planet. Readers are taken aboard satellites circling the Earth from where the most technologically advanced cameras and remote sensors capture what lies below. The photographs are accompanied by descriptions and organized in thematic chapters. Water reveals the damage wrought by nature - cyclones, volcanoes, floods - and the destruction wrought by humans - vanishing reservoirs, receding glaciers, melting ice sheets. And what of our attempts to control water? How do the hydropower dams, shore stabilization structures and desert oases we build affect the movement and availability of water? How does our insatiable thirst and recklessness cause poisonous salination, desertification and the disappearance of seas, lakes, reservoirs, islands and shorelines? In the text and captions, the expert authors explain current knowledge of life's essential element, from the biodiversity of the oceans to the inestimable value of drinking water. Readers can follow the tracings of Earth's most important resource as it travels around the globe, and acquire a new and deeper understanding of the water crisis. They will also marvel at the utter beauty of Earth. The photographs in Water are produced by the highest calibre satellite and remote-sensor imagery that current technology allows. The observation-based data covers 1.5 billion square miles (4 billion sq. km) and comprises a real-time map of the world's water. These maps are used to support decision-makers in areas such as public safety, environmental monitoring, oil and gas exploration and infrastructure management. This important book is an essential purchase for academic collections (especially earth sciences, hydrology, environment, ecology, sustainability, economic development, cartography and remote sensing), for public libraries seeking an up-to-date reference, and for interested general readers.
Abridged version of the global bestseller. This historic volume showcases tribal cultures around the world. With globalization, these societies are to be prized for their distinctive lifestyles, art and traditions. They live in close harmony with nature, now a rarity in our modern era. Jimmy Nelson not only presents us with stunning images of customs and artifacts, but also offers insightful portraits of people who are the guardians of a culture that they - and we - hope will be passed on to future generations in all its glory.
This book is about life in a small turn-of-the-century Wisconsin town. Lesy has collected and arranged photographs taken between 1890 and 1910. Against these are juxtaposed excerpts from the Badger State Banner, from the Mendota State (asylum) Record Book, and occasionally quotations from the writings of Hamlin Garland and Glenway Wescott.
During a time of development and change that has the potential to transform the unique character of London's Soho, this book delves into the area's storied past as a place of disobedience and eccentricity. Opening with a look at Soho through the years, this book includes archival images of Suffragettes learning Jiu-jitsu in a Soho gym, Johnny Weissmuller practicing with an underwater dancer at the Marshall Street baths, and John and Ringo preparing for "The White Album" at the Trident Recording Studio. The book then presents the work of photographers who have shed light on Soho's many faces through the decades, including Kelvin Brodie, Clancy Gebler Davies, Corinne Day, William Klein, and Anders Petersen. Also featured is a new series of work by young, up-and-coming photographer Daragh Soden, whose images were specially commissioned by The Photographers' Gallery for this project. These streetscapes and portraits are by turns intimate and haunting, visceral and vibrant, nostalgic and provocative. Throughout the volume, texts narrate a social history marked by subculture and controversy. This book captures Soho as a refuge for marginalized, pioneering, and unconventional people.
Taking California as a window into the diversity of religion in America, Golden States of Grace documents marginalized communities at prayer in their own faith traditions. The collection is thoroughly interfaith, introducing us to the nation's only halfway house for addicts self-identified as Jewish, a transsexual gospel choir, a Buddhist community in San Quentin, a Mormon congregation organized by the deaf for the deaf, Latina sex workers worshipping the female folk deity Sant sima Muerte, and more. Depictions of conventional middle-class religion are widely visible in the media, but the American public rarely sees the sacred worlds of society's marginalized: the outcasts, the fallen, those that have been labeled "other"--ironically, those whom religion aims to serve. The poignant stories Nahmias has gathered here cross numerous boundaries and ask difficult questions few outsiders have been willing to pose.
Discover the lives of Cuba's cats through the lens of award-winning photographer Emmy Park. This book is full of beautiful and raw images; explore the relationship between Cubans and their feline companions that roam the colorful streets, iconic landmarks, and remote areas of Cuba. Learn about local animal rescue organizations that provide care and medical attention to those without homes, and why they need support. Featuring every province, be transported into the daily lives of Cuba's cats against the backdrop of rugged streets and lush landscapes.
Paparazzi photography has emerged as a key element in today's media landscape. This book charts the historical and cultural significance of the industry, profiles its protagonists and discusses how its imagery of celebrity have become a major part of media consumption. Kim McNamara examines the various ways in which the controversial paparazzi industry is structured, including its workforce practices, development of image markets, and how it has been reconfigured during the transition from analogue paper-based photography to digital platforms. It adds to the literature on celebrity studies, unraveling the importance of the paparazzi to celebrities, and the integral nature of images - both spontaneous and staged to public relations and marketing content. Based on interviews worldwide with key industry players, including agency managers, photo editors and photographers, from Los Angeles to London, the book argues that the paparazzi should be given central importance in any analysis of media culture.
In May 1999, The Northern Ireland (Location of Victims' Remains) Bill was passed in the House of Commons; it provided an amnesty to help the identification and location of people who had disappeared during the 'Troubles'. Six locations were identified and became known as the 'Sites of The Disappeared'. These were the burial places of eight people murdered by the IRA in the 1970s and early 1980s. In thirty years of conflict and atrocities, this small group of people stood apart. They were all Catholic and, as it turned out, had not only been taken from their families but also from their homeland to be buried in the South. In June 2000 the search was finally suspended. Three remains had been located, three closures permitted; for the remaining five families there was a site rather than a spot, a closing rather than a closure.
For over five generations, National Geographic magazine has dazzled and educated its readers with incredible photography and gripping stories spanning the four corners of the earth and the deepest oceans. Inspired by our monumental Around the World in 125 Years, this volume curates over 200 captivating images, sourced directly from the National Geographic historical archives, including almost 40 new photographs. Traversing travel, history, culture, social documentary, and conservation, this compendium is in equal parts a breathtaking homage to the spirit and diversity of Europe, and a unique tribute to the world's most famous photography magazine.National Geographic pioneered the aesthetic of the photo essay, while continually pushing the medium's technical boundaries, to both entertain and enlighten its millions of loyal readers. Our trans-continental journey through time and space spans across all corners of Europe, from the snow-capped peaks of Finland to the frothy foam parties of Ibiza, from the serene blue waters of the Greek Islands to the Lascaux cave paintings of Southern France. We witness the hair-rising eruption of Surtsey in Iceland, where lightning rips through the volcano's clouds in otherworldly hues of purple; lose ourselves among flowers and babushka-wrapped heads in Russia's Volgograd marketplace; and tread carefully behind climbers across a crevasse in the Bernese Oberland. Along the way, we absorb the culture of the some of the world's greatest cities including Paris, Rome, Berlin, London, Vienna, Stockholm, Moscow, and many others.National Geographic: Europe leaves no stone unturned in its ultimate voyage through the precious jewels and hidden facets of the European continent. From evocative early black-and-white pictures to autochromes, from the golden age of Kodachromes to digital, this is both a celebration of the power of photography and a unique trip to the soul of Europe.
A magnificent gallery of images from the vault of the Capitol Hill's best insider news source From the splendor of the architecture to historic moments in our nation's history, scenes of pomp and circumstance to intimate, human, eccentric, and sometimes humorous moments at the world's most important seat of government, Roll Call's photography shows why The United States Capitol Dome is more than a symbol of American democracy. This book stars presidents, cabinet members, Senators, representatives, visitors to Capitol Hill including celebrities, historic villains, and champions of causes. Includes rarely seen and previously unpublished photos.
In 2007 TASCHEN released The New Erotic Photography, followed in 2012 by The New Erotic Photography 2. Each book featured hundreds of fresh and provocative images from the world's most intriguing erotic talents. Now the best of both books is available in The New Erotic Photography, featuring 62 photographers from 10 countries, exploring the global variations of erotic photography, as well as the evolution of photographic media over the last decade. We see film give way to digital, while those who persist with film are as likely to use Polaroids and primitive cameras like the Lomo and Holga as traditional SLRs. The featured photographers include new names Gregory Bojorquez, Jo Schwab, Tomohide Ikeya, Frederic Fontenoy, Andrew Pashis, and Jan Hronsky, as well as established artists Guido Argentini, Bruno Bisang, Eric Kroll, and the late Bob Carlos Clarke. Several outstanding women are also featured in this edition, including erotic film star Kimberly Kane, digital pioneer Natacha Merritt, heavy metal skateboarder Magdalena Wosinska, self-portraitist Jody Frost, and cover artist April-lea Hutchinson. It all adds up to an awful lot of nudes for a tantalizingly low price.
For more than twenty years, Maria Paula Acuna has claimed to see the Virgin Mary, once a month, at a place called Our Lady of the Rock in the Mojave Desert of California. Hundreds of men, women, and children follow her into the desert to watch her see what they cannot. While she sees and speaks with the Virgin, onlookers search the skies for signs from heaven, snapping photographs of the sun and sky. Not all of them are convinced that Maria Paula can see the Virgin, yet at each vision event they watch for subtle clues to Mary's presence, such as the unexpected scent of roses or a cloud in the shape of an angel. The visionary depends on her audience to witness and authenticate her visions, while observers rely on Maria Paula and the Virgin to create a sacred space and moment where they, too, can experience firsthand one of the oldest and most fundamental promises of Christianity: direct contact with the divine. Together, visionary and witnesses negotiate and enact their monthly liturgy of revelations. Our Lady of the Rock, which features text by Lisa M. Bitel and more than sixty photographs by Matt Gainer, shows readers what happens in the Mojave Desert each month and tells us how two thousand years of Christian revelatory tradition prepared Maria Paula and her followers to meet in the desert. Based on six years of observation and interviews, chapters analyze the rituals, iconographies, and physical environment of Our Lady of the Rock. Bitel and Gainer also provide vivid portraits of the pilgrims-who they are, where they come from, and how they practice the traditional Christian discernment of spirits and visions. Our Lady of the Rock follows three pilgrims as they return home with relics and proofs of visions where, out of Maria Paula's sight, they too have learned to see the Virgin. The book also documents the public response from the Catholic Church and popular news media to Maria Paula and other contemporary visionaries. Throughout, Our Lady of the Rock locates Maria Paula and her followers in the context of recent demographic and cultural shifts in the American Southwest, the astonishing increase in reported apparitions and miracles from around the world, the latest developments in communications and visual technologies, and the never-ending debate among academics, faith leaders, scientists, and citizen observers about sight, perception, reason, and belief.
From Pete Souza, the #1 New York Times bestselling author of Obama: An Intimate Portrait, comes a potent commentary on the Presidency.
As Chief Official White House Photographer, Pete Souza spent more time alongside President Barack Obama than almost anyone else. His years photographing the President gave him an intimate behind-the-scenes view of the unique gravity of the Office of the Presidency--and the tremendous responsibility that comes with it. Now, as a concerned citizen observing the Trump administration, he is standing up and speaking out.
Shade is a portrait in Presidential contrasts, telling the tale of the Obama and Trump administrations through a series of visual juxtapositions. Here, more than one hundred of Souza's unforgettable images of President Obama deliver new power and meaning when framed by the tweets, news headlines, and quotes that defined the first 500 days of the Trump White House. What began with Souza's Instagram posts soon after President Trump's inauguration in January 2017 has become a potent commentary on the state of the Presidency, and our country. Some call this "throwing shade." Souza calls it telling the truth.
In Shade, Souza's photographs are more than a rejoinder to the chaos, abuses of power, and destructive policies that now define our nation's highest office. They are a reminder of a President we could believe in, and a courageous defense of American values.
"Hypnotic, playful and chillingly austere, the hybrid documentary blends romance and raw realism" - Screen International. "Powerfully intimate and absolutely stunning" - Indiewire. De Pue's Afghanistan-centred film "The Land of the Enlightened" won several prestigious awards, such as Best Photography at the Sundance Film Festival, and provided a completely new and unique perspective on one of the hotbeds of our world. Filmmaker and photographer Pieter-Jan De Pue spent most of eight years in Afghanistan. There he worked on his award-winning film "The Land of the Enlightened". In The Kings of Afghanistan he has collected together his most compelling photographs from his time in Afghanistan, focusing on children in survival mode. Their surprising resilience and zest paint a picture of hope for the future.
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