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How does a middle-class Afrikaans boytjie from Springs, a rebellious product of Christelik-nasionale Opvoeding, end up in the grubby world of protest punk, slap-bang in the middle of the anti-apartheid struggle?
The '80s in South Africa were a mess, a schmangled clusterf*ck of a decade. For some, it was braaivleis, rugby, sunny skies and Chevrolet. For others, it was a one-eyed bumbling about in a world without signage, desperately looking for the emergency exit. While the black population was becoming increasingly agitated and militant, the white dorps, towns and leafy suburbs of South Africa’s cities were mostly ignorant in their privileged bliss. Whiteys were like the frog in the cooker, not realising that the temperature was on the rise. Soon they would slowly, to their terminal surprise, turn white belly-up amid the froth of bubbles boiling from below. Soon it would be too late to get the hell out.
But in tiny pockets of white rebellion, the country was beginning to hum with resistant energy in Joburg, Cape Town and Durban. The '80s counter-culture and the music it produced was anti-establishment, anti-government, anti-apartheid, but not self-consciously so. While the state saw this strange white subculture as a hive of hedonists and drugged-up nihilists, this anarchic clutter of guitar-wielding, pill-munching, dope-smoking musicians and their followers were in fact a second front in the struggle against apartheid.
In brilliantly tragic and hilarious detail, Between Rock & A Hard Place is the epic memoir of Carsten Rasch’s role in the South African counter-culture Punk and New Wave scene in the late '70s and early '80s. Through his eyes as a musician, promoter and enthusiastic participant, it tells the story of those tumultuous and giddy times with heartfelt irreverence. Veering between lucid moments of desperate innovation and psychotic adventures on the rim of sanity, all the time riding roughshod at delirious speed over the potholes of “culture”, the reader is introduced to half-forgotten heroes, now fast disappearing into the fog of time, and the band of misfits who attempted to disrupt “the system”.
“Rebels And Rage is a critically important contribution to public discussion about #FeesMustFall”–Eusebius McKaiser
Adam Habib, the most prominent and outspoken university official through the recent student protests, takes a characteristically frank view of the past three years on South Africa’s campuses in this new book. Habib charts the progress of the student protests that erupted on Wits University campus in late 2015 and raged for the better part of three years, drawing on his own intimate involvement and negotiation with the students, and also records university management and government responses to the events. He critically examines the student movement and individual student leaders who emerged under the banners #feesmustfall and #Rhodesmustfall, and debates how to achieve truly progressive social change in South Africa, on our campuses and off.
This book is both an attempt at a historical account and a thoughtful reflection on the issues the protests kicked up, from the perspective not only of a high-ranking member of university management, but also Habib as political scientist with a background as an activist during the struggle against apartheid. Habib moves between reflecting on the events of the last three years on university campuses, and reimagining the future of South African higher education.
This extraordinary account of imprisonment shows with exacting clarity the awful injustices of the system. Sylvia Neame, activist against apartheid and racism and by profession a historian (see the three-volume, The Congress Movement, HSRC Press, 2015), has not written a classical historical memoir. Rather, this book is a highly personal account, written in an original style. At the same time, it casts a particularly sharp light on the unfolding of a policedominated apartheid system in the 1960s.
The author incorporates some of her experiences in prisons and police stations around the country, including the fabricated trial she faced while imprisoned in Port Elizabeth, one of the many such trials which took place in the Eastern Cape. But her focus is on Barberton Prison. Here she was imprisoned together with a small number of other white women political prisoners, most of whom had stood trial and been sentenced in Johannesburg in 1964–5 for membership to an illegal organisation, the Communist Party. It is a little known story. Not even the progressive party MP Helen Suzman found her way here.
Barberton Prison, a maximum security prison, part of a farm jail complex in the eastern part of what was then known as the Transvaal province, was far from any urban centre. The women were kept in a small space at one end of the prison in extreme isolation under a regime of what can only be called psychological warfare, carried out on the instructions of the ever more powerful (and corrupt) security apparatus. A key concern for the author was the mental and psychological symptoms which emerged in herself and her fellow prisoners and the steps they took to maintain their sanity. It is a narrative partly based on diary entries, written in a minute hand on tissue paper, which escaped the eye of the authorities. Moreover, following her release in April 1967 – she had been altogether incarcerated for some three years – she produced a full script in the space of two or three months. The result is immediacy, spontaneity, authenticity; a story full of searing detail. It is also full of a fighting spirit, pervaded by a sharp intellect, a capacity for fine observation and a sense of humour typical of the women political prisoners at Barberton.
A crucial theme in Sylvia Neame’s account is the question of whether something positive emerged out of her experience and, if so, what exactly it was.
South Africa achieved notoriety for its apartheid policies and practices both in the country and in Namibia. Today Israel stands accused of applying apartheid in the Palestinian territories it has occupied since 1967. Confronting Apartheid examines the regimes of these three societies from the perspective of the author’s experiences as a human rights lawyer in South Africa and Namibia and as a UN human rights envoy in occupied Palestine.
Most personal histories of apartheid in Southern Africa tell the story of the armed struggle. This book is about opposition to apartheid within the law and through the law. The successes and failures of civil society and lawyers in this endeavour are described in the context of the discriminatory and oppressive regime of apartheid. The author’s own experiences in Namibia and South Africa serve to illustrate the injustices of the regime and the avenues left to lawyers to advance human rights within the law. The end of apartheid and the transition to democracy are also described through the experiences of the author.
The book concludes with an account of Israel’s occupation of the Palestinian territories of East Jerusalem, Gaza and the West Bank and the author’s work as human rights investigator and reporter for the United Nations. This involves the examination of issues such as the construction of Jewish settlements, the demolition of Palestinian homes, the restrictions on freedom of movement and the attacks on the life and liberty of Palestinians which the author argues constitute an oppressive regime falling within the definition of apartheid under international law. A separate chapter is devoted to the situation in Gaza which was closely monitored by the author for nearly a decade. Namibia, South Africa and Palestine are dealt with separately with introductions designed to ensure that the reader is provided with the necessary historical, political and legal background material.
South Africa’s distorted distribution of wealth is one of the biggest challenges facing the country’s economy, with unemployment sitting at an unsustainable 27.7%. In terms of wealth, the top percentile households hold 70.9% while the bottom 60% holds a mere 7%. 76% of South Africans face an imminent threat of falling below the poverty line. With such statistics, the inequality crisis in this country is at a desperate level and strategies to remedy this challenge seem shallow and lack urgency.
In this context, the Institute for African Alternatives has brought together a series of papers written by eminent South African academics and policymakers to serve as a catalyst to finally confront and resolve inequality. With papers from former Public Prosecutor Thuli Madonsela, Ben Turok and former President Kgalema Motlanthe, this book provides a guide to how the nation can confront and resolve the inequality plaguing the country. The nation is headed to the polls later this year and books such as this are vital for providing a strong guide on how those in power can address South Africa’s biggest economic crisis.
A great contribution to the current political discourse, the book both confronts the issue and provides strategies on how to remedy inequality.
"What are democracies meant to do? And how does one know when one is a democratic state?" These incisive questions and more by leading political scientist, Steven Friedman, underlie this robust enquiry into what democracy means for South Africa post 1994.
Democracy and its prospects are often viewed through a lens which reflects the dominant Western understanding. New democracies are compared to idealised notions of the way in which the system is said to operate in the global North. The democracies of Western Europe and North America are understood to be the finished product and all others are assessed by how far they have progressed towards approximating this model. The goal of new democracies, like South Africa and other developing nation-states, is thus to become like the global North.
Power in Action persuasively argues against this stereotype. Friedman asserts that democracies can only work when every adult has an equal say in the public decisions that affect them. From this point of view, democracies are not finished products and some nations in the global South may be more democratic than their Northern counterparts. Democracy is achieved not by adopting idealised models derived from other societies – rather, it is the product of collective action by citizens who claim the right to be heard not only through public protest action, but also through the conscious exercise of influence on public and private power holders.
Viewing democracy in this way challenges us to develop a deeper understanding of democracy’s challenges and in so doing to ensure that more citizens can claim a say over more decisions in society.
Vusi Mavimbela is one of South Africa's foremost political adventurers and wanderers. A writer of singular verve, humour and descriptive power, his memoir provides penetrating pen portraits of many well-known South African and African political actors, including martyred uMkhonto weSizwe guerilla Solomon Mahlangu, Nigeria's Olusegun Obasanjo, Robert Mugabe and a galaxy of senior ANC exiles such as Joe Slovo, Chris Hani, Josiah Jele, Joel Netshitenzhe and Mac Maharaj.
He touches on and illuminates the personalities of many influential men and women in South Africa's early democratic governments. But the heart of Mavimbela's narrative lies in his unique experience of working as a top administrator and counsellor in the offices of Thabo Mbeki and Jacob Zuma. In the most intimate detail, he describes the emergence and escalation of the conflict between those two flawed principals. He captures the drama of their struggle and its destructive fallout for the new South African state.
Mavimbela offers a potent warning: loyalty and long service to a political party is no guarantee of wise and effective leadership.
How To Steal A Country describes the vertiginous decline in political leadership in South Africa from Mandela to Zuma and its terrible consequences. Robin Renwick’s account reads in parts like a novel – a crime novel – for Sherlock Holmes old adversary, Professor Moriarty, the erstwhile Napoleon of Crime, would have been impressed by the ingenuity, audacity and sheer scale of the looting of the public purse, let alone the impunity with which it has been accomplished.
Based on Renwick’s personal experiences of the main protagonists, it describes the extraordinary influence achieved by the Gupta family for those seeking to do business with state-owned enterprises in South Africa, and the massive amounts earned by Gupta related companies from their associations with them. The ensuing scandals have engulfed Bell Pottinger, KPMG, McKinsey and other multinationals. The primary responsibility for this looting of the state however, rests squarely with President Zuma and key members of his government. But South Africa has succeeded in establishing a genuinely non-racial society full of determined and enterprising people, offering genuine hope for the future. These include independent journalists, black and white, who refuse to be silenced, and the judges, who have acted with courage and independence.
The book concludes that change will come, either by the ruling party reverting to the values of Mandela and Archbishop Tutu, or by the reckoning it otherwise will face one day.
The 2017 publication of Betrayal of the Promise, the report that detailed the systematic nature of state capture, marked a key moment in South Africa's most recent struggle for democracy. In the face of growing evidence of corruption and of the weakening of state and democratic institutions, it provided, for the first time, a powerful analysis of events that helped galvanise resistance within the Tripartite Alliance and across civil society.
Working often secretly, the authors consolidated, for the first time, large amounts of evidence from a variety of sources. They showed that the Jacob Zuma administration was not simply a criminal network but part of an audacious political project to break the hold of whites and white business on the economy and to create a new class of black industrialists. State-Owned Enterprises (SOEs) such as Eskom and Transnet were central to these plans. The report introduced a whole new language to discuss state capture, showing how SOEs were `repurposed', how political power was shifting away from constitutional bodies to `kitchen cabinets', and how a `shadow state' at odds with the country's constitutional framework was being built.
Shadow State is an updated version of the original, explosive report that changed South Africa's recent history.
We Are No Longer At Ease is a collection of personal articles, essays, speeches and poetry mainly from voices of young people who were part of the student-led protest movement known as #FeesMustFall which began in 2015. It tells the journey of a youth that participated in a movement that redefined politics in post-apartheid South Africa and is the evidence of a “born free” generation telling their own story and leading discourse as well as action on transforming South Africa.
The collection includes works by the young student leaders turned academic and public commentators such as David Maimela, Thapelo Tselapedi and Sisonke Msimang; student newspaper journalists that were covering the protests like Natasha Ndlebe; public writing commentators with aims to inform and teach the broader South African society about the aspects of the movement like Yamkela Spengane and Rofhiwa Maneta; lecturers who were assisting the students articulate and find clarity in the way they shaped and voiced their ideas such as Sabelo Ndlovu-Gatsheni and then of course others were foot soldiers on the ground leading students through the police brutality of rubber bullets and pepper spray like Loverlyn Nwandeyi, Ntokozo Qwabe and Ramabina Mahapa.
In 2013, former U.S. National Security Agency (NSA) contractor Edward Snowden leaked secret documents revealing that state agencies like the NSA had spied on the communications of millions of innocent citizens. International outrage resulted, but the Snowden documents revealed only the tip of the surveillance iceberg. Apart from insisting on their rights to tap into communications, more and more states are placing citizens under surveillance, tracking their movements and transactions with public and private institutions. The state is becoming like a one-way mirror, where it can see more of what its citizens do and say, while citizens see less and less of what the state does, owing to high levels of secrecy around surveillance.
In this book, Jane Duncan assesses the relevance of Snowden’s revelations for South Africa. In doing so she questions the extent to which South Africa is becoming a surveillance society governed by a surveillance state. Duncan challenges members of civil society to be concerned about and to act on the ever-expanding surveillance capacities of the South African state. Is surveillance used for the democratic purpose of making people safer, or is it being used for the repressive purpose of social control, especially of those considered to be politically threatening to ruling interests? She explores the forms of collective action needed to ensure that unaccountable surveillance does not take place and examines what does and does not work when it comes to developing organised responses.
This book is aimed at South African citizens, academics as well as the general reader, who care about our democracy and the direction it is taking.
In the South African House of Assembly, on 6 September 1966, Dimitri Tsafendas stabbed to death Prime Minister Hendrik Verwoerd. Afterwards, Tsafendas was declared to be a schizophrenic who believed a tapeworm lived inside him which controlled his actions, and that he had no political motive for assassinating Verwoerd. Pronounced unfit to stand trial, Tsafendas went down in history as a deranged parliamentary messenger. For fifty years, this story prevailed. However, this book now reveals the truth about Tsafendas; that he was deeply political from an early age.
He was arrested numerous times, starting in Mozambique, the country of his birth. In Portugal, the security police opened a file on him in 1938, when he was aged only twenty. After the assassination, Tsafendas volunteered a series of incontestable political reasons for killing Verwoerd, but these, along with details of his political past, were never allowed to see the light of day. This book reveals the extent of the cover-up by South Africa’s authorities and the desperate lengths they went to conceal the existence of Tsafendas’s opposition to apartheid. The book exposes one of the great lies in South African history, that Verwoerd was murdered by a mad man. It also offers for the first time a complete biography of this extraordinary man.
Advocate George Bizos characterised Dousemetzis’s work on Tsafendas and Verwoerd’s assassination as ‘monumental’ and of being ‘of major historical importance for South Africa and as to our understanding of Verwoerd’s assassination’. Professor John Dugard said ‘South African history should know the truth about Tsafendas. Dousemetzis has done South Africa a service by correcting the historical record.’
The death of Winnie Madikizela-Mandela on 2 April this year unleashed a hailstorm of opinion. On one side, Winnie's legacy was under construction by the media and public in the shadow of her sanctified ex-husband, casting Winnie as history's loser.
Msimang - who in the last few years has reflected extensively on Winnie Madikizela-Mandela - stood on the side of a younger generation, particularly of black women, who sought to reclaim Ma Winnie's identity as an extraordinary woman and fierce political activist. Examining that early impulse, Msimang has written a succinct, razor-sharp book. It is a primer for young feminists, popular culture enthusiasts and those interested in the politics of memory, reconciliation and justice, and a book that is as much about a woman as it is about the country she left behind.
The Resurrection of Winnie Mandela is an astute examination of one of South Africa's most controversial political figures. It charts the rise and fall - and rise, again - of a woman who not only battled the apartheid regime, but the patriarchal character of the society that moulded her. In telling Ma Winnie's story, Sisonke Msimang demonstrates the vital link between reclaiming the lives of one complex woman, and activism aimed at restoring the dignity of all women.
Albertina Sisulu is revered by South Africans as the true mother of the nation. A survivor of the golden age of the African National Congress, whose life with the second most important figure in the ANC exemplified the underpinning role of women in the struggle against apartheid.
In 1944 she was the sole woman at the inaugural meeting of the radical offshoot of the ANC, the Youth League, with Walter Sisulu, Nelson Mandela, Oliver Tambo and Anton Lembede in the vanguard. Her final years were spent in an unpretentious house in the former white Johannesburg suburb of Linden. A friend said of her, "she treated everybody alike. But her main concern was the welfare of our women and children." This abridged account of Sisulu’s overflowing life provides a fresh understanding of an iconic figure of South African history.
This new abridged memoir is written by Sindiwe Magona, one of South Africa’s most prolific authors, and Elinor Sisulu, writer, activist and daughter-in-law of Albertina.
On 2 February 1959, a musical about the life and times of heavyweight boxing star Ezekiel Dhlamini (known as 'King Kong') opened in Johannesburg to a packed audience that included Nelson Mandela. King Kong was not just South Africa's first ever musical, but one that grew out of a collaboration between black people and white, and showcased an all-black cast.
It was an instant hit, bursting through the barriers of apartheid and eventually playing to 200,000 South Africans of every colour before transferring to London's West End. Pat Williams, the show's lyricist, was at the time an apolitical young woman trying to free herself from the controls and prejudices of the genteel white society in which she lived. Here she recounts her experience of growing up in a divided South Africa, her involvement in the musical, and its lasting impact both on herself and on the show's cast, many of whom went on to find international fame, like South African jazz legends Miriam Makeba and Hugh Masekela. Her memoir takes the story up to the present day.
It is both a vivid evocation of a troubled time and place as well as a celebration of a joyous production, in which a group of young people came together in South Africa's dark times - to create a show which still lives on today.
Between 2013 and 2017, a team of researchers from the Human Sciences Research Council undertook a longitudinal qualitative study that tracked eighty students from eight diverse universities in South Africa and documented their experiences at these higher education institutions. Midway through the study, the student protests erupted and focused national attention on many of the stories we had already heard. In the subsequent years of the study, we also heard from students who were actively involved in these transformation struggles as well as those who sat on the side-lines.
Studying While Black is an intimate portrait of the many ways in which students in South Africa experience university, and the centrality of race and geography in their quest for education and ultimately emancipation. Students voices can be heard directly in a 45 minute documentary that accompanied this study entitled Ready or Not!: Black students’ experiences of South African universities – freely available on social media.
In this riveting new book, John Laband, pre-eminent historian of the Zulu Kingdom, tackles some of the questions that swirl around the assassination in 1828 of King Shaka, the celebrated founder of the Zulu Kingdom and war leader of legendary brilliance: Why did prominent members of the royal house conspire to kill him? Just how significant a part did the white hunter-traders settled at Port Natal play in their royal patron's downfall? Why were Shaka's relations with the British Cape Colony key to his survival? And why did the powerful army he had created acquiesce so tamely in the usurpation of the throne by Dingane, his half-brother and assassin?
In his search for answers Laband turns to the Zulu voice heard through recorded oral testimony and praise-poems, and to the written accounts and reminiscences of the Port Natal trader-hunters and the despatches of Cape officials. In the course of probing and assessing this evidence the author vividly brings the early Zulu kingdom and its inhabitants to life. He throws light on this elusive character of and his own unpredictable intentions, while illuminating the fears and ambitions of those attempting to prosper and survive in his hazardous kingdom: a kingdom that nevertheless endured in all its essential characteristics, particularly militarily, until its destruction fifty one years later in 1879 by the British; and whose fate, legend has it, Shaka predicted with his dying breath.
Licence To Loot is a fast-paced, hard-hitting investigation into parastatal looting, written by journalist Stephan Hofstatter. At the centre of the story is Eskom, the largest power utility in Africa, which could determine the success or failure of South Africa’s economy.
Hofstatter’s story begins in 2016, with the Guptas’ controversial purchase of Optimum coal mine and Eskom chief executive Brian Molefe’s key role in the deal. From there it takes the reader on a journey from secret meetings in London hotel rooms to a clandestinely purchased bolthole on a Dubai golf estate, uncovering the corrupt acquisition of a private jet along the way. From the diary entries of a Saxonwold security guard to first-hand accounts of backroom dealmaking, it traces the origins of a shadowy network between the Guptas and Eskom that ultimately allowed the family to extract billions of rands from the parastatal.
Licence To Loot reveals the complicated deals and machinations underpinning state capture and the subsequent ministerial and board appointments that ceded the control of the country’s parastatals, including Eskom, Transnet, SAA and Denel, to Gupta-linked moneymen.
The book is particularly relevant in the current political climate as it focuses on the impact of state capture, not just its origins, and takes the story beyond the Zuma presidency.
As lesbian, gay, bisexual, transgender and intersex identities increasingly secure legal recognition across the globe, these formal equality gains are contradicted by the continued presence of violence. Such violence emerges as a political pressure point for contestations of identity and power within wider systems of global and local inequality. Discourses of homophobia-related violence constitute subjectivities that enact violence and that are rendered vulnerable to it, as well as shaping political possibilities to act against violence. Blackwashing Homophobia critiques prevailing discourses through which violence and its targets are normatively understood, exploring the knowledge regimes in which multiple forms of othering are both reproduced and/or resisted.
This book draws on primary research on lesbian subjectivity and violence in South Africa examining the intersections of sexual, gender, race and class identities, and the contemporary politics of violence in a postcolonial context:
The book explores these questions and their implications for how violence, as an instrument of power, might be countered. Blackwashing Homophobia is a timely intervention for theorising the discourse of homophobia-related violence and what it reveals and conceals, enables and hinders, in relation to queer identities and political imaginaries in times of violence. The book's interdisciplinary approach to the topic will appeal to social and political scientists, philosophers and psychology professionals, as well as to advanced psychology undergraduates and postgraduates alike.
Charlie Squadron – the iron fist of 61 Mechanised Battalion Group (61 Mech) – led the way on 3 October 1987 during the climactic battle between the South African Defence Force and the Angolan forces on the Lomba River in southern Angola. Ratels On The Lomba places the reader in the midst of the squadron of young conscripts who were taken off to the Border War to fight in this battle.
Not only were they up against a vastly superior Angolan force in terms of numbers and weaponry, but they also had to deal with terrain so dense that their sight was severely impaired and their movement restricted. Also, even though SADF tactical doctrine clearly stated that tanks had to be countered by tanks, these conscripts had to take on the Angolan tanks in armoured cars with inferior low-velocity guns and thin armour, designed to keep out nothing more than small-arms fire. Yet, during the battle on the Lomba the 47 Brigade of the Angolan forces was nearly wiped out.
Scholtz’z blow-by-blow account of a David vs. Goliath battle takes the reader to the heart of the action. It is honestly told and vividly described, thanks to interviews with veterans and diary entries that help to recreate the drama of the battle. It is an intensely human story of how individuals react in the face of death and how the war never left them, even when they returned home.
Breaking a Rainbow, Building a Nation covers the university protests that took place in 2015–2016, better known as the #FeesMustFall protests. Rekgotsofetse (Kgotsi) gives us his first-hand account of what happened prior to the protests and what led to the events of October 2015 at the various university campuses and nationally.
This is a four-part retelling of what happened on the ground amongst the students, first at #RhodesMustFall, then moving to the university responses and management and what ultimately led to #FeesMustFall nationwide. Chikane then looks at student politics now and how they are different from 1976, specifically the fact that the protests were being led by so-called coconuts, who are part of the black elite.
The book poses the provocative question, can coconuts be trusted with the revolution?
Accessible and engaging short stories about Nelson Mandela, to celebrate 100 years since his birth.
How do you retell the well-worn life story of a national icon? One way is this: a palimpsest of a hundred memories of the great man, revolutionary, world leader, and family figure, to celebrate the 100th anniversary of his birth. Kate Sidley offers renewed and touching insight into Mandela by retelling humorous, heart-warming and momentous moments from his life, roughly chronologically, drawing from his own writing and the memories of contemporaries, historians and ordinary people. The reading experience is multi-varied and complex, touching and inspiring, like Madiba himself.
100 Mandela Moments is divided into sections, according to the many roles Mandela played in his lifetime: the school boy, the student, the lawyer, the outlaw, the prisoner, the negotiator, the statesman, the elder. Each story or “moment” is short and encapsulates something about the man behind the legend, and the book can be read cover to cover or dipped into.
In 2015, students at the University of Cape Town demanded the removal of a statue of Cecil Rhodes, the imperialist, racist business magnate, from their campus. The battle cry '#RhodesMustFall' sparked an international movement calling for the decolonisation of the world's universities.
Today, as this movement grows, how will it radically transform the terms upon which universities exist? In this book, students, activists and scholars discuss the possibilities and the pitfalls of doing decolonial work in the home of the coloniser, in the heart of the establishment. Subverting curricula, enforcing diversity, and destroying old boundaries, this is a radical call for a new era of education.
Offering resources for students and academics to challenge and resist coloniality inside and outside the classroom, Decolonising the University provides the tools for radical pedagogical, disciplinary and institutional change.
As a follow up to the bestselling >Killing Kebble: An Underworld Exposed (2010), the new book from Mandy Wiener examines how organised crime, gangsters and powerful political figures have been able to capture the law enforcement authorities and agencies.
These various organisations have been eviscerated, hollowed out and left ineffective. They have been infiltrated and compromised and, as a result, prominent underworld figures have been able to flourish in South Africa, setting up elaborate networks of crime with the assistance of many cops.
The criminal justice system has been left exposed and it is crucial that the South African public knows about the capture that has occurred on different levels.
The future of mining in South Africa is hotly contested. Wide-ranging views from multiple quarters rarely seem to intersect, placing emphasis on different questions without engaging in holistic debate.
This book aims to catalyse change by gathering together fragmented views into unifying conversations. It highlights the importance of debating the future of mining in South Africa and for reaching consensus in other countries across the mineral-dependent globe.
It covers issues such as the potential of platinum to spur industrialisation, land and dispossession on the platinum belt, the roles of the state and capital in mineral development, mining in the era of the Fourth Industrial Revolution, the experiences of women in and affected by mining since the late 19th century and mine worker organising: history and lessons and how post-mine rehabilitation can be tackled.
It was inspired not only by an appreciation of South Africa’s extensive mineral endowments, but also by a realisation that, while the South African mining industry performs relatively well on many technical indicators, its management of broader social issues leaves much to be desired. It needs to be deliberated whether the mining industry can play as critical a role going forward as it did in the evolution of the country’s economy.
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