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Africa Reimagined is a passionately argued appeal for a rediscovery of our African identity. Going beyond the problems of a single country, Hlumelo Biko calls for a reorientation of values, on a continental scale, to suit the needs and priorities of Africans. Building on the premise that slavery, colonialism, imperialism and apartheid fundamentally unbalanced the values and indeed the very self-concept of Africans, he offers realistic steps to return to a more balanced Afro-centric identity.
Historically, African values were shaped by a sense of abundance, in material and mental terms, and by strong ties of community. The intrusion of religious, economic and legal systems imposed by conquerors, traders and missionaries upset this balance, and the African identity was subsumed by the values of the newcomers. Biko shows how a reimagining of Africa can restore the sense of abundance and possibility, and what a rebirth of the continent on Pan-African lines might look like. This is not about the churn of the news cycle or party politics – although he identifies the political party as one of the most pernicious legacies of colonialism. Instead, drawing on latest research, he offers a practical, pragmatic vision anchored in the here and now.
By looking beyond identities and values imposed from outside, and transcending the divisions and frontiers imposed under colonialism, it should be possible for Africans to develop fully their skills, values and ingenuity, to build institutions that reflect African values, and to create wealth for the benefit of the continent as a whole.
An asteroid the size of Table Mountain crashed into what was to become South Africa over 2 billion years ago, marking the spot. The countryís history since then has always been robust and full of energy. This book takes you in record time from that moment, when the earthís richest gold reefs were shaped, to the advent of democracy in 1994, another event that stunned the world, and beyond. Along the way you will encounter some of the most ancient dinosaurs on record, the very first people on the planet, and the first cultures. You will see outsiders moving in to reshape history: hunters and gatherers, cultivators and herders, iron-workers from the north, and immigrants from Europe and Asia. They fought and made peace; they stumbled upon gold and diamonds; they rose to the heights of excellence and sank to the depths of oppression, until on one day they all queued as equals to elect a government. That is the story marked by dinosaurs, diamonds and democracy.
In 1957 emigreer die negejarige Henk van Woerden vanaf Nederland met sy gesin na Kaapstad – leertas in die hand, mussie oor die ore, serp om die nek, glasoog in die oogkas. Eers veertig jaar later ontdek hy wat die rede was vir hierdie vertrek na Suid-Afrika: Sy pa was ’n kollaborateur in die Tweede WÍreldoorlog. Die emigrasie is die begin van ’n lewe as buitestaander en vorm later die goue draad in sy skilderye en literÍre werk.
Koning Eenoog is ’n boeiende biografie van die ewig soekende emigrant Henk van Woerden (1947–2005), ’n skrywer wat nie net ’n bekroonde oeuvre agtergelaat het nie (Een mond vol glas – Alan Paton Award en die Frans Kellendonk-prys, Ultramarijn – Gouden Uil en Inktaap) maar ook die Nederlandse literatuur oor Suid-Afrika verander het.
In die jare 1891 tot 1893 het ongeveer 770 persone Transvaal verlaat en na Angola en Duits-Suidwes-Afrika getrek om hulle heil daar te soek. Dit staan bekend as die “sesde” Dorslandtrek.
Sowat 45 De Jagers het in verskillende groepe aan hierdie epiese trek deelgeneem. NŠ die sesde Dorslandtrek het hulle tussen Angola, Suidwes-Afrika, Suid-Afrika en selfs Kenia rondgeswerf en verdere avonture oor die hele Suider-Afrika beleef. Sommige De Jagers het in 1928 van Angola na Suidwes-Afrika getrek en hulle daar gevestig, terwyl ander eers in 1958 uit Angola gerepatrieer is.
Uit die beperkte beskikbare bronne is die verskillende trekroetes van die sesde Dorslandtrek gerekonstrueer en vir die eerste keer word ’n kaart van die verskillende trekroetes gepubliseer. ’n Geslagregister van bykans 1800 afstammelinge en aangetroude familielede van die De Jagers van die sesde Dorslandtrek en byna 500 foto’s vorm ’n omvattende beeld van hierdie familiegeskiedenis.
Ferial Haffajee is highly respected as one of South Africa's thought leaders and commentators. She effectively uses her media platform to raise and discuss issues pertinent to the state of the nation. In What If There Were No Whites In South Africa?, Haffajee examines our history and our present in the light of a provocative question that yields some thought-provoking analysis for the country.
From roundtable discussions with influential as well as ordinary South Africans, to research, personal thoughts and powerful anecdotes, Haffajee takes the reader through the rocky terrain of race relations in our country and grapples towards a possible way forward in terms of what it means to be South African in 2015.
Min ander gebeurtenisse in die Suider-Afrikaanse geskiedenis het so ’n onuitwisbare indruk gelaat as die Dorslandtrek. Die populÍre reisverhaalskrywer Lawrence Green het dit byvoorbeeld beskryf as “the most painful chapter in the whole history of the Afrikaner race”.
Kort nŠ hulle aankoms op Humpata het die graaf van Mayo die Dorslandtrekkers soos volg beskryf: “Taking them all round, a finer set of men I have never seen; without doubt, during that terrible seven years’ journey it was a case of the survival of the fittest.”
Die Dorslandtrek: 1874–1881 vertel die aangrypende verhaal van die ongeveer 700 persone (benewens ’n onbekende getal swart arbeiders) wat Transvaal gedurende die jare 1874 tot 1877 verlaat het en hulle in 1881 nŠ ’n swerftog van sewe jaar op Humpata op die hooglande van Angola gevestig het. Gedurende hulle epiese tog het ongeveer 230 blanke trekkers gesterf en ongeveer dieselfde getal na Transvaal teruggekeer. Hoewel ongeveer 130 babas gedurende die trek gebore is, het slegs ongeveer 370 persone hulle beloofde land uiteindelik bereik.
Die Dorslandtrek: 1874–1881 is die eerste boek wat in amper veertig jaar oor diť onderwerp verskyn. Bestaande feite word grondig ontleed en nuwe feite word op ’n omvangryke wyse byeengebring. Die resultaat is die mees omvattende boek oor diť aangrypende gebeurtenis.
The Cape, 1652: Europe and Africa collide. As the Dutch and, later, the British seep into southern Africa’s arid west, they form an uneasy alliance with the indigenous San, Khoi and Griqua people. In the first unions between settlers and indigenous peoples, the Coloured people of the Cape flicker to life.
But events thousands of miles away are soon to upset this tenuous balance of power. Slavery and its moral and religious hegemony quickly demonises interracial unions; in the spat between the Dutch and British over the Cape’s huge strategic value, the Khoi, San, Griqua and nascent Coloured populations are trampled underfoot. With literal and ideological muzzle-loaders blazing, the British and Afrikaners rampage through two wars that culminate in another type of union in 1910 – the Union of South Africa – which sees the Coloured people losing what little parliamentary representation they had under the British.
In Our Own Skins is the extraordinary story of a small but proud group’s 84-year battle to regain the franchise, told through the eyes of an uncompromising insider. From the Stone meetings, conducted from a boulder on a windswept District Six hillside, to a petition carried, torch-like, to faraway London in 1909, it maps a trajectory of loss – and of restoration. Its rich cast – among others, the Glasgow-educated Dr Abdullah Abdurahman, his fiery daughter Cissie Gool, the Ghanaian FZS Peregrino, Jimmy and Alex la Guma and Labour Party stalwart Allan Hendrickse – plays a leading role in pulling the Coloured people through the post-colonial morass that is South Africa up to 1994 and beyond and proudly placing them, fully represented, in the cabinet of Nelson Mandela – one of the most iconic leaders the world has ever known.
’n AsteroÔde so groot soos Tafelberg tref meer as twee miljard jaar gelede die plek wat uiteindelik Suid-Afrika sou word. NŠ diť slag volg ’n onstuimige geskiedenis.
Die storie begin in die tyd toe die aarde se rykste goudneerslae gevorm is. Van hier strek die verhaal tot verby die geboorte van demokrasie in 1994 – ’n ander gebeurtenis wat die wÍreld se asem weggeslaan het. Langs die weg kom ’n mens die oudste dinosourusse wat ooit gelewe het teŽ, asook die planeet se heel eerste mense en vroegste kulture. Inkomelinge het die geskiedenis gevorm – jagterversamelaars, landbouers en kuddewagters, ystersmede vanuit die noorde, en immigrante vanuit Europa en AsiŽ.
Suid-Afrika se mense het oorlog gemaak en vrede gesluit, goud en diamante ontdek, glorieryke hoogtes bereik en in die dieptes van onderdrukking verval – totdat almal op ’n dag as gelykes in ’n ry ingeval het om vir ’n regering te stem wat hulle as demokratiese volk die een-en-twintigste eeu sou binnelei. Dit is die verhaal van dinosourusse, diamante en demokrasie.
The City of Cape Town is a place of contrasts, the legacy of apartheid having left a distinct make-up. Yet the challenges confronting the contemporary city are notably aggravated by modern-day factors such as increasing unemployment and poverty.
In this timely work, Mayor of Cape Town Patricia de Lille and Craig Kesson, the city’s Director of Policy and Strategy, confront some of the issues of governance: how can the city help overcome social and physical segregation; how can the government live up to the promises made to South Africans; and how can the city function and heal within these limitations?
"I’ve seen firsthand the progress Cape Town has made under Mayor De Lille. Successes in one city often spreads to others, and this book provides a valuable guide for how, with a bit of motivated and dynamic leadership, cities can lead the way on the most important issues of our day.” Michael Bloomberg, founder of Bloomberg L.P. and former mayor of New York City
Personal story and diary accounts of Hilda and Rusty Bernstein, and their family following up to and during the 1960 State of Emergency. Both parents were arrested and their 16-year-old daughter, Toni, had to look after her three younger siblings. The book juxtaposes Toni, Rusty and Hilda’s experiences with a focus on Hilda and Toni.†A heart-warming insider account of the lives of freedom fighters and the sacrifices that they made for the struggle.†
Nobel Peace Prize winner and bestselling author Malala Yousafzai introduces some of the faces behind the statistics and news stories we read or hear every day about the millions of people displaced worldwide.
Malala's experiences visiting refugee camps caused her to reconsider her own displacement - first as an Internally Displaced Person when she was a young child in Pakistan, and then as an international activist who could travel anywhere in the world, except to the home she loved. In We Are Displaced, which is part memoir, part communal storytelling, Malala not only explores her own story of adjusting to a new life while longing for home, but she also shares the personal stories of some of the incredible girls she has met on her various journeys - girls who have lost their community, relatives, and often the only world they've ever known.
In a time of immigration crises, war and border conflicts, We Are Displaced is an important reminder from one of the world's most prominent young activists that every single one of the 68.5 million currently displaced is a person - often a young person - with hopes and dreams, and that everyone deserves universal human rights and a safe home.
Starting with her own story of displacement as an Internally Displaced Person, Malala will introduce readers to what it means to lose your home, your community, and the only world you've ever known. She will share the personal stories of some of the incredible girls she has met on her various journeys to refugee camps and the cities where refugee girls and their families have settled. The anecdotes will focus on different parts of each girl's story - from what it was like the day she left her home to what daily life is like in a refugee camp. In a time of immigration crises, war, and border conflicts, WE ARE DISPLACED is an important reminder from one of the most famous people to experience displacement that everyone deserves universal human rights and a home.
Met haar innemende en boeiende vertelstyl teken Dot Serfontein in Systap onder die juk verhale oor die lewens van ’n versameling merkwaardige mense op.
Die leser leer ken ’n groep Noord-Vrystaters wat aan diť wÍreld sy sonderlinge geskiedenis en karakter verleen het. Dit is ’n distrik “lankal reeds bewoon deur verantwoordelike, stoere mense wat hulle deur niemand laat voorsÍ nie”, soos dit in die titelverhaal gestel word.
Van hierdie stoere mense is byvoorbeeld die unieke tant Hannie Wolmarans. Die staaltjies oor haar het vir die skryfster as kind so onwaarskynlik geklink dat hulle in dieselfde klas as sprokies geval het. Daar is byvoorbeeld ook oom Lood, wat selfs in die eienaardige Serfontein-familie, hom kon onderskei as ’n eienaardige mens. Die luimige aard van die vertellings word ook in hierdie bundel deurweef met waardering en deernis, veral vir haar ma Boeta en pa Oupats.
The final book from a towering pioneer in the study of poverty and inequality "a critically important examination of poverty around the world In this, his final book, economist Anthony Atkinson, one of the world (TM)s great social scientists and a pioneer in the study of poverty and inequality, offers an inspiring analysis of a central question: What is poverty and how much of it is there around the globe? The persistence of poverty "in rich and poor countries alike "is one of the most serious problems facing humanity. Better measurement of poverty is essential for raising awareness, motivating action, designing good policy, gauging progress, and holding political leaders accountable for meeting targets. To help make this possible, Atkinson provides a critically important examination of how poverty is "and should be "measured. Bringing together evidence about the nature and extent of poverty across the world and including case studies of sixty countries, Atkinson addresses both financial poverty and other indicators of deprivation. He starts from first principles about the meaning of poverty, translates these into concrete measures, and analyzes the data to which the measures can be applied. Crucially, he integrates international organizations (TM) measurements of poverty with countries (TM) own national analyses. Atkinson died before he was able to complete the book, but at his request it was edited for publication by two of his colleagues, John Micklewright and Andrea Brandolini. In addition, Fran ois Bourguignon and Nicholas Stern provide afterwords that address key issues from the unfinished chapters: how poverty relates to growth, inequality, and climate change. The result is an essential contribution to efforts to alleviate poverty around the world.
GUARDIAN MUST READ BOOKS OF 2019 'The you-gotta-read-this anthology' Stylist 'This collection showcases the joy, empathy and fierceness needed to adopt the country as one's own' Publishers Weekly An urgent collection of essays by first- and second-generation immigrants, exploring what it's like to be othered in an increasingly divided America. From Trump's proposed border wall and travel ban to the marching of White Supremacists in Charlottesville, America is consumed by tensions over immigration and the question of which bodies are welcome. In this much-anticipated follow-up to the bestselling UK edition, hailed by Zadie Smith as 'lively and vital', editors Nikesh Shukla and Chimene Suleyman hand the microphone to an incredible range of writers whose humanity and right to be in the US is under attack. Chigozie Obioma unpacks an Igbo proverb that helped him navigate his journey to America from Nigeria. Jenny Zhang analyzes cultural appropriation in nineties fashion, recalling her own pain and confusion as a teenager trying to fit in. Fatimah Asghar describes the flood of memory and emotion triggered by an encounter with an Uber driver from Kashmir. Alexander Chee writes of a visit to Korea that changed his relationship to his heritage. These writers, and the many others in this singular collection, share powerful personal stories of living between cultures and languages while struggling to figure out who they are and where they belong. By turns heartbreaking and hilarious, troubling and uplifting, the essays in The Good Immigrant USA come together to create a provocative, conversation-sparking, multi-vocal portrait of America now. Essays from: Porochista Khakpour; Nicole Dennis-Benn; Rahawa Haile; Teju Cole; Priya Minhas; Wale Oyejide; Fatimah Asghar; Tejal Rao; Maeve Higgins; Krutika Mallikarjuna; Jim St. Germain; Jenny Zhang; Chigozie Obioma; Alexander Chee; Yann Demange; Jean Hannah Edelstein; Chimene Suleyman; Basim Usmani; Daniel Jose Older; Adrian Villar Rojas; Sebastian Villar Rojas; Dani Fernandez; Fatima Farheen Mirza; Susanne Ramirez de Arellano; Mona Chalabi; Jade Chang
April 1943. To mark a move by the Hungarian Club to new premises at 33 Pembridge Square, London W2, the emigre critic and publisher Charles Rosner organised a graphics show including work by 14 Hungarian-born artists living in Britain, all but one of whom were to be granted British citizenship. The 14 were: Joseph Bato, painter and art director; Klara Biller, illustrator; Val Biro, illustrator and author; George Buday, illustrator and organiser; Imre Goth, painter and inventor; Imre Hofbauer, illustrator and author; Peter Lambda, sculptor; Lili Markus, ceramist; George Mayer-Marton, painter and teacher; Henry Ripszam, painter and sculptor; Jean-Georges Simon, painter and teacher; Istvan Szegedi-Szuts, painter and author; Paul Vincze, medallist; Akos Zsoter, painter. All found haven of a sort in Britain, although George Buday, denied citizenship by MI5's false allegation of Communist sympathies, suffered a nervous breakdown when Moscow crushed the October 1956 uprising. To mark 75 years from the original show, and the centenary of Armistice Day, Robert Waterhouse followed the tracks of all 14 artists from Glasgow to Penzance via London, Vienna and Budapest, turning up archives, working through family collections and searching the vaults of public galleries. He came across long-lost images, unpublished diaries, memoirs and out-of-print titles which flesh out caricatures of exile, showing how each artist came to terms with British life, making a living and an individual mark. Seven of the 14 had fought as Austro-Hungarian conscripts in the First World War. Driven from their homeland by the punitive terms of the 1920 Treaty of Trianon, then pushed from Berlin, Prague and Vienna by the rise of the Third Reich, their arrival in London, where they were treated as enemy aliens, was anything but auspicious. Yet they survived. The anthology rediscovers a forgotten generation-and-a-half whose contribution to our national culture as Hungaro-Brits has clear messages for today's Hungary, questioning democratic institutions, and today's Britain, intent on cutting bonds with the Continent.
Johannesburg is filled with many migrants from across Africa and the world, seeking opportunities in the `city of gold'. In this book, Caroline Wanjiku Kihato, who began her life in South Africa as a street trader, uses narratives and images to explore the lives of women from Cameroon, the Democratic Republic of Congo, Congo Brazzaville, Nigeria, Rwanda, Burundi, Kenya, Tanzania, Uganda and Zimbabwe, now living in Johannesburg. Using their stories of love, illness, fears, children, violence, family and money, she explores women's relationships with host and home communities, the South African state, economy and the city of Johannesburg. Rather than ask how political forces and global capital shape Johannesburg, this book turns the dominant urban question on its head, and interrogates how cross-border women shape Johannesburg's politics, regulatory systems and local economies. It explores migrant women's fl uid lives against the backdrop of a city that is also in flux. It looks at what it means to live in Johannesburg, yet remain dislocated there; what it means to be in the inner city, yet aspire to live elsewhere; and what it means to be both visible and invisible in the city. The author poignantly illustrates how migrant women enable us to see how populations living in society's margins influence urban practices. As we follow them through the city's streets, the boundaries between legality and illegality, formal and informal, official and unofficial collapse - rendering these categories inaccurate descriptors of the city or their lives. The women in this book compel us to rethink these easy binaries that have for so long shaped how we plan and govern cities. Kihato argues that transformation within urban planning and governance structures a redefinition of these terms for twenty first century African cities. This insightful ethnographic study is a must-read for those working in urban planning, gender and migration studies and governance and service delivery.
Our City: Migrants and the Making of Modern Birmingham explores how one of Britain s major cities has been transformed for the better by its migrant population. Based on original interviews, this book tells the story of fifty migrants to Birmingham from all walks of life: first and second generation; men and women; from thirteen different countries ranging from Ireland to India, Pakistan to Poland, the Caribbean to Somalia. While Brexit and the dangers of Islamist extremism are being used to reassert a closed British identity, these tales of perseverance highlight the variety of migrant experience and provide an antidote to the fear-mongering of the tabloid press. This positive story of integration is all too rarely told, and it offers a firm defense of the principles of equality and increased diversity. Our City shows why mixed, open societies are the way forward for twenty-first-century cities, and how migrants help modern Britain not only survive, but prosper.
Nobel Peace Prize winner and bestselling author Malala Yousafzai introduces some of the faces behind the statistics and news stories we read or hear every day about the millions of people displaced worldwide. Malala's experiences visiting refugee camps caused her to reconsider her own displacement - first as an Internally Displaced Person when she was a young child in Pakistan, and then as an international activist who could travel anywhere in the world, except to the home she loved. In We Are Displaced, which is part memoir, part communal storytelling, Malala not only explores her own story of adjusting to a new life while longing for home, but she also shares the personal stories of some of the incredible girls she has met on her various journeys - girls who have lost their community, relatives, and often the only world they've ever known. In a time of immigration crises, war and border conflicts, We Are Displaced is an important reminder from one of the world's most prominent young activists that every single one of the 68.5 million currently displaced is a person - often a young person - with hopes and dreams, and that everyone deserves universal human rights and a safe home.
overconsumption / population growth / dwindling resources / climate change / disease / contamination / storms / thirst / war ... will the struggle to simply stay alive become humanity's future rather than its past? World-renowned scientists Tony Barnosky and Liz Hadly ask: what happens when vast population growth endangers the world's food supplies? Or our water? Our oil, space or environment? What happens if these all become critical at once? End Game explores the origins of disease in densely populated areas of West Africa, witnesses raging fires in Colorado and explains how drought-induced food shortages are already causing conflicts in the Sudan, Gaza Strip and Iraq. Finally, it asks: what combination of problems will hasten the sixth mass extinction? We still have the chance to avoid this tipping point and secure our future. But this unique opportunity will be gone within ten-to-twenty years. End Game is the call to action we need.
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