Your cart is empty
Johannesburg: Egoli to some, Jozi to others. Once a mining town, now the most important commercial city in Africa. It’s been home to renegades and rogues, colonialists and capitalists, the dispossessed and the newly enriched. Today it’s populated by those who call themselves Africans or Afrikaners, by blacks, whites and every shade inbetween, and by immigrants from all over.
There are suburbs where the daily rituals of Jewish culture rival New York’s; elsewhere, the tone is more Lagos than laid-back. Remnants of the colonial era stand alongside contemporary steel and glass. In a town that prides itself on the pursuit of fortune, it’s a challenge to preserve heritage, and it is against this background that Hidden Johannesburg offers a snapshot of 28 notable buildings. From the stately mansions of the Randlords to their downtown headquarters, the clubs where they socialised and the churches where they worshipped, the architecture of early Johannesburg lives on in sandstone, granite, marble and slate. But this is a city that constantly reinvents itself, and where the old is all-too-readily demolished to make way for the next ‘big thing’. Some buildings will survive, others will be consigned to memory.
Hidden Johannesburg reveals fragments of the history of this vibrant city but, perhaps, the book also tells us something about our future, for if we allow our heritage to be swept away in the name of progress, are we advancing at all?
Now revised, this book takes a unique look ‘inside’ 29 of Cape Town’s most notable buildings. If you have ever wondered what lies behind an interesting facade, or wished you could peek behind a closed door, Hidden Cape Town is the book for you. The author and photographer have collaborated to reveal the artworks and architectural secrets that lie behind the doors of some wellknown, and lesser known, landmark buildings in and around the ‘Mother City’. These buildings are part of our collective heritage, reflecting the myriad cultural influences that have shaped our country. These ‘hidden’ interiors include the Sendinggestig Museum, South African National Library, City Hall, Palm Tree Mosque, Welgelegen, the Royal Observatory, Bertram House, the Greek Orthodox Cathedral of St George, Groote Schuur, the Old Synagogue and the officer’s mess of the Cape Town Rifles (‘The Dukes’).
The core of the LSU campus is an example of what we can do when we set our sights high. It stands out today as one of the most successful and inspiring examples in the state, one meant by its architect to become an intuitive course in architecture for the students, spreading the influence of its ideals and inspirations across the highlands and lowlands of Louisiana. from The Architecture of LSU When viewed from the technical vantage point of an architect, the discerning eye of an artist, or sociocultural perspective of a historian, the remarkable buildings of Louisiana State University reveal not only a legacy that goes back to the Renaissance, but also a primer of architectural principles that guided the creation of one of the most distinctive academic environments in the United States. Author, professor, and architect J. Michael Desmond traces the university s development from its origins in Pineville, Louisiana, before the Civil War, through its two downtown Baton Rouge locations, to its move to the Williams Gartness Plantation south of the city in the 1920s. The layout of the present campus began with the picturesque vision of landscape architect Frederick Law Olmsted Jr. The German-born architect Theodore Link developed and reinterpreted the Olmsted campus plan, producing designs for fourteen of the nineteen core campus buildings. After his untimely death in 1923, the New Orleans firm of Wogan & Bernard completed the buildings in Link s masterplan, which in their formal symmetry and fine classical details reflect the influence of sixteenth-century architect Andrea Palladio. Explosive growth during the 1930s and the impact of the automobile demanded an expansion beyond the campus core. The firm of Weiss, Dreyfous & Seiferth took over as campus architects in 1932, and Baton Rouge landscaper Steele Burden oversaw the live oak plantings for which the LSU campus is now renowned. The essential structure of the campus and its landscape was in place by the time the United States entered World War II. The Architecture of LSU includes a wealth of photographs, plans, drawings, and maps that underscore the contributions of key historical figures and the genealogies of the campus s architecture and planning. By meticulously tracing the origins and evolution of LSU s architectural core and exploring the wider scope of American college campus design, Desmond shows the far-reaching rewards of public environments that integrate natural and constructed elements to meet both practical and aesthetic goals.
Thomas Jefferson's design for the University of Virginia is widely hailed as a masterpiece. It is his greatest architectural accomplishment, the summation of his quest for intellectual freedom. The story of the University encompasses the political and architectural worlds, as Jeffeson struggled against great opposition to establish a new type of educational institution. "Thomas Jefferson's Academical Village "offers a comprehensive look at Jefferson's design for the University, at how it came into being, at the different perecptions of its successes and failures, and at the alterations that have taken place down through the years.
The revised edition incorporates research that has been ongoing since the book first appeared in 1993, and includes a preface by Richard Guy Wilson, essays on architecture and education and the Lawn, additional architectural drawings and historic photographs, a foreword by President John T. Casteen III, and numerous color illustrations.
In much the same way that views of the Earth from the Apollo missions in the late 1960s and early 1970s led indirectly to the inauguration of Earth Day and the modern environmental movement, the dawn of aviation ushered in a radically new way for architects, landscape designers, urban planners, geographers, and archaeologists to look at cities and landscapes. As icons of modernity, airports facilitated the development of a global economy during the twentieth and early twenty-first centuries, reshaping the way people thought about the world around them. Professionals of the built environment awoke to the possibilities offered by the airports themselves as sites of design and by the electrifying new aerial perspective on landscape.
In "Flights of Imagination, " Sonja Dumpelmann follows the evolution of airports from their conceptualization as a landscape and a city to modern-day plans to turn decommissioned airports into public urban parks. The author discusses landscape design and planning activities that were motivated, legitimized, and facilitated by the aerial view. She also shows how viewing the Earth from above redirected attention to bodily experience on the ground and illustrates how design professionals understood the aerial view as simultaneously abstract and experiential, detailed and contextual, harmful and essential. Along the way, Dumpelmann traces this multiple dialectic from the 1920s to the land camouflage activities during World War II, and from the environmental and landscape planning initiatives of the 1960s through today.
From backwoods bars and small-town dives to swampside dance halls and converted clapboard barns, Louisiana Saturday Night offers an anecdotal history and experiential guidebook to some of the Gumbo State's most unique blues, Cajun, and zydeco clubs.
Music critic Alex V. Cook uncovers south Louisiana's wellspring of musical tradition, showing us that indigenous music exists not as an artifact to be salvaged by preservationists, but serves as a living, breathing, singing, laughing, and crying part of Louisiana culture. Louisiana Saturday Night takes the reader to both offbeat and traditional venues in and around Baton Rouge, Cajun country, and New Orleans, where we hear the distinctive voices of musicians, patrons, and owners -- like Teddy Johnson, born in the house that now serves as Teddy's Juke Joint. Along the way, Cook ruminates on the cultural importance of the people and places he encounters, and shows their critical role in keeping Louisiana's unique music alive. A map, a journal, a snapshot of what goes on in the little shacks off main roads, Louisiana Saturday Night provides an indispensable and entertaining companion for those in pursuit of Louisiana's quirky and varied nightlife.
Court day in early Virginia transformed crossroads towns into forums for citizens of all social classes to transact a variety of business, from legal cases heard before the county magistrates to horse races, ballgames, and the sale and barter of produce, clothing, food, and drink. As marketplace, playing field, social center, and administrative and judicial county seat, the courthouse grounds gave rise to an array of public and private buildings. The Courthouses of Early Virginia is the first comprehensive history of the public buildings that formed the nucleus of this space and the important private buildings that grew up around them.
Carl R. Lounsbury surveys the architectural history of these buildings, from their undifferentiated forms in 1650 to 1800, when they had developed into specialized structures that reflected the growth of a wealthy agricultural society built on slave labor. After setting the context of legal and social affairs that conditioned the design, construction, and function of county government buildings, he examines the example of Yorktown. He then proceeds with a thematic exploration of issues including the rise of courthouses of greater civic aspiration and aesthetic ambition, the public building process, attitudes toward punishment and prisons, and the role of taverns and clerk's offices in the legal process. He concludes with a discussion of the evolution of the courthouse grounds into the broader civic squares that characterized many Virginia cities and towns by the early nineteenth century.
With abundant drawings, photographs, and maps and a checklist of important public buildings in early Virginia, Lounsbury's study will fascinate and delight architectural historians, architects, students, and Virginians involved in law and government.
Colonial Williamsburg Studies in Chesapeake History and Culture
Updates the highly acclaimed original edition with extensive new material that relates to the form, essence, and age of each Dutch barn as well as the evolution of the barn building era.
Gregory D. Huber updates John Fitchen's The New World Dutch Barn with extensive new material. Added to Fitchen's descriptions of barn types, framing style, and exterior appearance is research information that relates to the form, fabric, and essence of each Dutch barn. Huber notes the secondary expressions seen in barns in various locations in both New York and New Jersey, the evolution of the barn building tradition, and why only one of the four major tie-beam types found in the Netherlands proliferates in America.
The fourth edition of The Virginia Landmarks Register is an entirely new, fully illustrated compilation of the state's buildings, structures, sites, and districts that have been officially designated as historic landmarks by the Virginia Board of Historic Resources over the past thirty years. The assemblage of nearly 1,800 entries--700 more than in the third edition, published in 1986--represents the most comprehensive inventory of Virginia's rich and varied historic patrimony ever published.
An invaluable reference for any Virginian, scholar, planner, architect, or preservationist, the Register is far more than an official list of names. Every registered landmark and district is identified by a brief history documenting its significance and by a brief description. Each entry is accompanied by a photograph showing its current appearance. Arranged alphabetically by county and independent city, the entries include not only many nationally famous places but the entire spectrum of the Commonwealth's cultural resources, from a 1,200-year-old prehistoric archaeological site through twentieth-century commercial architecture, from gristmills and metal-truss bridges and iron furnaces to NASA space exploration installations.
Those interested in traditional Virginia architecture will discover a multiplicity of building types, both high-style and vernacular. Included, too, are important landmarks of black history, the Civil War, education, and industry. The Virginia Landmarks Register, fourth edition, will create for the reader a deeper awareness of a unique legacy and will serve to enhance the stewardship of Virginia's irreplaceable heritage.
In 1934 Sir Giles Gilbert Scott began work on designs for a substantial new library building opposite the Old Bodleian Library site in Broad Street, Oxford in order to provide much-needed space for the growing numbers of books housed in the library and the number of readers using them. Opened in 1946 (having been delayed by the Second World War), for seventy years the New Bodleian served the academic community and readers visiting Oxford, housing 3.5 million items. Scott's innovative designs meant that the New Bodleian became a Grade II-listed building in 2003. In 2009, thanks to a generous bequest from the Garfield Weston Foundation, plans got underway for a complete refurbishment of the building to meet the needs of twenty-first-century research and the Bodleian's expanding collections. The architects Wilkinson Eyre were appointed to develop the project adapting the Grade II listed building for its new use as a special collections library while keeping the facade intact. Their brief was to redesign reading rooms for the consultation of rare books, manuscripts, archives, music and maps, provide new research facilities (including support for digital scholarship), new teaching facilities, improved conservation laboratories, state-of-the-art storage for Bodleian Libraries' valuable special collections and enhanced public access through a new entrance hall and exhibition space. This book tells the story of how the vision for the Weston Library was realized. Like the project itself, it represents a collaboration between clients and consultants as they place the project in context, describing in detail the many architectural, academic, curatorial and heritage issues addressed throughout the process, and the challenges of meeting the needs of an internationally renowned, four-hundred-year-old institution in the twenty-first century.
An in-depth history of the Stalinist skyscraper In the early years of the Cold War, the skyline of Moscow was forever transformed by a citywide skyscraper building project. As the steel girders of the monumental towers went up, the centuries-old metropolis was reinvented to embody the greatness of Stalinist society. Moscow Monumental explores how the quintessential architectural works of the late Stalin era fundamentally reshaped daily life in the Soviet capital. Drawing on a wealth of original archival research, Katherine Zubovich examines the decisions and actions of Soviet elites-from top leaders to master architects-and describes the experiences of ordinary Muscovites who found their lives uprooted by the ambitious skyscraper project. She shows how the Stalin-era quest for monumentalism was rooted in the Soviet Union's engagement with Western trends in architecture and planning, and how the skyscrapers required the creation of a vast and complex infrastructure. As laborers flooded into the city, authorities evicted and rehoused tens of thousands of city residents living on the plots selected for development. When completed in the mid-1950s, these seven ornate neoclassical buildings served as elite apartment complexes, luxury hotels, and ministry and university headquarters. Moscow Monumental tells a story that is both local and broadly transnational, taking readers from the streets of interwar Moscow and New York to the marble-clad halls of the bombastic postwar structures that continue to define the Russian capital today.
Stadium construction has altered the physical landscape of many major metropolitan areas throughout North America and has had a profound psychological and economic impact on these urban centers. How athletic facilities have been constructed, from the ritual-centered beginning of stadium construction in ancient Greece to largescale construction of professional sports facilities in present day global centers, reveals a culture's values and priorities and how it defines its recreational needs. With in-depth analysis and research, Robert C. Trumpbour examines the political institutions, commercial entities, civic leadership, and media organizations that influenced new stadium construction. The author analyzes three significant recent historical periods: the Progressive Era when modern fireproof stadiums were first built; the late 1960s and early 1970s when multipurpose football stadiums were built in downtown areas to promote urban redevelopment; and the late 1990s when retro ballparks were built to employ novel measures for profiteering. Charting this evolution, Trumpbour convincingly argues that there has been a dramatic shift in the role of the media, one in which media access has emerged as a vital element in setting the ground rules for the stadium construction debate. Written in lucid, jargon-free prose, this book combines a detailed history of stadium construction with an analysis of current stadium issues that provides a rich, portrait of our cultural landscape.
On Charles II's restoration to the throne in 1660, four of his supporters were provided with plots of land in a leafy suburb of London, on which to build their extravagant town palaces. The only one to survive - built for the poet and courtier Sir John Denham (1615-1669) and now situated in the heart of Piccadilly - became the home of the Royal Academy of Arts, its exhibitions and its Schools. This important study charts the history of the estate through its many owners, including the 3rd Earl of Burlington (1694-1753), who gave the house not only its name but also its distinctive and influential architecture. In his day, the house was host to leading scholars and celebrities, who met within Burlington's cutting-edge creation, which remains an unparalleled example of the Palladian style in England. Nicholas Savage's meticulous research examines 350 years of social and architectural history, as well as revealing the next phase in the life of the estate, as the Royal Academy opens up Burlington House as never before in an exciting redevelopment led by Sir David Chipperfield CBE RA to celebrate the institution's 250th anniversary.
The United States is considered the world's foremost refuge for foreigners, and no place in the nation symbolizes this better than Ellis Island. Through Ellis Island's halls and corridors more than twelve million immigrants-of nearly every nationality and race-entered the country on their way to new experiences in North America. With an astonishing array of nineteenth- and twentieth-century photographs, Ellis Island leads the reader through the fascinating history of this small island in New York harbor from its pre-immigration days as one of the harbor's oyster islands to its spectacular years as the flagship station of the U.S. Bureau of Immigration to its current incarnation as the National Park Service's largest museum.
These colourful notebooks stylishly depict iconic London buildings illustrated by the founders of the ceramics company People Will Always Need Plates, most famous for their hugely successful range of plates, mugs and other objects. Their outstanding graphic illustrations combining clean lines and bold blocks of colour make a perfect gift for fans of design and architecture. This notebook, a design object in its own right, depicts the Barbican, one of the great brutalist designs of Chamberlin, Powell and Bon. Located in the heart of London, it is a venue for music, theatre and art exhibitions and houses a cinema, library, restaurants and a conservatory.
The Academy celebrates the architect John Simpson's newly finished building for the School of Architecture at the University of Notre Dame, Indiana: the Walsh Family Hall. The language of John Simpson's architecture, which derives from the fifth century BC, has been daringly applied to new uses and an instant landmark of exceptional interest has been created. Through a judicious combination of Classical richness and warehouse-like workspace the Walsh Family Hall provides a humane and joyous series of spaces, which elevates the spirits of those entering and passing through it. This book describes not only the architecture of the Walsh Family Hall but the process whereby it came into existence, with written contributions from the generous donors, Matt and Joyce Walsh; Dean Michael Lykoudis, who commissioned the building; and some of the students who work in these uplifting surroundings. Further educational works by John Simpson such as his new 'yard' for Eton College and major new improvements to the Royal College of Music in London are described, with an essay by Simpson describing his approach. All these works are presented and explored with full colour commissioned photography, drawn plans and original sketches throughout. John Simpson Architects believes that Classicism can enhance life in the twenty-first century by creating inspirational spaces that relate to the proportions of the human body - a view of architecture that is triumphantly demonstrated in the Academy that is the Walsh Family Hall.
What we know of war is always mediated knowledge and feeling. We need lenses to filter out some of its blinding, terrifying light. These lenses are not fixed; they change over time, and Jay Winter's panoramic history of war and memory offers an unprecedented study of transformations in our imaginings of war, from 1914 to the present. He reveals the ways in which different creative arts have framed our meditations on war, from painting and sculpture to photography, film and poetry, and ultimately to silence, as a language of memory in its own right. He shows how these highly mediated images of war, in turn, circulate through language to constitute our 'cultural memory' of war. This is a major contribution to our understanding of the diverse ways in which men and women have wrestled with the intractable task of conveying what twentieth-century wars meant to them and mean to us.
Built between 1855 and 1860, Oxford University Museum of Natural History is the extraordinary result of close collaboration between artists and scientists. Inspired by John Ruskin, the architect Benjamin Woodward and the Oxford scientists worked with leading Pre-Raphaelite artists on the design and decoration of the building. The decorative art was modelled on the Pre-Raphaelite principle of meticulous observation of nature, itself indebted to science, while individual artists designed architectural details and carved portrait statues of influential scientists. The entire structure was an experiment in using architecture and art to communicate natural history, modern science and natural theology. 'Temple of Science' sets out the history of the campaign to build the museum before taking the reader on a tour of art in the museum itself. It looks at the facade and the central court, with their beautiful natural history carvings and marble columns illustrating different geological strata, and at the pantheon of scientists. Together they form the world's finest collection of Pre-Raphaelite sculpture. The story of one of the most remarkable collaborations between scientists and artists in European art is told here with lavish illustrations.
First published in 1974, Architecture of Middle Tennessee quickly became a record of some of the region's most important and most endangered buildings. Based primarily upon photographs, measured drawings, and historical and architectural information assembled by the Historic American Buildings Survey of the National Park Service in 1970 and 1971, the book was conceived of as a record of buildings preservationists assumed would soon be lost. Remarkably, though, nearly half a century later, most of the buildings featured in the book are still standing. Vanderbilt staffers discovered a treasure trove of photos and diagrams from the HABS survey that did not make the original edition in the Press archives. This new, expanded edition contains all the original text and images from the first volume, plus many of the forgotten archived materials collected by HABS in the 1970s. In her new introduction to this reissue, Aja Bain discusses why these buildings were saved and wonders about what lessons preservationists can learn now about how to preserve a wider swath of our shared history.
Vital public placessquares, post office steps, playgrounds, street cornersare centers of joyful celebration, heartbroken communion, civic discussion, or for simply hanging out. Squares is intended to help designers, planners, public officials, students, developers, and community leaders understand the history and theories of public commons, elicit community dialogue and desires, respond to the natural and built environment, and design compelling places.
Mark C. Childs contends that places built to support conviviality are critical components of a good town. He includes theory, brief case studies, and 126 design queries and discussions. These questions range from the general--"How can the life of the community be strengthened by the planning of a civic place?"--to the particular--"Is the place delightful on a Tuesday morning?" "What makes a good place for a rendezvous?" Childs explores the design implications of the automobile, electronic media, the natural environment, urban furniture and structures, public safety, and public art. Interspersed with Childs's text are brief essays by other authors addressing particular kinds of public spaces: parks, urban beaches, farmers' markets, and community gardens.
Reproduced from a rare original, this 1893 catalog provides nearly 800 detailed illustrations of stair railings, mantels, gables, moldings, and ornaments. Its varied, unusual examples of woodwork make it particularly valuable - woodturners, cabinetmakers, architects, preservationists, restorationists, designers, and students of Victoriana will find it inspiring and instructive.
You may like...
Army Architecture in the West - Forts…
Alison K. Hoagland Hardcover R971 Discovery Miles 9 710
St. EOM in the Land of Pasaquan - The…
Tom Patterson Hardcover
Building Knowledge - An Architectural…
Nick Haynes, Clive B. Fenton Hardcover R735 Discovery Miles 7 350
Building Type Basics for Healthcare…
Richard L. Kobus, Ronald L. Skaggs, … Hardcover R1,823 Discovery Miles 18 230
A Republic for the Ages - The United…
Donald R Kennon Hardcover R1,710 Discovery Miles 17 100
The Building Accounts of the Savoy…
Charlotte A. Stanford Hardcover R1,731 Discovery Miles 17 310
The Plaza - The Secret Life of America's…
Julie Satow Paperback
Westminster Abbey - A Church in History
David Cannadine Hardcover R955 Discovery Miles 9 550
Virginia's Historic Courthouses
John O. Peters, Margaret T. Peters Hardcover
Renewing Middle School Facilities
Maria Fianchini Hardcover