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In the 1980s, the charts overflowed with what felt to many like the most boring pop music ever made--and the underground exploded. The postpunk scene was a diverse collection of bands brought together by independent releases and aided by reportage in fanzines and airplay by John Peel. This is the first time this era of music has been analyzed in such depth, exploring the loose confederation of noisenik outfits including Three Johns, the Membranes, the Ex, Wedding Present, A Witness, Bogshed, and Big Flame.
Whiskey and porn stars, hot reds and car crashes, black leather and high heels, overdoses and death. This is the life of Mötley Crüe, the heaviest drinking, hardest fighting, most oversexed and arrogant band in the world. Their unbelievable exploits are the stuff of rock 'n' roll legend. They nailed the hottest chicks, started the bloodiest fights, partied with the biggest drug dealers, and got to know the inside of every jail cell from California to Japan. They have dedicated an entire career to living life to its extreme, from the greatest fantasies to the darkest tragedies. Tommy married two international sex symbols; Vince killed a man and lost a daughter to cancer; Nikki overdosed, rose from the dead, and then OD'd again the next day; and Wick shot a woman and tried to hang his own brother. But that's just the beginning. Fueled by every drug they could get their hands on and obscene amounts of alcohol, driven by fury and headed straight for hell, Mötley Crüe raged through two decades, leaving behind a trail of debauched women, trashed hotel rooms, crashed cars, psychotic managers, and broken bones that has left the music industry cringing to this day. All these unspeakable acts, not to mention their dire consequences, are laid bare in The Dirt.
Here -- directly from Nikki, Vince, Tommy, and Mick -- is the unexpurgated version of the whole glorious, gut-wrenching story. In these pages, published for the first time anywhere, are Tommy Lee's letters to Pamela Anderson from prison: Mick's confession to having an incurable disease that is slowly killing him; Vince's experience burying his own daughter -- and the train wreck that his life became afterward; and Nikki's anguished struggle to deal with an entire life fueled by anger over his childhood abandonment, his discovery of the family he never knew he had -- and his subsequent loss of them. And all of it accompanied by scores of rare, never-before-published photographs, mug shots, and handwritten lyrics. No one is spared. Not David Lee Roth, Ozzy Osbourne, Vanity, Aerosmith, Heather Locklear, AC/DC, Lita Ford, Iron Maiden, Pamela Anderson, Guns N' Roses, Donna D'Errico, RATT, or those two girls from Dallas, Texas.
Make no mistake about it: these guys are geniuses. They invented glam metal and then left it in the dust; sold more than forty million albums from Shout at the Devil to Dr. Feelgood; toured the world dozen times and have the scars to prove it it; and maintained a rabid following in an era of throwaway pop stars. Mötley Crüe has done nothing less than tattoo the psyche of the entire MTV generation. They are the ultimate rock 'n' roll band. And if you don't believe it, read The Dirt. You don't know what decadence is...
Drumming legend Carmine Appice has once again updated the best-selling drumset book in the history of rock drumming. In addition to the classic information of basic rock rhythms and polyrhythms, linear rudiments and groupings, hi-hat and double bass drum exercises, and shuffle rhythms and syncopation exercises, Carmine has updated this classic package by adding over 20 new pages and a second CD of fresh material. Now on two CDs, this classic recording has been re-mastered, and three new play-along tracks have been added, along with new audio examples that correspond with the new sections on odd-time signatures, hands and feet combination exercises, and a new rave/dance section.
Rhyme Book is a durable cloth-covered notebook, silkscreened with the design of the iconic composition book favored by hip-hop lyricists. Whether you aspire to write rhymes or are just a fan of the craft, this is the notebook that you need when inspiration strikes. Throughout its ruled pages, it contains thirty pages of content, including playlists, hip-hop infographics, factoids, rhyming lists, and more. Conceived by Eric and Jeff Rosenthal (collectively known as ItsTheReal), Rhyme Book will help you gather your ideas for just about anything while also providing you with insight into what it takes to spit fire!
'Who does she think she is?' is something Martine has heard people say about her all her life. Born into the poorest and least-promising background and with only a loving mother's support to help her, Martine has dared to follow her dreams of stardom and has achieved more in her twenty-three years than most of those who turned their noses up at her achieve in a lifetime.It's a story that includes a life on the run from a violent father, drinks, drugs and even an attempted murder that filled her childhood with fear; her early attempts at pop stardom and early loves, plus dates with Matt Goss and Mick Hucknall; her big break in EastEnders, and the shocking story of how she really came to leave the series.Martine's story ends with today's triumphs over the tragedies of her life: the number one and platinum-selling singles and album, the starring roles in a new television series, a feature film and in My Fair Lady at The National Theatre.The British public have taken Martine McCutcheon to their hearts - she is 'one of us' - and her life story is an inspiration to anyone born without any apparent advantages.
'The greatest rock 'n' roll band in the world!' This vainglorious introduction given to The Rolling Stones on stage by an excitable roadie was almost immediately accepted as a simple statement of fact. It was already evident that Mick Jagger, Keith Richards and Co. were, as their first manager Andrew Loog Oldham had claimed, 'a way of life'. The Stones' defiance of convention made them the figureheads of a questioning new generation, and drove the Establishment to imprison them. This enduring rebel aura and the unmistakeable craft evident in classic records such as Satisfaction, Honky Tonk Women and Brown Sugar ensured subsequent generations of diehard fans, establishing the band as the biggest box office attraction the world has ever seen. The Mammoth Book of The Rolling Stones provides a comprehensive collection of reviews, analysis, interviews and exposes - both archive and contemporary, favourable and critical, concise and epic - of these extraordinary cultural icons as they pass the astonishing milestone of 50 years as rock's pre-eminent band.
Dido Armstrong has achieved superstar status at a pace unparalleled in recent times. With just one album to her name, shes managed to capture the imagination of millions of fans world-wide and top charts on a global scale. Set to be one of the most important and successful artists of the new millennium, a new album is already planned and an extensive world tour now underway.
Ideally presented for the target audience of 15-30 year olds, encompassing a newly researched text and many rarely seen photographs, the first book on the market to cover this icon of our age is set to achieve record sales.
Globetrotters brings together twelve toe-tapping original tunes in styles from around the world-from Arabic to Chinese and from klezmer to the Cuban cha-cha-cha- for the budding saxophonist. This unique book presents a kaleidoscope of musical traditions, with supporting background information and backing tracks that capture each sound-world. To help with technique and interpretation, every piece includes tailored warm-ups and stylistic tips from the authors. With options for saxophone or piano accompaniment, and an inspirational CD, Globetrotters is the ultimate resource for aspiring musicians looking to go travellin' ...
A GUARDIAN, OBSERVER, PITCHFORK, NPR, METRO AND HERALD SCOTLAND BEST MUSIC BOOK OF 2018 `The definitive grime biography' NME 'A landmark genre history' Pitchfork The year 2000. As Britain celebrates the new millennium, something is stirring in the crumbling council estates of inner-city London. Making beats on stolen software, spitting lyrics on tower block rooftops and beaming out signals from pirate-radio aerials, a group of teenagers raised on UK garage, American hip-hop and Jamaican reggae stumble upon a dazzling new genre. Against all odds, these young MCs will grow up to become some of the UK's most famous musicians, scoring number one records and dominating British pop culture for years to come. Hip-hop royalty will fawn over them, billion dollar brands will queue up to beg for their endorsements and through their determined DIY ethics they'll turn the music industry's logic on its head. But getting there won't be easy. Successive governments will attempt to control their music, their behaviour and even their clothes. The media will demonise them and the police will shut down their clubs. National radio stations and live music venues will ban them. There will be riots, fighting in the streets, even murder. And the inner-city landscape that shaped them will be changed beyond all recognition. Drawn from over a decade of in depth interviews and research with all the key MCs, DJs and industry players, in this extraordinary book the UK's best grime journalist Dan Hancox tells the remarkable story of how a group of outsiders went on to create a genre that has become a British institution. Here, for the first time, is the full story of grime.
Lemmy's name was synonymous with notorious excess. His blood would have killed another human being. This is the up-to-date story of the heaviest drinking, oversexed speedfreak in the music business who tragically passed away earlier this year. Lemmy had quickly outgrown his local bands in Wales, and tripped through his early career with the Rocking Vicars, backstage touring with Jimi Hendrix, and his time with Hawkwind. In 1975 he went on to create speedmetal and form the legendary band Motoerhead. Motoerhead stand firm as conquerors of the rock world, their history spanning an insurrectionary forty years. While the Motoerhead line-up saw many changes, Lemmy was always the soul of the machine. In the words of drummer Mikkey Dee, `Lemmy was Motoerhead.' White Line Fever has been completely updated post Lemmy's untimely death in 2016, and offers all Motoerhead fans who loved his music a sometimes hilarious, often outrageous, highly entertaining ride with the frontman of (what was) the loudest rock band in history. A truly epic finale, and tribute, to Lemmy from those who loved him best.
"I was impressed by The Stones. They were dressed casually, had mischief in them and were different to other bands." Terry O'Neill. In July 1962, a group of young men played a gig at The Marquee Club on Oxford Street, London. They called themselves 'The Rollin' Stones' and little did they know they would soon be making music history. This brilliant new book captures the youth, the times and the spirit of The Stones' formative early years. And documenting 1963-1965 were two young photographers just starting out in their careers. Terry O'Neill, aged just 25, had a few years' experience photographing musicians and knew that this group had the same magic as another British phenomenon that just recently started to chart, The Beatles. As the band was starting to record and tour, Gered Mankowitz came along. His first shoot, the now famous Mason's Yard session, was so fruitful, Gered was asked to tag along on tour to America. Gered was a mere 19 when he picked up his camera and joined the band on stage in 1965. Between these two legendary photographers, they document the band's beginnings and these indelible images are forever placed in music's consciousness.The photography throughout this book is embellished with various memoires and interviews, celebrating the early days and giving an inisght into what it must have felt like to go from a small club in Soho with no record deal to touring the world a few years later with a number one record. Terry O'Neill and Gered Mankowitz, two of the most respected, collected and exhibited photographers in the world were sitting in the front row. There are quotes from Andrew Loog Oldman, Norman Jopling, Charlie Watts, Mick Jagger, Keith Richards, and Bill Wyman, full interviews with Terry O'Neill and Gered Mankowitz, original articles from the Record Mirror (1963), Evening Standard (1964) and Detroit Free Press (1965), and many rare and previously unseen photographs and contact sheets are included.
Allan Jones launched Uncut magazine in 1997 and for 15 years wrote a popular monthly column called Stop Me If You've Heard This One Before, based on his experiences as a music journalist in the 70s and 80s, a gilded time for the music press.
By turns hilarious, cautionary, poignant and powerful, the Stop Me...stories collected here include encounters with some of rock's most iconic stars, including David Bowie, Lou Reed, Leonard Cohen, Van Morrison, Neil Young, Elvis Costello, The Sex Pistols, The Clash, The Smiths, R.E.M. and Pearl Jam. From backstage brawls and drug blow-outs, to riots, superstar punch-ups, hotel room confessionals and tour bus lunacy, these are stories from the madness of a music scene now long gone.
Beginning with rockabilly, moving on to folk music, sliding over to electric, and falling into a psychedelic phase, like a chameleon Bob Dylan has changed his skin repeatedly over the years, juggling his image with apparent ease and subverting the prevailing social and aesthetic models each time. His Supro guitar and the leather jacket - reminiscent of James Dean; the muse of his hobo period Suze Rotolo and his legendary Triumph Bonneville; the Newport Jazz Festival and the Gaslight Cafe in Greenwich Village: artist Matteo Guarnaccia has documented this pilgrimage of styles stage by stage, year by year, with a wealth of detail. The clothes, faces, music and places of those years become subjects to colour in, paper-dolls to dress, and board games to assemble, while the characters of his songs provide the members of a colourful circus. This is the ultimate collector's activity-book to be approached with glue, scissors and colouring pencils, dedicated to all the fans of the legendary singer-songwriter.
Telling Stories by Tim Burgess of The Charlatans is one of the decade's most revealing rock books 'Clear, honest. An unusually frank and well-written rock memoir' The Times The Charlatans. Madchester. Britpop. Taking on the world. Here are the highs, the lows, the joys, the agonies, and the stories of what it's like to be in a rock band, as told by front man and survivor, Tim Burgess. 'Like the best bits of every cautionary rock star tale . . . there is armed robbery and smuggling. There's serious fraud. There are near and actual death experiences, divorce, industrial cocaine consumption and magnificent cameos from Madonna, Alan McGee, Ronnie Wood, Joe Strummer, LA drug dealer Harry The Dog, and Joaquin Phoenix. A minor classic' Q For readers who enjoyed Life by Keith Richards and Bit of a Blur by Alex James, Telling Stories is one of the finest music books of recent times. It's a story of achievement and survival, from London to LA. 'A vivid read' Independent on Sunday 'The Charlatans' frontman recalls the heyday of Britpop and Madchester with endearing exuberance. He's unflinchingly honest about the bad times but also peppers his story with anecdotal nuggets about the pitfalls of rock 'n' roll excess' Metro 'Burgess keeps a level head, a sharp eye and a nice turn of phrase' Independent 'Written with the stylish flow of a novel - light and dark, hilarious and melancholic' Emma Forrest 'For a man whose behaviour borders on the suicidal, Timothy Burgess, the people's friend, is what you call a life enthusiast. He is also mad. It's a much-abused word, mad . . . but he really is proper coo-ee clouds pan-dimensional mad mad' Syliva Patteerson, Sky Tim Burgess was born in Salford but grew up in a village near Northwich, Cheshire. Leaving school at 16 to work at ICI, his real love was music and soon afterwards he was invited to join new band The Charlatans. For twelve years Burgess lived in Los Angeles but he has recently returned to the UK.
`This book will delight both New Order-ites and general rock readers' Mojo A ROLLICKING, NO-HOLDS-BARRED ACCOUNT OF NEW ORDER'S ENTIRE HISTORY. Two acclaimed albums and an upcoming US tour - Joy Division had the world at their feet. Then, on the eve of that tour, the band's troubled lead singer, Ian Curtis, killed himself. The next time they got together, they were a new band. That band was New Order - their label was Factory Records, their club The Hacienda. Their distinctive sound paved the way for the dance music explosion that followed, earning them the reputation as one of the most influential bands of their generation, and changing the course of popular music. Following on from his bestselling titles The Hacienda and Unknown Pleasures, Peter Hook has written a rollicking, no-holds-barred account of the band's entire history. Substance is packed with never-before-seen detail, discographies and technical information. This is possibly the most entertaining memoir ever written by a British musician. `There are stories here that make Ozzy Osbourne looks like Mother Teresa' Sunday Express `A rollicking read' Record Collector `Rock writing rarely tells us properly what a band treading water or in slow decline feels like from the inside. Hook does so memorably' Guardian `As mammoth and downright idiotic as the band deserves ... something hilariously daft happens on nearly all of Substance's 750 pages' Classic Pop
From Two Live Crew's controversial comedy to Ice Cube's gangsta
styling and the battle rhymes of a streetcorner cypher, rap has
always drawn on deep traditions of African American poetic
word-play, In Talking 'Bout Your Mama, author Elijah Wald explores
one of the most potent sources of rap: the viciously funny,
outrageously inventive insult game known as "the dozens."
As a performer, songwriter and actor, Will Oldham has carved a singular path through the worlds of indie folk and cinema. Now the critically acclaimed, enigmatic artist presents his life's work: the lyrics to more than two hundred songs spanning the 1980s to the present, each with annotations that impart new meaning to his music. Oldham's aphoristic meditations-on death, patience and turning carelessness into a virtue-are, like his lyrics, profound, earthy and often funny. They reveal flashes of Oldham's philosophy, the sources and circumstances that inspired his lyrics and the literary ambition of his songwriting. Separated from their aural form, Oldham's lyrics become a new kind of poetry-candid, awkward and wise-with influences as diverse as Rabindranath Tagore and The Mekons. A book that will delight his longtime fans and inspire young songwriters, Songs of Love and Horror reveals an artist who has captured extraordinary poetry in music despite being "a stranger among my own language".
David Bowie needs no introduction. An immense star whose music and writing has transcended generations he remains one of the most articulate influencers of modern music. Over fifty years his singles and albums have slid up and down the bestseller charts, adapting to the changing times, exploring new musical themes, always pushing at boundaries in a desperate desire to seek out the new and the different. This fantastic new, unofficial biography covers his life, music, art and movies, with a sweep of incredible photographs.
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