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Alice Cooper: Golf Monster is the full account of how Cooper became one of the biggest rock stars on the planet with hits like "School's Out" and "Elected", nearly lost it all to alcoholism, and then turned things around by finding a healthy obsession (golf) to replace his unhealthy addiction to alcohol. While most will be familiar with his wild, mascaraed visage and vaudevillian on-stage theatrics, perhaps few will have been aware of the double life Alice Cooper leads. He still tours the world with his band, playing a hundred gigs a year; snake coiled round his neck, beheaded by guillotine at the end of every show...but three hundred days out of that year, Cooper is on the course. Alice Cooper: Golf Monster is an unlikely and captivating tale of wretched excess, life-saving redemption, ghoulish make-up, power chords, and five-irons to the centre of the green. Both humorous and candid, this book reveals another dimension to a man who has epitomised rock 'n' roll for the last forty years.
Rory Gallagher is revered as one of the world's greatest guitarists. He bounded across the stage with the swagger of a rock star, but offstage he was a shy, unassuming man. There were no wild parties, no marriages and divorces. His short life shifted between the bright lights of his success and the darkness of personal struggle. Gallagher was a multi-instrumentalist, songwriter, singer and champion of blues music. His career began in an Irish showband, followed by four years as the central talent of Taste, one of the great Irish bands. He went on to even greater fame as a solo artist in the 1970s. Gallagher was dedicated to a steadfast musical vision, one that continues to burn brilliantly in rock history. Drawing on extensive interviews, Julian Vignoles casts new light on the familial, musical and other influences that inspired Gallagher, and on the complex personality that drove his career. He reassesses Gallagher's songwriting, often overlooked because of his dexterity as a guitarist. Crucially, Vignoles shows how many songs speak eloquently - and poignantly - about the person who penned them. Meticulously researched, this portrait is the insightful biography that Rory Gallagher deserves, as revelatory for his legions of loyal fans as for curious rock and blues enthusiasts.
Me, Inc. features a black simulated-leather cover with gold foil stamping and a black ribbon bookmark. The fact that KISS is one of the most successful rock bands in the world is no accident. From the beginning Gene Simmons and Paul Stanley had a clear-cut vision of what they wanted to do and how they wanted to operate KISS as a business well before they ever first took the stage. Since deciding with Paul to manage the band themselves, Simmons has proved himself to be a formidable businessman, having sold over 100 million CDs and DVDs worldwide, overseen over 3,000 licensed merchandise items, and starred in the longest running celebrity reality show to date. More impressive is that he handles all of his business ventures on his own-no personal assistant, few handlers, and as little red tape as possible. In Me, Inc., Simmons shares a lifetime of field-tested and hard-won business advice that will provide readers with the tools needed to build a solid business strategy, harness the countless tools available in the digital age, network like hell, and be the architect for the business entity that is you. Inspired by The Art of War, the book dispenses Simmons' in-depth insights via thirteen specific principles for success based on his own experience, triumphs, and instructional failures in business-from finding the confidence within yourself that's necessary to get started, to surrounding yourself with the right people to partner with and learn from, to knowing when to pull the plug and when to double-down. These thirteen principles are a skeleton key into a world of success, freedom, peace of mind and, most importantly, financial success.
Their songs have been covered by acts as diverse as Ride, Boney M, and the Sex Pistols; they impressed Pete Townsend so much that he asked their guitarist to join the already successful Who; said guitarist pioneered the use of a bow on guitar strings--a trick later plagiarized by Jimmy Page; and they have been cited as an influence by the likes of Paul Weller and John Lydon. Yet The Creation never had a hit single or even made an album in their two-year recording career, from 1966-68. But nevertheless, they are cherished by generations of fans. This is their untold story.
In this book, 19 of The Smiths most popular single releases arranged for guitar tab. It is specially bound to help the pages lay flat while you are playing.
In April 1998, legendary southern jam band Widespread Panic held a free open-air record release show in downtown Athens, Georgia, its homebase. No one involved could have known that the predicted crowd of twenty thousand would prove to be nearly five times that size. The ultimately successful show, now known as "Panic in the Streets," went on to become a cult favorite of Panic fans and a decisive moment in Athens music history. This event still holds the record for the world's largest record release party, but the full story of how the event came to be has not been told until now. Widespread Panic in the Streets of Athens, Georgia places readers at the historic event, using in-depth investigation and interviews with the band, city officials, and "Spread Heads" who were there. Told as much as possible in real time, music journalist Gordon Lamb's narrative takes the reader from conception to aftermath and uncovers the local controversies and efforts that nearly stopped the show from happening altogether. This deeply researched and richly sourced book follows every stage of the concert's development from the spark of an idea to approximately one hundred thousand people from all over the world packing the streets of a legendary music town. Taking us back to 1990s Athens through vibrant, on-the-scene writing, Lamb gives us the story of a band on the verge of greatness and a town reckoning with its significant place in music history.
Geoff Emerick became an assistant engineer at the legendary Abbey Road Studios in 1962 at age fifteen, and was present as a new band called the Beatles recorded their first songs. He later worked with the Beatles as they recorded their singles aShe Loves Youa and aI Want to Hold Your Hand, a the songs that would propel them to international superstardom. In 1964 he would witness the transformation of this young and playful group from Liverpool into professional, polished musicians as they put to tape classic songs such as aEight Days A Weeka and aI Feel Fine.a
Then, in 1966, at age nineteen, Geoff Emerick became the Beatlesa chief engineer, the man responsible for their distinctive sound as they recorded the classic album "Revolver," in which they pioneered innovative recording techniques that changed the course of rock history. Emerick would also engineer the monumental "Sgt. Pepper" and "Abbey Road" albums, considered by many the greatest rock recordings of all time. In "Here, There and Everywhere" he reveals the creative process of the band in the studio, and describes how he achieved the sounds on their most famous songs. Emerick also brings to light the personal dynamics of the band, from the relentless (and increasingly mean-spirited) competition between Lennon and McCartney to the infighting and frustration that eventually brought a bitter end to the greatest rock band the world has ever known.
Here is Jim Morrison in all his complexity-singer, philosopher, poet, delinquent-the brilliant, charismatic, and obsessed seeker who rejected authority in any form, the explorer who probed "the bounds of reality to see what would happen..." Seven years in the writing, this definitive biography is the work of two men whose empathy and experience with Jim Morrison uniquely prepared them to recount this modern tragedy: Jerry Hopkins, whose famous Presley biography, Elvis, was inspired by Morrison's suggestion, and Danny Sugerman, confidant of and aide to the Doors. With an afterword by Michael McClure.
On May 8, 1977, at Barton Hall, on the Cornell University campus, in front of 8,500 eager fans, the Grateful Dead played a show so significant that the Library of Congress inducted it into the National Recording Registry. The band had just released Terrapin Station and was still finding its feet after an extended hiatus. In 1977, the Grateful Dead reached a musical peak, and their East Coast spring tour featured an exceptional string of performances, including the one at Cornell.Many Deadheads claim that the quality of the live recording of the show made by Betty Cantor-Jackson (a member of the crew) elevated its importance. Once those recordings-referred to as "Betty Boards"-began to circulate among Deadheads, the reputation of the Cornell '77 show grew exponentially.With time the show at Barton Hall acquired legendary status in the community of Deadheads and audiophiles.Rooted in dozens of interviews-including a conversation with Betty Cantor-Jackson about her recording-and accompanied by a dazzling selection of never-before-seen concert photographs, Cornell '77 is about far more than just a single Grateful Dead concert. It is a social and cultural history of one of America's most enduring and iconic musical acts, their devoted fans, and a group of Cornell students whose passion for music drove them to bring the Dead to Barton Hall. Peter Conners has intimate knowledge of the fan culture surrounding the Dead, and his expertise brings the show to life. He leads readers through a song-by-song analysis of the performance, from "New Minglewood Blues" to "One More Saturday Night," and conveys why, forty years later, Cornell '77 is still considered a touchstone in the history of the band.As Conners notes in his Prologue: "You will hear from Deadheads who went to the show. You will hear from non-Deadhead Cornell graduates who were responsible for putting on the show in the first place. You will hear from record executives, academics, scholars, Dead family members, tapers, traders, and trolls. You will hear from those who still live the Grateful Dead every day. You will hear from those who would rather keep their Grateful Dead passions private for reasons both personal and professional. You will hear stories about the early days of being a Deadhead and what it was like to attend, and perhaps record, those early shows, including Cornell '77."
Peter Gabriel rose to fame as the lead vocalist and flautist of the progressive rock group Genesis. After leaving Genesis, Gabriel went on to a successful solo career. His 1986 album, So, is his most commercially successful, and the album's biggest hit, Sledgehammer, won a record nine MTV Awards. He has also been involved in various humanitarian efforts and won numerous music awards throughout his career, including Brits and Grammies and was inducted into the Rock and Roll Hall of Fame as a member of Genesis in 2010. Includes hours of new interviews with key friends, musicians and aides. This new edition is fully updated.
Expression in Pop-Rock Music is a collection of critical and analytical essays written by todaya (TM)s top scholars on pop and rock music. Applying a wide variety of analytical techniques and critical approaches in the study of songs by artists such as Tori Amos, David Bowie, James Brown, the Cure, Genesis, Radiohead, and Frank Zappa, these essays tackle the musical text itself in coming to terms with political, social, cultural, and stylistic issues expressed in the most popular music of the past half-century. It has been expanded in its second edition to include three new essays and other additions accounting for the changes to the popular music landscape since its first edition, with particular attention paid to the rise of hip-hop and country music.
When Cream broke up in 1968 it was by no means a foregone conclusion that it would be Eric Clapton who would enjoy continued commercial success. After all, it was Jack Bruce who had the looks, and who co-wrote and sang all the band's major hits, including "Sunshine of Your Love", "I Feel Free" and "White Room". But he was a singular talent who wanted to be a pioneer, not just a pop star, and he was never happy resting on his reputation. Cream split in their prime but their influence endured, and when they reformed in 2005 tickets were selling for nearly GBP 2000 on e-bay. In the 40 years since Cream split Bruce has continued his musical adventures with the likes of John McLaughlin, Billy Cobham, Carla Bley and Mick Taylor, never quite achieving the success and recognition he deserves. It has been an often troubled life - heroin addiction, management rip-offs, family tragedy, and a failed liver transplant, all of which he speaks about frankly in this book, telling a story that is sometimes funny, sometimes bleak, and always honest.
He's made $100 million, is the hottest DJ in the world and has worked with the pop royalty - but who is Calvin Harris? And how did he go from stacking shelves in his local supermarket to such astonishing global success? He's come a long way from making music in his bedroom in his native Dumfries but since bursting onto the music scene with 'Acceptable in the 80s' in 2007, he has broken Michael Jackson's record for most hits from one album, become the first British artist to have one billion plays on Spotify and turned hit-maker for stars like Kylie Minogue, Rihanna, Cheryl Cole and Dizzee Rascal. This is the astonishing story of Calvin Harris's journey from struggling musician to international star, revealing what makes him tick, why he has the Midas touch, how he went from being a lanky kid with little self-confidence to a modelling deal with Armani and how he became a global megastar.
THE NUMBER ONE SUNDAY TIMES BESTSELLER Shortlisted for the Specsavers National Book Awards 2018 'Unflinching, unputdownable' Guardian 'Witty, dark, devastating' Caitlin Moran 'An amazing read. Brutally honest' Matt Haig 'I love it' Jon Ronson ********************************************************** So, this is me. Lily Allen. I am a woman. I am a mother. I was a wife. I drink. I have taken drugs. I have loved and been let down. I am a success and a failure. I am a songwriter. I am a singer. I am all these things and more. When women share their stories, loudly and clearly and honestly, things begin to change - for the better. This is my story.
In 1980, the celebrated new wave band Blondie headed to Los Angeles to record a new album, and along with it, the cover "The Tide Is High" originally written by Jamaican legend John Holt. With percussion by Peruvian drummer and veteran L.A. session musician "Alex" Acuna and horns and violins that were pure L.A. mariachi by way of Mexico, "The Tide Is High" demonstrates just one example of the ways in which the music of Los Angeles and Latin America have been intertwined since the birth of the city in the 18th century. The Tide Was Always High gathers together essays, interviews, and analysis from leading academics, artists, journalists, and iconic Latin American musicians to explore the vibrant connections between Los Angeles and Latin America. Published in conjunction with the Getty's Pacific Standard Time LA/LA, the book shows how Latin American musicians and music have helped shape the city's culture, from Hollywood film sets to recording studios, from vaudeville theaters to Sunset Strip nightclubs, and from Carmen Miranda to Perez Prado and Juan Garcia Esquivel.
'Before there was Star Wars before there was Close Encounters there was The Man Who Fell To Earth. advertising tag line for 1981 reissue of the film. Earthbound is the first book-length exploration of a true classic of twentieth-century science-fiction cinema, shot under the heavy, ethereal skies of New Mexico by the legendary British director Nicolas Roeg and starring David Bowie in a role he seemed born for as an extra-terrestrial named Thomas Newton who comes to Earth in search of water. Based on a novel by the highly regarded American writer Walter Tevis, this dreamy, distressing, and visionary film resonates even more strongly in the twenty-first century than it did on its original release during the year of the US Bicentennial. Drawing on extensive research and exclusive first-hand interviews with members of the cast and crew, Earthbound begins with a look at Tevis s 1963 novel before moving into a detailed analysis of a film described by its director as 'a sci-fi film without a lot of sci-fi tools and starring a group of actors Bowie, Buck Henry, Candy Clark, Rip Torn later described by one of them (Henry) as 'not a cast but a dinner party. It also seeks to uncover the mysteries surrounding Bowie s rejected soundtrack to the film (elements of which later ended up his ground-breaking 1977 album Low) and closes with a look at his return to the themes and characters of The Man Who Fell To Earth in one of his final works, the acclaimed musical production Lazarus.
From the beloved host and creator of NPR's All Songs Considered and Tiny Desk Concerts comes an essential oral history of modern music, told in the voices of iconic and up-and-coming musicians, including Dave Grohl, Jimmy Page, Michael Stipe, Carrie Brownstein, Smokey Robinson, and Jeff Tweedy, among others-published in association with NPR Music. Is there a unforgettable song that changed your life? NPR's renowned music authority Bob Boilen posed this question to some of today's best-loved musical legends and rising stars. In Your Song Changed My Life, Jimmy Page (Led Zeppelin), St. Vincent, Jonsi (Sigur Ros), Justin Vernon (Bon Iver), Cat Power, David Byrne (Talking Heads), Dave Grohl (Nirvana, Foo Fighters), Jeff Tweedy (Wilco), Jenny Lewis, Carrie Brownstein (Portlandia, Sleater-Kinney), Yusuf Islam (Cat Stevens), Colin Meloy (The Decemberists), Trey Anastasio (Phish), Jackson Browne, Valerie June, Philip Glass, James Blake, and other artists reflect on pivotal moments that inspired their work. For Wilco's Jeff Tweedy, it was discovering his sister's 45 of The Byrds' "Turn, Turn, Turn." A young St. Vincent's life changed the day a box of CDs literally fell off a delivery truck in front of her house. Cat Stevens was transformed when he heard John Lennon cover "Twist and Shout." These are the momentous yet unmarked events that have shaped these and many other musical talents, and ultimately the sound of modern music. A diverse collection of personal experiences, both ordinary and extraordinary, Your Song Changed My Life illustrates the ways in which music is revived, restored, and revolutionized. It is also a testament to the power of music in our lives, and an inspiration for future artists and music lovers. Amazing contributors include: Jimmy Page (Led Zeppelin), Carrie Brownstein (Sleater-Kinney, Portlandia, Wild Flag), Smokey Robinson, David Byrne (Talking Heads), St. Vincent, Jeff Tweedy (Wilco), James Blake, Colin Meloy (The Decemberists), Trey Anastasio (Phish), Jenny Lewis (Rilo Kiley), Dave Grohl (Nirvana, Foo Fighters), Yusuf Islam (Cat Stevens), Sturgill Simpson, Justin Vernon (Bon Iver), Cat Power, Jackson Browne, Michael Stipe (R.E.M.), Philip Glass, Jonsi (Sigur Ros), Hozier, Regina Carter, Conor Oberst (Bright Eyes, and others), Courtney Barnett, Chris Thile (Nickel Creek, Punch Brothers), Leon Bridges, Sharon Van Etten, and many more.
Sell-out tours in packed stadiums, records going platinum on pre-orders alone, three-hour long concerts night after night, girls, booze, drugs - Led Zeppelin did it all. Arguably the greatest rock act of all time, Led Zeppelin have sold over 300 million albums worldwide and created a unique sound that in the ranks of hard rock has never been equalled and will never be bettered. Led Zeppelin: The Ultimate Collection documents the fascinating journey of four talented young Englishmen on the path to rock 'n' roll glory, including the stories behind every record ever released. It is the greatest story of sex, drugs and rock 'n' roll ever told, and the exclusive DVD, giant posters and stunning art prints take you there, plus reproduced ticket stubs, programmes, beautiful posters, superbly-designed contemporary flyers and other fascinating pieces of musical history in your hands.
"Writing about yourself is a funny business...But in a project like this, the writer has made one promise, to show the reader his mind. In these pages, I've tried to do this." -Bruce Springsteen, from the pages of Born to Run In 2009, Bruce Springsteen and the E Street Band performed at the Super Bowl's halftime show. The experience was so exhilarating that Bruce decided to write about it. That's how this extraordinary autobiography began. Over the past seven years, Bruce Springsteen has privately devoted himself to writing the story of his life, bringing to these pages the same honesty, humor, and originality found in his songs. He describes growing up Catholic in Freehold, New Jersey, amid the poetry, danger, and darkness that fueled his imagination, leading up to the moment he refers to as "The Big Bang": seeing Elvis Presley's debut on The Ed Sullivan Show. He vividly recounts his relentless drive to become a musician, his early days as a bar band king in Asbury Park, and the rise of the E Street Band. With disarming candor, he also tells for the first time the story of the personal struggles that inspired his best work, and shows us why the song "Born to Run" reveals more than we previously realized. Born to Run will be revelatory for anyone who has ever enjoyed Bruce Springsteen, but this book is much more than a legendary rock star's memoir. This is a book for workers and dreamers, parents and children, lovers and loners, artists, freaks, or anyone who has ever wanted to be baptized in the holy river of rock and roll. Rarely has a performer told his own story with such force and sweep. Like many of his songs ("Thunder Road," "Badlands," "Darkness on the Edge of Town," "The River," "Born in the U.S.A.," "The Rising," and "The Ghost of Tom Joad," to name just a few), Bruce Springsteen's autobiography is written with the lyricism of a singular songwriter and the wisdom of a man who has thought deeply about his experiences.
The 1950s represented the birth of rock 'n' roll music in the UK. This title presents a complete history and social analysis of the era tracing the music's emergence from the primitive experimentation of teenage revolutionaries in the coffee bars of London's Soho to the marketing of the first generation of TV idols.
Is Bob Marley the only third world superstar? How did he achieve
this unique status? In this captivating new study of one of the
most influential musicians of the twentieth century, Jason Toynbee
sheds new light on issues such as Marley's contribution as a
musician and public intellectual, how he was granted access to the
global media system, and what his music means in cultural and
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