Your cart is empty
An essential work of the cinematic history of the Weimar Republic by a leading figure of film criticism First published in 1947, From Caligari to Hitler remains an undisputed landmark study of the rich cinematic history of the Weimar Republic. Prominent film critic Siegfried Kracauer examines German society from 1921 to 1933, in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel. He explores the connections among film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer makes a startling (and still controversial) claim: films as popular art provide insight into the unconscious motivations and fantasies of a nation. With a critical introduction by Leonardo Quaresima which provides context for Kracauer (TM)s scholarship and his contributions to film studies, this Princeton Classics edition makes an influential work available to new generations of cinema enthusiasts.
What does it mean to be a Jewish woman in America? In a gripping historical narrative, Pamela S. Nadell weaves together the stories of a diverse group of extraordinary people-from the colonial-era matriarch Grace Nathan and her great-granddaughter, poet Emma Lazarus, to labor organizer Bessie Hillman and the great justice Ruth Bader Ginsburg, to scores of other activists, workers, wives, and mothers who helped carve out a Jewish American identity. The twin threads binding these women together, she argues, are a strong sense of self and a resolute commitment to making the world a better place. Nadell recounts how Jewish women have been at the forefront of causes for centuries, fighting for suffrage, trade unions, civil rights, and feminism, and hoisting banners for Jewish rights around the world. Informed by shared values of America's founding and Jewish identity, these women's lives have left deep footprints in the history of the nation they call home.
Everyone knows a joke about mothers-in-law, but what are the golden rules you need to become a popular one? The authors of this pioneering guide, first published in the 1930s, aimed to dramatically improve relationships for all the family with sound advice which is as relevant today as it was in the early twentieth century: `If your opinion is not sought, don't volunteer it.' Practical tips are given on a range of issues, such as how to visit a married daughter, how best to interact with grandchildren, how not to pass comment at the dinner table and what degree of independence should be granted to married sons. The guide even contemplates living with the married couple and offers advice on how to negotiate this situation, as well as giving examples of how not to behave on your son or daughter's wedding day. Packed with amusing scenarios of provocative behaviour as well as pithy advice, and illustrated with contemporary line drawings, this charming guide will win over both novices and veterans in this much maligned role.
In 1849, the Corps of Topographical Engineers commissioned Lieutenant James H. Simpson to undertake the first survey of Navajo country in present-day New Mexico. Accompanying Simpson was a military force commanded by Colonel John M. Washington, sent to negotiate peace with the Navajo. A keen observer, Simpson kept a journal that provided valuable information on the party's interactions with Indians and also about the land's features, including important pueblo ruins at Chaco Canyon and Canyon de Chelly. His careful observations informed subsequent military expeditions, emigrant trains, the selection of Indian reservations, and the charting of a transcontinental railroad.
Editor Frank McNitt discusses the expedition's lasting importance to the development of the West, and his research is enriched by illustrations and maps by artists Richard and Edward Kern. Military historian Durwood Ball contributes a new foreword.
The 1970s are noted as the decade of strikes, the winter of discontent and the three-day week. But is this the full story; what was it really like for ordinary British people? In this book, Carol Harris looks at the stories and people who made the headlines - from Thatcher and David Bowie to Barbie and Ken - but also how ordinary people really lived at the time; how we worked and played, how we shopped, what we ate, wore, drove, watched and listened to. Britain went decimal and was introduced to the VHS player and the microwave, Gary Glitter and Elton John entertained us and fashion gave us punks, hippies and glam rockers all at once. This book will bring back memories for those who were there, and, for those who were not yet born, it will give them an idea of what the 70s were really like.
Emma Watson's Our Shared Shelf book club choice New York Times bestseller `Fascinating.' Sunday Times `Thrilling.' Mail on Sunday All they wanted was the chance to shine. Be careful what you wish for... `The first thing we asked was, "Does this stuff hurt you?" And they said, "No." The company said that it wasn't dangerous, that we didn't need to be afraid.' As the First World War spread across the world, young American women flocked to work in factories, painting clocks, watches and military dials with a special luminous substance made from radium. It was a fun job, lucrative and glamorous - the girls shone brightly in the dark, covered head to toe in dust from the paint. However, as the years passed, the women began to suffer from mysterious and crippling illnesses. It turned out that the very thing that had made them feel alive - their work - was slowly killing them: the radium paint was poisonous. Their employers denied all responsibility, but these courageous women - in the face of unimaginable suffering - refused to accept their fate quietly, and instead became determined to fight for justice. Drawing on previously unpublished diaries, letters and interviews, The Radium Girls is an intimate narrative of an unforgettable true story. It is the powerful tale of a group of ordinary women from the Roaring Twenties, who themselves learned how to roar. Further praise for The Radium Girls 'The importance of the brave and blighted dial-painters cannot be overstated.' Sunday Times `A perfect blend of the historical, the scientific and the personal.' Bustle `Thrilling and carefully crafted.' Mail on Sunday
The study of sociability in the long eighteenth century has long been dominated by the example of France. In this innovative collection, we see how a distinctively British model of sociability developed in the period from the Restoration of Charles II to the early nineteenth century through a complex process of appropriation, emulation and resistance to what was happening in France and other parts of Europe. The contributors use a wide range of sources - from city plans to letter-writing manuals, from the writings of Edmund Burke to poems and essays about the social practices of the tea table, and a variety of methodological approaches to explore philosophical, political and social aspects of the emergence of British sociability in this period. They create a rounded picture of sociability as it happened in public, private and domestic settings - in Masonic lodges and radical clubs, in painting academies and private houses - and compare specific examples and settings with equivalents in France, bringing out for instance the distinctively homo-social and predominantly masculine form of British sociability, the role of sociability within a wider national identity still finding its way after the upheaval of civil war and revolution in the seventeenth century, and the almost unique capacity of the British model of sociability to benefit from its own apparent tensions and contradictions. VALERIE CAPDEVILLE is Senior Lecturer in British Civilisation at the University of Paris 13. ALAIN KERHERVE is Professor of British Studies at the Faculte des Lettres et Sciences Humaines Victor Segalan, University of West Brittany (UBO Brest). CONTRIBUTORS: Pierre-Yves Beaurepaire, Valerie Capdeville, Michele Cohen, Norbert Col, Annick Cossic, Brian Cowan, Remy Duthille, Markman Ellis, Allan Ingram, Emrys Jones, Alain Kerheve, Elisabeth Martichou, Marie-Madeleine Martinet, Ian Newman, Jane Rendall
The end of apartheid in 1994 signalled a moment of freedom and a promise of a non-racial future. With this promise came an injunction: define yourself as you truly are, as an individual, and as a community. Almost two decades later it is clear that it was less the prospect of that future than the habits and horizons of anxious life in racially defined enclaves that determined post-apartheid freedom. In this book, Thomas Blom Hansen offers an in-depth analysis of the uncertainties, dreams, and anxieties that have accompanied post-apartheid freedoms in Chatsworth, a formerly Indian township in Durban. Exploring five decades of township life, Hansen tells the stories of ordinary Indians whose lives were radicalized and framed by the township, and how these residents domesticated and inhabited this urban space and its institutions, during apartheid and after. Hansen demonstrates the complex and ambivalent nature of ordinary township life. While the ideology of apartheid was widely rejected, its practical institutions, from urban planning to houses, schools, and religious spaces, were embraced in order to remake the community. Hansen describes how the racial segmentation of South African society still informs daily life, notions of race, personhood, morality, and religious ethics. He also demonstrates the force of global religious imaginings that promise a universal and inclusive community amid uncertain lives and futures in the postapartheid nation-state.
The gripping stories of ordinary Germans who lived through World War II, the Holocaust, and Cold War partition--but also recovery, reunification, and rehabilitation Broken Lives is a gripping account of the twentieth century as seen through the eyes of ordinary Germans who came of age under Hitler and whose lives were scarred and sometimes destroyed by what they saw and did. Drawing on six dozen memoirs by the generation of Germans born in the 1920s, Konrad Jarausch chronicles the unforgettable stories of people who not only lived through the Third Reich, World War II, the Holocaust, and Cold War partition, but also participated in Germany's astonishing postwar recovery, reunification, and rehabilitation. Written decades after the events, these testimonies, many of them unpublished, look back on the mistakes of young people caught up in the Nazi movement. In many, early enthusiasm turns to deep disillusionment as the price of complicity with a brutal dictatorship--fighting at the front, aerial bombardment at home, murder in the concentration camps--becomes clear. Bringing together the voices of men and women, perpetrators and victims, Broken Lives reveals the intimate human details of historical events and offers new insights about persistent questions. Why did so many Germans support Hitler through years of wartime sacrifice and Nazi inhumanity? How did they finally distance themselves from this racist dictatorship and come to embrace human rights? Jarausch argues that this generation's focus on its own suffering, often maligned by historians, ultimately led to a more critical understanding of national identity--one that helped transform Germany from a military aggressor into a pillar of European democracy. The result is a powerful account of the everyday experiences and troubling memories of average Germans who journeyed into, through, and out of the abyss of a dark century.
Plains Indians were artists as well as warriors, and Silver Horn (1860-1940), a Kiowa artist from the early reservation period, may well have been the most prolific Plains Indian artist of all time.
Known also as Haungooah, his Kiowa name, Silver Horn was a man of remarkable skill and talent. Working in graphite, colored pencil, crayon, pen and ink, and watercolor on hide, muslin, and paper, he produced more than one thousand illustrations between 1870 and 1920. Silver Horn created an unparalleled visual record of Kiowa culture, from traditional images of warfare and coup counting to sensitive depictions of the sun dance, early Peyote religion, and domestic daily life. At the turn of the century, he helped translate nearly the entire corpus of Kiowa shield designs into miniaturized forms on buckskin models for Smithsonian ethnologist James Mooney.
Born in 1860 when huge bison herds still roamed the southern plains, Silver Horn grew up in southwestern Oklahoma. Son of a chief and member of an artistically gifted family, he witnessed traumatic changes as his people went from a free-roaming, buffalo-hunting culture to reservation life and, ultimately, to forced assimilation into white society. Although perceived as a troublemaker in midlife because of his staunch resistance to the forces of civilization, Silver Horn became to many a romantic example of the "real old-time Indian."
In this presentation of Silver Horn's work, showcasing 43 color and 116 black-and-white illustrations, Candace S. Greene provides a thorough biographical portrait of the artist and, through his work, assesses the concepts and roles of artists in Kiowa culture.
Although the Japanese empire rapidly dissolved following the end of World War II, the memories, mourning, and trauma of the nation's imperial exploits continue to haunt Korea, China, and Taiwan. In Anti-Japan Leo T. S. Ching traces the complex dynamics that shape persisting negative attitudes toward Japan throughout East Asia. Drawing on a mix of literature, film, testimonies, and popular culture, Ching shows how anti-Japanism stems from the failed efforts at decolonization and reconciliation, the Cold War and the ongoing U.S. military presence, and shifting geopolitical and economic conditions in the region. At the same time, pro-Japan sentiments in Taiwan reveal a Taiwanese desire to recoup that which was lost after the Japanese empire fell. Anti-Japanism, Ching contends, is less about Japan itself than it is about the real and imagined relationships between it and China, Korea, and Taiwan. Advocating for forms of healing that do not depend on state-based diplomacy, Ching suggests that reconciliation requires that Japan acknowledge and take responsibility for its imperial history.
In the story of the The Golden Republic, Bulpin sets a stage on which we meet some of the strangest characters that fate had ever attached to the puppet strings of destiny. The grim Mzilikazi; the hot-headed Hendrik Potgieter and his trekkers; prospectors like Charlie the Reefer; gaudy rogues like Gunn of Gunn and his Highlanders; bandits, highwaymen, rand lords, gold rushers, to name just a few. He tells of leaders like Pretorius and Kruger, and many others who each played a part in establishing the Republic of the Transvaal – a seemingly impossible task considering all the small wars and skirmishes on the veld and the rumble of arguments rising out of each farmhouse. In his remarkably engaging style of writing he sketches scenes of rough but beautiful land, which must have been fascinating to explorers who roamed about the old Transvaal with all its scenic novelties where every turn yielded some marvel for the geologist, the botanist, or the zoologist. The Golden Republic tells of the adventure that raised the Republic to its peak and the complex intrigues that brought it down to the dust; of misfortune and riches, and despair of such magnitude that the birth of a Republic seemed inevitable considering the economic disaster it at times experienced … Until gold poked out its shiny head and gave hope again. The characters who crowded into diggers’ towns were some of the wildest and most colourful ever known in the Transvaal. From all over South Africa they flocked to the scene, in the hope of finding fortune. Most of them were just opportunists, who knew nothing about gold except how to spend it. This is a brilliant book of the birth, life and death of the old Republic written in the tell-tale style Bulpin does so well.
The reports and letters brought to light by John P. Wilson in this remarkable collection offer new perspectives on the Civil War in the West. He documents, for example, the activities of Kit Carson, William Brady, and other well known figures whose roles in the Civil War have been incompletely understood; highlights for the first time the dedicated service of native New Mexican officers; unravels the sophisticated espionage (and the brutal executions of suspected spies) carried out by both sides; demonstrates how this national drama took place against the backdrop of ongoing Indian Warswith the Apaches, the Navajos, and even the Kiowasthat ensnared both Union and Confederate armies; and elucidates the unprecedented ways in which the conflict militarized the Southwest for decades.
The 282 letters, song lyrics, casualty lists, intelligence dispatches, transcripts of witness testimony, newspaper accounts, and official reports of battles that appear here build upon the massive anthology of Civil War documentation first published in "War of the Rebellion: A Compilation of the Official Records of the Union and Confederate Armies" (128 volumes, 1881-1901). Wilsons book supplements that source by including previously unavailable materials that historians, scholars, students, and Civil War buffs will find invaluable and intriguing.
Trains and stagecoaches stuck in the snow, wild storms driving sailing ships off course, traffic pile-ups on so-called 'killer' highways - stories abound about the horrors of travel in the Highlands and Islands, and have done for as far as the records go back. James Miller tells the dramatic and sometimes surprisingly humorous story of travel and transport in the Highlands. Some of the figures in the story are familiar - General George Wade, Thomas Telford and Joseph Mitchell among them - but there are a host of others too, including the intrepid Lady Sarah Murray, who offered sound advice for travellers ('Provide yourself with a strong roomy carriage, and have the springs well corded'). This thought-provoking book will appeal to all who like stories of travel and transport, and are interested in how changing modes of transport have affected the ways of life in the Highlands and remain crucial to the modern life and the future of the region.
In Oklahoma, eighth-poorest state in the nation, poverty is a pressing social problem. Even so, Robert Lee Maril's Waltzing with the Ghost of Tom Joad is the first comprehensive analysis of poverty in the state.
Skillfully combining ethnography with statistical analysis, Maril portrays the lives of poverty-stricken Oklahomans, many of them children, minorities, and the elderly. Exploring myths about the poor and discussing the facts behind these myths, Maril discusses the real causes of poverty in the state, especially low-wage labor. He concludes by presenting a public-policy agenda that would benefit the poor directly and, in so doing, improve the lives of all Oklahomans.
From the Foreword by Robert McCormick:
Why did my grandparents and many Oklahomans of their generation escape from poverty while many others did not? The reasons are not clear. Nor do we have easy explanations for those present-day Oklahomans fighting the same struggle. Robert Lee Maril's compelling account shows the plight of hundreds of thousands who remain poor even though conditions in the state have vastly improved. Blaming the victim is not an option for intelligent and caring Oklahomans. The question before us today is, what will we do as citizens to reduce the level of poverty in our state? From my vantage point as someone who has fought for increased opportunities for Oklahomans. I have seen a common thread that runs through story after story of individuals who make the move from poverty to prosperity: that thread is access to and support for education. Inherent inequalities in economic and family backgrounds often dissipate before doors that education routinely opens. One wonders in reading Dr. Maril's accounts of Oklahomans in poverty how different their stories might have been had someone cared enough to see to it that their underlying condition of poverty did not interfere with their opportunity to get an education.
"Corbett's work makes a welcome addition to the regional history of upstate New York as well as the exploding interest in American resorts. Corbett's book . . . not only summarizes more recent work but adds new perspectives on the built environment, the make-up of the visitors, the role of women, and the nuts and bolts of resort development. . . . An indispensable work for anyone broadly interested in the history of leisure it he early republic, or upstate New York resorts in particular. Certainly, no one with an interest in the history of Saratoga Springs will be able to do without it."-New York History "Corbett takes readers on a grand trip into the history of three upstate New York resorts communities, Ballston Spa, Caldwell at Lake George and Saratoga Springs. Ballston Spa and Caldwell on Lake George were products of land developers who saw tourism as a way to success. But neither town invested in the infrastructure to make tourism work. Saratoga Springs did provide the amenities, with lavish hotels amid parks and pleasure gardens. It was also blessed with a strong work force, particularly in the numbers of Irish women ready to staff the resorts."-Waterbury Republican (CT) "Corbett cuts through the nostalgic haze and localized thought surrounding usual resort histories with the searching investigations and rigorous scholarship we have come to expect from the very best of modern urban studies."-Ellen Weiss, author of City in the Woods: The Life and Design of an American Camp Meeting on Martha's Vineyard "A book notable for its attention to the development of the infrastructure of resorts-hotels and boarding houses, public spaces, and service facilities-as well as the African American and Irish women and men whose labors supported the leisure of visitors." - David Schuyler, Franklin & Marshall College How did the rise of lavish hotels and spas reflect the changing values of American society during the nineteenth century? Historians have argued that resorts were created to meet the demands of a leisured social elite. Theodore Corbett demonstrates that resorts created and re-created themselves to keep pace with changing times. Success came with anticipating demands, not just reacting to them Corbett focuses on the conditions underlying the rise-and demise-of the resorts at Ballston Spa and Caldwell on Lake George. Both towns' major landlord-developers saw tourism as only one vehicle that could lead to success. As a result of their divided policies, neither town invested in the proper infrastructure to make tourism work. Saratoga Springs, however, was able to supply the amenities needed to attract the well-heeled. The town provided visitors with lavish hotels, parks, and pleasure gardens. It also had a workforce that was available for the five-month period per year that the spas were active. Corbett examines the participation of African Americans, Irish, and Native Americans in the resort's service sector The book also stresses middle-class America's emulation of the leisure habits of the English aristocracy. Even though these pursuits (hunting and horse racing) were dominated by men, social rituals were dominated by women, and resorts that accommodated "public domesticity" thrived as the century progressed. Theodore Corbett teaches history at Adirondack Community College and is former director of the Saratoga Springs Preservation Foundation.
The first general history in English of Morocco in the nineteenth and twentieth centuries, Morocco since 1830: A History explores the profound changes that have affected social relations in Morocco over the last 150 years, especially those between the sexes, and between linguistic identities and cultures.
Although the country has returned to roughly its pre-colonial boundaries, Morocco still suffers from the effects of colonization by France and Spain. Its current king, like the sultans of the nineteenth century, claims legitimacy through his leadership of the Islamic community, but there is a long tradition of dissent based on Islamic ideals. Morocco's history is also marked by the enduring presence of a large Jewish community.
This comprehensive portrait examines the tactics used by Moroccan rulers to cope with European penetration in the nineteenth century and colonialism in the twentieth, and, since the 1950s, to retain control of the independent state. As Pennell points out, however, the ruling dynasty is not sufficiently representative of modern Morocco, nor are political events the only influence on change. Most Moroccans are still poor, and their lives are shaped by their economic circumstances. The influence of harvests, access to land and water, and external trade have always determined the fate of the majority.
Like many other birds, Rejoice the Robin can be spotted up in treetops asserting his identity, and down on the ground foraging for fragments of food. But it can't really be said that Rejoice is like most other birds. In fact, Rejoice isn't like any other bird. . . . He is indeed a most unusual robin - a bird blessed with a special song to sing. In this tuneful tale, we encounter a most unusual robin who sings to celebrate life - life in all its fullness. With a love of history, he looks for the heroes of the past who have something to say to help us today, and he sings to enlighten us with their stories; he sings so that the present may listen to the past and be wise in the future. Journey with Rejoice in London on Christmas Eve, as he seeks to find the Flamesong - a song which the robin will sing in the morning light of Christmas Day, a song full of deep truth that tells the greatest story of all.
"Although feminists have studied the social construction of the female body for many decades, few have focused on black women. In Recovering the Black Female Body, the editors present a pioneering collection of original writings by academics and artists on 'how African-American women, from slavery to the present, have represented their physical selves in opposition to the distorted vision of the dominant culture.'"-Publishers Weekly "A collection of essays that examine the complex workings of race, gender and the body. Editors Bennett and Dickerson explain that it seeks to 'amplify' African American women writers' attempts to 'take back their selves and reappropriate and reconstitute a body that has often been hyperoticized or exoticized and made a site of impropriety and crime.'"-The Women's Review of Books "By examining African American women writers of the nineteenth and twentieth centuries, the book not only makes a significant contribution to a body of scholarly work but also attempts to 'recover' a more accurate representation of the African American female body."-DePauw Magazine "A highly original and very informative collection of essays that theorizes the complicated intersection of the black female body and its Western symbolic meanings. The collection is essential for anyone interested in the tensions between post-structuralist and humanist understandings of subject formation, social agency, and performative identity."-Claudia Tate, Princeton University Despite the recent flood of scholarly work investigating race, gender, and representation, little has been written about black women's depictions of their own bodies. Both past and present-day American cultural discourse has attempted to either hypereroticize the black female body or make it a site of impropriety and crime. The essays in this volume focus on how African American women, from the nineteenth century to the present, have represented their physical selves in opposition to the distorted vision of others. Contributors attempt to "recover" the black female body in two ways: they explore how dominant historical images have mediated black female identity, and they analyze how black women have resisted often demeaning popular cultural perceptions in favor of more diverse, subtle presentations of self. The pieces in this book-all of them published here for the first time-address a wide range of topics, from antebellum American poetry to nineteenth-century African American actors and twentieth-century pulp fiction. Recovering the Black Female Body recognizes the pressing need to highlight the vibrant energy of African American women's attempts to wrest control of the physical and symbolic construction of their bodies away from the distortions of others. Michael Bennett is an associate professor of English at Long Island University and coeditor of The Nature of Cities: Ecocriticism and Urban Environments. Vanessa D. Dickerson is an associate professor of English at DePauw University. She is the author of Victorian Ghosts in the Noontide: Women Writers and the Supernatural, and editor of Keeping the Victorian House.
Although it is widely believed that the British are obsessed with class to a degree unrivaled by any other nation, politicians in Britain are now calling for a "classless society," and scholars are concluding that class does not matter any more. But has class -- once considered the master narrative of British history -- fallen, failed, and been dismissed? In this wholly original and brilliantly argued book, David Cannadine shows that Britons have indeed been preoccupied with class, but in ways that are invariably ignorant and confused. Cannadine sets out to expose this ignorance and banish this confusion by imaginatively examining class itself, not so much as the history of society but as the history of the different ways in which Britons have thought about their society.
Cannadine proposes that "class" may best be understood as a shorthand term for three distinct but abiding ways in which the British have visualized their social worlds and identities: class as "us" versus "them;" class as "upper," "middle," and "lower"; and class as a seamless hierarchy of individual social relations. From the eighteenth through the twentieth century, he traces the ebb and flow of these three ways of viewing British society, unveiling the different purposes each model has served.
Encompassing social, intellectual, and political history, Cannadine uncovers the meanings of class from Adam Smith to Karl Marx to Margaret Thatcher, showing the key moments in which thinking about class shifted, such as the aftermath of the French Revolution and the rise the Labor Party in the early twentieth century. He cogently argues that Marxist attempts to view history in terms of class struggle are often as oversimplified as conservative approaches that deny the central place of class in British life. In conclusion, Cannadine considers whether it is possible or desirable to create a "classless society," a pledge made by John Major that has continued to resonate even after the conservative defeat. Until we know what class really means-and has meant-to the British, we cannot seriously address these questions.
Creative, erudite, and accessible, "The Rise and Fall of Class in Britain" offers a fresh and engaging perspective on both British history and the crucial topic of class.
*FULLY REVISED AND UPDATED* Whether it was Churchill rousing the British to take up arms or the dream of Martin Luther King, Fidel Castro inspiring the Cuban revolution or Barack Obama on Selma and the meaning of America, speeches have profoundly influenced the way we see ourselves and society. Gathered here are some of the most extraordinary and memorable speeches of the last century - from Lenin to Reagan, Thatcher to Malala. Some are well known, others less so, but all helped form the world we now inhabit.
An established introductory textbook that provides students with a full overview of British social policy and social ideas since the late eighteenth century. Derek Fraser's authoritative account is the essential starting point for anyone learning about how and why Britain created the first Welfare State, and its development into the twenty-first century. This is an ideal core text for dedicated modules on the History of British Social Policy or the British Welfare State - or a supplementary text for broader modules on Modern British History or British Political History - which may be offered at all levels of an undergraduate History, Politics or Sociology degree. In addition it is a crucial resource for students who may be studying the history of the British Welfare State for the first time as part of a taught postgraduate degree in British History, Politics or Social Policy.
In the nineteenth century, the phenomenon of 'going abroad' was born. Beautiful Mediterranean towns, luxurious spas of Mittel-Europe and the golf courses of France became the playground of the idle wealthy. Until foreign travel became more accessible, the picturesque towns and smart hotels catered to an elite mix of royalty, celebrities and high society. This was where society could relax, mingle, see and be seen - where rules could be bent and broken and routines forgotten. Drawing Mary Evans Picture Library's archives, Lucinda Gosling traces the growth of some of Europe's most exclusive and desirable holiday destinations from Monte Carlo to Maidenhead, Biarritz to St Moritz, and explores the lives of the privileged holidaymakers who travelled there. Revealing a world of gossip and glamour, Holidays and High Society tells the story of travel in a golden age through its fashions, faces and places, using evocative vintage travel posters, brochures, fashion spreads and more: the ultimate form of escapism for anyone with a passion for the past.
You may like...
Two Weeks In November - The Astonishing…
Douglas Rogers Paperback
Lawfare - Judging Politics In South…
Michelle Le Roux, Dennis Davis Paperback
Land Of My Ancestors - An Epic South…
Botlhale Tema Paperback
Lost Communities, Living Memories…
Sean Field Paperback
Written Under The Skin - Blood And…
Carli Coetzee Paperback
Fighting For The Dream
R.W. Johnson Paperback (2)
Time Is Not The Measure - A Memoir
Vusi Mavimbela Paperback
Sala Kahle, District Six
Nomvuyo Ngcelwane Paperback
Witboy In Berlin - Adventures In The…
Deon Maas Paperback
Song For Sarah - Lessons From My Mother
Jonathan Jansen, Naomi Jansen Hardcover (2)