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Books > Arts & Architecture > The arts: general issues > Theory of art

Architectural and Urban Reflections after Deleuze and Guattari (Hardcover): Constantin V. Boundas, Vana Tentokali Architectural and Urban Reflections after Deleuze and Guattari (Hardcover)
Constantin V. Boundas, Vana Tentokali
R2,914 R2,467 Discovery Miles 24 670 Save R447 (15%) Ships in 10 - 20 work days

The post humanist movement which currently traverses various disciplines in the arts and humanities, as well as the role that the thought of Deleuze and Guattari has had in the course of this movement, has given rise to new practices in architecture and urban theory. This interdisciplinary volume brings together architects, urban designers and planners, and asks them to reflect and report on the (built) place and the city to come in the wake of Deleuze and Guattari.

Methods & Theories of Art History Third Edition (Paperback): Anne D'Alleva, Michael Cothren Methods & Theories of Art History Third Edition (Paperback)
Anne D'Alleva, Michael Cothren
R351 R294 Discovery Miles 2 940 Save R57 (16%) Ships in 10 - 20 work days
Transfigurements - On the True Sense of Art (Paperback): John Sallis Transfigurements - On the True Sense of Art (Paperback)
John Sallis
R718 Discovery Miles 7 180 Ships in 12 - 17 work days

"Transfigurements" develops a framework for thinking about art through innovative readings of some of the most important philosophical writing on the subject by Kant, Hegel, and Heidegger. Sallis exposes new layers in their texts and theories while also marking their limits. By doing so, his aim is to show that philosophy needs to attend to art directly. Consequently, Sallis also addresses a wide range of works of art, including paintings by Raphael, Monet, and Klee; Shakespeare's comedies; and the music of Beethoven, Schubert, Mahler, and Tan Dun. Through these interpretations, he puts forth a compelling new elaboration of the philosophy of art.

Critics, Coteries, and Pre-Raphaelite Celebrity (Hardcover): Wendy Graham Critics, Coteries, and Pre-Raphaelite Celebrity (Hardcover)
Wendy Graham
R1,292 R1,048 Discovery Miles 10 480 Save R244 (19%) Ships in 12 - 17 work days

Founded by a band of young iconoclasts, the Pre-Raphaelite Brotherhood stunned Victorian England with its revaluation of culture and lifestyle. With Pre-Raphaelitism ascendant in the 1850s and canonical by the 1880s, the movement's refractory reception history is an object lesson in how avant-gardes burst upon the scene, dispense with their antagonistic posture, and become a mainstay of tradition. Wendy Graham traces the critical discourses that greeted the Pre-Raphaelites' debut, shaped their contemporary reception, and continued to inform responses to them well after their heyday. She explains the mechanics of fame and the politics of scandal contributing to the rise of aestheticism, providing a new interpretation of the place of aesthetic counterculture in Victorian England. Critics, Coteries, and Pre-Raphaelite Celebrity sheds new light on Victorian discourses on sexuality and masculinity through a thick description of literary bravado, the emotions of male bonding within cliques, and homoerotic frissons among the creators and reviewers of Pre-Raphaelitism. She threads together the qualities that made William Holman Hunt, John Everett Millais, and Gabriel Rossetti exemplary figures of aesthetic celebrity in the 1850s; Algernon Swinburne and Simeon Solomon in the 1860s; and Edward Burne-Jones and Walter Pater in the 1870s. The book documents the symbiotic relationship between periodical writers and the artists and poets they helped make famous, demonstrating that the origin myth of Bohemian artistic transcendence was connected with the rise of a professional class of journalists. Graham shows that the Pre-Raphaelites innovated many of the phenomena now associated with Oscar Wilde, arguing that they were foundational for him in forging an artistic and personal identity with a full-blown publicity apparatus. Wilde had models. This book is about them.

Across Anthropology - Troubling Colonial Legacies, Museums, and the Curatorial (Paperback): Margareta Von Oswald, Jonas Tinius Across Anthropology - Troubling Colonial Legacies, Museums, and the Curatorial (Paperback)
Margareta Von Oswald, Jonas Tinius
R1,054 Discovery Miles 10 540 Ships in 12 - 17 work days
Disaster Cinema in Historical Perspective - Mediations of the Sublime (Hardcover, 0): Nikita Mathias Disaster Cinema in Historical Perspective - Mediations of the Sublime (Hardcover, 0)
Nikita Mathias
R3,134 Discovery Miles 31 340 Ships in 12 - 17 work days

How do we experience disaster films in cinema? And where does disaster cinema come from? The two questions are more closely related than one might initially think. For the framework of the cinematic experience of natural disasters has its roots in the mid-eighteenth century when the aesthetic category of the sublime was re-established as the primary mode for appreciating nature's violent forces. In this book, the sublime is understood as a complex and culturally specific meeting point between philosophical thought, artistic creation, social and technical development, and popular imagination. On the one hand, the sublime provides a receptive model to uncover how cinematic disaster depictions affect our senses, bodies and minds. On the other hand, this experiential framework of disaster cinema is only one of the most recent agents within the historical trajectory of sublime disasters, which is traced in this book among a broad range of media: from landscape and history painting to a variety of pictorial devices like Eidophusikon, Panorama, Diorama, and, finally, cinema.

Cultivating Picturacy - Visual Art and Verbal Interventions (Hardcover): James A.W. Heffernan Cultivating Picturacy - Visual Art and Verbal Interventions (Hardcover)
James A.W. Heffernan
R1,105 Discovery Miles 11 050 Ships in 7 - 11 work days

Though English has no word for the visual counterpart to literacy, Heffernan argues that the capacity to interpret pictures must be cultivated and deserves a name: picturacy. Using examples such as the pre-historic cave paintings of Lascaux, film versions of Frankenstein , the provocative photographs of Sally Mann, and the abstract canvases of Gerhard Richter, the volume illustrates how learning to decode the language of pictures resembles the process of learning to read. While words typically frame and regulate our experience of art, the study also explains how pictures can contest the authority of the words we use to interpret art.

Hacking Habitat - Art of Control (Paperback): Ine Gevers, Iris Tuin, Petran Kockelkoren, Dennis Kerckhoffs, Fiso Wiersum Hacking Habitat - Art of Control (Paperback)
Ine Gevers, Iris Tuin, Petran Kockelkoren, Dennis Kerckhoffs, Fiso Wiersum
R1,014 R834 Discovery Miles 8 340 Save R180 (18%) Ships in 7 - 11 work days
Images of War in Contemporary Art - Terror and Conflict in the Mass Media (Hardcover): Uros Cvoro, Kit Messham-Muir Images of War in Contemporary Art - Terror and Conflict in the Mass Media (Hardcover)
Uros Cvoro, Kit Messham-Muir
R2,407 Discovery Miles 24 070 Ships in 12 - 17 work days

In Images of War in Contemporary Art, Uros Cvoro and Kit Messham-Muir mount a challenge to the dominance of theoretical tropes of trauma, affect, and emotion that have determined how we think of images of war and terror for the last 20 years. Through analyses of visual culture from contemporary "war art" to the meme wars, they argue that the art that most effectively challenges the ethics and aesthetics of war and terror today is that which disrupts this flow-art that makes alternative perceptions of wartime both visible and possible. As a theoretical work, Images of War in Contemporary Art is richly supported by visual and textual evidence and firmly embedded in current artistic practice. Significantly, though, the book breaks with both traditional and current ways of thinking about war art-offering a radical rethinking of the politics and aesthetics of art today through analyses of a diverse scope of contemporary art that includes Ben Quilty, Abdul Abdullah (Australia), Mladen Miljanovic, Nebojsa Seric Soba (Bosnia and Herzegovina), Hiwa K, Wafaa Bilal (Iraq), Teresa Margolles (Mexico), and Arthur Jafa (United States).

Beauty: A Very Short Introduction (Paperback): Roger Scruton Beauty: A Very Short Introduction (Paperback)
Roger Scruton
R236 R196 Discovery Miles 1 960 Save R40 (17%) Ships in 10 - 20 work days

Beauty can be consoling, disturbing, sacred, profane; it can be exhilarating, appealing, inspiring, chilling. It can affect us in an unlimited variety of ways. Yet it is never viewed with indifference. In this Very Short Introduction the renowned philosopher Roger Scruton explores the concept of beauty, asking what makes an object - either in art, in nature, or the human form - beautiful, and examining how we can compare differing judgements of beauty when it is evident all around us that our tastes vary so widely. Is there a right judgement to be made about beauty? Is it right to say there is more beauty in a classical temple than a concrete office block, more in a Rembrandt than in last year's Turner Prize winner? Forthright and thought-provoking, and as accessible as it is intellectually rigorous, this introduction to the philosophy of beauty draws conclusions that some may find controversial, but, as Scruton shows, help us to find greater sense of meaning in the beautiful objects that fill our lives. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

The Evolution of Taste in American Collecting (Paperback): Rene Brimo The Evolution of Taste in American Collecting (Paperback)
Rene Brimo; Edited by Kenneth Haltman
R634 Discovery Miles 6 340 Ships in 12 - 17 work days

The Evolution of Taste in American Collecting is a new critical translation of Rene Brimo's classic study of eighteenth- and nineteenth-century patronage and art collecting in the United States. Originally published in French in 1938, Brimo's foundational text is a detailed examination of collecting in America from colonial times to the end of World War I, when American collectors came to dominate the European art market. This work helped shape the then-fledgling field of American art history by explaining larger cultural transformations as manifested in the collecting habits of American elites. It remains the most substantive account of the history of collecting in the United States. In his introduction, Kenneth Haltman provides a biographical study of the author and his social and intellectual milieu in France and the United States. He also explores how Brimo's work formed a turning point and initiated a new area of academic study: the history of art collecting. Making accessible a text that has until now only been available in French, Haltman's elegant translation of The Evolution of Taste in American Collecting sheds new critical light on the essential work of this extraordinary but overlooked scholar.

The Creative Stance (Paperback): Bob And Roberta Smith, Edmund De Waal, Ele Carpenter, Frederick William Deakin, Grayson Perry,... The Creative Stance (Paperback)
Bob And Roberta Smith, Edmund De Waal, Ele Carpenter, Frederick William Deakin, Grayson Perry, …
R557 Discovery Miles 5 570 Ships in 12 - 17 work days
Rene Block - Ich Kenne Kein Weekend. Schriften und Dokumente Seit 1964 (Paperback): Marius Babias, Thomas Kohler, Philip... Rene Block - Ich Kenne Kein Weekend. Schriften und Dokumente Seit 1964 (Paperback)
Marius Babias, Thomas Kohler, Philip Ursprung; Edited by Birgit Eusterschulte, Marius Babias, …
R1,372 Discovery Miles 13 720 Ships in 7 - 11 work days

Having represented Beuys, Richter and Polke. Rene Block (born 1942) ranks among the central figures of the 1960s avant-garde. This publication collects writings by and interviews with Block, organized chronologically.

Future of Post-Human Visual Arts - Towards a New Theory of Techniques & Spirits -- Volume 1 (Hardcover): Peter Baofu Future of Post-Human Visual Arts - Towards a New Theory of Techniques & Spirits -- Volume 1 (Hardcover)
Peter Baofu
R4,497 Discovery Miles 44 970 Ships in 12 - 17 work days

Are the visual arts really so central in our time that, as Doug Adams once said, "people under 60, raised on television remember by what they see [F]ilm and television are really the language of today"? (TE 2013) This central view on the visual arts can be contrasted with an opposing view by Camille Paglia, who wrote that "the visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism. Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images." (TE 2013a) Contrary to these opposing views (and other ones as will be discussed in the book), the visual arts (in relation to techniques and spirits) are neither possible (nor impossible) nor desirable (or undesirable) to the extent that the respective ideologues (on different sides) would like us to believe. Needless to say, this questioning of the opposing views on the visual arts does not mean that the study of techniques and spirits is useless, or that those fields (related to the visual arts)like drawing, cosmetics, manicure, painting, landscape, calligraphy, photography, digital art, computer technology, advertisement, graphic design, filmmaking, fashion, sculpture, architecture, and so onare unimportant. (WK 2013) Of course, neither of these extreme views is reasonable. Instead, this book offers an alternative (better) way to understand the future of the visual arts in regard to the dialectic relationship between techniques and spiritswhile learning from different approaches in the literature but without favoring any one of them (nor integrating them, since they are not necessarily compatible with each other). More specifically, this book offers a new theory (that is, the ephemeral theory of the visual arts) to go beyond the existing approaches in a novel way and is organized in four chapters. This seminal project will fundamentally change the way that we think about the visual arts in relation to techniques and spirits from the combined perspectives of the mind, nature, society, and culture, with enormous implications for the human future and what I originally called its "post-human" fate.

Meyer Schapiro's Critical Debates - Art Through a Modern American Mind (Paperback): C. Oliver O'donnell Meyer Schapiro's Critical Debates - Art Through a Modern American Mind (Paperback)
C. Oliver O'donnell
R591 Discovery Miles 5 910 Ships in 12 - 17 work days

Described in the New York Times as the greatest art historian America ever produced, Meyer Schapiro was both a close friend to many of the famous artists of his generation and a scholar who engaged in public debate with some of the major intellectuals of his time. This volume synthesizes his prolific career for the first time, demonstrating how Schapiro worked from the nexus of artistic and intellectual practice to confront some of the twentieth century's most abiding questions. Schapiro was renowned for pioneering interdisciplinary approaches to interpreting visual art. His lengthy formal analyses in the 1920s, Marxist interpretations in the 1930s, psychoanalytic critiques in the 1950s and 1960s, and semiotic explorations in the 1970s all helped open new avenues for inquiry. Based on archival research, C. Oliver O'Donnell's study is structured chronologically around eight defining debates in which Schapiro participated, including his dispute with Isaiah Berlin over the life and writing of Bernard Berenson, Schapiro's critique of Martin Heidegger's ekphrastic commentary on Van Gogh, and his confrontation with Claude Levi-Strauss over the applicability of mathematics to the interpretation of visual art. O'Donnell's thoughtful analysis of these intellectual exchanges not only traces Schapiro's philosophical evolution but also relates them to the development of art history as a discipline, to central tensions of artistic modernism, and to modern intellectual history as a whole. Comprehensive and thought-provoking, this study of Schapiro's career pieces together the separate strands of his work into one cohesive picture. In doing so, it reveals Schapiro's substantial impact on the field of art history and on twentieth-century modernism.

Art As Experience (Paperback): John Dewey Art As Experience (Paperback)
John Dewey 1
R446 R345 Discovery Miles 3 450 Save R101 (23%) Ships in 12 - 17 work days

Based on John Dewey's lectures on esthetics, delivered as the first William James Lecturer at Harvard in 1932, "Art as Experience" has grown to be considered internationally as the most distinguished work ever written by an American on the formal structure and characteristic effects of all the arts: architecture, sculpture, painting, music, and literature.

Faceworld (Hardcover): Marion Zilio Faceworld (Hardcover)
Marion Zilio; Translated by Robin Mackay
R1,244 Discovery Miles 12 440 Ships in 12 - 17 work days

We have long accepted the face as the most natural and self-evident thing, believing that in it we could read, as if on a screen, our emotions and our doubts, our anger and joy. We have decorated them, made them up, designed them, as if the face were the true calling card of our personality, the public manifestation of our inner being. Nothing could be further from the truth. Rather than a window opening onto our inner nature, the face has always been a technical artefact--a construction that owes as much to artificiality as to our genetic inheritance. From the origins of humanity to the triumph of the selfie, Marion Zilio charts the history of the technical, economic, political, legal, and artistic fabrication of the face. Her account of this history culminates in a radical new interrogation of what is too often denounced as our contemporary narcissism. In fact, argues Zilio, the "narcissism" of the selfie may well reconnect us to the deepest sources of the human manufacture of faces--a reconnection that would also be a chance for us to come to terms with the non-human part of ourselves. This highly original reflection on the fabrication of the face will be of great value to students and scholars of media and culture and to anyone interested in the pervasiveness of the face in our contemporary age of the selfie.

Ending the Anthropocene - Essays on Activism in the Age of Collapse (Paperback): Lieven De Cauter Ending the Anthropocene - Essays on Activism in the Age of Collapse (Paperback)
Lieven De Cauter
R713 R581 Discovery Miles 5 810 Save R132 (19%) Ships in 7 - 11 work days
In the Shadow of Vel?zquez - A Life in Art History (Hardcover): Jonathan Brown In the Shadow of Vel?zquez - A Life in Art History (Hardcover)
Jonathan Brown
R920 Discovery Miles 9 200 Ships in 12 - 17 work days

In this lucid, witty book, the eminent art historian Jonathan Brown examines links between his personal life and his study of Hispanic art of the Golden Age. His adventures are offered as a model for understanding how art history is shaped by life experiences, and he describes the influence of his parents, Jean and Leonard Brown, noted collectors of documentation of 20th-century avant-garde movements.His turn to research on the Golden Age of Spanish art was motivated by a year in Madrid, 1958-59. Art history in Spain was modeled on the policies of the Franco regime, and Brown sought to find different ways to interpret Spanish painting. His approach is demonstrated by fresh insight into painters, including Velazquez. A new interpretation of Las Meninas is proposed and the perils of attribution are examined. Later in his career, Brown began to study the transformation of Spanish art in the Americas. The book originated as a series of six lectures delivered at the Museo Nacional del Prado in 2012.

Georg Simmel - Essays on Art and Aesthetics (Paperback): Georg Simmel Georg Simmel - Essays on Art and Aesthetics (Paperback)
Georg Simmel; Edited by Austin Harrington; Introduction by Austin Harrington
R787 Discovery Miles 7 870 Ships in 10 - 20 work days

Georg Simmel is one of the most original German thinkers of the twentieth century and is considered a founding architect of the modern discipline of sociology. Ranging over fundamental questions of the relationship of self and society, his influential writings on money, modernity, and the metropolis continue to provoke debate today. Fascinated by the relationship between culture, society, and economic life, Simmel took an interest in myriad phenomena of aesthetics and the arts. A friend of writers and artists such as Auguste Rodin, Rainer Maria Rilke, and Stefan George, he wrote dozens of pieces engaging with topics such as the work of Michelangelo, Rembrandt, and Rodin, Japanese art, naturalism and symbolism, Goethe, "art for art's sake", art exhibitions, and the aesthetics of the picture frame. This is the first collection to bring together Simmel's finest writing on art and aesthetics, and many of the items appear in English in this volume for the first time. The more than forty essays show the protean breadth of Simmel's reflections, covering landscape painting, portraiture, sculpture, poetry, theater, form, style, and representation. An extensive introduction by Austin Harrington gives an overview of Simmel's themes and elucidates the significance of his work for the many theorists who would be inspired by his ideas. Something of an outsider to the formal academic world of his day, Simmel wrote creatively with the flair of an essayist. This expansive collection of translations, many of them prepared by the editor, preserves the narrative ease of Simmel's prose and will be a vital source for readers with an interest in Simmel's trailblazing ideas in modern European philosophy, sociology, and cultural theory.

Phyllida Barlow - Collected Lectures, Writings and Interviews (Paperback): Sara Harrison Phyllida Barlow - Collected Lectures, Writings and Interviews (Paperback)
Sara Harrison; Phyllida Barlow, Julia Peyton-Jones, Hans Ulrich Obrist, Mark Godfrey, …
R931 R719 Discovery Miles 7 190 Save R212 (23%) Ships in 12 - 17 work days
Tate: Contemporary Art Decoded (Hardcover): Jessica Cerasi Tate: Contemporary Art Decoded (Hardcover)
Jessica Cerasi
R710 R551 Discovery Miles 5 510 Save R159 (22%) Ships in 5 - 10 work days

What is contemporary art, and how did art come to be what it is today? How can we understand what a work of art means; and can't just about anything be called art these days? Contemporary Art Decoded takes ten key questions about contemporary art and uses them to what you're looking at, how it works, and why it matters. Steering clear of jargon, this book digs deep into the core ideas and concepts behind the art. It features some work you'll recognise, and some you won't, from some of the most exciting artists working today, such as Olafur Eliasson, Anish Kapoor, Yayoi Kusama and Zanele Muholi. This book is guaranteed to make your next trip to a gallery more rewarding. Chapters include: - What is contemporary art? - Where did it come from? - Where do you draw the line? - Does it matter who makes it? - Does it have to mean something? - Can anything be art? - What about art for art's sake? - Has it all been done before? - Does it have to be so serious? - What's next?

Art Fundamentals 2nd edition - Light, shape, color, perspective, depth, composition & anatomy (Paperback, 2nd edition): 3DTotal... Art Fundamentals 2nd edition - Light, shape, color, perspective, depth, composition & anatomy (Paperback, 2nd edition)
3DTotal Publishing
R834 R695 Discovery Miles 6 950 Save R139 (17%) Ships in 10 - 20 work days

Art Fundamentals 2nd Edition is a fully revised and updated back-to-basics title, packed with the fundamental concepts, conventions, and theory every beginner artist needs to create successful work. This essential book is written by industry experts who thoroughly address key basics including color and light, composition, perspective and depth, and anatomy in a series of insightful chapters. As well as being the perfect introduction for newcomers, Art Fundamentals 2nd Edition also offers experienced artists the chance to brush up on their theory and discover new tricks, tips, and techniques to advance their art even further. Richly illustrated throughout for optimal learning, each section of the book is specifically designed to guide the reader through the essential yet often challenging elements that make up the foundations of art, no matter which medium or technique is used. As fascinating and illuminating as it is practical and essential, Art Fundamentals 2nd Edition contains the foundations of art, presented, taught, and completely demystified for the today's artist.

Art and Truth after Plato (Paperback): Tom Rockmore Art and Truth after Plato (Paperback)
Tom Rockmore
R921 Discovery Miles 9 210 Ships in 12 - 17 work days

Despite its foundational role in the history of philosophy, Plato's famous argument that art does not have access to truth or knowledge is now rarely examined, in part because recent philosophers have assumed that Plato's challenge was resolved long ago. In Art and Truth after Plato, Tom Rockmore argues that Plato has in fact never been satisfactorily answered - and to demonstrate that, he offers a comprehensive account of Plato's influence through nearly the whole history of Western aesthetics. Rockmore offers a cogent reading of the post - Platonic aesthetic tradition as a series of responses to Plato's position, examining a stunning diversity of thinkers and ideas. He visits Aristotle's Poetics, the medieval Christians, Kant's Critique of Judgment, Hegel's phenomenology, Marxism, social realism, Heidegger, and many other works and thinkers, ending with a powerful synthesis that lands on four central aesthetic arguments that philosophers have debated. More than a mere history of aesthetics, Art and Truth after Plato presents a fresh look at an ancient question, bringing it into contemporary relief.

Painting (Paperback): Terry R. Myers Painting (Paperback)
Terry R. Myers
R461 R373 Discovery Miles 3 730 Save R88 (19%) Ships in 12 - 17 work days

The 'death of painting' and its subsequent resurrection in transformed conditions is an oft-rehearsed leitmotif of the modernist era, yet from the postconceptual painting revival of the early 1980s to the present new perspectives have emerged that reopen the entire field, not only globally but historically beyond the past century. The diversity of meanings and practices signified by painting today can encompass the eclecticism associated with net-surfing and the philosophical naming as 'painting' of artworks that manifest no trace of paint. This is the first anthology to bring together key statements, dialogues and debates by artists and writers on art that have been building blocks of the latest era in painting's history. Predominantly first published in magazines, journals and catalogues, these texts recontextualize polarized debates and reignite questions for the future. Tracing the story from the 'neo' revivals onward, this collection also ranges widely across ideas and practices of the preceding decades as they have been re-evaluated by artists and theorists in the frame of contemporary ideas.Artists surveyed include Glenn Brown, Vija Celmins, John Currin, Marlene Dumas, Olafur Eliasson, Bernard Frize, Katharina Grosse, Andreas Gursky, Peter Halley, Gary Hume, Jutta Koether, Paul McCarthy, Suzanne McCleland, Beatriz Milhazes, Takashi Murakami, Albert Oehlen, Lari Pittman, Sigmar Polke, Gerhard Richter, Robert Ryman, David Salle, Cheri Samba, Jim Shaw, Jessica Stockholder, Philip Taaffe, Luc Tuymans, Jeff Wall and Sue Williams. Writers include Daniel Birnbaum, Norman Bryson, Douglas Crimp, Gilles Deleuze, Sebastian Egenhofer, Hal Foster, Jeremy Gilbert-Rolfe, Isabelle Graw, David Joselit, Shirley Kaneda, Geeta Kapur, Thomas Lawson, Midori Matsui, Lane Relyea, Rene Ricard, Jerry Saltz, Mira Schor, Barry Schwabsky and Adrian Searle.

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