"What a treat to explore the novel as a genre through the lucid eyes of AndrA(c) Brink, himself one of the world's foremost novelists! I particularly enjoyed the way in which the most traditional novels were revealed as contemporary and entirely relevant."
"--Ariel Dorfman"
The postmodernist novel has become famous for the extremes of its narcissistic involvement with language. In this challenging and wide-ranging new study, AndrA(c) Brink argues that this self-consciousness has been a defining characteristic of the novel since its inception. Taking as his starting point "the propensity for story" embedded in all language, he demonstrates that the old familiar novels may be the more startlingly modern, while postmodernist texts remain more firmly rooted in convention.
From the beginnings of the genre with Don Quixote, through "classic" novels of theeighteenth and nineteenth centuries and modern and postmodern texts of the twentieth, Brink performs a sweeping analysis of 500 years of the novel, including "Moll Flanders," "Emma," "Madame Bovary," "The Trial," "One Hundred Years of Solitude," and "Possession," As an internationally recognized novelist, he brings a unique critical eye and enthusiasm to his exploration of the genre, offering the reader a refreshing and rewarding introduction to the novel and narrative theory.
"What a treat to explore the novel as a genre through the lucid eyes of AndrA(c) Brink, himself one of the world's foremost novelists! I particularly enjoyed the way in which the most traditional novels were revealed as contemporary and entirely relevant."
"--Ariel Dorfman"
The postmodernist novel has become famous for the extremes of its narcissistic involvement with language. In this challenging and wide-ranging new study, AndrA(c) Brink argues that this self-consciousness has been a defining characteristic of the novel since its inception. Taking as his starting point "the propensity for story" embedded in all language, he demonstrates that the old familiar novels may be the more startlingly modern, while postmodernist texts remain more firmly rooted in convention.
From the beginnings of the genre with Don Quixote, through "classic" novels of theeighteenth and nineteenth centuries and modern and postmodern texts of the twentieth, Brink performs a sweeping analysis of 500 years of the novel, including "Moll Flanders," "Emma," "Madame Bovary," "The Trial," "One Hundred Years of Solitude," and "Possession," As an internationally recognized novelist, he brings a unique critical eye and enthusiasm to his exploration of the genre, offering the reader a refreshing and rewarding introduction to the novel and narrative theory.
Imprint | New York University Press |
Country of origin | United States |
Release date | April 1998 |
Availability | Expected to ship within 7 - 11 working days |
First published | April 1998 |
Authors | Andre Brink |
Dimensions | 229 x 152 x 28mm (L x W x T) |
Format | Hardcover |
Pages | 288 |
ISBN-13 | 978-0-8147-1330-3 |
Barcode | 9780814713303 |
Categories | |
LSN | 0-8147-1330-0 |