A Handbook to the Paintings by Ancient Masters in the Art Treasures Exhibition (Paperback)


This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1857. Excerpt: ... colours only; that is, with those only which have been mixed with more or less white paint. The majority of the Velasquez portraits are painted in this solid manner; the Nicholas Maes picture (057 and 658) are fair examples of it, and most of the works of Nicholas Poussin, especially "the Triumph of Bacchus" (598), are painted in solid colours, or, as the technical phrase is, impasto. To return to the Venetian school when at its full glory, we can find no grander or more characteristic instance of the special powers of Titian than the Europa (259), from the Orleans gallery. In this the colours are nearly all laid on according to the process already described, but a very carefully-modelled ground-work was first laid on in the more solid colours. The distant rocks and groups of distracted nymphs are dashed in with the most extraordinary vigour. This picture is fortunately so placed as to present the minutest details of execution to the inspection of the student, and to afford also an excellent general effect viewed across the room. The " Casette" of Titian (277), the painter's daughter holding up a casket on a dish, with both hands, is also an admirable piece of drawing and colouring; it is from the Orleans collection, and has been contributed by Lord De Grey. The sketch for the "Rape of Proserpine" (262), is by Lambert Suster, not Titian; but it is an admirable specimen of the processes of the Venetian school. The finished sketch for the "Gloria" (279), seemingly on paper, is full of interest, both artistically and historically. It seems to have been the identical picture which was held up to Charles V. in his dying moments, at the monastery of St. Juste. This sketch was for a certain period lost, and discovered about the year 1808, in a gambling-house at ...

R354

Or split into 4x interest-free payments of 25% on orders over R50
Learn more

Discovery Miles3540
Delivery AdviceOut of stock

Toggle WishListAdd to wish list
Review this Item

Product Description

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1857. Excerpt: ... colours only; that is, with those only which have been mixed with more or less white paint. The majority of the Velasquez portraits are painted in this solid manner; the Nicholas Maes picture (057 and 658) are fair examples of it, and most of the works of Nicholas Poussin, especially "the Triumph of Bacchus" (598), are painted in solid colours, or, as the technical phrase is, impasto. To return to the Venetian school when at its full glory, we can find no grander or more characteristic instance of the special powers of Titian than the Europa (259), from the Orleans gallery. In this the colours are nearly all laid on according to the process already described, but a very carefully-modelled ground-work was first laid on in the more solid colours. The distant rocks and groups of distracted nymphs are dashed in with the most extraordinary vigour. This picture is fortunately so placed as to present the minutest details of execution to the inspection of the student, and to afford also an excellent general effect viewed across the room. The " Casette" of Titian (277), the painter's daughter holding up a casket on a dish, with both hands, is also an admirable piece of drawing and colouring; it is from the Orleans collection, and has been contributed by Lord De Grey. The sketch for the "Rape of Proserpine" (262), is by Lambert Suster, not Titian; but it is an admirable specimen of the processes of the Venetian school. The finished sketch for the "Gloria" (279), seemingly on paper, is full of interest, both artistically and historically. It seems to have been the identical picture which was held up to Charles V. in his dying moments, at the monastery of St. Juste. This sketch was for a certain period lost, and discovered about the year 1808, in a gambling-house at ...

Customer Reviews

No reviews or ratings yet - be the first to create one!

Product Details

General

Imprint

General Books LLC

Country of origin

United States

Release date

2012

Availability

Supplier out of stock. If you add this item to your wish list we will let you know when it becomes available.

First published

2012

Authors

Dimensions

246 x 189 x 2mm (L x W x T)

Format

Paperback - Trade

Pages

34

ISBN-13

978-1-235-58431-2

Barcode

9781235584312

Categories

LSN

1-235-58431-3



Trending On Loot