What is implied when we refer to the study of performing arts as 'drama', 'theatre' or 'performance'? Each term identifies a different tradition of thought and offers different possibilities to the student or practitioner. This book examines the history and use of the terms and investigates the different philosophies, politics, languages and institutions with which they are associated. Simon Shepherd and Mick Wallis:
* analyze attitudes to drama, theatre and performance at different historical junctures
* trace a range of political interventions into the field(s)
* explore and contextualise the institutionalisation of drama and theatre as university subjects, then the emergence of 'performance' as practice, theory and academic discipline
* guide readers through major approaches to drama, theatre and performance, from theatre history, through theories of ritual or play, to the idea of performance as paradigm for a postmodern age
* discuss crucial terms such as action, alienation, catharsis, character, empathy, interculturalism, mimesis, presence or representation in a substantial 'keywords' section.
Continually linking their analysis to wider cultural concerns, the authors here offer the most wide-ranging and authoritative guide available to a vibrant, fast-moving field and vigorous debates about its nature, purpose and place in the academy.
Pay from as little as R698.25Learn more

Non-Returnable
Free Delivery
Ships in 10 - 15 working days
What is implied when we refer to the study of performing arts as 'drama', 'theatre' or 'performance'? Each term identifies a different tradition of thought and offers different possibilities to the student or practitioner. This book examines the history and use of the terms and investigates the different philosophies, politics, languages and institutions with which they are associated. Simon Shepherd and Mick Wallis:
* analyze attitudes to drama, theatre and performance at different historical junctures
* trace a range of political interventions into the field(s)
* explore and contextualise the institutionalisation of drama and theatre as university subjects, then the emergence of 'performance' as practice, theory and academic discipline
* guide readers through major approaches to drama, theatre and performance, from theatre history, through theories of ritual or play, to the idea of performance as paradigm for a postmodern age
* discuss crucial terms such as action, alienation, catharsis, character, empathy, interculturalism, mimesis, presence or representation in a substantial 'keywords' section.
Continually linking their analysis to wider cultural concerns, the authors here offer the most wide-ranging and authoritative guide available to a vibrant, fast-moving field and vigorous debates about its nature, purpose and place in the academy.
Imprint | Routledge |
Country of origin | United Kingdom |
Series | The New Critical Idiom |
Release date | September 2004 |
Availability | Expected to ship within 10 - 15 working days |
First published | 2004 |
Authors | Simon. Shepherd, Mick Wallis |
Dimensions | 198 x 129 x 19mm (L x W x T) |
Format | Hardcover |
Pages | 272 |
Edition | New |
ISBN-13 | 978-0-415-23493-1 |
Barcode | 9780415234931 |
Categories | |
LSN | 0-415-23493-X |
Be the first to know about our
latest deals & promos! Subscribe Now
COPYRIGHT © 2026 AFRICA ONLINE RETAIL (PTY)LTD. ALL RIGHTS RESERVED. Khutaza Park, 27 Bell Crescent, Westlake Business Park. PO Box 30836, Tokai, 7966, South Africa. info@loot.co.za
All prices displayed are subject to fluctuations and stock availability as outlined in our Terms & Conditions